Learn Bridge in One Hour by Samir Riad will show you a new way to learn a complex game in ten easy steps. The key to success is learning while you play. You don't have to memorize anything at first, just use the reference tables provided in each section to guide you through bidding, scoring, and playing the hand. You'll quickly learn the basics of the game. George Washington played bridge and now you can, too. Appropriate for all ages, the author hopes to induct a whole new generation of players into the fun game of bridge.

Each book is a collection of bridge problems which provide a fun way to practice and develop your skill in an important cardplay technique at bridge. These books are designed to add an extra dimension to the detailed instruction contained in Bridge Technique series (Bird & Smith), which won the American Bridge Teachers? Association Book of the Year award in 2002.

Unique in the literature of the game, this book describes and classifies hundreds of tactics, stratagems and coups used during the play of the hand at bridge. Each technique is illustrated with an example deal, and its application fully explained. The topics run the gamut from the simplest finesses to the most complex squeeze positions, and cover literally everything in between. This book will be an essential component of any bridge library.

"I had just learned standard bridge bidding and was trying to learn 2/1. Every person that I played with had their own style and followed their interpretation of standard bidding. Then I met Bob Gish and he introduced me to his bidding system: The New Awakening. I could not believe how this system has helped me. I make better bids and get to good contracts."

Manish Dixit

Life Master

Professor Silver is back! The hero of "Tales out of School", "A Study in Silver", and "Bridge the Silver Way" takes on new opponents as the author finds fresh literary targets to lampoon. Yes, the man who brought us the Silver Certainty Principle, the Eastwood convention ("Do you feel lucky, partner?") and the concept of the supremacy of the heart suit in bridge now takes aim at (among many others): "The Matrix" ("Will you cut the red cards or the blue?"); "The Three Musketeers" ("All for one, all for me"); "All Quiet on the Western Front" ("Have you heard of the Geneva Convention?"). This new collection will keep Silver aficionados laughing all the way through the Christmas holiday season.

After some years using published material to teach newcomers the rudiments of bridge bidding, the author became somewhat disillusioned with the approach advocated in the majority of beginning bridge texts. The matters that particularly concerned him were related to the view espoused by many bridge teachers that it is important to keep all bidding 'natural' so as not to confuse beginners. The author felt that if confusion exists, it is likely to be the teaching approach that causes the confusion, rather than the subject matter itself. The proponents of this 'natural' bidding approach, decline to teach beginning students Jacoby Transfer Bids, Weak Two Opening Bids and, in some cases, Stayman. The reason often given is that teaching 'natural' bidding is difficult enough for beginning bridge students, and we should not confuse them by teaching them conventions or treatments that say something different. These same teachers seem to see no inconsistency in their approach of saying, when the students are doing a second (or third) class with them - "oh, remember when I told you that when your partner makes an opening bid of 1NT and you have 7 points and a five card ♥ suit, that you should bid 2♥ ? Well, I want you to forget that, because I am going to teach you now that, with that same hand, you should bid 2♦ ." The author has two problems with that approach. Firstly, it seems to downplay the ability of students to understand these specific bids. The author contends that it is most likely that this is a 'teaching failure' rather than a 'learning failure' The author has found that once students fully understand that it is desirable to have the strong hand as Declarer, most ofthem have little problem understanding the rationale behind Jacoby Transfer Bids. Putting the bids in context seems to make the task of learning Transfer Bids much easier. Secondly, if teachers are hoping to encourage their students to become duplicate bridge players, it makes sense for them to be using a bidding system that other players are using. As almost all duplicate bridge players use Stayman, Jacoby Transfer Bids and Weak Two Opening Bids, the author's students are introduced to these bids in their first series of lessons. And it is important to note that an understanding of these 3 aspects of bridge bidding will not prove to be a disadvantage in social bridge. The theme throughout the book is one of providing clear, consistent guidelines for a relatively simple modern approach to bidding. The author repeatedly emphasizes that once newcomers have a reasonable understanding of basic bidding, they, and their partner, can 'tweak' the approach taught in this text. The author is an avid duplicate bridge player and encourages all of his students to try that form of the game. However, the reality is that many bridge players enjoy the game in its more social form, and have no real desire to go past that form of the game. This is perfectly understandable, and the bidding style taught in this text is consistent with either form of the game. This book is organized into nine Chapters. CHAPTER 1 - The Basics. This Chapter is really 'Ground Zero'. It recognizes that some people who wish to learn to play bridge have had little, if any, experience of playing card games. The text introduces students to the absolute basics: -the suits -the rank, or hierarchy, of suits -how to count points -whatis a 'game' in bridge -dealing -arranging the cards in your hand -the process of bidding -the process of playing -scoring. In this first, very basic, Chapter, students have a hand of bridge to play. At the end of the Chapter there is a brief test to enable students to check their mastery of the material provided in the text. Clearly not all students "need" this Chapter. Nevertheless as the purpose of the book is to provide a text to enable ALL students to be introduced to the wo

In bridge, the 'declarer' is the one who nominates which suit is trumps; his/her partner's hand becomes the 'dummy'. Every intermediate bridge player is familiar with the routine techniques of dummy play. What this book describes are less well-known stratagems that may save the day in non-routine situations.

This book gives the reader a chance to watch an expert play a number of hands, either as declarer or defender. Most of the hands come from the author's own experience in top-level play. As usual in this type of presentation, the reader is offered the opportunity to make his own decisions at critical points in the play, and will be able to learn from situations where an expert took a different line of play - rightly or wrongly! It is aimed at advanced skill levels.

Most bridge books ignore the fact that bridge is a game between opponents. Instead, they teach players how to strive for theoretical perfection in bidding and play. Dan Romm isn't interested in that - he's interested in winning, which is something he has done for more than forty years against the best players around. Romm also isn't very interested in tournaments - mostly he plays for money; he plays with and against world champions, and is a consistent winner. The way he accomplishes this, the art of treating bridge as a four-person competition, not as a one or two-person mathematical exercise, is the subject of this book. Psychology, deception, and misdirection are among a host of (legal!) tactics that the reader can learn to use himself, on the way to winning more often. This work includes a foreword by Paul Soloway, a many-times World Bridge Champion. It teaches streetwise bridge tactics - a poker player's attitude to winning at bridge.

Each book is a collection of bridge problems which provide a fun way to practice and develop your skill in an important cardplay technique at bridge. These books are designed to add an extra dimension to the detailed instruction contained in Bridge Technique series (Bird & Smith), which won the American Bridge Teachers? Association Book of the Year award in 2002.

A master class in Bridge for the player who wishes to improve.

If you're like most beginning bridge players, you want to know more about bidding systems, and especially conventions. Even if you just play socially, it can't hurt to add a few choice gadgets to your bidding arsenal. This book describes and explains 25 basic conventions that you can easily assimilate into your own bidding. Each one is clearly and simply explained, and you'll see how it fits in the ACOL system if you decide to use it. Each chapter includes a helpful summary of key points and a quiz with full explanations of all the answers.

Originally published in 1935, this is a detailed manual of Bridge technique, 'As Used by the Leading Contract Bridge Tournament Players, with Examples of Expert Bidding and Expert Play'. Contents Include: Part 1 Expert Bidding What Every Expert Knows Valuing the Hand The Opening Bid of One Responses to Opening Bids of One Rebidding Specialized Opening Bids and Responses Defensive Bidding Penalty Doubles and Sacrifice Bids Slam Bidding Psychic Bidding Examples and Drills Part Two General Principles Declarer's Play Defensive Play Advanced Play A Series of Fine Hands

Julian Pottage worked on a number of books with the late Terence Reese, and this one pays homage to a man who was certainly the best bridge writer of his time. One of Reese's classics "Play These Hands With Me" pioneered the 'over-the-shoulder' style of bridge writing. What that book did for declarer play, this present one will do for defence: the reader can follow the thinking of an expert player, stopping at critical points in the play to make their own decisions about how to continue...This is both a tribute and a sequel to one of the most famous bridge books ever published: "Play These Hands With Me" by Terence Reese. It is intended for intermediate to advanced skill levels (for serious club and tournament players).

Can you learn from the errors of others? Here is a collection of problems, mostly very simple ones, that gave a variety of players, mainly intermediate players but occasionally beginners or experts, some trouble. You won't find bidding problems worthy of the Master Solvers' Club (a monthly Bridge World feature), declarer-play problems fit for "Test Your Play" (another Bridge World feature) or problems to challenge defensive maven Eddie Kantar. Instead you will find the kinds of "bread and butter" problems that arise several times a session each time you trudge to your local duplicate bridge club or travel to a sectional or regional tournament. An invaluable collection of advice for the improving player, covering all aspects of the game.

Each book in this series is a collection of bridge problems which provide a fun way to practice and develop your skill in an important cardplay technique at bridge. These books are designed to add an extra dimension to the detailed instruction contained in Bridge Technique series (Bird & Smith), which won the American Bridge Teachers' Association Book of the Year award in 2002.

Each book in this series is a collection of bridge problems which provide a fun way to practice and develop your skill in an important cardplay technique at bridge. These books are designed to add an extra dimension to the detailed instruction contained in the Bridge Technique series (Bird & Smith), which won the American Bridge Teachers' Association Book of the Year award in 2002.

Each book is a collection of bridge problems which provide a fun way to practice and develop your skill in an important cardplay technique at bridge. These books are designed to add an extra dimension to the detailed instruction contained in Bridge Technique series (Bird & Smith), which won the American Bridge Teachers? Association Book of the Year award in 2002.

This book was originally published in 1985, and in this new edition are substantially revised and expanded. It is a collection of bridge problems designed to teach players how to think along the right lines as they approach the play or defense of a hand at the bridge table. Anyone who absorbs even a fraction of the ideas presented here will find himself making contracts that might have been defeated, and defeating contracts that might have been made.

This book discusses the theory of bridge bidding for advanced players, with emphasis on the principles behind an effective bidding system. These include the concepts of Useful Space, Relays, Transfers and Dialogue Bidding, as well as creative ideas about Slam Bidding and Deception. The book addresses the conflicting requirements for a system that is at the same time robust and antagonistic, but also accurate. ROY HUGHES is a Canadian bridge expert who has played in a number of World Championships. His background in mathematics and linguistics has led him to think a great deal about the theory and structure of effective bidding systems. Roy is also an accomplished musician, a talent he shares with his wife, Erika.

In the late 1940s and early 1950s, Canasta was all the rage. Fast forward forty years or so. Canasta is still played, though mostly by people who learned the game more than a generation ago. However, somewhere (I do not know exactly where) someone (I do not know exactly who) decided that Canasta needed to have new life breathed into it, thus this new variation called Hand & Foot. It only takes a quick practice hand to teach the gist of the game. Though it's similarities to Canasta are unmistakable, Hand & Foot is an edgier game that allows players to be more aggressive. Everyone has a strategy, some quite elaborate, others quite generic, but the caveat to each is "if the cards cooperate." The luck of the draw is a variable everyone has to take into account. Among Hand & Foot players there are often heard frustrated sighs and disgusted groans. There is also breathless anxiousness as players sweat out an opponent's turn hoping they will not go out before a "Foot" can be played or a red three can be discarded. Like a spirited game of Monopoly, Hand & Foot tends to bring out elements of personality heretofore unknown among its players, you know, sort of a playful viciousness. It only takes one round of Hand & Foot for a new player to recognize the objectives and basic strategies, .and the opportunities for deviousness. Also, while a veteran player who plays a solid game has a definite advantage, a novice can have fun and even prevail. It cannot be taken for granted that the best and most experienced player at the table will win a game of Hand & Foot. The cards do not always allow that. And there is that adrenaline rush that comes from just barely pulling out a win. It is probably that adrenaline rush that makes the game so addictive. This is why someone who has just played his first game of Hand & Foot will invariably insist on right away playing a second - he thinks he has figured it out. The Essential Hand & Foot for the first time codifies the rules of the game, holding to the common basics and incorporating the best of the regional variations. It also explains why some players consistently win more than others using such ploys as "priming the pump" and the "honey pot," and why picking a pile containing red threes can sometimes be a good thing. When was the last time you had a blast playing cards?

This book was originally published in 1985, and in this new edition are substantially revised and expanded. It is a collection of bridge problems designed to teach players how to think along the right lines as they approach the play or defense of a hand at the bridge table. Anyone who absorbs even a fraction of the ideas presented here will find himself making contracts that might have been defeated, and defeating contracts that might have been made.

Whist was a wildly popular card game in the late 19th century--so popular that it was almost one's social duty to become an accomplished Whist player. Among the most reliable authorities and instructors was R.F. Foster, who developed a complete hands-on system for learning the game and becoming a first-class player. Those who follow his system can become expert in leading, playing the second hand, developing strategies, seeing signals, and using trumps. Also included are the Laws of Whist as adopted at the Third American Whist Congress in 1893, the Laws of Duplicate Whist, and the Etiquette of Whist. "No book has won more popularity among the Whist-loving community than Foster's Whist Manual." -- Boston Herald, April 1894 "[Foster's] method of teaching the beginner is simple, lucid, and progressive, and his rules concise, yet clear. Not only beginners, but also advanced players might profitably enter upon his studies." - The Milwaukee Whist Club

Each book in the Test Your Bridge Technique series is a collection of bridge problems which provide a fun way to practice and develop your skill in an important cardplay technique at bridge. These books are designed to add an extra dimension to the detailed instruction contained in Bridge Technique series (Bird & Smith), which won the American Bridge Teachers' Association Book of the Year award in 2002.