This new addition to Prestel's successful "50s" series focuses on Art Deco, an artistic movement that originated in France after World War I and spread throughout Europe and America. Presented chronologically in full-page illustrations accompanied by explanatory texts, these fifty iconic examples demonstrate the variety of ways Art Deco was expressed. Included here are a soup tureen designed by Jean Puiforcat; Edward Steichen's portrait of Fred Astaire; a brass-framed mirror by Austrian Franz Hagenauer; a still from the Busby Berkeley film, Footlight; and a self-portrait by the Polish painter Tamara de Lempicka. Other examples include jewellery, architecture, posters and items used in everyday life. Opening with an authoritative overview of the Art Deco movement and including biographies of each of the artists, this is a compact and affordable reference work

This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as `Art Deco'. Whether designed as free-standing statuary for the domestic market or commissioned for some form of architectural placement, as a frieze on a building's facade or as a public monument or pool fountain, the works shown demonstrate a sometimes bewilderingly broad range of styles and stylistic influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic of the 1930s. Alastair Duncan organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, etc), often as pieces uniques or small editions; the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from West and Eastern Europe, Scandinavia, North America, Brazil and beyond. With artists' biographies and details of manufacturers, a full glossary and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style, from the amateur collector of animalier sculpture to professional historians of the period.

Rich selection of 170 boldly executed black-and-white illustrations ranging from illustrations for Laclos' Les Liaisons Dangereuses and Balzac's La Comedie Humaine to magazine cover designs, book plates, title-page ornaments for books, silhouettes and delightful mini-portraits of major composers.

Rene Lalique: Selections from the Steven and Roslyn Shulman Collection introduces the artistic innovations and legacy of renowned French Art Deco artist Rene Lalique. Born outside of Paris in 1860, Lalique was recognized as one of France's foremost Art Nouveau jewelry designers before turning to the material of glass in the early twentieth century. By the 1920s, Lalique's glass artwork embraced the new ideas and technologies that swept the United States and Europe. He brought an artistic aesthetic to new industries such as automotive and electrical products, as well as to new clienteles including the rising middle class and the increasingly independent female consumer. His legacy has influenced subsequent generations of designers and artists, in particular contemporary artists working in the medium of glass. Lalique's considerable imagination and eye for design is evident in the Steven and Roslyn Shulman Collection, one of the most comprehensive selections of Lalique glass in the United States. The collection features perfume bottles, vases, automobile mascots, and a wealth of other objects that exemplify the Art Deco style and celebrate Lalique's sense of design.

The Great age of ocean travel has long since passed, but ocean liners remain one of the most powerful and admired symbols of modernity. No form of transport was as romantic, remarkable, or contested, and ocean liner design became a matter of national prestige as well as an arena in which the larger dynamics of global competition were played out. This beautifully illustrated book considers over a century of liner design: from the striking graphics created to promote liners to the triumphs of engineering, and from luxurious interiors to on board fashion and activities. Ocean Liners explores the design of Victorian and Art Deco 'floating palaces', sleek post-war liners as well as these ships' impact on avant-garde artists and architects such as Le Corbusier.

Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps and scissors in detailed photographs reprinted from rare, turn-of-the-century folio. Elegant, copyright-free illustrations exquisitely detailed with flower, foliage and butterfly motifs. Readily adaptable to any design use.

This book analyzes a wide range of Beardsley's most characteristic work. It establishes his assumptions about the underlying nature of his world, and clarifies why so many observers have considered Beardsley's art indispensable to understanding fin-de-siecle Victorian culture. Beardsley's pictures present a dialogue between seemingly polarized impulses: a desire to scandalize and destabilize the old order, and, equally strong, a need to affirm traditional authority.
Beardsley depicted various grotesque shapes, caricatures, and mutated figures, including foetus/old man, dwarf, Clown, Harlequin, Pierrot, and dandy (the icon of the Decadent "Religion of Art"). Incarnating the fearful contradictions of decadence, these images served as objective correlatives of some "monstrous" metaphysical contortion. His grotesques suggest the impossibility of resolving these contradictions, even as his elegant designs try formalistically to control and recuperate the disfiguration.
As a canonical style, Beardsley's "dandy" sensibility and grotesque caricatures become his means of realigning canonical meaning. Thus, he effects what might be termed a "caricature" of traditional signification. An aesthete devoted to the "Religion of Art," Beardsley, nonetheless, creates a world inescapably "de-formed." He is a Dandy of the Grotesque."

Art Deco is arguably the twentieth century's most popular and memorable design movements. The style defined the interwar period with its clean sleek lines, streamlined shapes, bold abstract forms, and luscious colours.This book charts the impact of this daring new style on the production of tiles and architectural faience in Britain. It shows how they were made and decorated, examines the output of firms like Carter, Pilkington's and Doulton and describes the innovations introduced by creative designers like Edward Bawden and Dora Batty.With photographs of the tiles and architectural faience, individually and in situ of buildings and homes, the author examines the diverse range of animal, floral, human and abstract Art Deco designs.

A lavishly illustrated survey of American Art Deco architecture.

Art deco flourished in cities and small towns throughout America during the 1920s and 1930s. Extremely popular as a statement of modernity and technological progress, art deco movie palaces, dime stores, department stores, courthouses, and schools were ubiquitous in the American landscape; numerous examples of the style continue to be viable spaces.

American art deco was unique. Unlike their European counterparts, architects in the United States had "exotic" indigenous cultures for inspiration. Arts such as Navajo chiefs' blankets, Hopi pottery, and Sioux beadwork, characterized by geometric ornament, were easily assimilated into the art deco style. Regionalism—a good example of which is the Prairie style, advocated by Frank Lloyd Wright and other progressive architects—also influenced American art deco. America's pioneering and westward migration provided powerful themes and motifs, producing an art deco with authentic national and regional characteristics.

American Deco features descriptions—and over 500 color photographs—of 75 opulent buildings across the country that have been preserved. The photographs document interiors, exteriors, and details of deco skyscrapers, courthouses, theaters, and other significant buildings.

Lorna is following her dreams. But can she follow her heart?Lorna Ferguson has dreamt of opening her own bed and breakfast in the village of Glendale for as long as she'd pictured falling in love. While her love life remains frankly hopeless, Lorna is determined to secure Dove House - the home she imagined living in as a child - to start this new venture with her family. Along with brother Adam, Lorna starts restoring the house to its Art Deco glory, but faced with a whole host of renovation problems and their money fast running out, they worry that Dove House will never be ready to open in the New Year. When a mystery man turns up, needing to fulfil a promise he made to his dying father and find the object he left at Dove House many years ago, Lorna's heart goes out to him. But what they find there is going to change both of their lives forever. Facing problems at every turn, and distracted by her heart, Lorna is going to need all the magic that her beloved Glendale can supply to make all her dreams come true... An uplifting, inspirational and romantic read that will warm your heart. Fans of Jenny Colgan and Heidi Swain will love this. Readers can't get enough of the Glendale Hall series!: 'A lovely series full of warmth, inspiration, community spirit, friendship and love, set in the most idyllic village in the Scottish hills.' Reader Review 'This book is life-affirming, full of surprises, an absolute joy and a real pick-me-up!' Reader Review 'Victoria has a wonderful way of writing which brings the characters to life, their stories are believable, their love genuine and their pain heartbreaking... I've genuinely loved these books so much.' Reader Review 'A brilliantly written, deliciously witty and highly moving tale... sheer perfection from beginning to end!' Bookish Jottings 'I've fallen in love with this uplifting story and with the entire town of Glendale...I wish the characters were real!' ReadwithAbi 'A gorgeous feel-good story...I'm already looking forward to the next one!' Jessica Redland, author of Finding Love at Hedgehog Hollow 'Emotional, moving, funny, heartwarming - this novel has got it all. Highly recommended!' Samantha Tonge, author of The Winter We Met 'Read at any time when you need something comforting and cosy and want to escape from the world for a while.' Book Lover Worm 'I absolutely loved this book... beautifully written and a really easy, feel good read and a perfect escape.' A Girl Who Loves to Read

The definitive guide to Art Deco buildings in Britain.The perennially popular style of Art Deco influenced architecture and design all over the world in the 1920s and 1930s - from elegant Parisian theatres to glamorous Manhattan skyscrapers. The style was also adopted by British architects, but, until now, there has been little that really explains the what, where and how of Art Deco buildings in Britain. In Art Deco Britain, leading architecture historian and writer Elain Harwood, brings her trademark clarity and enthusiasm to the subject as she explores Britain's Art Deco buildings.Art Deco Britain, published in association with the Twentieth Century Society, is the definitive guide to the architectural style in Britain. The book begins with an overview of the international Art Deco style, and how this influenced building design in Britain. The buildings covered include Houses and Flats; Churches and Public Buildings; Offices; Hotels and Public Houses; Cinemas, Theatres and Concert Halls; and many more.The book covers some of the best-loved and some lesser-known buildings around the UK, such as the Midland Hotel in Morecambe, Eltham Palace, Broadcasting House and the Carreras Cigarette Factory in London. Beautifully produced and richly illustrated with architectural photography, this is the definitive guide to a much-loved architecture style.

Although usually associated with the 1920s and '30s, the Art Deco style had already begun to emerge in France prior to the First World War. However, it was during the interwar years that the style, reaching full maturity, would be embraced across the world as the ultimate expression of modernity, elegance and refined taste. Art Deco design is redolent of the Jazz Age, conjuring images of society cocktail parties, the Charleston and Hollywood in this great but doomed era of excess. But this was also an age that saw momentous technological advances in engineering and transportation, and Art Deco is a feature, too, of the streamlined profiles of high-speed trains, ocean liners, and aircraft. Here, TV antiques expert Eric Knowles provides a lavishly illustrated personal narrative and guide to this most alluring and enduring of styles.

Art Deco is one of the most exciting chapters in the history of the decorative arts. Conceived in France before the First World War, it spread throughout Europe and had its greatest and most spectacular success in the United States. Myriad influences shaped the style - Cubism, Constructivism, Orientalism, the Ballets Russes, the Bauhaus - and its exponents included many of the century's most celebrated artists, designers and craftsmen.

With the International Exhibition of Modern Decorative and Industrial Arts in 1925, Art Deco seduced the world. From New York to Paris, the press celebrated this event which permanently imposes this universal style. Crossing the Atlantic aboard sumptuous liners such as Ile-de-France and Normandy, main French decorators such as Jacques-Emile Ruhlmann, Jean Dunand and Pierre Chareau exhibited in department stores, from New York to Philadelphia. From Mexico to Canada, this enthusiasm is driven by North American architects trained at the School National Museum of Fine Arts in Paris from the beginning of the 20th century, then at the Art Training Center in Meudon and at the Fontainebleau School of Fine Arts, two art schools founded after the First World War world which strengthened the links between the two continents. This book reveals a reciprocal emulation which is illustrated in the architecture and ornamentation of skyscrapers as well as in cinema, fashion, press, sport... Thirty-seven texts and 350 illustrations make it possible to discover the unique links that unite France and America, from the Statue of Liberty by Bartholdi to the Streamline which succeeds Art Deco. Text in French.

As one of the key players of modern jewellery in the '20s, Paul Brandt worked with the most famous jewellers of his time, like Fouquet or Sandoz. He followed eclectic studies in Paris (jewellery, painting, sculpture, medals and stones engraving, chiselling, etc) and finally decided to specialise in jewellery design. With his first creations he joined the art nouveau movement before focusing on an art deco style. He took part in the International Exhibition of Decorative Art of 1925 both as an artist and a jury member. Paul Brandt considered his jewellery as works of art in their own right and displayed them during exhibitions where the scenography kept getting more innovative. From the '30s, he extended his activity to interior design. This monograph displays the talent of this major artist who left his mark in France and abroad. Recounting his whole career, it highlights the extent of Paul Brandt's skills, not only in jewellery but also in medal making, decoration and interior design. Text in French.

A full-colour illustrated biography of the life of Susie Cooper and her ceramic company's output. During her sixty-five-year career, Susie Cooper introduced more than 4,500 ceramic patterns and shapes, making her one of the most prolific, versatile and influential designers the industry has ever seen. Between the 1920s and 1980s she moved from the bold hand-painting of the 'Jazz Age' through delicate wash banding and aerograph techniques to sophisticated lithographic transfer printing on both earthenware and bone china. Cooper not only led the charge of gifted female designers in the male-dominated Potteries but also pioneered the role of women in factory management. Alan Marshall here charts her progress from the creation of patterns for Gray's Pottery in the 1920s, to running her own Susie Cooper Productions from the 1930s to the 1950s, and designing for Wedgwood from the 1960s to the 1980s.

French pochoir prints from the glorious Art Deco era present women's fashion designs in their most original era. Chosen from the period 1924 to 1931, this clothing was revolutionary and has been the epitome of haute couture designers ever since. The most famous clothing designers of the time are represented abundantly, including Charles Worth, Jean Patou, Paul Poiret, Lucien Lelong, Joseph Paquin and many others. The hand printed illustrations are each little masterpieces, often admired and collected themselves for their fine details and originality.

Charles Rennie Mackintosh's finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than anything in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous, creating a world of heightened aesthetic sensibility. Finally, during the 1920s, he painted a series of watercolours which are as original as anything he had done before. Since his death, Mackintosh has been lauded as a pioneer of the Modern Movement and as a master of Art Nouveau. This book, with illustrations that include specially prepared plans and sections, takes a clear-eyed view of Mackintosh and his achievement, stripping away the myths to reveal a designer of extraordinary sophistication and inventiveness.

The Palais de Tokyo, built for the 1937 International Exhibition of Arts and Technology, is an icon of French Art Deco architecture. Located prominently on the northern bank of the Seine near the Eiffel Tower, the vast complex today is a hotspot of modern and contemporary art in the French capital. Opened as part of the 1937 International Exhibition, the Musee d'Art moderne de la Ville de Paris (MAM) has always had its home in the eastern wing of Palais de Tokyo. After a major refurbishment directed by Paris-based h2o architectes, it was re-inaugurated in October 2019. This book documents the creation of the new MAM. Alongside brief essays and a conversation with h2o architectes founding partners Jean-Jacques Hubert and Antoine Santiard, it features plans and visualisations as well as historic photographs. The construction process is illustrated through a photo essay by artist Laetitia Badaut Haussmann and reportages by photographer Myr Muratet and architect-photographer Stephane Chalmeau. Text in English and French.

A key figure in the Art Deco movement, artist Jean Dunand (1877-1942) stands out for his multiple talents as a sculptor, goldsmith, copper maker, but also lacquerer, bookbinder and decorator. After having excelled in finishing hammer-mounted vases and brassware, he met Seizo Sugawara in 1912 who led him to become passionate about lacquer, which he made his signature on both his vases and his panels, furniture and bindings. At the head of an important workshop, he participated in the major international exhibitions of his time, in Paris in 1925, 1931 and 1937, in New York in 1939, and was regularly exhibited at the Georges Petit gallery and at the Salon des Artistes Decorateurs. His singularity and the quality of his creations lead him to become one of the most sought-after portrait painters, immortalising personalities in fashion and the arts such as Jeanne Lanvin, Louise Boulanger, Josephine Baker as well as from the world of finance such as the Lazards, Carnegie or Louis-Dreyfus. Jean Dunand also worked on remarkable sets in France and the United States such as the music salons of Solomon R. Guggenheim, the apartments of Madame Agnes or Templeton Croker, as well as on the shipyards of the Atlantic and Normandy liners which will crown a rich career of more than two thousand works, presented in a repertoire at the end of the book. Text in French.