When today's Barbie doll (R) collector puts together an outfit for the world's most fashionable doll, they soon find out that the bulk of the value lies in the shoes, hats, gloves, jewelry, and other important accessories. This reference guide is decked out with more than 1,700 images of accessories for Barbie, Skipper (R), Francie (R), Ken (R), and other fashionable dolls that were available from 1959 to 1972. Complete with values and a cross-referenced description of the outfits each accessory came with, this identification guide is an authority for collectors and a fun addition to any fashionista's library.

In this new volume of the Watch Book series, successful author Gisbert L. Brunner focuses on Swiss watch history and the watch industry, and in particular on the house of Oris, because what could be a more fitting connection than that of the leading expert when it comes to mechanical timepieces with the watch manufactory that is one of the few to produce exclusively mechanical watches. Founded in 1904, the company stands out in many ways in the luxury world of horology, it is run independently and not by a large corporation, it is valued as a down-to-earth brand and - in an industry that is not necessarily known for this - it focuses on sustainability, true to the motto: "Things have to make sense". Of course, technology should not be missing from this volume; after all, Oris has developed 280 different calibres in its company history and manufactured them in its own factories. Companions have their say and the best watch models of the company's almost 120-year history are presented in this usual high-quality volume.

This intriguing volume sheds light on the diverse world of collecting film- and media-related materials. Lucy Fischer's introduction explores theories of collecting and representations of collecting and collections in film, while arguing that collections of film ephemera and other media-related collections are an important way in to understanding the relationship between material culture and film and media studies; she notes that the collectors have various motivations and types of collections. In the eleven chapters that follow, media studies scholars analyze a variety of fascinating collected materials, from Doris Day magazines to Godzilla action figures and LEGOs. While most contributors discuss their personal collections, some also offer valuable insight into specific collections of others. In many cases, collections that began as informal and personal have been built up, accessioned, and reorganized to create teaching and research materials which have significantly contributed to the field of film and media studies. Readers are offered glimpses into diverse collections comprised of films, fan magazines, records, comics, action figures, design artifacts, costumes, props- including Buffy the Vampire Slayer costumes, Planet of the Apes publicity materials, and Amazing Spider Man comics. Recollecting Collecting interrogates and illustrates the meaning and practical nature of film and media collections while also considering the vast array of personal and professional motivations behind their assemblage.