Learn how to draw, with a masterclass from the man who inspired Walt Disney. Credited with being the inspiration for Walt Disney to pick up a pencil and pursue a career in animation, E G Lutz's method of drawing complex illustrations in gradual, simplified stages paved the way for many of the artists and illustrators who followed him. * Learn how to draw a delightful range of subjects, from animals and people to toys, buildings and landscapes. * Pictures are broken down into simple shapes and lines, which are then built up, with the aid of clear step-by-step instructions, into beautiful drawings. * Simple to follow, yet using principles seen in sophisticated artworks and animations today, this guide can help budding artists of all ages to develop their skills. Nostalgic yet timeless, this historically and culturally important book has inspired so many adults and children to draw and can help you too to discover the delights of creating your own artwork.

The Bargue-Gerome Drawing Course is a complete reprint of a famous, late nineteenth-century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature. Consequently it is a book that will interest artists, art students, art historians, and lovers and collectors of drawings. It also introduces us to the work and life of a hitherto neglected master: Charles Bargue. The Drawing Course consists of three sections. The first consists of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting, with lithographs after exemplary drawings by Renaissance and modern masters. The third part contains almost 60 academies, or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature. Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects. By working with Gerome, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, and colour schemes that unified his composition in exquisite tonal harmonies. The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.

Get lost in your creativity with 365 Days of Drawing, a thoughtful and inspiring art journal designed to help you carve out moments of self-expression. Lorna shows you that drawing does not have to be scary - it can be done with any materials, in any colour, in any style and can be done anywhere. Each activity has been given a loose category: imagination, tutorial, relaxation, colour theory and observational, so that you can practice a broad range of drawing skills. Each 'theme' is designed to expand your creative skills and spark the artist within. With helpful prompts and pages that encourage you to try new materials to draw with, 365 Days of Drawing is guaranteed to stir your imagination and put a little creativity into every single day.

Hungry for a new drawing challenge? Well, get ready to enter planet cute! In her new collection, artist-author Angela Nguyen turns even the most mundane foods into living, breathing, adorable characters that you will want to draw yourself. As well as cute food-creature fusions such as blueberry kittens and sausage dog hotdogs, in Angela's captivating world, sleeping cats lounge atop sushi, curl inside donuts, or peek out from pizza crusts. Including beautifully clear and straightforward step-by-step instructions and minimal text, How to Draw Really Cute Food is great for both visual learners and those interested in learning the essential techniques of kawaii. With chapters on appetizers, entrees, desserts, snacks and drinks, these inventive designs are sure to delight and amuse.

This beautiful and inspirational book written by a doyenne of British textile design explores the art of painting and making patterns on cloth. Fabrics bring colour and vibrance to our lives, adding inventiveness and charm to both our clothes and our domestic interiors. In this book, lifelong textile designer Sarah Campbell takes you through her world of pattern and colour to uncover the joys of design from dots, stripes and checks to more surprising decorative solutions. Beautifully illustrated with Sarah's colourful and internationally acclaimed work, her fabric designs show the comforting rhythm and universal language of pattern. - Learn how to create your own unique designs using a range of tools and techniques including brushes and potato-cuts, stencils and simple 'kitchen cupboard' resists. - Explore the delights of painting on different fabrics such as cotton, linen, silk and calico/muslin. - Develop your understanding of scale, colour, tonality and the organisation of pattern ideas, alongside suggestions on how to use your finished fabrics.

The Watercolour Sourcebook is a compilation of four selected titles from the What to Paint series, chosen specially to illustrate the wide range of scenes and subjects that can be captured in watercolour. The works of four master watercolourists - Geoff Kersey, Terry Harrison, Peter Woolley and Wendy Tait - are brought together in a collection of 60 beautiful, detailed projects on the subjects of trees, woodlands and forests; landscapes; hills and mountains and flowers respectively. Each project results in a full painting that is accompanied at the end of the book by a full-size outline that can be copied and applied to the artist's own watercolour paper using tracedown paper and pencil. The Watercolour Sourcebook aims to provide a wealth of inspiration to the painter who struggles to decide upon their subject matter, and arms the artist with everything they need to know about what they're about to paint, from colour palette to useful techniques.

An essential little book perfect for the pocket or art bag covering all practical aspects of sketching and drawing. Sketching is a skill that every artist needs to master and this handy book shows you how in a very clear and simple way.

Jackie starts by describing all the different media used for sketching, including pencils, charcoal, coloured pencils, pens, pastels, watercolours and gouache, as well as the different types of sketchbooks. She then looks at the basic techniques of sketching, emphasizing the importance of observation and showing how to make marks, use tone, create 3-D form and portray pattern.

She then covers a wide range of subjects, such as plants and flowers, skies, animals, the urban landscape, and figures and portraits, explaining how to compose your sketches and giving useful tips about sketching on the move. There s also a fascinating section on sketching from the Masters, to provide additional inspiration.

The instruction is clear and concise throughout, providing an ideal resource for artists of all levels to dip into when sketching out on location."

The really easy way to learn how to paint flowers in watercolour! Using a simple ten-step process, learn how to draw a basic outline starting with simple shapes, then add washes of colour and fine details to complete your work. Arranged in three chapters based on skill level, this book features 25 lovely projects, each showing you how to paint a flower in ten steps. There are paint swatches for every plant, showing you the colours you need to mix for each step of the way and the finished painting serves as a reference to guide you. It couldn't be easier! Also included is a useful techniques section at the beginning, and clever painting tips from the author throughout the book. With flora as diverse as a tulip, a magnolia, a bunny ears cactus and a passionflower, there is plenty to choose from and practise with, to develop your skills.

Paperclay is an extremely versatile material for the contemporary potter. Now firmly established in the ceramics world, this mix of clay and paper fibers is remarkably flexible, strong, and easy to repair. This highly workable medium allows expressive freedom and imagination at every stage in the creative process, even after drying and firing. In Paperclay, artists will discover the world of possibilities offered by this blend of earth, paper, and water. Building on the success of her previous books, artist and teacher Rosette Gault explains how potters and clay sculptors can make, fire, and reshape paperclay. This comprehensive guide covers a range of methods from dry modeling to slurry state. Going beyond the basics, the book introduces advanced techniques for building armatures, sculpting figures, and forming wall hangings. It also includes information on recycled and sustainable ingredients. Paperclay features all-new color photographs and diagrams of techniques and tools, as well as inspiring works by today's leading international ceramicists. Packed with photographs and clear instructions, Gault's book is an essential introduction to paperclay for ceramics artists and educators.

Nano is Greek for dwarf and the word nanotechnology 'was first proposed in the early seventies by a Japanese engineer, Norio Taniguchi, implying a new technology that went beyond controlling materials and engineering on the micrometer scale that dominated the 20th Century'. The content for this book has been based on a self-emergent process. It explores an art historical understanding of matter and uses various hypotheses to elucidate the effects on materiality and agency as a result of the emergence of nanotechnology. The blurring of material boundaries are reflected in the establishment of a fluid organic spatial narrative in which to place ideas, propositions and concerns. A cornerstone of the book is the concept posed in the philosophical writings of Lucretius of the unpredictability of the atoms' swerve and its formative role in the beginning of all matter, form, life and individuality. It focusses on the concepts of vibration, vitalism, life and materiality and extends the artist's concepts of agency in relation to matter.