A stylish and beautifully crafted celebration of LV's Tambour watch, a masterpiece of modern design and technical innovation. Published to mark the twentieth anniversary of Louis Vuitton's entrance into the field of luxury watchmaking, this landmark volume tells the audacious tale of the Maison's renowned Tambour watches. With the goal of creating uniquely stylish timepieces, yet not succumbing to ephemeral fashion, the Maison brought together the most skilled craftspeople in the Swiss tradition of fine watchmaking to work at La Fabrique du Temps Louis Vuitton, the Geneva watchmakers behind the brand's reputation for excellence. In a display of creative freedom matched only by the Maison's own glamour and dynamic drive, Louis Vuitton launched the Tambour watch in 2002, which became the triumphant result of this distinctive approach. Essays by journalist and luxury watch expert Fabienne Reybaud explore the creative origins of the Tambour design and the history of Louis Vuitton watches, along with the precision work of La Fabrique du Temps. A catalogue of major models and exclusive insights from watch specialists make this a useful resource for collectors and connoisseurs. With more than 350 illustrations and a lavish design, this book is a beautiful object in its own right, for all lovers of luxury accessories and the Louis Vuitton lifestyle.

A collection of the timeless, the priceless and the unforgettable, this beautiful compendium accompanies the beloved BBC One TV series. Antiques Roadshow has graced our screens for forty years and has become one of the nation's most beloved television programmes and a national institution. It has featured thousands of unique stories over the years, and introduced many incredible characters and unforgettable moments. In this anniversary celebration, Paul Atterbury and Marc Allum look back at the quintessential moments from the show's illustrious history, providing a look at the history behind the very best and most intriguing objects that have appeared on the show. Antiques Roadshow: 40 Years of Great Finds reveals the astonishing stories behind findings such as the discovery of the Lalique vase which had been bought for a pound at a car boot sale and left in the loft, only to be valued and sold for GBP25,000; the twenty-three original Beatrix Potter drawings; a brooch designed by the great Victorian architect William Burges; a poignant letter written by a doomed passenger on the Titanic, and legendary 1970s glam rocker Marc Bolan's distinctive Gibson Flying V guitar. Beautifully illustrated, and featuring a wealth of artifacts from the show, this is a truly revealing book, unearthing moments from history through each of the extraordinary objects discovered on the programme.

The absorbing and everlasting subject of watch repairing has been dealt with in books in many languages throughout the years. But when de Carle first set out to write "Practical Watch Repairing" in 1946, it was with the intention of creating a textbook "that a watchmaker can understand, even if he can't read." With over 550 instructional black-and-white illustrations and an approach that assumes no prior watch-repairing experience, this book achieves and surpasses that lofty mission, and has been touted as "the best illustrated book on practical horology" ("Horological Journal") ever written. For the readers in his audience, de Carle has provided well-informed discourse on every topic a watchmaker, or aspiring watchmaker, needs to know. With "Practical Watch Repairing," even a layman can become a watch-repair specialist.

This book attempts to make accessible to students, scholars, and the lay public annotated, up-to-date information regarding the major coinages of the Greco-Roman world. An international group of experts has been asked to treat their areas of expertise, and the result is a broadly illustrated introduction to the subject.

The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE

Extensively illustrated, this is the first accessible publication on the history of tapestry in over two decades. Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales - the largest collection in the UK. This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the 'revival' of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust's collection, this book offers a fresh perspective on the history of tapestry across Europe. Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.

A fascinating record of how London and Londoners were shaped by nearly 700 years of public executions. More frequent in London than in any other city or town in Britain, these morbid spectacles often attracted tens of thousands of onlookers at locations across the capital and were a major part of Londoners' lives for centuries. From Smithfield to Kennington, Tyburn to Newgate Prison, public executions became embedded in London's landscape and people's lives. Even today, hints of this dark chapter in London's history can still be seen across the city. Featuring the lives and legacies of those who died or who witnessed public executions first hand from 1196 to 1868, this book tells the rarely told and often tragic human stories behind these events. It includes a range of fascinating objects, paintings and documents, many from the Museum of London's collections, such as the vest said to have been worn by King Charles I when he was executed, portraits of 'celebrity criminals', and last letters of the condemned. From the sites of execution to the thriving 'gallows' economy, the book reveals the role that Londoners played as both spectators and participants in this most public demonstration of state power over the life and death of its citizens.