This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study - defined by its design hybridity - offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.

When award-winning journalist Dave Jamieson rediscovered his childhood baseball card collection he figured that now was the time to cash in on his "investments." But when he tried the card shops, they were nearly all gone, closed forever. eBay was no help, either. Baseball cards were selling for next to nothing. What had happened? In Mint Condition, the first comprehensive history of this American icon, Jamieson finds the answers and much more. In the years after the Civil War, tobacco companies started slipping baseball cards into cigarette packs as collector's items, launching a massive advertising war. Before long, the cards were wagging the cigarettes. In the 1930s, baseball cards helped gum and candy makers survive the Great Depression, and kept children in touch with the game. After World War II, Topps Chewing Gum Inc. built itself into an American icon, hooking a generation of baby boomers on bubble gum and baseball cards. In the 1960s, royalties from cards helped to transform the players' union into one of the country's most powerful, dramatically altering the business of the game. And in the '80s and '90s, cards went through a spectacular bubble, becoming a billion-dollar-a-year industry before all but disappearing. Brimming with colorful characters, this is a rollicking, century-spanning, and extremely entertaining history.

Designed in 1942, Britain's innovative Projector, Infantry, Anti-Tank (PIAT) provided British and Commonwealth troops with a much-needed means of taking on Germany's formidable Panzers. Replacing the inadequate Boys anti-tank rifle, it was conceived in the top-secret World War II research and development organization known colloquially as 'Churchill's Toyshop', alongside other ingenious weapons such as the sticky bomb, the limpet mine and the time-pencil fuse. Unlike the more famous US bazooka, the PIAT had its roots in something simpler than rocket science. Operated from the shoulder, the PIAT was a spigot mortar which fired a heavy high-explosive bomb, with its main spring soaking up the recoil. The PIAT had a limited effective range. Troops required nerves of steel to get close enough to an enemy tank to ensure a direct hit, often approaching to within 50ft of the target, and no fewer than six Victoria Crosses were won during World War II by soldiers operating PIATs. A front-line weapon in every theatre of the conflict in which Commonwealth troops fought, from Europe to the Far East, the PIAT remained in service after 1945, seeing action during the Greek Civil War, the Arab-Israeli conflict and the Korean War. This illustrated study combines detailed research with expert analysis to reveal the full story of the design, development and deployment of this revolutionary weapon.

The M4 carbine has become one of the defining military firearms of the late 20th and early 21st centuries. Developed as a fusion of the XM177E2 Colt Commando and the M16A2 assault rifle, the M4 offered a more convenient battlefield firearm than the full-length M16 variants, and the US Army adopted it as the standard infantry weapon in the 1990s. Today, military and law-enforcement personnel of more than 60 countries have adopted either the M4 or the M4A1 variant, both of which have been tested and proven in major combat operations worldwide. This study describes the development process in detail, from production of the first XM4 prototypes in 1984 through numerous modified types until it emerged into official use as the M4 in 1994. The M4 offered a weapon that was 1lb lighter and 6in shorter than the standard M16A2, yet could still deliver precision semi-auto and full-auto firepower up to an effective range of 500m. Over time, its capabilities have been enhanced by the M4A1 modifications plus an extensive range of tactical accessories, including optical day/night sights, laser/infrared designators, under-barrel grenade launchers and shotgun modules, foregrips, furniture options, mounting rails, and sound suppressors. Numerous M4/M4A1 combat operations are investigated to reveal why the weapon has received such high levels of approval by front-line combat troops, not only in Afghanistan and Iraq, where the M4/M4A1 has been intensively combat-tested, but also in contexts such as Colombia, India, Israel, and the Philippines. Profusely illustrated with photographs and artworks, and drawing its research from the latest declassified documents, this is a complete guide to one of the most important and widely distributed tactical infantry weapons of the last quarter-century.

This volume of Medieval European Coinage is the first English-language survey to bring the latest research on the coinage of Spain and Portugal c.1000-1500 to an international audience. A major work of reference by leading numismatic experts, the volume provides an authoritative and up-to-date account of the coinages of Aragon, Catalonia, Castile, Leon, Navarre and Portugal, which have rarely been studied together. It considers how money circulated throughout the peninsula, offering new syntheses of the monetary history of the individual kingdoms and includes an extensive catalogue of the Aragonese, Castilian, Catalan, Leonese, Navarrese and Portuguese coins in the collection of the Fitzwilliam Museum. This major contribution to the field will be a valuable point of reference for the study of medieval history, numismatics and archaeology.

'Diamonds' is the leading guide of its kind to learning about these precious gems and understanding the main factors that determine their value and quality. Whether coming to diamonds for the first time or already knowledgeable in the field, every reader will find something of interest and value in its pages. A unique feature of the book is the chapter dedicated to natural colour diamonds, with descriptions and illustrations of every colour group. While colour diamonds are an increasingly important part of the diamond trade, there is little information about them in the popular literature, and their full treatment here has received much praise from readers. The story of diamonds is told from their humble origins in the form of carbon, the most basic element of life, through their many transformations by the forces of nature and the human hand on their way to becoming beautiful gems. The book is equally informative about the recent history of diamonds and the forces re-shaping the industry today, including the global shifts in centres of production and distribution, the implementing of international ethical standards within the trade, and the emerging roles of China, India,Russia and Dubai as major players in the diamond market. The author aims to promote the highest standards of good practice in the diamond industry to a wider audience. 'Diamonds' is designed with equal attention to the text, written in clear and jargon-free language, and the images, which show diamonds in their full range of cuts, shapes and colours, along with some of the world's most stunning contemporary and historic diamonds.

The Field of Cloth of Gold was one of the greatest courtly spectacles of the sixteenth century. A carefully-orchestrated meeting outside Calais between Henry VIII and Francis I, it encapsulated Henry's imperial ambitions and confirmed the role of the tournament in international diplomacy. Here, Keith Dowen and Scot Hurst reveal the glamour and excitement of the Field of Cloth of Gold. Using surviving artefacts and important archival material, they illustrate how England began the transition from being a small nation on the edge of Europe to becoming a global empire with power and influence. The armour that was created for the event was made possible by Henry VIII's new armoury at Greenwich and his existing armoury at the Tower of London. Tudor Power and Glory explains the skill of the armourers as they prepared for the tournament, the fighting that took place on horse and on foot, and the significance of the Field of Cloth of Gold as a political event as England and France, two emerging nations of old Europe, took their places on the world stage.

The Kovels are the most trusted source for both the casual and expert collector. With 12,500 actual prices and 3,150 full-color photographs, the guide also features exceptionally well-organized, wide-ranging, and up-to-the-minute information, and includes more tips, marks, logos, and photographs than any other competitive title. Kovels' is the only guide with prices based on actual sales from the previous calendar year, never estimates. Unlike other guides, which focus almost exclusively on English or high-priced items, Kovels' covers all American and international items and includes reasonably-priced goods. The book is organized by categories most sought-after by collectors, including depression glass, dolls, jewelry, furniture, porcelain, and sports memorabilia. Indexes, cross-references, and expert commentary throughout empower readers to collect with confidence and price their own antiques.

This edition of Badges of the British Army presents a wholly new, completely revised guide for the collector. All the photographs are new, and the coverage extended to encompass the badges that had appeared since the book was first published. Through six editions and many reprintings, this book has proved itself immensely popular with collectors, as well as providing the novice with an invaluable introduction to the subject. Easy to slip into the coat pocket, it is the perfect companion to perusing market stalls in search of collectable items, providing immediate visual identification of each badge. The author, Frederick Wilkinson, supplies excellent advice to the collector, showing how to date badges, warning of the fakes, copies and re-strikes that abounded and how to recognise them, but also demonstrating how enjoyable and rewarding a pastime badge collecting could be. His introductory text presents a brief history of British Army badges, from the shako plates of Wellington's time - now valuable items - to the later, much easier to find, Staybrites.

An inside look at kokeshi dolls: from the skilled woodworkers behind their design to their important cultural significance. Kokeshi are the simple and charming traditional Japanese dolls characterized by their cylindrical shape and lack of arms and legs. Historically made as children's toys in Japan's northern region of Tohoku, they have now become a popular collector's item and have even inspired famous architects and artists. In this visual guide, readers will find: An overview of the different types of dolls How kokeshi dolls are crafted, including information on tools and woods used Interviews with leading kokeshi craftspeople worldwide Detailed information about both traditional dolls and the modern ones being crafted today An exploration of the cultural significance of kokeshi dolls--both historically and for the areas of northern Japan that rebuilt themselves after their region was decimated by an earthquake and tsunami in 2011 A guide to visiting Japan's kokeshi regions Information on how to buy the dolls--either directly from Japanese artisans or stockists worldwide Filled with artist interviews, gorgeous photos and firsthand travel experience, author Manami Okazaki has created a book to be enjoyed by all--from serious collectors to woodcrafters, interior designers, architects, armchair travelers and anyone with an interest in Japanese culture and travel.

Until recently beads were under-researched. Even today in the UK, antique markets, necklaces and single beads still turn up in bargain boxes at cheap prices, whether glass, plastic, semiprecious stones - in fact almost anything that can have a threadable hole - or ethnic jewellery, holiday souvenirs or lavish carnival costume accessories. Throughout history, beads have shown prestige and wealth in their roles as trade goods, heirlooms and dowry, markers of tribal loyalty, prayer aids, magic talismans, love tokens and signs of status in life. Beads reveal the most amazing skills and give us an idea of the things we value enough to copy in miniature. They continue to display astonishing ingenuity - they are made of almost every possible material. Handmade or mass-produced glass, stone, ceramic, bone, shell, coral, amber, jet, cast or handwrought metals; found objects; constructed with tiny beads stitched together or woven in traditional patterns: each piece leads to new discoveries. This book helps you explore the origins of many of your treasures, whatever types of bead you collect, covering a wide range of categories such as 'eye beads', Millefiori Trade Beads found in the 1960s, exotic tropical seeds necklaces, carved nuts, Art Deco chokers, real or reproduction Egyptian Mummy beads, Tibetan stone Zi beads with applied designs, rosaries and prayer beads or even the antique beads found on traditional English lace bobbins!

In World War II, the U.S. Army not only supplied its soldiers with the most modern equipment and uniforms, suitable for any combat situation, but went as far as providing them with their favourite drinks or candy bars, and seemingly anything else they might require. This comprehensive reference book brings together all the equipment issued to American soldiers in the European Theater of Operations, 1943-45. Each item is presented with its catalog numbers, described in detail and fully depicted in photographs, including close-ups of the labels to aid identification of items. Graphics and diagrams offer additional information and context. This second volume of the G.I. Collector's Guide is fully revised with the addition of sections including personal equipment, trophies and souvenirs, the wartime draft and Stateside training, and the life of POWs in German camps. More than one thousand new artifacts with detailed captions are featured in this completely revised new work. Expert Henri-Paul Enjames describes all variations of uniform, insignia, badges, weapons, and equipment in detail. As a complete catalogue with high-quality photographs, this book is invaluable to both family historians researching grandpa's kit found in the attic and to assist collectors in their quest to find authentic items among the reproductions that flood the modern market.

Originally published in 1950, this book provides an account of the relationship between important 'anniversary years' and the creation of Roman Imperial coins and medallions. The anniversaries are connected to occurrences such as 'the births and deaths of Augustus and other leading persons; the various events that contributed to the inauguration of the imperial regime (Actium, the 'restoration of the republic', etc); and the foundation or dedication of temples and altars'. The text was written by the renowned British classicist and numismatist Michael Grant (1914-2004). Numerous illustrative figures are included and detailed notes are incorporated throughout. This book will be of value to anyone with an interest in numismatics and Roman history.

This book records the proceedings of a symposium held in conjunction with the 1988 exhibition of the Philip Hofer bequest to the Department of Printing and Graphic Arts at Houghton Library. Contributors include William H. Bond, Charles Ryskamp, Arthur Vershbow, William Bentinck-Smith, and Lucien Goldschmidt. Their recollections of one of Harvard College Library's most generous donors provide a fascinating portrait of one of America's great bibliophiles.

Complete information on using detectors to find gold nuggets, veins and ore with illustrated panning instructions.

Bracketed by global financial crises and economic downturns, the modern age has been defined by debates about, and transformations of, money. The period witnessed the consolidation of national currencies and monetary policies as well as the diversification of payment technologies and the proliferation of financial instruments. Throughout, even as it appeared abstracted by finance and depoliticized by expert ideologies, money was revealed again and again to be a powerful medium of cultural imagination and practical inventiveness as well as the site of public and political struggles. Modern money - both as a form of liquidity and as a claim on wealth - remains deeply unsettled, caught between private and public interests and subject to epic struggles over the infrastructures of value creation and circulation and their distributional consequences. Drawing upon a wealth of visual and textual sources, A Cultural History of Money in the Modern Age presents essays that examine key cultural case studies of the period on the themes of technologies, ideas, ritual and religion, the everyday, art and representation, interpretation, and the issues of the age.

The Roman monetary system was highly complex. It involved official Roman coins in both silver and bronze, which some provinces produced while others imported them from mints in Rome and elsewhere, as well as, in the East, a range of civic coinages. This is a comprehensive study of the workings of the system in the Eastern provinces from the Augustan period to the third century AD, when the Roman Empire suffered a monetary and economic crisis. The Eastern provinces exemplify the full complexity of the system, but comparisons are made with evidence from the Western provinces as well as with appropriate case studies from other historical times and places. The book will be essential for all Roman historians and numismatists and of interest to a broader range of historians of economics and finance.

Paper Jewels is the story of postcards during the Raj, and covers India, Pakistan, Sri Lanka and Burma. It is the first book on the subject and contains some of the most beautiful and popular postcards telling the stories of the first postcard publishers between 1892 and 1947. The essays cover the major cities and regions important to postcard publishing and the key themes-from dancers to religion, to tea, soap, famines, fakirs, humour and warfare. The volume uncovers such gems as the early postcards of the great Indian painter M V Dhurandhar and the Ravi Varma Press, the exceptional work of an early Austrian lithographer in Kolkata and a German one in Mumbai. Many of the images in the book have never been published since their first runs a century ago.

A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords. Swords were special in Anglo-Saxon England. Their names, deeds and pedigrees were enshrined in writing. Many were curated for generations, revealed by their worn and mended condition. Few ended their lives as casual discards, placed instead in graves, hoards and watercourses as part of ritualised acts. Contemporary sources leave no doubt that complex social meanings surrounded these weapons, transcending their use on the battlefield; but they have yet to transcend the traditional view that their primary social function was as status symbols. Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge. Eschewing modern value judgements, it focuses instead on contemporary perceptions - exploring how those who made, used and experienced swords really felt about them. It takes a multidisciplinary and holistic approach, bringing together insights from art, archaeology and literature. Comparison with Scandinavia adds further nuance, revealing what was (and was not) distinctive of Anglo-Saxon views of these weapons. Far from elite baubles, swords are revealed to have been dynamic "living" artefacts with their own identities, histories and places in social networks - ideas fuelled by their adaptability, durability and unique rolein bloodshed. Sue Brunning is Curator of European Early Medieval Collections at The British Museum.

This definitive reference for beachcombers is also a beautiful addition to any coffee table. Pure Sea Glass surveys the history of glass manufacturing, explains the weathering process that creates frosted gems from fragile shards of old glass and tableware, and offers tips on how and where to find the best pieces. More than 200 exquisite photographs bring to light the luminous beauty of authentic sea glass. Winner, 1st place for nonfiction, Writer's Digest International Self Published Books Award.

Originally published in 1948, this book contains the text of the Sandars Lectures in Bibliography for the previous year. Carter reflects upon the evolution and method of book collecting from the middle of the nineteenth century until the 1940s, and meditates on what it means to be a book collector, the changing definition of that term, and recent developments in collecting styles. This book will be of value to anyone with an interest in bibliophilism or the history of book collecting.

This illustrated catalogue presents detailed descriptions of nineteen Greek manuscripts acquired individually by the Library, during the twentieth century, and not previously described in any official Bodleian catalogue. The manuscripts vary widely in date and subject-matter. Some contain new discoveries, such as unpublished passages in a new manuscript of Philippos Monotropos' Dioptra (MS. Gr. th. d. 6), or the Greek translation of three prayers composed of quotations from St. Augustine's Confessions, which has come to light in a Horologion (MS. Gr. liturg. e. 8). Each entry contains a detailed description of the manuscript's textual contents, decoration, and physical features, and a full bibliography. This book will interest students of Greek texts (both secular and religious), as well as anyone with an interest in Byzantine and post-Byzantine culture.