This unique book presents a historical and philatelic survey of Earth exploration from space. It covers all areas of research in which artificial satellites have contributed in designing a new image of our planet and its environment: the atmosphere and ionosphere, the magnetic field, radiation belts and the magnetosphere, weather, remote sensing, mapping of the surface, observation of the oceans and marine environments, geodesy, and the study of life and ecological systems. Stamping the Earth from Space presents the results obtained with the thousands of satellites launched by the two former superpowers, the Soviet Union and the United States, and also those of the many missions carried out by the ESA, individual European countries, Japan, China, India, and the many emerging space nations. Beautifully illustrated, it contains almost 1100 color reproductions of philatelic items. In addition to topical stamps and thematic postal documents, the book provides an extensive review of astrophilatelic items. The most important space missions are documented through event covers and cards canceled at launch sites, tracking stations, research laboratories, and mission control facilities.

Contents Include: Early Time Measures and Modern Watches A Watch Movement and How to Take it Apart Examining, Cleaning and Putting Together Repairs and Adjustment Glossary of Terms, Tools, Materials, Parts and Processes Used in Watchwork

Originally published in 1914, this book aims to give practical advice to anyone wishing to clean, repair and make all kinds of clocks. Alongside the very detailed and precise descriptions, there are many illustrations that deal with everything from chimes and the description of striking works, to hints on clock making. Contents Include Introduction Cleaning a Skeleton Clock Repairing a Skeleton Clock Special Tools and Processes Other Pendulum Timepieces Pendulums Portable Clocks English Striking Clocks French and American Striking Clocks Quarter Striking and Chiming Clocks Turret Clocks Making Clocks Altering Clocks Electric Clocks

Originally published in 1934, this is an exhaustively detailed guide to the history of English furniture, copiously illustrated with black + white photography and many illustrations. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: The Historical Background of Design 1500-1700 - The Historical Background of Design 1700-1934 - Furniture Design Under the Wood Workers 1500- 1660 - Furniture Design Under Fashion, 1660-1730 - Furniture Design Under the Architects 1730-1830 - Furniture Design Under the Romantic Movement and the Furniture Trade 1830-1900 - Furniture Design Under the Antique Dealers and Artist-Craftsmen 1900-1920 - The New Materials and Their Effect on Design - The Patient Art of Buying Furniture - Books About Furniture and Design

Innovation, exclusivity, and elegance define Patek Philippe, a family-owned company with a single and passionate calling: to perfect the watch. These lavishly-illustrated books present some of the most important timepieces from the more than 3,000 watches exhibited at the Patek Philippe Museum in Geneva. These precious timepieces have been passionately assembled over more than 40 years by Philippe Stern, Honorary President of the company, and include some of the most valuable pieces in watchmaking history. From the collection of historic watches featuring the first portable timepieces dating back to the 16th century to innovative milestones in Patek Philippe's portfolio since its founding in 1839, each watch is reproduced with such beauty and precision, you can almost hear it ticking. With expert curatorial insight and context from Peter Friess, Director of the Patek Philippe museum, these intricate mechanisms are not only presented for themselves; they also offer a unique perspective into the cultural history of the last 500 years. True to the trust and excellence of the Patek Philippe brand, the presentation, design, and content of these sumptuous publications meet the highest professional standards. They are the perfect books for the "perfect watch."

First published in 1814, Werner's Nomenclature of Colours is a taxonomic guide to colour which been cherished by naturalists and anthropologists for over two centuries. In the late 1790's Abraham Gottlob Werner devised his own standardised colour scheme, which allowed the writer to describe even the subtlest of chromatic differences with consistent terminology. His scheme was then adapted by an Edinburgh flower painter, Patrick Syme, who traced the actual minerals described by Werner, and used them to create the colour charts found in the book. In the pre-photographic age, almost all visual details had to be captured using the written word, and scientific observers could not afford any ambiguity in their descriptions. These included Charles Darwin, for whom Werner's Nomenclature was an indispensable tool during his seminal voyage on the Beagle. Werner's Nomenclature of Colours is a charming artefact from the age of explorers, which continues to be treasured by artists and scientists alike.

"A detailed analysis of, accompanied by indexes to, the people and things depicted on all 1,355 stamps issued by the US government from 1847 through 1980. . . . Recommended for larger reference collections in all types of libraries." Choice

In Caribbean history, the European colonial plantocracy created a cultural diaspora in which African slaves were torn from their ancestral homeland. In order to maintain vital links to their traditions and culture, slaves retained certain customs and nurtured them in the Caribbean. The creation of lace-bark cloth from the lagetta tree was a practice that enabled slave women to fashion their own clothing, an exercise that was both a necessity, as clothing provisions for slaves were poor, and empowering, as it allowed women who participated in the industry to achieve some financial independence. This is the first book on the subject and, through close collaboration with experts in the field including Maroon descendants, scientists and conservationists, it offers a pioneering perspective on the material culture of Caribbean slaves, bringing into focus the dynamics of race, class and gender. Focussing on the time period from the 1660s to the 1920s, it examines how the industry developed, the types of clothes made, and the people who wore them. The study asks crucial questions about the social roles that bark cloth production played in the plantation economy and colonial society, and in particular explores the relationship between bark cloth production and identity amongst slave women.