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Books > Arts & Architecture > Antiques & collectables
A Guide to Early Printed Books and Manuscripts provides an
introduction to the language and concepts employed in
bibliographical studies and textual scholarship as they pertain to
early modern manuscripts and printed texts Winner, Honourable
Mention for Literature, Language and Linguistics, American
Publishers Prose Awards, 2010 Based almost exclusively on new
primary research Explains the complex process of viewing documents
as artefacts, showing readers how to describe documents properly
and how to read their physical properties Demonstrates how to use
the information gleaned as a tool for studying the transmission of
literary documents Makes clear why such matters are important and
the purposes to which such information is put Features
illustrations that are carefully chosen for their unfamiliarity in
order to keep the discussion fresh
The narrative of Roman history has been largely shaped by the
surviving literary sources, augmented in places by material
culture. The numerous surviving coins can, however, provide new
information on the distant past. This accessible but authoritative
guide introduces the student of ancient history to the various ways
in which they can help us understand the history of the Roman
republic, with fresh insights on early Roman-Italian relations,
Roman imperialism, urban politics, constitutional history, the rise
of powerful generals and much more. The text is accompanied by over
200 illustrations of coins, with detailed captions, as well as maps
and diagrams so that it also functions as a sourcebook of the key
coins every student of the period should know. Throughout, it
demystifies the more technical aspects of the field of numismatics
and ends with a how-to guide for further research for
non-specialists.
From G.I. Joe*t to Star Wars*t John Marshall has provided a
thorough, informative, and entertaining look at the action figures
produced during the 1980s. In over 430 superb color photographs,
fans of the pocket-sized G.I. Joes*t, of movie and TV characters,
of fantasy figures, He-Man*t, the Thunder Cats*t, super heroes, of
those ever-popular quick change artists of the robot world--the
Transformers*t, and even pro-wrestling fanatics will find figures
here to warm their souls! Price listings are provided for every
figure shown and for every known figure produced within a
particular product line. Price ranges are provided both for figures
that are mint-in-the-box and for those which, while running loose,
have retained all of their accessories and lost none of their
finish.
Fully illustrated, this study assesses the Soviet and Waffen-SS
troops who contested the cities of Kharkov and Rostov-on-Don on the
Eastern Front during 1942-43. As the Axis invasion of the Soviet
Union unfolded, two places that suffered exceptionally severely
were Kharkov (now Kharkiv) in Ukraine and Rostov-on-Don in Russia.
In total, Kharkov would change hands violently four times between
October 1941 and August 1943, and Rostov-on-Don also four times
between November 1941 and February 1943. In this book, Chris McNab
examines the fighting men of the Red Army and the Waffen-SS who
clashed in three battles - one for Rostov (July 1942) and two for
Kharkov (February-March and August). He clearly explains the key
differences between these two opponents - training, tactics,
weaponry, ideology and motivation - and examines how these
differences played out in the three engagements, which ranged from
open-terrain combined-arms battles to close-quarters street
fighting in major urban zones. The text is complemented by
specially commissioned artwork and mapping and carefully chosen
archive photographs.
Contents: An introduction to "Perspectives on the Renaissance Medal", Stephen K.Scher. Giovanni Bernardi and the question of medal attributions in sixteenth century Italy, Philip Attwood. Changing patterns of antiquarianism in the imagery of the Italian Renaissance medal, John Cunnally. Correct and incorrect: the composition of medallic reverses in late seventeenth century France, Mark Jones. 'Un gran pelago': the impresa and the medal reverse in fifteenth century Italy, Kristen Lippincott. Ancient themes on Erzgebirgishen Medals, Hermann Maue. Text and image: themes on reverses of fifteenth and sixteenth century medals, Graham Pollard. A creative moment: thoughts on the genesis of the German portrait medal, Jeffrey Chipps Smith. Mint and medal in the Renaissance, Alan Stahl. Pisanello's Paragoni, Raymond Waddington. "The Modern Lysippus": A Roman quattrocento medalist in context, Louis Alexander. Visual constructions of the art of war: images for Machiavelli's Prince. Joanna Woods-Marsden.
This book presents the story of a unique collection of 140
manuscripts of 'learned magic' that was sold for a fantastic sum
within the clandestine channels of the German book trade in the
early eighteenth century. The book will interpret this collection
from two angles - as an artefact of the early modern book market as
well as the longue-duree tradition of Western learned magic -, thus
taking a new stance towards scribal texts that are often regarded
as eccentric, peripheral, or marginal. The study is structured by
the apparent exceptionality, scarcity, and illegality of the
collection, and provides chapters on clandestine activities in
European book markets, questions of censorship regimes and
efficiency, the use of manuscripts in an age of print, and the
history of learned magic in early modern Europe. As the collection
has survived till this day in Leipzig University Library, the book
provides a critical edition of the 1710 selling catalogue, which
includes a brief content analysis of all extant manuscripts. The
study will be of interest to scholars and students from a variety
of fields, such as early modern book history, the history of magic,
cultural history, the sociology of religion, or the study of
Western esotericism.
There are names in horological history that echo much more than
just watches... Such is the case of Jaquet-Droz, 18th Swiss
watchmakers with an international horizon, whose ceremonial clocks,
prodigious androids, fashionable birdcages, pocket watches with
moving scenes or collector's snuffboxes remain the stuff of dreams
for passionate enthusiasts. Today, the Maison Jaquet Droz continues
to draw its inspiration from this rich heritage in order to
reinterpret techniques and aesthetics, pushing back the boundaries
of watchmaking and representing a perpetual source of fascination
for collectors. Based on the latest research on the subject and
published on the occasion of the 300th anniversary of the birth of
Pierre Jaquet-Droz (1721-2021), this book offers a deep dive into
the history of characters with a captivating journey. Born in La
Chaux-de-Fonds, in what was then the principality of Neuchatel,
Pierre Jaquet-Droz founded a watchmaking workshop and developed it
through a combination of technical, artistic and commercial skills
enabling it to reach international markets. His son Henry-Louis
developed the family business and further diversified production, a
significant portion of which found its way to China and its
dignitaries, devotees of luxurious and ingenious mechanical
marvels. This richly illustrated book aims to enable a rediscovery
of their mechanical masterpieces as well as those of the Maison
Jaquet Droz, whose rebirth and recent history are recounted here.
These splendid historical and contemporary pieces embody a love of
technical challenges and a taste for artistic refinement, adhering
as much as possible to the sources of inspiration offered by
nature. The Worlds of Jaquet Droz thus reveals part of the
expansive universe of pre-industrial watchmaking while drawing
parallels between past and present productions.
Coinage played a central role in the history of the Athenian naval
empire of the fifth century BC. It made possible the rise of the
empire itself, which was financed through tribute in coinage
collected annually from the empire's approximately 200 cities. The
empire's downfall was brought about by the wealth in Persian
coinage that financed its enemies. This book surveys and
illustrates, with nearly 200 examples, the extraordinary variety of
silver and gold coinages that were employed in the history of the
period, minted by cities within the empire and by those cities and
rulers that came into contact with it. It also examines how coins
supplement the literary sources and even attest to developments in
the monetary history of the period that would otherwise be unknown.
This is an accessible introduction to both the history of the
Athenian empire and to the use of coins as evidence.
This is the absorbing story of the development, combat use and
legacy of the influential sidearms used by the armed forces of the
Soviet Union. Featuring archive and present-day photography and
specially commissioned artwork, this is the story of the pistols
that armed the forces of the Soviet Union and its allies during and
after World War II. In 1930 the TT, a single-action semi-automatic
pistol developed by Fedor Vasilyevich Tokarev and firing 7.62x25mm
ammunition, began to supplement the venerable Nagant M1895 revolver
in Soviet military service. From 1933 the TT-33, a simplified
version, was also issued; all three would equip Soviet and proxy
forces throughout and after World War II, seeing action across the
globe. In 1951 a new pistol designed by Nikolay Fyodorovich Makarov
entered Soviet service; it became the primary Soviet military and
police sidearm during the Cold War era and continued in use into
the 21st century. The 9x18mm Makarov round was used in various
weapons used by Soviet allies, notably the Czech vz 82, the
Hungarian FEG PA63 and the Polish P64 and P83.The PM was quickly
joined by the Stechkin machine pistol. Other specialized versions
of the Makarov were developed, including the PB suppressed version
and the 5.45x18mm PSM, a more compact version. Initially developed
in 1990, the improved PMM version of the Makarov was intended
primarily to increase the stopping power of the 9x18mm round by
chambering a higher-pressure load. In this study, noted weaponry
expert Leroy Thompson tells the story of the Tokarev, Makarov,
Stechkin and other handguns in service with Soviet and other forces
around the world, exploring the development, combat use and legacy
of these formidable firearms.
Breitling is especially known for its characteristically masculine
wristwatches. This distinctive design is the main reason for its
great popularity since the 1930s. The book presents the most
beautiful and most important models of the Breitling history. The
fascinating text provides a history of the brand and historical
examples. The models explored include the Navitimer, Avenger,
Chronographs, Superocean, Breitling for Bentley, and Cockpit. Also
included are brief histories of each wristwatch presented.
Excellent photography in over 120 images and all relevant technical
details are included. Technical data provided includes the
reference number, movement, functions, case, and the price of the
watch at the time of sale. This is a reliable guide anyone
passionate for quality wristwatches will treasure.
Across America and around the world, people wander through flea
markets to search for lost treasures. For decades, no such market
was more renowned than the legendary Chelsea flea market, which
sprawled over several blocks and within an old garage on the west
side of Manhattan. Visitors would trawl through booths crammed with
vintage dresses, rare books, ancient swords, glass eyeballs, Afghan
rugs, West African fetish dolls, Old Master paintings, and much
more. In The Golden Flea, the acclaimed writer Michael Rips takes
readers on a trip through this charmed world. With a beguiling
style that has won praise from Joan Didion and Susan Orlean, Rips
recounts his obsession with the flea and its treasures and provides
a fascinating account of the business of buying and selling
antiques. Along the way, he introduces us to the flea's lovable
oddball cast of vendors, pickers, and collectors, including a
haberdasher who only sells to those he deems worthy; an art dealer
whose obscure paintings often go for enormous sums; a troubadour
who sings to attract customers; and the Prophet, who finds wisdom
among all the treasures and trash. As Rips's passion for collecting
grows and the flea's last days loom, he undertakes a quest to prove
the provenance of a mysterious painting that just might be the one.
When does a book that is merely old become a rarity and an object
of desire? David McKitterick examines, for the first time, the
development of the idea of rare books, and why they matter.
Studying examples from across Europe, he explores how this idea
took shape in the sixteenth and seventeenth centuries, and how
collectors, the book trade and libraries gradually came together to
identify canons that often remain the same today. In a world that
many people found to be over-supplied with books, the invention of
rare books was a process of selection. As books are one of the
principal means of memory, this process also created particular
kinds of remembering. Taking a European perspective, McKitterick
looks at these interests as they developed from being matters of
largely private concern and curiosity, to the larger public and
national responsibilities of the first half of the nineteenth
century.
Diamonds tell stories that are captivating and timeless. On the one
hand, they are just stones, pieces of pure carbon with optical
properties that make them glitter and sparkle like stars. On the
other, they are mystical entities hypnotically drawing the viewer
into a time machine as it were, wherein a cinematic montage of
their journey unfolds. Diamonds Across Time presents a sweeping
overview of diamonds across time and space, featuring ten essays by
world-renowned scholars in love the stone. Here, these authors
present new discoveries; explore extraordinary collections;
investigate histories, science, and trade; the nature of diamonds;
legendary gems, jewellery collections, and great designers. Above
all, they tell the human stories that underpin the adoration of
diamonds. Diamonds Across Time is a richly illustrated publication
with high-quality images of gems and jewels, archival documents,
rare drawings, and fabulous photographs. The volume places diamonds
in the context of the time in which they were discovered, and on
the political, social, and cultural stage on which their histories
were etched. In a rapidly changing world, diamonds are eternal.
They were created by nature and grew in the womb of the earth. They
tell stories, and they record history. With this book, diamonds
will finally have their own storytellers. The book was compiled and
edited by the World Diamond Museum's chief curator and
world-renowned jewellery expert Dr. Usha R Balakrishnan. She and
nine other distinguished authors wrote ten monographs written in
the order in appearance: Introduction; The Nizam Diamond: Bala
Koh-i-Noor, in the Sacred Trust of the Nizam of Hyderabad - Usha R.
Balakrishnan; Diamonds of the French Crown Jewels: Between East and
West - Francois Farges; A Concise History of Diamonds from Borneo -
Derek J. Content; Indian Diamonds and the Portuguese Duriing the
Rise of the Mughal Empire - Hugo Miguel Crespo; Two Large Diamonds
from India - Jack Ogden The Romanov Diamonds: History of Splendour
- Stefano Papi; The Londonderry Jewels, 1819-1959 - Diana
Scarisbrick; Dress to Impress in Southeast Asia - Rene Brus;
Powerful Women, Important Diamonds - Ruth Peltason; One in Ten
Thousand: The Unique World of Coloured Diamonds - John M. King.
While Germany and Austria-Hungary were well-equipped with sniping
rifles in 1914, their Allied opponents were not. This highly
illustrated volume tells the inside story of the rifles carried by
snipers of all the major powers during World War I. Although
military sharpshooting had existed since the 18th century, in 1914
only the German and Austro-Hungarian armies fielded trained snipers
armed with scoped rifles. Thus upon the outbreak of World War I,
the Allied armies found themselves on the receiving end of a
shooting war to which they had no means of response. Only the
Canadians brought a dedicated sniping rifle into the trenches, but
in small numbers. For the British, although production of a
suitable rifle and scope were settled on quickly, the establishment
of sniper training was difficult and its success was mostly due to
the efforts of a handful of dedicated officers. The French
eventually introduced a competent scoped rifle and a sniper
training system, as did the Italians. Entering the war in 1917, the
Americans experienced rifle shortages but were able to build on
their pre-1914 efforts to find a suitable sniping weapon. The
country that suffered most grievously was Russia; Russian troops
fielded no snipers at all and suffered accordingly. Featuring
full-colour artwork, carefully chosen archive images and
photographs of the sniping rifles and accessories used in the
trenches, this is the inside story of the rifles carried by snipers
of all the major powers during World War I.
In his third book, Christer Loefgren expands the scholarship on
imperial Chinese porcelain with a radical, new interpretation of
the term "Mark and Period". From identifying only marks on imperial
porcelain, to looking at objects associated with those marks, his
analysis will change imperial porcelain's image and significantly
contribute to the knowledge base of Chinese porcelain experts and
collectors. For the first time, it is now possible to group all
imperial items in all these periods, from Ming to the end of the
Qing period. Based on a database of over 5000 items and marks, this
survey provides statistics which make it possible to go deeper into
identifying which items and marks are "Mark and Period", copies, or
counterfeits. Also available: Chinese Imperial Reign Marks ISBN
9789198465181
The magical bestseller: a classic story to read again and again
Winner of the Waterstones Children's Book Prize Winner of the
British Book Awards Children's Book of the Year Shortlisted for the
Branford Boase Award Shortlisted for the Jhalak Prize Beautiful,
thrilling and magical, Sunday Times bestselling-author Kiran
Millwood Hargrave's debut novel has all the makings of a modern
classic. 'Absolutely loved it from start to finish' TOM FLETCHER 'I
read it, I loved it' MALORIE BLACKMAN 'Kiran Millwood Hargrave
creates a spellbinding world of magic, myth and adventure' EMMA
CARROLL Forbidden to leave her island, Isabella dreams of the
faraway lands her cartographer father once mapped. When her friend
disappears, she volunteers to guide the search. The world beyond
the walls is a monster-filled wasteland - and beneath the dry
rivers and smoking mountains, a fire demon is stirring from its
sleep. Soon, following her map, her heart and an ancient myth,
Isabella discovers the true end of her journey: to save the island
itself. A beautifully written, multi award-winning story of
friendship, discovery, myths and magic for any age - perfect for
fans of Philip Pullman, Frances Hardinge or Katherine Rundell From
the author of Julia and the Shark and The Mercies, chosen for the
Richard & Judy Book Club Set in an extensive and
stunningly-imagined parallel world imbued with magical realism A
gorgeous gift for readers young and old - will stay with you long
after reading
The first comprehensive study of William Ince and John Mayhew's
famous eighteenth-century cabinetmaking partnership, complemented
by high-quality photographs of their work. The partnership of
William Ince (1737-1804) and John Mayhew (1736-1811) ran from 1758
to 1804, and was one of the most enduring and well-connected
collaborations in Georgian London's tight-knit cabinetmaking
community. The partners' clientele was probably larger, and their
work was arguably more influential over a longer period, than most
other leading metropolitan makers - perhaps even than that of their
older contemporary, the celebrated Thomas Chippendale. Despite
their considerable output and an impressive tally of clients and
commissions, much of Ince and Mayhew's work has remained
unidentified until recent times. The authors' substantial research
in private family archives, county record offices and bank archives
has allowed them to uncover much new evidence about the business
and its influence within cabinetmaking circles. In Industry and
Ingenuity, the results of these new investigations are presented
alongside an impressive selection of more than 500 colourful,
vibrant photographs of Ince and Mayhew's works, many previously
unpublished, which together emphasise the partnership's proper
position in the pantheon of great eighteenth-century cabinetmakers.
Making its debut in 1935, the Browning High-Power was the world's
most widely used military pistol for much of the 20th century.
Military and law-enforcement agencies in more than 90 countries
have issued the High-Power and it has seen combat in conflicts from
World War II through to the 'War on Terror'. After conquering
Belgium, Nazi Germany produced more than 300,000 High-Powers for
use by the Waffen-SS, Fallschirmjager and others, and after 1945
the High-Power became standard for most NATO-armed forces as well
as scores of others. Chambered for the 9x19mm Luger cartridge, John
Browning's High-Power improved on the classic Colt M1911 design,
especially in its use of a far simpler takedown system. The
pistol's innovative 13-round magazine, designed by Dieudonne Saive,
staggered the cartridges for higher capacity without unduly
increasing the grip size. During its 82-year production run at
Fabrique Nationale (FN) in Belgium, the design evolved slightly,
but a 2017 High-Power was still easily recognizable as a descendant
of the original model. Packed with gripping material including
detailed technical specifications, contemporary photographs and
highly accurate artist's renditions, this title is a comprehensive
and informative guide to the world's most iconic semi-automatic
pistol.
The Royal Armouries is Britain's oldest museum, still partly housed
in its original buildings in the Tower of London. The core of the
collection is the medieval arsenal that was restocked by Henry VIII
and on show to privileged visitors as early as the reign of
Elizabeth I. After 1660, the general public was admitted and a
series of spectacular exhibits was set up, one of which included
instruments of torture and punishment. Since that time, they have
been one of the Tower's prime attractions, enhanced by the macabre
stories that surround them. This fascinating book sets these
instruments of torture and punishment in their proper context and
explores whether the Tower deserves its grim reputation.
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