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Arts & Crafts > Fine Art Supplies > Drawing > Charcoal
Extra large, soft willow charcoal stick - ideal for artists who work on a large scale.
Coates have been making charcoal in the traditional manner since 1819. The intense blackness of natural willow charcoal makes it a perfect drawing tool and has been used by artists for centuries.Available in the following sizes: Jumbo 16-24mmExtra Thick 12-14mmScenic 8-12mmThick 7-9mmMedium 4-6mmThin 2-3mm
The stone feels slightly waxy, blends well with the fingers and erases almost completely. Bag of 100g of stone - approximately 12 pieces ranging from 2x2x.5cm to 4x3x5cm.
Designed for use in figure drawing at the studioThe advantage of Nitram is its ability to not crumble or skip when used expressively. Studio time is precious –you shouldn't have to worry about your charcoal.Box contains 5 round charcoal sticks. Each stick is approximately 152mm long and 6mm wide.
Bag of 100g of stone - approximately 12 pieces ranging from 2x2x.5cm to 4x3x5cm.
Non-toxic, top quality soft pastels in mixed greys.
Ground charcoal, ideal for fine art use. Apply with brush, fingers, or mix with other media. Made in the UK.
Pitt Compressed Charcoal - Produced from a fine mixture of soot and charcoal, offers the deepest possible black and a soft stroke, oil free, especially suitable for large areas, 8mm diameter & 78mm length.
Natural charcoal sticks are the oldest sketching and drawing material in the world. The greyish-blue shade glides softly across the paper, rubs and smudges easily, and can be erased without difficulty and repeatedly overlaid. Their blueish hue has always held a fascination, even with the old masters. The charcoal pencils leave a much blacker line. Compressed charcoal with soot and clay give the charcoal pencils their deep black colour and can be produced in different degree of hardness.
Natural charcoal sticks are the oldest sketching and drawing material in the world. The greyish-blue shade glides softly across the paper, rubs and smudges easily, and can be erased without difficulty and repeatedly overlaid. Their blueish hue has always held a fascination, even with the old masters. The charcoal pencils leave a much blacker line. Compressed charcoal with soot and clay give the charcoal pencils their deep black colour and can be produced in different degree of hardness.
Natural charcoal sticks are the oldest sketching and drawing material in the world. The greyish-blue shade glides softly across the paper, rubs and smudges easily, and can be erased without difficulty and repeatedly overlaid. Their blueish hue has always held a fascination, even with the old masters. The charcoal pencils leave a much blacker line. Compressed charcoal with soot and clay give the charcoal pencils their deep black colour and can be produced in different degree of hardness.
Natural charcoal sticks are the oldest sketching and drawing material in the world. The greyish-blue shade glides softly across the paper, rubs and smudges easily, and can be erased without difficulty and repeatedly overlaid. Their blueish hue has always held a fascination, even with the old masters. The charcoal pencils leave a much blacker line. Compressed charcoal with soot and clay give the charcoal pencils their deep black colour and can be produced in different degree of hardness.
Natural charcoal sticks are the oldest sketching and drawing material in the world. The greyish-blue shade glides softly across the paper, rubs and smudges easily, and can be erased without difficulty and repeatedly overlaid. Their blueish hue has always held a fascination, even with the old masters. The charcoal pencils leave a much blacker line. Compressed charcoal with soot and clay give the charcoal pencils their deep black colour and can be produced in different degrees of hardness.
Natural charcoal sticks are the oldest sketching and drawing material in the world. The greyish-blue shade glides softly across the paper, rubs and smudges easily, and can be erased without difficulty and repeatedly overlaid. Their blueish hue has always held a fascination, even with the old masters. The charcoal pencils leave a much blacker line. Compressed charcoal with soot and clay give the charcoal pencils their deep black colour and can be produced in different degree of hardness. |
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