"Because of the increasing demand for woodworking projects embracing the designs of the famous masters, Chippendale, Hepplewhite, and Sheraton, the author has endeavored to secure dimensioned sketches and photographs of old fashioned furniture." Frederick J. Bryant. Active in the early 20th Century Manual Arts education movement, Frederick J. Bryant sought out period furniture, found in local Maine towns, of "singular form and beauty." Tables: Gate-leg, Card, Tea, Work, Tip-Top, Breakfast, Tavern Clocks: Grandfather, Banjo Chairs: Windsor, Hepplewhite, Empire Mirrors: Colonial, Old Fashioned With notes on wood finishing

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

In many ways the story of France itself, French Furniture shows how a tumultuous national history was paralleled by stunning standards of design, decoration and craftsmanship. Originally published in 1907, Andre Saglio's survey stretches from the times of Gauls battling Romans through the medieval, Renaissance and Regency periods, to the opulence of Louis XVI, the violent Revolution and the rise of Napoleon. Tables, chairs, cabinets, dressers, mirrors and more besides are illustrated and described in Saglio's clear, authoritative style, making French Furniture essential reading for anyone interested in antiques, history or interior design.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Acknowledgments In the making of this book I have had the advice and assistance of many people, and I cannot regard the work as complete until I have expressed to them, in some fashion, my deep sense of gratitude. High on the list must be the name of Miss Emma B. Richardson, of the staff of The Charleston Museum, for her excellent work in preparing the manuscript, editing, reading proof, and in general making the book ready for the press. Her patience has been unfailing her quick grasp of every problem, me and accurate. It is, I fear, impossible for me to make adequate acknowledgment of all those who have assisted me in searching out extant examples of early Charleston furniture of space preclude a complete h g . I am particularly grateful, however, to those who have permitted me to come into their homes, often to the disruption of their households, to make photographs of their furniture. I was invariably received with courtesy, and in not a siigle instance was I refused permission to take pictures. I regret that I cannot show my appreciation of such generous co-operation by including in this book all the photographs I was permitted to acquire. The final choice has been determined by cost and space limitations, or by the necessity of avoiding repetition of the types of funitwe represented. It should be understood, therefore, that the exclusion of any given photograph does not mean that the subject was unworthy of inclusion. It should be understwd also that only by the collection and mdy of hundreds of photographs have I been able to write with confidence on the styles and types of early Charleston furniture hence, every photograph I have taken has been invaluable to me, whether or notit ocnus as an illustration in the book. Insdtutions and societies as well as individuals have been generous either in supplying me with photographs or in permitting me to have the photographs taken.........

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Frederick Litchfield created an enduring classic study of functional art with his Illustrated History of Furniture. This reprinting is presented out of a deep appreciation for the excellent scholarship and many illuminating insights that he so generously shared. The first chapter, which refers to Ancient Furniture and covers a period of several centuries, is introductory to those that follow, rather than a serious attempt to examine the history of the furniture during that space of time. The fourth chapter, which deals with a period of some hundred and fifty years, from the time of King James the First until that of Chippendale and his contemporaries, and the last three chapters, are more fully descriptive than some others, partly because trustworthy information to these times was more accessible, and partly because it is probable that English readers will feel greater interest in the furniture of which they are the subject. The French meubles de luxe, from the latter half of the seventeenth century until the Revolution, are also treated more fully than the furniture of other periods and countries, on account of the interest which has been manifested in this description of the cabinet maker's and metal mounter's work. Evidence of this appreciation may be found in the enormous prices realized at notable auction sales, when such furniture has been offered for competition to wealthy connoisseurs. Such furniture cannot be cheap certainly, but the real cost is sometimes borne by the artist who produces, rather than by the man who may happen to buy it. It is often forgotten that the price paid is that of the lives and sustenance of the workers and their families.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

There's no competition. When it comes to the American Idyll, the hammock and the Adirondack chair are the shoe-in (and shoes-off!) winners. Built for lazing around in, they're the classic icons of a summer getaway. And they're both quintessentially American. The hammock, invented by the native inhabitants of the Caribbean, was "discovered" by Columbus on his first voyage to the New World. And the Adirondack chair--whose name evokes the mountain retreats for which it was originally fashioned--is deeply rooted in the American Arts & Crafts movement. In these charming books, furniture maker Daniel Mack captures the nostalgic, carefree, and oh-so-comfortable spirit of the hammock and 'Rondack chair. Illustrated with scores of contemporary photographs and images from vintage memorabilia, "The Hammock" and "The Adirondack Chair" are also filled with "who knew?" history. And each contains instructions for hanging your own hammock or building your own chair. But really, these books--splendid gifts for Father's Day or as thank-you tokens for summer-weekend hosts--are "not" about work. In fact, they're perfect for taking a little break with (while relaxing, of course, in a hammock or Adirondack chair).

1928. With 200 Illustrations. From the Foreword: By the practical method here adopted of illustrating and treating the furniture of each style by itself and in proper chronological order it becomes easy to distinguish the characteristics of each furniture-group, and so quickly to place, by the recognition of those qualities, any piece of furniture that one sees. These consecutive styles soon lie out in the mind like a map, upon any location in which a mental finger can unhesitatingly be set down. Transition pieces then cause no difficulty, for the characteristics of two styles in the one piece are recognized, and the article is assigned to its natural place between the two modes. To a degree that did not obtain in England, there was sometimes here the persistence of certain features of one style into the next, and this makes it all the more necessary to understand which features belong to each. Contents: The Colonial Styles: Jacobean or Stuart; William and Mary; Queen Anne-Early Georgian; Chippendale. The Federal Styles: Hepplewhite, Shearer, and Early Sheraton; American Directoire; American Empire. Decoration: Interior Architecture; Decorative Accessories. Due to the age and scarcity of the original we reproduced, some pages may be spotty or faded.

Some In The Sixteenth Century But Principally In The Seventeenth, Eighteenth And Early Nineteenth Centuries. Containing over 1,200 illustrations from photographs and drawings of the best examples of the furniture of Hepplewhite, Sheraton, Adam, Chippendale, etc.

Originally published in 1934, this is an exhaustively detailed guide to the history of English furniture, copiously illustrated with black and white photography and many illustrations, and is highly recommended for inclusion on the bookshelf of anyone with an interest in the subject. Many of these earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents include: The Historical Background of Design 1500-1700; The Historical Background of Design 1700-1934; Furniture Design Under the Wood Workers 1500 1660; Furniture Design Under Fashion, 1660-1730; Furniture Design Under the Architects 1730-1830; Furniture Design Under the Romantic Movement and the Furniture Trade 1830-1900; Furniture Design Under the Antique Dealers and Artist-Craftsmen 1900-1920; The New Materials and Their Effect on Design; The Patient Art of Buying Furniture; Books About Furniture and Design.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Some In The Sixteenth Century But Principally In The Seventeenth, Eighteenth And Early Nineteenth Centuries. Containing over 1,200 illustrations from photographs and drawings of the best examples of the furniture of Hepplewhite, Sheraton, Adam, Chippendale, etc.

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

1929. A pictorial handbook of fine furniture made in Great Britain and in the American colonies, some in the sixteenth century but principally in the seventeenth, eighteenth and early nineteenth centuries. With more than 400 illustrations. Contents: Gothic and Tudor Oak Furniture; English and American Furniture of Seventeenth Century Type; The Windsor or Turned Chair; Lacquer Work; Development of the English Walnut Chair; English and American Mahogany Chairs; American and English Dado Furniture; Double Chests, Highboys and Cabinets; Side Tables, Sideboards and Commodes; Mahogany Tripod Furniture; Occasional Tables; Wall Furniture of the Eighteenth Century; Hepplewhite Chairs: English and American; Wall and Toilet Mirrors: American and English; and Thomas Sheraton and Duncan Phyfe.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

1902. Illustrative of a collection formed by Robinson. Photographed by Eustace Calland. An illustrated volume of Ancient Furniture and other objects collected by the author during a number of years and in many countries and contained in Parnham House. Contents: Tables; Cupboards or Armoires; Marquetry; Boulle Furniture; Chippendale; Chairs or Seats; Bedsteads; Chests or Coffers; Metal Work; Pottery; Glass; and Miscellaneous.

After an introduction to the sources of evidence and the different materials used in making Roman furniture, there follow individual chapters on the different categories of furniture, such as couches and beds, tables, chairs and stools, cupboards, storage boxes and shelving. Examples will be taken from all over the Empire, but there will be special emphasis on furniture used in the north-west provinces. The final part of the book discusses the types of furniture found in rich and poor houses, including farms and military barracks, as well as the types of furniture to be found in specific rooms. This is the first general book on Roman furniture to be published in English.

This concise yet wide-ranging survey of collectable antique furniture, illustrated throughout in full colour, guides the new collector through almost three centuries of Western Furniture with clarity and authority. Invaluable as a reference tool, it offers collectors the means to identify key features of a wide variety of pieces, ranging from the Gothic and Renaissance period to Art Nouveau, and the beginning of the twentieth century. The book is structured chronologically by century and, within each time period, by country. Existing collectors will find all titles in the series act as a handy and portable reference, and beginners will welcome a reliable, accessible starting point from which their interests can develop. Readers will find succinct sections detailing all major phases in Western Furniture, with full-colour coverage of English, American, French, Italian, German, Austrian, Low Countries, Spanish and Portuguese pieces. The work of important furniture designers is discussed, from the French ebenistes and Chippendale, through key 19th century figures such as Biedermeier, Pugin and Stickley and the mass producers of bentwood such as the Austrian Thonet, to the Belgian and French Art Nouveau designers.

Critical in the evolution of 20th-century design, Dunbar was a leader in modern furniture design and its production during the 1950s. This reproduction of the 1956 Dunbar catalog reflects the impact Dunbar designs, under the fine workmanship of Edward Wormley--pioneer modernist and multi-faceted designer--had on the American interior. Combining elegance, warmth, and contemporary style with functionalism, comfort, and stability, each piece is a product of the advancements of technology teamed with the traditional craft of furniture making. An indispensable reference, this book is a historical landmark in the best in modern furniture design for mid-twentieth century America. Price guide included.