This volume celebrates the work of William O'Sullivan, the first keeper of manuscripts at Trinity College, Dublin, who preserved, made more accessible and elucidated the documents in his care. The manuscripts throw new light on the society of Ireland, the place of the learned and literate in that world, and its relations with Britain, Europe and America. Some of these essays clarify technical problems in the making of famous manuscripts, and bring out for the first time their indebtedness to or influence over other manuscripts. Others provide unexpected new information about the reigns of Edward I and James I, Irish provincial society, the process and progress of religious change and the links between settlements in Ireland and North American colonization.

This innovative study investigates the reception of medieval manuscripts over a long century, 1470-1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.

Groundbreaking collection of articles - drawing upon recent advances in both discovery techniques and classification systems - centred upon the study of early Anglo-Saxon coinage and its iconography. Recent years have seen increasing interest being taken by both scholars and enthusiasts in the remarkable iconography of early Anglo-Saxon coinage. During this period there was a remarkable diversity of intentionally ambiguous imagery conflating the various traditions then extant in England, and indeed the sheer quantity of types produced in post-Roman Britain prior to the establishment of a clear political hierarchy has often been regarded as a daunting hurdle for scholarly research. Although this wealth of material has long been available, recent advances in both discovery techniques and classification systems have seen a renewal of interest in these largely neglected artefacts.This volume draws upon these advances to establish a new benchmark for the study of coin typologies. Going beyond the traditional studies of moneyers, mint marks and monarchs, these essays draw upon the imagery present upon the coins themselves to offer new insights into Anglo-Saxon art and society.

A collection of articles in English and German devoted to the study of books, readers and libraries in medieval England, especially in the Anglo-Saxon period. The first article surveys the history of the English library from its beginnings to the suppression of the monasteries. It is followed by a more detailed examination of the first four centuries of Anglo-Saxon book collections and by studies on book production in 9th-century England, as seen in relation to King Alfred's plans for educational reform and to the intellectual background of library history in the 10th century. Of two articles on liturgical books, one sets out the now standard classified list of liturgical manuscripts written and owned in Anglo-Saxon England; other essays look at individual manuscripts and the earliest modern catalogue of surviving books with Old English texts.

This celebration of high-end men's wristwatches is a collection of essays, timelines, and more than 250 color photographs. Aimed at collectors, watch enthusiasts, and anyone with an interest in fashion, the book ranges from in-depth looks at specific models, including classics and contemporary timepieces, to overviews of pilot's watches, diver's watches, and other watches developed for various purposes. Short essays and timelines take a look at pop culture, including topics such as cars and watches, watches in space, watches in films, famous advertising campaigns, and celebrities and their timepieces. Learn about today's customized watches, smart watches, and a watch that shows the time in words only. Featured watch brands include Audemars Piguet, Omega, Rolex, IWC, Patek Philippe, Hublot, Tag Hauer, and more. The author also presents his top 10 list for the ultimate watch collector.

Star Wars first debuted on movie screens in 1977 and over the past forty years has grown into a collecting phenomenon. It has generated more merchandise than any other movie series in history, spanning every area of licensed product from inexpensive pocket money toys to big ticket full-size replicas. With a focus on the early vintage period of the 1970s and 1980s, author Paul Berry charts the development of the Star Wars collectable through the prequels of the 1990s and 2000s and into the modern era of films. The book looks at the massive success of the Kenner, and later Hasbro action figure range, which has spawned well over 1,000 figures; the wealth of toys and games inspired by the saga; the books and comics that have greatly expanded the Star Wars universe; the records and the videos; the trading cards; and the modern collectors' items. Whether you joined the Star Wars saga in 1977, 1999 or 2015, Star Warsis a hobby that continues to attract new generations of collectors and will likely endure for many decades to come.

In collaboration with colleagues in physics and metallurgy, Cecile Morrison has helped transform our knowledge of the techniques of late Roman and Byzantine coin production. The results are illustrated in the studies here which look in detail at standards of refining and processes of debasement. This analysis can also identify sources of metal, and explains the enigmatic appearance of concave gold coins n the 11th century. The volume itself opens with a comparison of the methods of numismatics and sigillography, and an epigraphic study showing the conservatism of the Byzantine coinage up until 1204. The following articles turn to the finances and economy of Byzantium, making full use of recent advances in numismatics. They aim to assess the importance of the state and other economic agents during the empire's different phases of expansion and contraction, and demonstrate how fiscal documents and legislation on treasure hoards can be used as evidence for the state of public finances.

Foreword by Christian Louboutin Vintage Shoes recounts a century of shoe history, from Andre Perugia's designs for society women in the 1920s to Christian Louboutin's red soles. Accompanied by archive images, stunning fashion photography and specially commissioned photographs of rare period footwear, the most collectible and fabulous footwear designs are showcased. An invaluable reference as well as a visual delight of times past, the book explores the key designers, technical developments and cultural influences that shaped shoe fashions, presenting exquisite footwear from such trailblazers as Salvatore Ferragamo, Charles Jourdan, Roger Vivier, Beth Levine, Vivienne Westwood and Manolo Blahnik.

Representative examples of swords from 8th-11th century, fully described and illustrated, with general overview. This beautifully illustrated work fills a gap in the literature in English on the swords made and used in northern Europe during the Viking age, between the mid eighth and the mid eleventh centuries. Ewart Oakeshott outlines the significance and diversity of these ancient heirlooms; co-author Ian Peirce, who handled hundreds of swords in his research for this book in museums across northern Europe, selects and describes sixty of the finest representative weapons. Where possible, full-length photographs are included, in addition to illustrations of detail; an illustrated overview of blade types and construction, pattern-welding, inscription and handle forms and their classificationprefaces the catalogue of examples which is the principal part of this work. IAN PEIRCE was a lecturer and museum consultant specialising in early swords; EWART OAKESHOTT was renowned for his pioneer studies on a wide range of medieval swords.

This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features - annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles - are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.

In this long-awaited book, Michael McIntosh reveals information on Fox guns never before published and offers a fascinating look at the busy life and changing times of the mercurial genius behind them. Ansley H. Fox was an inventor, a professional live-pigeon shooter, entrepreneur, real-estate developer, and manufacturer of everything from automobiles and auto parts to machine guns and munitions. But he is best remembered as a gunmaker who created an American classic and named it "The Finest Gun in the World." In this, the definitive book on Fox, shotgunners of every interest, from bird hunter to advanced collector, will delight in the insight, the technical expertise, the remarkable breadth and depth of research, and the masterfully crafted prose that is the McIntosh trademark.

An introduction to the design, production and use of luxury embroideries in medieval England (c. 1200-1530) In medieval Europe, embroidered textiles were indispensable symbols of wealth and power. Owing to their quality, complexity and magnificence, English embroideries enjoyed international demand and can be traced in Continental sources as opus anglicanum (English work). Essays by leading experts explore the embroideries' artistic and social context, while catalogue entries examine individual masterpieces. Medieval embroiderers lived in a tightly knit community in London, and many were women who can be identified by name. Comparisons between their work and contemporary painting challenge modern assumptions about the hierarchy of artistic media. Contributors consider an outstanding range of examples, highlighting their craftsmanship and exploring the world in which they were created. Published in association with the Victoria and Albert Museum

The early 2000s were an important period, spanning a time when mechanical watches had quite rightly retaken their place in the world market. We all may have a digital device in our pocket that is more accurate than a mechanical watch, but a timepiece has soul, personality, and history. The collection in this book is a step into the world of vintage watch collecting, with a range of photographs, intricate research, and accessible reference material that will intrigue both the casual and avid enthusiast. The collection showcases some of the most interesting, luxurious, and functional 20th-century (1930-1980) mechanical timepieces ever to be produced, including Heuer's Autavia, Rolex's Submariner, Gallet's MultiChron, Zenith's De Luca, and the Universal Space Compax.

The Elizabethan court was a vibrant and colourful place, where the inherited traditions and technological skill that had characterised the Middle Ages came face to face with the decorative techniques of the Renaissance. The book includes fascinating background about the court, government and armies of the age (including the main protagonists of the Spanish Armada) together with information about the individual owners of many pieces. It features beautiful photographs of key objects from the Royal Armouries' collection including the Lion Armour, the 'Forget-me-not' Gun and the Burgonet of Smyth armour.

Sapphire is the third and final instalment in Thames & Hudson's showstopping series on coloured gemstones, created by Violette Editions. A feast for all the senses, the book features page after page of exquisite sapphire jewels and artefacts from the 4th century BC to the present day, interspersed with text exploring the history of this beautiful gemstone and its enduring popularity with style icons, past and present. Joanna Hardy, the highly regarded jewelry and gemstone expert, reviews the sapphire's history with captivating stories told in a succinct exhilarating style. She takes the reader on a journey from early trade along the Silk Route and the creation of medieval talismans, to the jewelry collections of the great royal houses of Europe and the finest designers at work today. Along the way, she showcases spectacular jewels worn by many notable figures, including Elizabeth Taylor, Queen Elizabeth II and the Duchess of Windsor, as well as pieces by such iconic jewelry houses as Cartier, Bulgari, Van Cleef & Arpels, Chaumet and Tiffany. A selection of work by 21st-century jewelry designers such as Shaun Leane, Hemmerle, Lauren Adriana, Bina Goenka and Mish is featured. There is also an exclusive insight into six major private collections, including previously unpublished pieces. With its rich, royal-blue silk cover and gold-foil blocking, Sapphire is a beautiful addition to any gem-lover's library.

This is the first publication in a single work of all known Chester punch marks, and continues the tradition of the standard volumes of Jackson, Grimwade, Culme and Pickford. It is also the first time that the twentieth-century Chester marks have been published. It is produced in dictionary format, in alphabetical order from 1570, the date of the earliest known mark, to 1962 at which time the Chester assay office was closed. The authors, both members of the silver society, were given unlimited access to the Chester assay office records covering 1686 to 1962, and to the Chester Goldsmith's Company records dating from the 16th century. The compendium has four sections. The preface provides an historical background and details of all extant records and copper plates. Part 1 is devoted to assay office marks, with a full set of date letter tables to assist the reader in dating wares. Part 2 covers nearly 10,000 entries for makers' marks, including pictograms and monograms. Finally, the appendices inclu

In the 1940s and 1950s, Knoll Furniture became symbolic of the modern design movement. This book catalogs furniture produced by the Knoll Furniture Company of New York during its first two exciting decades. Over 270 illustrations present forms by such influential designers as Eero Saarinen, Harry Bertoia, Isamu Noguchi, George Nakashima, Jens Rison, Ralph Papson, and others. An easy-to-use identification guide includes production dates and designer attribution. Original catalog photographs and many from the Knoll Museum Archive, a company history, designer biographies, and a revised price guide are included. This book is an essential reference for all who are interested in modern furniture design.

Costume jewellery is commonly understood to mean fashionable yet affordable adornments made from non-precious material. Originating in in mid-1700s France with the rise of the bourgeoise, the earliest 'costume jewellery' mimicked fine jewellery styles. Since then, costume jewellery has always been evolving. From Victorian sentimentalism to the mass-produced ornaments available today, costume jewellery has developed into an artform in its own right. An encyclopaedic study of its history is long overdue. Flush with expert information, identification tips and historical anecdotes, Adorning Fashion explores the development of costume jewellery across the past four centuries. The styles of each era - Victorian, Edwardian, Arts & Crafts, Jugenstil, Art Nouveau, and each decade of the twentieth century - are given individual attention. Production methods are also explained in depth. Alloys and gilded electroplating can mimic silver and gold, while the refraction index of treated glass can, to the untrained eye, be mistaken for diamond. Adorning Fashion discusses the contributions of a remarkable roster of designers and innovators, including Kokichi Mikimoto, Arthur L. Liberty, Carlo Giuliano, Rene Lalique, Elizabeth Bonte, the Castellani brothers, Jean Fouquet, Jean Despres, Fulco di Verdura, Jean Schlumberger, Salvador Dali, Miriam Haskell, Lina Baretti, Countess Cissy Zoltowska, Line Vautrin, Kenneth Jay Lane, Francisco Rebajes, Diane Love, Christian Dior, Balenciaga, Chanel, Van Cleef & Arpels, Paco Rabanne, Yves Saint Laurent, Napier, Haskell, Trifari, Brania, Bulgari, Versace and more.