How are love and emotion embodied in material form? "Love Objects" explores the emotional potency of things, addressing how objects can function as fetishes, symbols and representations, active participants in and mediators of our relationships, as well as tokens of affection, symbols of virility, triggers of nostalgia, replacements for lost loved ones, and symbols of lost places and times.Addressing both designed 'things with attitude' and the 'wild things' of material culture, "Love Objects" explores a wide range of objects, from 19th-century American portraits displaying men's passionate friendships to the devotional and political meanings of religious statues in 1920s Ireland.

Designing Sustainable Residential and Commercial Interiors: Applying Concepts and Practices is a core text for students and designers seeking to apply sustainability to all stages of the design process for commercial interiors. The book provides an overview of the types of commercial interior design projects emphasizing a three-pronged approach to sustainability: equity, economy and ecology. Through inspirational case studies for a range of contract projects - such as office design, retail design, healthcare design, hospitality design, restaurant design and institutional design - readers will learn how to use a sustainable concept as the foundation for a well-designed, green project.

With new and improved illustrations, the 2nd edition of Shaping Interior Space emphasizes the impact that designers make through their spatial compositions and design manipulations. Intended for intermediate and advanced students focusing on commercial design, the text covers strategies for creating interior environments that work as a total system to enhance the experience of users. It places the emphasis on design virtues other than function and beauty to more fully address the designer's role in providing appropriate amounts of order, enrichment, and expression.

The Environmental Documentary provides the first extensive coverage of the most important environmental films of the decade, including their approach to their topics and their impacts on public opinion and political debate. While documentaries with themes of environmental activism date back at least to Pare Lorenz's films of the 1930's, no previous decade has produced the number and quality of films that engage environmental issues from an activist viewpoint. The convergence of high profile issues like climate change, fossil fuel depletion, animal abuse, and corporate malfeasance has combined with the miniaturization of high quality recording equipment and the expansion of documentary programming, to produce an unprecedented number of important and influential documentary productions. The text examines the processes of production and distribution that have produced this explosion in documentaries. The films range from a high-profile Hollywood production with theatrical distribution like An Inconvenient Truth, to shorter independently produced films like The End of Suburbia that have reached a small audience of activists through video distribution, interviews with many of the filmmakers, and word of mouth.

Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.

The Actor's Business Plan is a self-directed practical guide for actors graduating from formal training programs, as well as for those already in the business whose careers need to move ahead more successfully. Using the familiar language of acting training, the book offers a method for the achievement of dreams through a five-year life and career plan giving positive steps to develop a happy life as an actor and as a person. It assists performers to flourish using the same kind of business/career planning that is a necessary part of life for entrepreneurs and business people. This introduction to the acting industry provides essential knowledge not only for how the business actually works, but also describes what casting directors, agents, and managers do, demystifies the role of unions, discusses how much things cost, and offers advice on branding and marketing strategies. It differs from other such handbooks in that it addresses the everyday issues of life, money, and jobs that so frequently destroy an actor's career before it is even begun. While addressing NYC and LA, the guide also gives a regional breakdown for those actors who may wish to begin careers or to settle in other cities. It is loaded with personal stories, and interviews with actors, casting directors, and agents from throughout the US. The Actor's Business Plan is the answer to the common complaint by students that they were not taught how to negotiate the show business world while at school. It is the perfect antidote for this problem and can easily fit into a ten or a thirteen-week class syllabus. Offering support as a personal career coach, empowering the actor to take concrete steps towards their life and career dreams, The Actor's Business Plan: A Career Guide for the Acting Life is a must-have book for actors who are determined to be a part of the professional world .

Of all the recordings to emerge from the Athens-via-Denver collective called "Elephant 6", Neutral Milk Hotel's second album is the one that has worked its way under the most skins. "Magnet" magazine named it the best album of the 1990s, and "Creative Loafing" recently devoted a cover story to one fan's quest to understand why bandleader Jeff Mangum dropped out of sight soon after "Aeroplane's" release. The record sells steadily to an audience that finds it through word of mouth. Weird, beautiful, absorbing, difficult, "In The Aeroplane Over the Sea" is a surrealist text loosely based on the life, suffering and reincarnation of Anne Frank, with guest appearances from a pair of Siamese twins menaced by the cold and carnivores, a two-headed boy bobbing in a jar, anthropomorphic vegetables and a variety of immature erotic horrors. Mangum sings his dreamlike narratives with a dreamer's intensity, his creaky, off key voice occasionally breaking as he struggles to complete each dense couplet. The music is like nothing else in the 90s Indie Underground a psychedelic brass band, its members self-taught, forging polychromatic washes of mood and tribute. The songs stick to one narrow key, the images repeat and circle back, and to listen is to be absorbed into a singular, heart-rending vision.

"Creativity in Fashion Design: An Inspiration Workbook" aims to inspire and empower designers by helping them to develop their personal creativity and use it as a tool to achieve design goals. Activities throughout the book demonstrate that creativity is a tool available to anyone who understands its components and teach students to identify and then seek out or avoid the personal and environmental factors that promote or inhibit their own creativity.

What do you do if you find yourself weeping in the stalls? How should you react to Jude Law's trousers or David Tennant's hair? Are you prepared to receive toilet paper in the post? What if the show you just damned turns out to be a classic? If you gave it a five-star rave will anyone believe you? Drawing on his long years of experience as a national newspaper critic, Mark Fisher answers such questions with candour, wit and insight. Learning lessons from history's leading critics and taking examples from around the world, he gives practical advice about how to celebrate, analyse and discuss this most ephemeral of art forms - and how to make your writing come alive as you do so. Today, more people than ever are writing about theatre, but whether you're blogging, tweeting or writing an academic essay, your challenges as a critic remain the same: how to capture a performance in words, how to express your opinions and how to keep the reader entertained. This inspirational book shows you the way to do it. Foreword by Chris Jones, Chief theater critic, Chicago Tribune

The Politics of Aesthetics rethinks the relationship between art and politics, reclaiming "aesthetics" from the narrow confines it is often reduced to. Jacques Ranciere reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible. Presented as a set of inter-linked interviews, The Politics of Aesthetics provides the most comprehensive introduction to Ranciere's work to date, ranging across the history of art and politics from the Greek polis to the aesthetic revolution of the modern age. Available now in the Bloomsbury Revelations series 10 years after its original publication, The Politics of Aesthetics includes an afterword by Slavoj Zizek, an interview for the English edition, a glossary of technical terms and an extensive bibliography.

Pinballing around the major cities of the world, from where it all began in the projects of Brooklyn and the Bronx to the excessive madness of Tokyo, from the random violence of Johannesburg, to the shanty towns of Rio, Whitbread Award-winning writer Patrick Neate explores the way how, through hip hop, the potent symbolism of black America has been acquired, used and subsumed by cultures on every continent to create a uniquely different form of globalism. A stunning musical journey and cultural odyssey, "Where You're At" is the story of how hip hop conquered the globe and nobody noticed.

The current decline of print journalism, the rise of the Internet and the advent of digital photography provides the perfect point in time from which to reflect on the ubiquity of the news picture. Powerful and controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these in a broader context by defining the news picture itself in all its forms.For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best thinking on this fascinating topic, this book considers the news picture through history, from its early form in the eighteenth-century broadside, through the press heyday in daily and weekly newspapers, to the rise of broadcast news and the current day. It examines the news picture in all its forms, depicting sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film, video and YouTube-based smart phone journalism. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in our rich visual culture.

History of Interior Design is a comprehensive survey covering the design history of architecture, interiors, furniture, and accessories in civilizations all over the world, from ancient times to the present century. With a primary focus on Western civilizations, it also explores Eastern design history. Each chapter begins with background information about the social and cultural context and technical innovations of the period and place and shows their impact on interior design motifs. Throughout the text, influences of the styles and design solution of one culture on others are highlighted, demonstrating how interior design has evolved as a continuing exchange of ideas. Major architects and designers of each period and their signature styles are also discussed and are featured in a biographical appendix. Vocabulary terms called out in the text are defined in a comprehensive glossary. This is a book that all interior design students can benefit from as they use an understanding of the past to create a sense of the present and inspiration for future directions in their own design aesthetic. Features -- Boxes featuring design motifs of each period -- Notations of influences of design ideas of cultures on one another -- Consistent organization of chapters to facilitate understanding of the context in which period styles evolve -- More than 700 unique full-color photographs by the author from her worldwide travels -- Instructor's Guide provides suggestions for planning the course and using the text in the classroom -- PowerPoint(r) Presentation provides outlines and ideas for lectures; compatible with PC and Mac platforms

This easy to understand text provides illustrated "lessons" that demonstrate the various patternmaking methods and how they are used to develop design variations. Each of the Second Edition's four units address one major segment of a garment-the bodice, the collar, the skirt, and the sleeve-with a series of pictorial examples that progress from the most basic dart manipulations to advanced design variations. Students will master the slash and pivot methods of flat pattern design and understand how garment design variations are derived from each other. Simple illustrations demystify the patternmaking process for the beginner student, showing how a few basic techniques can lead to endless design possibilities. New to this Edition: Updated design variations reflect current styles Improved lesson layouts foster even better understanding of concepts Comprehensive glossary defines important terms Index facilitates navigation from one technique to another

Advances in computer aided design have proven to be an invaluable tool for the architect and designer, yet Frank Gehry still begins his creative process by making "simple" models out of modest materials. Drawings and video, while an essential part of the design process, are still not substitutes for the tactile sensation one receives from a scale model. Drawing on 20 years experience in art and architecture, the author has developed this book on model making as it applies to students and professional of the built environment. It will illustrate a multitude of techniques and the use of a wide variety of materials, providing a solid foundation for students and professionals to create and enjoy three-dimensional model making. Features: -- Organized according to a logical progression, using skills, techniques, and materials which build upon themselves -- Covers 3D fundamentals for interior design, architecture, landscape architecture, furniture design, theatrical design, and retail merchandising -- Chapters follow a logical progression from basic to the most advanced -- Section on "Learning from the Pros" will list common mistakes and how to avoid them -- Relevant safety issues relating to the tools and materials discussed throughout -- Planning considerations such as budget, use of models, scale, and construction techniques -- Display and photographing models for presentation including choosing a viewpoint, background and lighting effects -- Chapter on history of models and/or building systems, materials and construction techniques -- End of chapter assignments/exercises and summary and glossary -- Pre-printed geometric patterns for students to cut out and use to assemble models -- Instructor's Manual includes course outlines and recommended additional projects

"Historic Preservation for Designers" offers a comprehensive overview of historic preservation with a focus on historic interiors, historic building materials, and the adaptive reuse of interiors. This text includes a brief history of preservation in the United States, criteria to determine whether a building is historic, a discussion of preservation law, and how to document historic buildings with a focus on design and understanding functional and aesthetic requirements.The text explores issues including building restoration and rehabilitation standards, adaptive reuse principles, and codes and accessibility requirements. Designers will discover timely information on inspecting historic buildings to determine their age and condition as well as the growing relationship between historic preservation, green design, and the environment.

This collection of articles and essays from magazines, newspapers, books, and academic journals is designed to expand the reader's awareness and understanding of the role dress plays in cultures and subcultures across the globe. The text, which represents the very best thinking and writing on the subject today, explores essential topics such as dress and sociology, cultural studies, gender, religion, modesty, and technological changes. The Meanings of Dress, 3rd Edition is newly revised to reflect the current cultural landscape and includes more theory than previous editions, as well as an increased emphasis on the male perspective. The book provides design and merchandising students with insight into how - and why - consumers buy clothing and other products related to dress, and helps them to hone their trend forecasting skills. Instructors, contact your Sales Representative for access to Instructor's Materials.

For his 2007 critically acclaimed 33 1/3 series title, "Let's Talk About Love," Carl Wilson went on a quest to find his inner Celine Dion fan and explore how we define ourselves by what we call good and bad, what we love and what we hate. At once among the most widely beloved and most reviled and lampooned pop stars of the past few decades, Celine Dion's critics call her mawkish and overblown while millions of fans around the world adore her "huge pipes" and even bigger feelings. How can anyone say which side is right? This new, expanded edition goes even further, calling on thirteen prominent writers and musicians to respond to themes ranging from sentiment and kitsch to cultural capital and musical snobbery. The original text is followed by lively arguments and stories from Nick Hornby, Krist Novoselic, Ann Powers, Mary Gaitskill, James Franco, Sheila Heti and others. In a new afterword, Carl Wilson examines recent cultural changes in love and hate, including the impact of technology and social media on how taste works (or doesn't) in the 21st century.

Graphic Design in Urban Environments introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems. These elements, smaller than buildings, are generally understood by urban designers to comprise such phenomena as sculpture, clock towers, banners, signs, large screens, the portrayal of images on buildings through "smart screens," and other examples of what urban designers call "urban objects."The graphic object as it is defined here also refers to a range of familiar things invariably named in the literature as maps, street numbers, route signs, bus placards, signs, architectural communication, commercial vernacular, outdoor publicity, lettering, banners, screens, traffic and direction signs and street furniture. One can also add markings of a sports pitch, lighting, bollards, even red carpets or well dressings. By looking at the environment, and design and deconstructing form and context relationships, the defining properties and configurational patterns that make up graphic objects are shown in this book to link the smallest graphic detail (e.g. the number 16) to larger symbolic statements (e.g. the Empire State Building). From a professional design practice perspective, a cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.

A rare insider's account of the true story behind the development of the famous Stanislavski method.

Vasili Toporkov was one of the rare outsiders ever to be invited to join the Moscow Art Theatre. Although already an experienced and accomplished artist, he was forced to retrain as an actor under Stanislavski's rigorous guidance." Stanislavski in Rehearsal" is Toporkov's vivid account of this learning process, offering an eloquent and jargon-free insight into Stanislavski's legendary 'system' and his method of rehearsal that became known as the Method of Physical Action. Spanning ten years - from 1928 to 1938 - Toporkov charts the last crucial years of Stanislavski's work as a director and offers the only reliable biographical sketch that we have.

Through Toporkov's account, Stanislavski is revealed as a multi-faceted personality - funny, furious, kind, ruthless, encouraging, exacting - waging a war against cliches and quick answers, inspiring his actors and driving them to despair in his pursuit of artistic perfection.

Film: the Key Concepts presents a coherent, clear and exciting overview of film theory for beginning readers. The book takes the reader through the often conflicting analyses which make up film theory, illustrating arguments with examples from mainstream and independent films. It isolates 6 key concepts in film theory - the photogenic in film, dialectic film montage, film constructs, imaginary signifiers, voyeuristic pleasures and simulacra - each with its own, short essay. Through these concepts it covers the main sites in film theory: realism, formalism, structuralism, semiotics, Marxism, psychoanalysis, feminism, cognitivism, post-colonialism, postmodernism, gender and queer film theories. Each chapter stands on its own, tracing the historical evolution of each concept to the present. The book as a whole provides a complete overview of the evolution of film theory. In order to help introductory students, each chapter includes boxed summaries of key theorists, bulleted summaries and an Annotated Guide to Further Reading.

"Brecht on Performance: Messingkauf and Modelbooks" presents a selection of Brecht's principal writings for directors and theatre practitioners, and is suitable for acting schools, directors, actors, students and teachers of Theatre Studies. Through these texts Brecht provides a general practical approach to acting and to realising texts for the stage that crystallises and makes concrete many of the more theoretical aspects of his other writing.The volume is in two parts. The first features an entirely new commentated edition of Brecht's dialogues and essays about the practice of theatre, known as the "Messingkauf," or "Buying Brass," including the 'Practice Pieces' for actors (rehearsal scenes for classics by Shakespeare and Schiller). The second contains rehearsal and production records from Brecht's work on productions of" Life of Galileo," "Antigone," "Mother Courage" and others.Edited by an international team of Brecht scholars and including an essay by director and teacher Di Trevis examining the practical application of these texts for theatres and actors today, "Brecht on Performance" is a wonderfully rich resource. The text is illustrated with over 30 photographs from the "Modelbooks."

Doing Research in Design presents new ways of thinking about the relationship between design and research by positioning design as a social as well as a material practice. This approach emphasises the social consequences of design decisions as well as the importance of the efficient functioning of a design. Doing Research in Design argues that design promotes social change and that, in order to understand that change, designers must turn to social science research methods. The book outlines the relationships between thinking and doing in design - and makes explicit links between design, research, philosophy and sociology - and then examines four central social research methodologies in practice. The aim of Doing Research in Design is to provide anyone involved in the field of design with the knowledge and understanding of the best methods to plan and conduct their research.

Residential Kitchen and Bath Design provides students with a core knowledge of this interior design sub-specialty and equips them with skills they can use to create residential kitchens and baths that are both functional and beautiful. The text begins with an overview of the kitchen and bath industries, covering the designer's role at each step of the design process. It then goes on to explain functional and ergonomic considerations in the arrangement of appliances, fixtures, and storage, and provides detailed instruction on communicating designs to clients and tradespeople using floor plans, models, and other renderings. Issues related to codes, regulations, and costs are reviewed, as are the NKBA planning guidelines for space planning and drawing plans for kitchens and bathrooms.

Exploring key issues for the anthropology of art and art theory, this fascinating text provides the first in-depth study of community art from an anthropological perspective.The book focuses on the forty year history of Free Form Arts Trust, an arts group that played a major part in the 1970s struggle to carve out a space for community arts in Britain. Turning their back on the world of gallery art, the fine-artist founders of Free Form were determined to use their visual expertise to connect, through collaborative art projects, with the working-class people excluded by the established art world. In seeking to give the residents of poor communities a greater role in shaping their built environment, the artists' aesthetic practice would be transformed."Community Art" examines this process of aesthetic transformation and its rejection of the individualized practice of the gallery artist. The Free Form story calls into question common understandings of the categories of "art," "expertise," and "community," and makes this story relevant beyond late twentieth-century and early twenty-first-century Britain.