This new 7th edition offers an update to Maurice Bull's previous volume, with new varieties, corrections and rarity values. The arrangement is again done by monarch rather than denomination, and all Bull reference numbers are cross-referenced to the 5th edition. English Silver Coinage is a record of the major and many minor recognised types and die-varieties of English silver coins. This indispensable guide is truly the essential handbook for any collector of English silver coinage.

This is the fifth in a series of catalogues that present descriptions and complete cycles of illustrations of all existing manuscripts of the "Commentary on the Apocalypse" written by the 8th-century Spanish monk Beatus. The entire corpus, which spans the 9th to the 13th century, constitutes the greatest single tradition of Apocalyptic writing in the Middle Ages. All illustrations in these six manuscripts are reproduced and each catalogue entry discusses the location of production, the work of the outstanding illuminators and scribes, as well as details of codicology. A short introduction places the manuscripts in their historical context and analyzes the style of the miniatures. The volume includes a bibliography, relevant tables, and an index.

This book not only tabulates the hallmarks that enable the identification of silver items but also traces the history of English silver, describing some famous makers and provides hints on spotting fakes.' There is a helpful chapter on Sheffield plate.

"The Legend of Alexander the Great on Greek and Roman Coins" will for the first time collect, present and examine the portraits and representations of Alexander the Great on ancient coins of the Greek and Roman periods (c.320 BC to AD 400). It offers a firsthand insight into the posthumous appreciation of his legend by Hellenistic kings, Greek cities, and Roman Emperors. Dahmen combines an introduction to the historical background and basic information on the coins with a comprehensive study of Alexander's numismatic iconography. He also discusses in detail examples of coins with Alexander's portrait. Which are part of a selective presentation of representative coin types in the second part of the study (in which an image and discussion is combined with a characteristic quotation of a source from ancient historiography and a short bibliographical reference).
The numismatic material presented, although representative, will exceed any previously published work on the subject. This book will be useful for classicists, archaeologists, historians and art historians and students.

The teabowl has become an iconic form in contemporary ceramics. Having travelled from Japan, where it was an inherent part of chanoyu, or tea ceremony, it has evolved and adapted to become something very different in the West. Revered for its associations of its past and its connotations of sophistication and simplicity, the teabowl enjoys an elevated status. Here, Bonnie Kemske looks at the form as a whole, considering the history and ideas behind the original tea ceremony: how it moved into contemporary ceramics, and the way it is used today. She explores the wide range of teabowls, from traditional ones to those being made not for the tearoom but for the gallery, as well as introducing the international potters making them. The book also tackles some difficult questions, notably, how has the concept of the teabowl changed as it has been reinvented in contemporary ceramics? How does it sit in relation to its history? This book is wide in scope, thorough in detail and essential reading for anyone involved in making or using these tactile objects.

The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners' identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners' personal devotions. Other studies in this volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. A companion volume presents various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. (CS1085)

At a time when most handguns were limited to six rounds, the ten-shot Mauser caught the attention of the world for its unprecedented firepower and formidable high-velocity 7.63x25mm cartridge. This saw its ultimate expression in the first-ever select-fire handgun - the `Schnellfeuer' machine pistol, fed by a detachable magazine and offering both full-automatic and single-shot modes. The C 96 was the first semi-automatic pistol to see combat, arming both sides in the Second Anglo-Boer War, and seeing service with the German, Russian, Chinese and other militaries. Widely purchased commercially, it was carried by none other than Winston Churchill in the Sudan and South Africa, became prized by the Irish Republican Army and Soviet revolutionaries, and even armed Han Solo in the `Star Wars' movies. Featuring full-colour artwork and an array of revealing photographs, this is the engrossing story of the C 96 Broomhandle Mauser, the ground-breaking semi-automatic pistol that armed a generation of military personnel, adventurers and revolutionaries at the turn of the 20th century.

This definitive reference for beachcombers is also a beautiful addition to any coffee table. Pure Sea Glass surveys the history of glass manufacturing, explains the weathering process that creates frosted gems from fragile shards of old glass and tableware, and offers tips on how and where to find the best pieces. More than 200 exquisite photographs bring to light the luminous beauty of authentic sea glass. Winner, 1st place for nonfiction, Writer's Digest International Self Published Books Award.

Whether you are new to America's most popular rifle, or a longtime user who questions some of the old wives' tales and urban myths surrounding the AR-15, Sweeney lays out all the detail you need to select and maintain your rifle. From nomenclature to field-stripping, and keeping an AR functioning at its peak no matter how harsh the environment or demands, Sweeney gets under the hood with you to keep it running.

This book is the second in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the time of Chaucer to Henry VIII. This was a prolific period in the history of English book production, and the range of subject-matter illustrated is of significance of all historians, whether of art, religion, costume, natural science, and above all social custom. The manuscripts in the Bodleian Library, Oxford, are the first to be catalogued. These are listed here in alphabetical order of the Library's collections, and the present volume deals with all the imagery in collections Dodsworth to Marshall. A third volume will complete all material found in the Bodleian Library. The catalogue is introduced by a helpful User's Guide which explains the basis for research and the categories of subject-matter adopted by the editors. Entries are numbered consecutively for ease of reference, and every illustration is noted, from full-page narrative miniatures and historiated initials to king's heads, marginalia and nota bene signs.

In a time before large banking systems, and with paper money just in its infancy, money during the Renaissance meant coinage (mainly gold and silver) and local credit systems. These monetary forms had a significant influence on the ways in which money was understood throughout the period, and shaped discussions on such topics as the meaning of monetary value, the economic, political, religious, and aesthetic uses of coinage, the moral implications of usury and credit systems, and the importance of reputation, both at the state and individual levels. Crucial to the transformation of ideas about money in the period was the growing awareness that the individuals, up to and including the monarch, were powerless to overcome the market forces that determined value and directed the movement of goods and money. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Renaissance presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

This book is a comprehensive resource covering the principles and practice of the conservation and restoration of furniture. A review of the historical development of furniture introduces a wide range of structural types and materials that may be encountered, including wood, ivory, turtleshell, horn and metals, as well as decorative surfaces such as paint, japanning, lacquer and gilding. The nature and behaviour of these materials is explained and used as a basis from which to explore the mechanisms and consequences of deterioration caused by environment and use. Building on this foundation, the book shows how to develop and implement logical solutions to conservation problems.

Combining the practical knowledge and experience of a team of conservators active in the field, with theoretical and reference material from diverse sources, Conservation of Furniture uses and integrated approach to produce a book that will prove invaluable to anyone working in or studying this subject area.

The watch has a long and fascinating history, from a fifteenth-century status symbol of the rich and powerful to the mass-produced everyday timepiece of modern times. This book describes the main technical developments across a 500-year timespan, from the beginnings in Germany and France, through the golden age of English horology in the 18th century, to the development of modern factory production in America and Switzerland. It also sets out to give the general reader and collector a grasp of the key technological developments in watch and sets the lives of the inventors and artisans in the context of the social and economic history of their times. With over 290 photographs and 3D diagrams, this book includes an extensive listing and history of watch brands and manufacturers to assist in identification along with a useful glossary of terms.

Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for-Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground. This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs's enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

This is the first study of its kind, focusing on toys made for girls, including the spin-off accessories and comics. Renowned toy expert Susan Brewer explores the world of toys, divided into sections to encompass dolls, cuddly toys and 'families (e.g. Sylvanian Forest and Fisher Price's Little People), amongst others. She includes brief biographies of some of the best known firms, such as Mattel, Pedigree and Fisher Price but the main focus is on the toys themselves, many of which readers will remember from their own childhood. Includes fascinating factboxes with quirky facts - did you know. Angela Rippon created the best-selling Victoria Plum toys based on a plum tree in her back garden - she has written the foreword for this book.

Contains the full texts of Cardinal Francesco Gonzaga's will and the post-mortem inventory of his possessions (1483), together with related correspondence. This book analyzes these texts and provides background information about the man himself and his collections.

The Message in the Bottle helps those who feel alone in their struggle with the drinker in their life find peace and hope. Is the drinker in your life making you crazy? Do you find that your thoughts and free time are consumed by ideas and plans to fix things so they won't want to drink? Do you feel like you can't talk with anyone about what's really going on, because they won't get it or because you can't believe the situation you're in? Stephanie McAuliffe shares her journey of growing up in a family where cocktails started by 5:00 p.m. She reveals her marriages to two alcoholics, and shows how she navigated life being surrounded by alcohol and alcoholics-and broke an unhealthy family cycle that went back at least four generations. Full of stories of survival, The Message in the Bottle is packed with support to help children and spouses of alcoholics find peace amidst the chaos.

Jewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers-to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.