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Books > Arts & Architecture > Antiques & collectables
Officially licensed, collectible figure of the beloved Niffler from
Fantastic Beasts--with sound included. A perfect gift for fans of
the Wizarding World. SPECIFICATIONS: 3 inch figure of the Niffler
mounted on a base INCLUDES SOUND: Audio of the mischievous Niffler
plays at the push of a button IDENTIFICATION CARD INCLUDED: An
illustrated description card provides information on the magical
creature PERFECT GIFT: A unique gift for fans of the wizarding
world OFFICIALLY LICENSED: Authentic Wizarding World collectible
VIOLIN VARNISH A Plausible Re-creation of the Varnish Used by the
Italian Violin Makers Between the Years 1550 and 1750, A. D. By
JOSEPH MICHELMAN Published by JOSEPH MICHELMAN, Cincinnati, Ohio,
U. S. A. 1946 Introduction PUBLICATION OF THIS BOOK is approached
with a little temerity. After more than eight years of extensive
research on the varnish used by the Italian Violin Makers from 1550
to 1750 A. D., it has not been possible to corroborate the results
in the chemical laboratory. This is due entirely to the
unavailability of samples of the varnish for confirmatory analysis.
Violins made by the Italian masters of this period are so valuable
and so scarce that a small sample of the varnish has not been
procurable for experi mental purposes. Therefore, synthesis must
precede analysis .... and with no assistance from the latter. This,
then, will explain the sub-title of this book as A Plausible
Re-creation of the Varnish Used by the Italian Makers Between the
Years 1550 and 1750 A. D. However, the results of this
investigation are so logical and so deeply supported by a vast
amount of convincing evidence, that publication of the book is in
order. First, possibly the find ings will be confirmed, or
otherwise, by investigators who may be more fortunate in having
access to material from authentic violins made by the old masters.
Confirmatory chemical tests will be suggested it should be
comparatively simple, especially through modern micro-analytical
methods, to determine the presence of certain constituents in the
varnish. Secondly, possibly the results will be suggestive to
others so that the confirmed rediscovery of the so-called lost art
of var nishing violins will eventually ensue.It is unfortunate that
this policy of freely exchanging ideas and information has not gen
erally existed. Almost every violin-maker has his own private
formulas for varnishes, which he treasures highly and guards
closely. The secret of the old Italian masters has defied dis
covery for nearly one hundred years, and any disclosures that will
shed light on the mystery should be made. vi VIOLIN VARNISH
Thirdly, the results may be interesting from a chemical stand point
the literature investigated does not contain many refer ences to
similarly colored vaniishes. The varnishes are perfectly
transparent and many are exceedingly permanent, which may be of
interest to paint and varnish chemists. Investigators in the realm
of colloid chemistry may be interested in the organosols that will
be discussed. If the results of this investigation are eventually
confirmed, then it must follow that the varnish makers of medieval
times produced Synthesized their own resins. The synthetic resin
would then become a product of the 16th cen tury and not belong
exclusively to more recent years as hereto fore pre-supposed.
Lastly, and most important of all, publication of these results
should make freely and permanently accessible to violinists, and
lovers of the instrument throughout the world, violins that satisfy
the criteria that have been established for the instruments cellos
and basses included of the old Italian makers. . . . The instru
ments of these masters are now two hundred to four hundred years
old. Their violins are made entirely of wood held to gether only
with glue and cannot be expected to withstand the ravages of time
forever. . . . Then too, better instruments should be made more
universallyavailable to violinists students as well as amateurs and
professional players. Deserving playere are too frequently deprived
of the advantages of good quality instru ments and are compelled to
use ill-sounding, unresponsive violins with a resulting decrease in
interest and advancement. Further improvement in the quality of
modern violins is desired, and that improvement should approach the
standards established by the old Italian masters. The subject
matter of this book will of necessity become tech nical, especially
when the theoretical aspects are considered...
This is a themed volume of 28 papers, written in honour of Marion
Archibald. It considers the role of coinage in northern Europe from
the fall of the Western Roman Empire to the early thirteenth
century. Although the focus of the volume is the coinage itself,
the majority of the papers consider coinage in its historical
and/or archaeological context. A recurrent theme of the volume is
the movement of coinage across the English Channel and the North
Sea and beyond. Particular areas of focus include the importation
and use of money in early Anglo-Saxon England; movement, hoarding
and secondary treatment of coinage during the Viking Age; and
monetary contacts between England and her neighbours under the
Normans and Angevins. The papers in this book provide an important
range of perspectives in current numismatic research, and will
provide a valuable resource for scholars in a variety of
disciplines with interests in the economy and society in northern
Europe, c. 500-1250.
Cigarette Cards and How To Collect Them By I.O. Evans 200 pages
Contents include: Introduction - The beginnings of the cards -
Trade cards - Types of card - Production and distribution - The
subject matter of the cards - Imperial and foreign issues - Rare
cards and curiosities -Making a collection - Storage and
classification - The cigarette card trade - The uses of card
collecting - A suggested classification of cigarette cards
Originally published in 1937. Many of the earliest books,
particularly those dating back to the 1900s and before, are now
extremely scarce and increasingly expensive. Obscure Press are
republishing these classic works in affordable, high quality,
modern editions, using the original text and artwork.
"In the early transition from the long-lived flintlock system,
handgun development closely paralleled that of the long arms. With
the advent of the revolving pistols, however; came patents that
created monopolies in revolver production and the through-bored
cylinder necessary for self-contained metallic cartridges. The
caplock revolvers took on a separate evolution and remained state
of the art long after the widespread appearance of cartridge firing
rifles and shotguns. They rode in the holsters of of explorers and
adventurers across the world and granted safe conduct in the
back-alleys of the Industrial West right up until the last quarter
of the 19th Century. Handguns possess a mystique distinctly
different from that of other firearms. They are tools of personal
empowerment-chosen by their owners to provide independence and
freedom of movement. In the ambitious, optimistic early years of
western industrial civilization they were the emblem of liberty and
equality and the bane of repressive governments and social
movements. Largely because of the traditions that emerged in the
time of the caplock pistols and revolvers, they remain so in the
early years of the 21st Century."
Text extracted from opening pages of book: The Collector's
Hand-Book ON POTTERY af PORCELAIN HV WILLIAM CHAFFERS REVISED AN1*
CONSIDERABLY AUGMENTED BY FREDERICK LITCHFIELD The Collector's
Hand-Book OK flarfts anli Konoramg on POTTERY ftP PORCELAIN Of the
Renaissance and Modern Periods SELECTED FROM HIS LARGER WORK (
EIGHTH EDITION) KNTITI. KO 41 fHarfas anto fHcmagrams on )
..". [Annie Hwang's] poetry sings for every aching soul....talks
about every loving heart....Speaks of the unflinching reality of
life....Cries for the dreams that we all are craving for....."
-Munia Khan
Originally published in London 1924. A wonderful collection of
prose and verse on the joys of smoking, tobacco, pipes snuff etc,
since Raleigh's time. Contents include: History. - Tobacco. - Pipe
Songs and Fancies. - Woman and the Weed. - Some Great Pipemen. -
Cigars. - Cigarettes. - Snuff. - Virtues of the leaf. - Parodies. -
Pipe Varieties. - Tobacco and Books. - Philosophy of Smoke. -
Recipes and Hints. - Smoking Accessories. - Bibliography.etc Many
of the earliest books, particularly those dating back to the 1900s
and before, are now extremely scarce and increasingly expensive.
Home Farm Books are republishing these classic works in affordable,
high quality, modern editions, using the original text and artwork.
Fans of the Queen of Country Pop can bring a little joy and inspiration to their day with a little help from Shania! This officially licensed, boldly stylish oracle deck and guidebook celebrates the music superstar’s greatest hits, music videos, fashion, and life. Deluxe set: This package includes 40 illustrated cards (3 x 5 inches) in an interior travel case; an 88-page, full-color illustrated paperback guidebook (3 x 5 inches); and a keepsake magnetic closure box40-card deck with stunning illustrations: Each card is illustrated with vibrant full-color artwork by artist Helen Green and focuses on a different aspect of Shania—be it a song, music video, her life, or live performances; may the “Let’s Go, Girls” card bring out the best woman in you, or the “Blue Jean Baby” inspire you to relax; these and many more Shania Twain oracles in this one-of-a-kind set celebrate the superstar’s inspiring life and workFully illustrated guidebook: Set includes a full-color illustrated companion book to the card deck, providing the back story of each oracle and a dose of inspirationPerfect gift: This joyful oracle deck and book set is an ideal gift for the most fabulous people in your life, for birthdays, Mother’s Day, graduation, or any occasion
Officially licensed: Set is officially licensed with Shania Twain
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