While the demonstrations of Spring 1968 all around the world were not the playing field of DPPI's (Diffusion Presse Photo International) photographers, the latter happily continued to flourish in the extraordinary world of motor racing, the atmosphere of which they captured to perfection. Their purpose was both to translate into images impressions like the frightening average speed per lap of 243 km/hr of the Belgian Grand Prix on the Spa-Francorchamps track or the clearance, complete with major skidding, of a snow-covered pass during the Monte-Carlo Rally, and to serve as complicit witnesses to the mixture of tension and freedom that inhabits these men and women of the racing world who gathered each weekend to share triumph and tragedy. It comes as no surprise that such a concentration of action and emotion made a strong impression on the public and inspired brands and emerging marketing services seeking new channels of communication. Text in English and French.

Unleash the creative power of Procreate to bring outdoor scenes to life on your iPad, from thumbnail designs to final images. In this book for newcomers to the software as well as more accomplished users, several renowned and experienced designers demonstrate plein air painting, sharing not only their professional tips and tricks, but also how the traditional painting process translates to Procreate. You will become fluent in using Procreate for all stages of outdoor painting - capturing the spirit and essence of a landscape, subject, or building by incorporating natural light, color, and movement into your works. The thorough Getting Started section spotlights the specific Procreate tools, such as Brushes, Layers, and Adjustments, that bring your paintings to life. Perfecting color and nuance of sky, land, and human subjects outdoors is vital, and the Quick Tips section lets you quickly locate and manipulate the tools you need. Take the opportunity to observe and practice the techniques as part of a real-world workflow, as professional artists demonstrate in seven step-by-step Projects how to use Procreate's tools to successfully evolve a plein-air painting from initial idea to final masterpiece. Whether or not you have used Procreate before, Beginner's Guide to Procreate: Plein Air ensures your passion for outdoor painting can be fully realized on the iPad screen.

How to Draw Almost Everything Volume 2-a follow-up to the popular book How to Draw Almost Everything, part of the Almost Everything series from Quarry Books-shows how easy it is to draw even more cute illustrations. Learn to draw each illustration in easy-to-follow steps. Just follow the arrows to complete each step. You'll also find helpful tips and ideas for drawing variations. Start with basic shapes, such as circles, triangles, and squares, then add special details to personalize your illustrations. Draw animals, people, everyday objects, patterns and borders, and holiday and seasonal themes, along with warm-ups and special lessons. An inspiration gallery offers fun ideas for adding illustrations to everyday objects or creating one-of-a-kind notes, cards, and gifts. Each book in the Almost Everything series offers readers a fun, comprehensive, and charmingly illustrated visual directory of ideas to inspire skill building in their creative endeavors.

"St George and the Dragon" is a supremely beautiful painting. It is an exquisitely rendered vision of a universal tale of good and evil. And it is also an example of how art witnesses and participates in the ebb and flow of world power. For its artist, "Raphael" the painting represented a crucial step in his ascent to the peak of the Renaissance art world and for a succession of jealous owners it was the ultimate symbol of power and prestige. Painted for a young Henry VII the painting then played a crucial part in the diplomatic intrigues in Henry VIII's rumbustious court. After Charles I's execution it moved through France into the gathering power and purchases of Catherine the Great and her Hermitage. It is a small work of art and during the Russian Revolution its vulnerability was perilous - it was shunted around Russia as war raged until, in an utterly dodgy transaction it was sold by Stalin to the US Treasury Secretary. Into the grips of a new world power. Within this perfectly rendered painting stories of greed and warfare can be traced, in its history the changing centres of world dominance can be seen and in the way its beauty has been traded the intricate connections between high culture and money and power can be disentangled. This small work of art is a repository of the very story of Western civilisation and Joanna Pitman is an author of considerable acclaim and great skill. This is a fantastic piece of literature - history at its most fascinating - storytelling at its finest.

Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907-1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola Alvarez Bravo, Nickolas Muray, and Martin Munkacsi, they made Frida Kahlo an iconic image of 20th century art. After an accident in her early youth, Frida became a painter of her own free will. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States. Her work garnered praise from the poet Andre Breton, who added the Mexican painter to the ranks of international surrealism and exhibited her work in Paris in 1939 to the admiration of Picasso, Kandinsky, and Duchamp. We access the intimacy of Frida's affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida's home and the center of her universe. This large-format XXL book allows readers to admire Frida Kahlo's paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years, forming the most extensive study of Kahlo's work and life to date.

Bodies mangled, limbs broken, skin flayed, blood spilled: from paintings to prints to small sculptures, the art of the late Middle Ages and early modern period gave rise to disturbing scenes of violence. Many of these torture scenes recall Christ's Passion and its aftermath, but the martyrdoms of saints, stories of justice visited on the wicked, and broadsheet reports of the atrocities of war provided fertile ground for scenes of the body's desecration. Contributors to this volume interpret pain, suffering, and the desecration of the human form not simply as the passing fancies of a cadre of proto-sadists, but also as serving larger social functions within European society. Taking advantage of the frameworks established by scholars such as Samuel Edgerton, Mitchell Merback, and Elaine Scarry (to name but a few), Death, Torture and the Broken Body in European Art, 1300-1650 provides an intriguing set of lenses through which to view such imagery and locate it within its wider social, political, and devotional contexts. Though the art works discussed are centuries old, the topics of the essays resonate today as twenty-first-century Western society is still absorbed in thorny debates about the ethics and consequences of the use of force, coercion (including torture), and execution, and about whether it is ever fully acceptable to write social norms on the bodies of those who will not conform.

For many the smoke and mirrors which surround Banksy are as fascinating as the artwork of the 21st century's most important living artist. Banksy Myths Volume 2 takes the same approach as Vol 1. We collect the stories, the reader can judge for themselves.

An essential handbook for studio potters working towards achieving a fantastic spectrum of colourful glazes. Colour in Glazes teaches you all the methods for achieving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Find out about the types of base glazes and the fluxes used to make them in relation to colour response as well as using colouring oxides to achieve depth and variety of colour, rather than resorting to commercial ceramic stains. Discover the practical aspects of mixing, applying, testing and adjusting glazes, and explore a large section of test tiles and glaze recipes for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. This new edition, fully updated and revised, contains advances in technology and new discoveries in the Periodic Table. It is an infallible handbook to achieving the colour you want, and to help you broaden your palette.

A collection of essential quotations and other writings from artist and icon Jean-Michel Basquiat One of the most important artists of the late twentieth century, Jean-Michel Basquiat explored the interplay of words and images throughout his career as a celebrated painter with an instantly recognizable style. In his paintings, notebooks, and interviews, he showed himself to be a powerful and creative writer and speaker as well as image-maker. Basquiat-isms is a collection of essential quotations from this godfather of urban culture. In these brief, compelling, and memorable selections, taken from his interviews as well as his visual and written works, Basquiat writes and speaks about culture, his artistic persona, the art world, artistic influence, race, urban life, and many other subjects. Concise, direct, forceful, poetic, and enigmatic, Basquiat's words, like his art, continue to resonate. Select quotations from the book: "I cross out words so you will see them more; the fact that they are obscured makes you want to read them." "I think there are a lot of people that are neglected in art, I don't know if it's because of who made the paintings or what, but, um . . . black people are never really portrayed realistically or I mean not even portrayed in modern art." "Since I was 17, I thought I might be a star." "The more I paint the more I like everything." "I think I make art for myself, but ultimately I think I make it for the world."

From the time of the pharaohs to world-famous internet sensations, cats have inspired artists to strive to capture their lithe movements and cryptic personalities for as long as they've been our furry companions. This joyous collection celebrates cats in art, spanning eras, styles and continents, from the brushes of masters such as Manet, Gauguin, Klee, Hokusai, Renoir and more.

WOW - a collaboration between Liss Llewellyn and the Laing Art Gallery - showcases 38 British women artists working on paper between 1905 and 1975, a transformative period for women in the arts. The featured artists approached the medium in vari ous ways, using traditional as well as innovative techniques to transform paper into beautiful and complex works of art. The exhibition celebrates the diversity of these approaches and highlights the ways in which paper provided artists with a rich arena for artistic innovation. Paper's adaptability allows for a multitude of techniques. Using paper in its traditional role as a support for drawings and prints, or creating collage and sculpture, the fea tured artists responded to the medium's inherent qualities - malleable, smooth and sensuous - to test ideas, express feelings or create a finished work. It is often in the more formative moments that the works in this exhibition most resonate; through these studies we bear witness to the seed of an idea in germination, as in Clare Leigh ton's iconic Southern Harvest, or Evelyn Dunbar's celebrated works for the War Artist's Advisory Committee. Selecting hand-made, mould-made or machine-made papers in various weights, tex tures and tints - depending on their intentions - artists worked with a variety of media from pencil, ink and pastel, to watercolour, tempera and oil, sometimes incorporating extraneous elements such as gold leaf and metallic forms. Working on monumental sheets, such as Winifred Knights' cartoon for St Martin's Altarpiece or tiny pages such as Edith Granger-Taylor's Small Grey Abstract, women's choices were nevertheless some times dictated by circumstance: the propensity of Frances Richards and Tirzah Gar wood - by no means isolated cases - to work on paper on a small scale was in part a result of not having access to a studio. From portraits, landscapes, botanical studies and genre scenes, many of the works in WOW highlight the artist's skill and dexterity in drawing on paper, which was at the core of artistic training and practice. Some artists have used the traditional techniques of etching, screen printing and woodblock to create a diverse range of images. Others highlight the ethereal properties of paper through precise cuts, resulting in elaborate collages combining shapes, patterns and designs, or compact and manipulate paper to create inventive and surprising sculptures. Featuring both famous and lesser-known talents, WOW celebrates the many ways in which women artists expressed themselves through works on, and with paper and highlights their unique contribution to the graphic arts in 20th century Britain.

Perfect for children, parents or anyone else keen to try their hand at face-painting anything from tigers, aliens and sharks to unicorns, rainbows and superheroes.

Out of the Woods is a graphic memoir for people suffering from depression and anxiety. Combining a personal story, the latest medical research and proven self-help strategies, the book offers a unique insight into these illnesses.

Who were the young woman and child buried with magnificent gold and luxurious finery in an Egyptian mummy dated around 1550 BC? Evidence suggests the woman may have been a queen. If so, the National Museums Scotland houses the only Egyptian royal burial seen anywhere outside Cairo. Sixty-five stunning funerary items, coffins, mummy-cases, masks, portraits, jewelry and other adornments of the well-equipped mummy are illustrated and annotated in this new hardcover that is as reader-friendly as it is comprehensive. We are reminded of the humanity here these coffins began with a life and text provides a glimpse into their stories. Included are the coffin of the priest Iufenamun and the double mummies of half-brothers, Petamun and Penhorpabik. Annotations include item owner, dating, dimensions, materials, description, provenance and mode of acquisition. Organized sequentially, the expert authors explain styles and techniques and the changes in each epoch taking their story from the age of the pyramids around 2,000 B.C.to the time of Roman Rule ending in the third century A.D., after which Egypt would transform into a Christian society. Concordances, chronology of Egypt, and a glossary are included. *For the Egyptologist - laypeople and professionals alike, for collectors, curators, historians, archeologists *Unveils information on a superb collection

"This beautifully produced book will be inspiring to botanical artists and all those who are captivated by the orchid." -Leisure Painter Orchids have long held a place of esteem and fascination in the horticultural world. In the 19th century, orchid collecting reached new fanatical heights, with explorers dispatched to every corner of the globe in search of new varieties that could be auctioned at extravagant prices, and orchids are still one of the most popular flowers to breed and buy to this day. These beautiful, diverse flowers are one of the two largest families of flowering plants, with over 30,000 species and over 181,500 hybrids and cultivars. The RHS Orchid Committee have commissioned watercolours of over 7,000 award-winning hybrids that demonstrate particular value in their fabulous array of colours, patterns, sizes and shapes. Through these paintings, stories of high stakes orchid breeding and exhibiting are explored, with a cast of characters who helped shape the horticultural world we know today, alongside the dedicated artists who still support their endeavours.

Learn how to paint birds in watercolour without even trying! Using a simple ten-step process, learn how to draw a basic outline starting with simple shapes, then add washes of colour and fine details to complete your work. Arranged in three chapters based on skill level, this book features 25 lovely projects, each showing you how to paint a bird in ten steps. There are paint swatches for every bird, showing you the colours you need to mix for each step and the finished painting serves as a reference to guide you. It couldn't be easier! Also included is a useful techniques section at the beginning, and clever painting tips from the author throughout the book. With birds as diverse as an Atlantic puffin, a barn owl, a hummingbird and a bald eagle, there is plenty to choose from and practise with, to develop your skills.

The National Trust looks after one of the largest and most significant holdings of fine-art and heritage objects in the world. As well as internationally famous works of art, the collections also contain many remarkable but far less familiar objects with fascinating stories to tell. This celebration of curiosities and inventions features forgotten gadgets, unusual works of art, humorous gifts and peculiar personal treasures. From dodos and dioramas to witch bottles and wooden pets, every object provides unexpected insights into the lives of those who made, owned or used it. Selected by National Trust curators, the featured objects are accompanied by easy-to-read captions. The book concludes with a list of National Trust places where these intriguing collections can be found.

The British Museum watch collection is unsurpassed anywhere in the world, and tells the story of the watch which spans an incredible 500 years. Within the collection are examples ranging from sixteenth-century early stack freed watches made in south Germany to exquisite decorative watches of the seventeenth century. Everyday watches from the eighteenth century and precision-made chronometers from the eighteenth and nineteenth centuries are included, as are examples from the modern era. All the major makers of Europe and America will be represented, including Thomas Tompion, whose reputation stretched far and wide even in his own time, and the Swiss-born Abraham Louis Breguet, who lived and worked in Paris supplying the best that money could buy to the crown heads and aristocratic families of the western world. In contrast to the high precision of the horological giants, the Museum has a growing collection of wristwatches, including those with automatic winding systems. There are also extensive collections of pin-pallet lever watches made for the mass market during the nineteenth and twentieth centuries by companies such as Waterbury and Ingersoll. The collections are brought up to the minute with the inclusion of early examples of electro-mechanical watches and the quartz revolution.

Hailed the "Prince of the Impressionists", Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and the Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment. This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions