Anthropologists are increasingly pressurised to formulate field methods for teaching. Unlike many hypothesis-driven ethnographic texts, this book is designed with the specific needs of the anthropology student and field researcher in mind, with particular emphasis on the core anthropological method: long term participant observation. "Anthropological Practice" explores fieldwork experiences unique to anthropology, and provides the context by which to explain and develop practice-based and open-ended methodology. It draws on dialogues with over twenty established and younger anthropologists, whose fieldwork spans the late 1960s to the present day, taking place in locations as diverse as Europe, India, Malaysia, Indonesia, Africa, Iran, Afghanistan, North and South America.
Revealing first-hand and hitherto unrecorded aspects of fieldwork, "Anthropological Practice" provides critical, systematic ways to enhance anthropological and alternative knowledge. It is an essential text for anthropology students and researchers, and for all disciplines concerned with ethnography.
Interviewees include: Paul Clough, Roy Gigengack, Louise de la Gorgendiere, Suzette Heald, Michael Herzfeld, Signe Howell, Felicia Hughes-Freeland, Ignacy Marek Kaminski, Margaret Kenna, Raquel Alonso Lopez, Malcolm Mcleod, Brian Morris, Helene Neveu Kringelbach, Akira Okazaki, Joanna Overing, Jonathan Parry, Carol Silverman, Mohammad Talib, Nancy Lindisfarne-Tapper, Sue Wright, Helena Wulff, Joseba Zulaika.

The Guattari Effect brings together internationally renowned experts on the work of the French psychoanalyst, philosopher and political activist F;lix Guattari with philosophers, psychoanalysts, sociologists and artists who have been influenced by Guattaris thought. Best known for his collaborative work with Gilles Deleuze, Guattaris own writings are still a relatively unmined resource in continental philosophy. Many of his books have not yet been translated into English. Yet his influence has been considerable and far-reaching. This book explores the full spectrum of Guattaris work, reassessing its contemporary significance and giving due weight to his highly innovative contributions to a variety of fields, including linguistics, economics, pragmatics, ecology, aesthetics and media theory. Readers grappling with the ideas of contemporary continental philosophers such as Badiou, ek and Rancire will at last be able to see Guattari as the extraordinary philosopher Deleuze claimed him to be, with his distinctive radical ideas about the epoch of global deterritorialization we live in today, forged within the practical contexts of revolutionary politics and the materialist critique of psychoanalysis.

With the advent of the printing press and the subsequent publishing culture that reproduces exact copies of texts en masse, most people who read the Bible today assume that they are reading the very words that Jesus spoke or St. Paul wrote. And yet, for almost 1,500 years manuscripts were copied by hand by scribes - many of them untrained, especially in the early centuries of Christendom - who were deeply influenced by the theological and political disputes of their day. Mistakes and intentional changes abound in the competing manuscript versions that continue to plague biblical scholars who determine which words, phrases, or stories are the most reliable and, therefore, merit publication in modern Bibles. Whose Word Is It? is the fascinating history of the words themselves. Biblical scholar Bart Ehrman shows us where and why changes were made in our earliest surviving manuscripts, changes that continue to have a dramatic impact on widely-held beliefs concerning the divinity of Jesus, the Trinity, and the divine origins of the Bible itself. Many books have been written about why some books made it into the New Testament and why others didn't (canonization) or about how the meaning of words change when translated from Aramaic to Greek to English. But this is the first time that a leading biblical scholar reveals for the general reader the many challenging - even disturbing - early variations of our cherished biblical stories and why only certain versions of those stories qualify for publication in the Bibles we read today.

The history of the Vikings is bloody and eventful, and Viking warriors capture the popular imagination to this day. They made history, establishing the dukedom of Normandy, providing the Byzantine Emperors' bodyguard and landing on the shores of America 500 years before Columbus. Beautifully illustrated with colour photographs and original Osprey artwork, this book presents a new window into their way of life including detailed studies of the Hersir, the raiding warrior of the Viking world, and the legendary Viking longship.

Martin Heidegger is one of the twentieth century's most important philosophers. His ground-breaking works have had a hugely significant impact on contemporary thought through their reception, appropriation and critique. His thought has influenced philosophers as diverse as Sartre, Merleau-Ponty, Arendt, Adorno, Gadamer, Levinas, Derrida and Foucault, among others. In addition to his formative role in philosophical movements such as phenomenology, hermeneutics and existentialism, structuralism and post-structuralism, deconstruction and post-modernism, Heidegger has had a transformative effect on diverse fields of inquiry including political theory, literary criticism, theology, gender theory, technology and environmental studies. "The Bloomsbury Companion to Heidegger" is the definitive reference guide to Heidegger's life and work, presenting fifty-eight original essays written by an international team of leading Heidegger scholars. The volume includes comprehensive coverage of Heidegger life and contexts, sources, influences and encounters, key writings, major themes and topics, and reception and influence. This is the ideal research tool for anyone studying or working in the field of Heidegger Studies today.

The city burns in the heat of civil war and a servant girl sacrifices everything to protect an abandoned child. But when peace is finally restored, the boy's mother comes to claim him. Calling upon the ancient tradition of the Chalk Circle, a comical judge sets about resolving the dispute. But in a culture of corruption and deception, who wins? Written by the grand master of storytelling and peopled with vivid and amusing characters, this is one of the greatest plays of the last century. This Caucasian Chalk Circle is translated by award-winning writer Alistair Beaton, who also wrote the bitingly witty stage play Feelgood and the celebrated TV dramas The Trial of Tony Blair and A Very Social Secretary. The play was toured by Shared Experience in 2009.

_______________ 'A passionate love letter to language and to Italy ... a bold and quirkily engaging self-portrait' - Lee Langley, Spectator 'A writer of uncommon elegance and poise' - New York Times 'A fascinating account of her linguistic exile' - Erica Wagner, Harper's Bazaar _______________ In Other Words is a revelation. It is at heart a love story of a long and sometimes difficult courtship, and a passion that verges on obsession: that of a writer for another language. For Jhumpa Lahiri, that love was for Italian, which first captivated and capsized her during a trip to Florence after college. Although Lahiri studied Italian for many years afterwards, true mastery had always eluded her. Seeking full immersion, she decided to move to Rome with her family, for 'a trial by fire, a sort of baptism' into a new language and world. There, she began to read and to write - initially in her journal - solely in Italian. In Other Words, an autobiographical work written in Italian, investigates the process of learning to express oneself in another language, and describes the journey of a writer seeking a new voice. Presented in a dual-language format, this is a wholly original book about exile, linguistic and otherwise, written with an intensity and clarity not seen since Vladimir Nabokov: a startling act of self-reflection and a provocative exploration of belonging and reinvention.

Ever wondered why one flavour works with another? Or lacked inspiration for what to do with a bundle of beetroot? The Flavour Thesaurus is the first book to examine what goes with what, pair by pair. The book is divided into flavour themes including Meaty, Cheesy, Woodland and Floral Fruity. Within these sections it follows the form of Roget's Thesaurus, listing 99 popular ingredients alphabetically, and for each one suggesting flavour matchings that range from the classic to the bizarre. You can expect to find traditional pairings such as pork & apple, lamb & apricot, and cucumber & dill; contemporary favourites like chocolate & chilli, and goat's cheese & beetroot; and interesting but unlikely-sounding couples including black pudding & chocolate, lemon & beef, blueberry & mushroom, and watermelon & oyster. There are nearly a thousand entries in all, with 200 recipes and suggestions embedded in the text. Beautifully packaged, The Flavour Thesaurus is not only a highly useful, and covetable, reference book for cooking - it might keep you up at night reading.

This is an exciting and highly accessible introduction to the emotions in philosophy and psychology. The way that we feel is governed by two separate and often conflicting dispositions: instinct and emotion. Instincts are inherent and unlearned; they provide us with deeply ingrained patterns of response to different kinds of stimuli. Emotions are subjective and personal; they govern our thoughts and behaviour, and are inextricably linked to our perception of personality, mood and temperament. Using a blend of psychology and philosophy, "This Book Has Feelings" looks at these unique facets of the human psyche. It reveals the fascinating things they tell us about ourselves and profiles the amazing minds that have unlocked the secrets of our consciousness. Packed with real-life examples and the latest theories, this fascinating book constantly challenges the reader to examine his or her own instincts and emotions using a variety of thought experiments, mind maps, exercises and puzzles.

______________ 'Excellent ... a marvellous imagining of the life of Shakespeare's wife and a devastating exposure of the misogyny of the male biographers who have disparaged her' - Sunday Telegraph 'Greer dares to think the unthinkable ... this is a bold and imaginative book' - Independent 'A spirited, voluble, scholarly book which gives some depth and some dignity to the marginalised Mrs Shakespeare' - Guardian ______________ AS READ ON BBC RADIO 4'S BOOK OF THE WEEK Little is known of the wife of England's greatest playwright. In play after play Shakespeare presents the finding of a worthy wife as a triumphant denouement, yet scholars persist in believing that his own wife was resented and even hated by him. Here Germaine Greer strives to re-embed the story of their marriage in its social context and presents new hypotheses about the life of the farmer's daughter who married our greatest poet. This is a daring, insightful book that asks new questions, opens new fields of investigation and research, and rights the wrongs done to Ann Shakespeare. 'A refreshing corrective to the usual portrait ... Greer is impressive when it comes to detailing their Stratford life and times ... It's robust, lively stuff' - The Times

For 2000 years Judaism and Christianity have been at odds with one another. The problem at the heart of the division is the concept of messiah. Shirley Lucass looks directly at the concept of messiah from an historical perspective and examines its roots in ancient Jewish literature, and its development within the Christian tradition, aiming not only to trace the biblical and extra-biblical developments of the concept, but to outline a platform for religious dialogue. Lucass begins with a survey of methodological approaches, and then moves on to consider the origins of the messiah concept in ancient near eastern kingship, the anointed in the Second Temple period and the messiah as outlined in the New Testament and in post 70 CE Messianism. Lucass contends that the New Testament concept of messiah is not inconsistent with, nor incompatible with the Jewish antecedent traditions, and it is this conclusion which enables her to present a valuable chapter on the implications of this study for inter-religious dialogue.

One May evening in London, as a result of a chance encounter and a split-second decision, the young climatologist Adam Kindred loses everything - home, job, reputation, passport, credit cards, money - never to get them back. With the police and a hit man in merciless pursuit, Adam has no choice but to go underground, joining the ranks of the disappeared, struggling to understand how his life has unravelled so spectacularly. His journey of discovery will take him along the Thames from Chelsea to the sink estates of the East End. On the way he encounters aristocrats, priests, prostitutes and a policewoman - but will he ever find himself again?

The idea of Utopia was first made current and popular by Sir Thomas More with the publication of his book by the same name in 1516. The 'no-place' that was created has had a fantastic reception history, which makes its application to the biblical books of Nehemiah, Ezra and Chronicles as vibrant as the current scholarship which is ongoing into the Renaissance term and its implications. The essays in this collection take different approaches to the question: are there proto-utopian elements in the three books from the Hebrew Bible? Methodological considerations are to be found, but each essay also moves beyond the methodological constraint to raise the hypothetical question of 'what if?' in different ways. The essays evaluate the potential, and pitfalls, of reading Biblical books as (proto-)utopian. Topics include how utopia construct intricate counter-realities, and how to tell whether a proposal diagnosed as 'utopian' from a modern point of view is meant to motivate its audience to political action. Case studies which read aspects of Chronicles, Ezra and Nehemiah as potential utopian traits include the restoration project of Ezra-Nehemiah and the rejection of foreign wives, utopian concerns in Chronicles, as well as the empire's role in writing a putative utopia, and King Solomon as a utopian fantasy-king.

The idea of virtual realities has a long and complex historical trajectory, spanning from Plato's concept of the cave and the simulacrum, to artistic styles such as Trompe L'oeil, and more recently developments in 3D film, television and gaming. However, this book will pay particular attention to the time between the 1980s to the 1990s when virtual reality and cyberspace were represented, particularly in fiction, as a wondrous technology that enabled transcendence from the limitations of physical embodiment. The purpose of this critical historical analysis of representations of virtual reality is to examine how they might deny, repress or overlook embodied experience. Specifically, the author will contend that embodiment is a fundamental aspect of immersion in virtual reality, rather than something which is to be transcended. In this way, the book aims to challenge distorted ideas about transcendence and productively contribute to debates about embodiment and technology.

One of the greatest challenges for instructors in religious studies is the task of explaining why, in colleges and universities, the truth claims of religions are not accepted or even investigated, but instead a disinterested, secular approach is taken. Most instructors prefer not to address the issue directly, leaving their students to work out for themselves the difference between religious studies and the study of religion. Those who remain confused inevitably submit essays that reveal more about their religious upbringing than their ability to analyze a phenomenon objectively. "A Guide to Writing Academic Essays in Religious Studies" eases the transition for undergraduate students by explaining what they need to know about writing research essays pertaining to religion. Topics include methodological and theoretical presuppositions of religious studies, types of research essays, locating appropriate scholarly literature, developing a thesis, the essentials of essay form and content, quotations, forms of documentation, avoiding plagiarism, gender-inclusive language, layout, style, conciseness, rewriting and proofreading, approaching ancient texts, and how to recognize and avoid bad scholarship. This guide is indispensable for students new to religious studies.

In his new book Doron Mendels addresses the topic of the authority of texts and their transmission, as well as different strategies of narration in ancient texts. Mendels provides extensive treatment of issues such as linearity, emporality and simultaenity of texts, whilst working to examine four core themes. First, the narrator and his strategies in the historiography of the Hellenistic period. Secondly, Jewish Historical thought in the Hellenistic period and beyond. Thirdly, issues of Hellenization in Palestine - power, honour, gifting, etiquette and sovereignty and their presentation in the main narrative of the Hasmonean period. Finally Mendels gives attention to the 'split' in the Jewish diaspora between east and west, as exemplified from a Christian point of view, it is this that unites these themes into a sustained examination of Jewish historical narrative and thought.

On April 12, 1961, Yuri Gagarin became the first person in history to leave the Earth's atmosphere and venture into space. His flight aboard a Russian Vostok rocket lasted only 108 minutes, but at the end of it he had become the most famous man in the world. Back on the ground, his smiling face captured the hearts of millions around the globe. Film stars, politicians and pop stars from Europe to Japan, India to the United States vied with each other to shake his hand.
Despite this immense fame, almost nothing is known about Gagarin or the exceptional people behind his dramatic space flight. "Starman" tells for the first time Gagarin's personal odyssey from peasant to international icon, his subsequent decline as his personal life began to disintegrate under the pressures of fame, and his final disillusionment with the Russian state. President Kennedy's quest to put an American on the Moon was a direct reaction to Gagarin's achievement--yet before that successful moonshot occurred, Gagarin himself was dead, aged just thirty-four, killed in a mysterious air crash. Publicly the Soviet hierarchy mourned; privately their sighs of relief were almost audible, and the KGB report into his death remains secret.
Entwined with Gagarin's history is that of the breathtaking and highly secretive Russian space program - its technological daring, its triumphs and disasters. In a gripping account, Jamie Doran and Piers Bizony reveal the astonishing world behind the scenes of the first great space spectacular, and how Gagarin's flight came frighteningly close to destruction.

Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.

This Roman play is one of Shakespeare's last tragedies, best known for its political and military themes. Its hero, Coriolanus, is a proud General who does not hesitate to show his arrogant and outspoken contempt of the Roman rabble. The Tribunes banish him and he raises an army to take his revenge on Rome. He finally concedes to the pleas of his mother to spare the city and leaves only to be publicly killed by his former allies.

Peter Holland is a former Director of the Shakespeare Institute in Stratford-upon-Avon and President of the Shakespeare Association of America. He is a pre-eminent international scholar. His comprehensive introduction and commentary notes open up the language, themes and ideas in this complex yet richly rewarding play for the student and teacher. The play is discussed in its historical and critical contexts and its theatrical history is analysed too.

___________________ 'A delicious piece of entertainment' - The Times 'A very witty novel by a very witty woman. Hugely entertaining' - Julian Fellowes 'If you're not already on holiday reading this, it will make you want to pack your bags!' - Best ___________________ Somewhere on the French Riviera, tucked between glitzy Monte Carlo and Cannes' red carpets, lies the pretty town of Bellevue-Sur-Mer. Sheltered from the glittering melee, it is home to many an expat - including an enterprising team who plan to open a new restaurant. Snapping up a local property and throwing themselves into preparations, Theresa, Carol, William and Benjamin's plans are proceeding unnervingly well. But when Theresa encounters a mysterious intruder, she begins to wonder what secrets the building is concealing. Meanwhile Sally, an actress who gave up the stage to live in quiet anonymity, has decided not to be involved. The famous Cannes Film Festival is on and she is far too busy entertaining unexpected visitors from her past, and an intriguingly handsome Russian. As the razzmatazz of the festival begins to spill over into Bellevue-Sur-Mer, its inhabitants become entangled in complex love triangles and conflicting business interests. With the race on to get the restaurant open in time, the gang find themselves knee-deep in skulduggery, and realise they can no longer tell who's nasty ... and who's nice. ___________________ Praise for the Nice series... 'Her work has definite joie de vivre' - Wendy Holden, Daily Mail 'Hugely enjoyable' - Katie Fforde 'Utterly delicious' - Joanna Lumley 'Warm, light-hearted, fast-paced' - Joanne Harris 'Hugely entertaining' - Julian Fellowes 'Such a charming romp' - Fern Britton 'A shaft of early summer sunshine' - Daily Mail 'A delicious piece of entertainment' - The Times

The Body in Religion: Cross-Cultural Perspectives surveys influential ways in which the body is imagined and deployed in religious practices and beliefs across the globe. Filling the gap for an up-to-date and comparative approach to theories and practices of the body in religion, this book explores the cultural influences on embodiment and their implications for religious institutions and spirituality. Examples are drawn from religions such as Jainism, Confucianism, Daoism, Shintoism, Paganism, Aboriginal, African, and Native American religions, in addition to the five major religions of the world. Topics covered include: - Gender and sexuality - Female modesty and dress codes - Circumcision and menstruation rituals - God language and erotic desire - Death, dying, and burial rites - Disciplining the body through prayer, yoga, and meditation - Feasting and fasting rituals Illustrated throughout with over 60 images, The Body in Religion is designed for course use in religious studies as well as interdisciplinary courses across the humanities and the social sciences. Further online resources include a sample syllabus.

Welcome to Franklin's Emporium - the department store where there's magic on every floor! When Alex visits the pet shop at Franklin's Emporium she just wants to buy some cat treats but she goes home with a little bit more than she bargained for. Where's that purring coming from? And why do things keep getting knocked over? Funny, exciting or a little bit spooky, Black Cats are fast-paced stories with short chapters and illustrations throughout. Perfect stepping stones to reading confidence.

One of the primary triggers of the outbreak of World War I was undoubtedly the myriad alliances and suspicions that existed between the Russian, German, and Austro-Hungarian empires in the early 20th century. Yet much of the actual fighting between these nations has been largely forgotten in the West. Driven by first-hand accounts and detailed archival research, Collision of Empires seeks to correct this imbalance. The first in a four-book series on the Eastern Front in World War I, Prit Buttar's dynamic retelling examines the tumultuous events of the first year of the war and reveals the chaos and destruction that reigned when three powerful empires collided. A war that was initially seen by all three powers as a welcome opportunity to address both internal and external issues would ultimately bring about the downfall of them all.

This book aims to examine and critically analyse the role that religion has and should have in the public and legal sphere. The main purpose of the book is to explain why religion, on the whole, should not be tolerated in a tolerant-liberal democracy and to describe exactly how it should not be tolerated - mainly by addressing legal issues. The main arguments of the book are, first, that as a general rule illiberal intolerance should not be tolerated; secondly, that there are meaningful, unique links between religion and intolerance, and between holding religious beliefs and holding intolerant views (and ultimately acting upon these views); and thirdly, that the religiosity of a legal claim is normally a reason, although not necessarily a prevailing one, not to accept that claim.

Lester argues here that the book of Daniel contains a complex but poetically unified narrative. This can be identified through certain narrative qualities, including the allusion to Isaiah throughout, which uniquely contributes to the narrative arc. The narrative begins with the inauguration of foreign rule over Israel, and concludes with that rule's end. Each stage of the book's composition casts that foreign rule in terms ever-more-reminiscent of Isaiah's depiction of Assyria. That enemy is first conscripted by God to punish Israel, but then arrogates punitive authority to itself until ultimately punished in its turn and destroyed. Each apocalypse in the book of Daniel carries forward, in its own way, that allusive characterization. Lester thus argues that an allusive poetics can be investigated as an intentional rhetorical trope in a work for which the concept of "author" is complex; that a narrative criticism can incorporate a critical understanding of composition history. The "Daniel" resulting from this inquiry depicts Daniel's 2nd-century Jewish reader not as suffering punishment for breaking covenant with God, but as enduring in covenant faithfulness the last days of the "Assyrian" arrogator's violent excesses. This narrative problematizes any simplistic narrative conceptions of biblical Israel as ceaselessly rebellious, lending a unique note to conversations about suffering and theodicy in the Hebrew Bible, and about anti-Judaic habits in Christian reading of the Hebrew Bible.