This book provides a study and critical edition of the corpus of hymns sung by monks and canons in their services in England before the Norman Conquest. When Christianity was introduced into Anglo-Saxon England at the end of the sixth century, the practice of singing hymns in the liturgy of the Office was already well established. The hymnal that the missionaries brought with them was replaced during the Benedictine Reform in the tenth century by another body of hymns, itself introduced from the Continent. This edition assembles textual evidence of these early hymns, some of it hitherto unpublished, based on all extant manuscripts. Of these, an eleventh-century Latin manuscript known as the 'Durham Hymnal' (and in particular its accompanying Old English interlinear gloss) provides the core of the edition and its base manuscript. An introduction and commentary include descriptions of the manuscripts concerned and discussions of the sources, liturgical use and music of the hymns, as well as the phonology and vocabulary of the Old English gloss. The text of the hymns is accompanied by a translation of the Latin into modern English prose.

The ancient Dormition and Assumption traditions are a collection of over sixty different narratives, preserved in nine ancient languages, that commemorate the end of the Virgin Mary's life. These traditions have long been overlooked by scholars of early Christianity, no doubt largely because this complicated corpus was insufficiently well known. The present study aims to remedy this situation with a detailed analysis of the earliest traditions of Mary's death, including liturgical and archaeological evidence as well as the numerous narrative sources. Several of the most important narratives are translated in appendices, many appearing in English for the first time. The book will be of interest to all scholars of early Christian literature.

Here, for the first time, is a comprehensive survey of the history of the original Book of Common Prayer and all of its descendants throughout the world. The Oxford Guide to the Book of Common Prayer shows how a classic text for worship and devotion has become the progenitor of an entire family of religious resources that have had an influence far beyond their use in Anglican churches. The tale begins with the creation of the first Prayer Book in 1549. The Guide surveys how the Prayer Book developed and took root in English culture. The story then describes how Anglican missionaries and others brought the Prayer Book to far corners of the British Empire. In the twentieth century, Anglican churches throughout the world began to develop their own, unique versions of the Prayer Book to serve the needs of their local communities. The Guide describes the development of indigenous Prayer Books in Africa, the nations of the Pacific, Asia, North and South America, and Europe. It explains how, in the dozens of Prayer Books in current use, the same basic texts - Daily Prayers, the Eucharist, Marriage and Funerals, and many others - resemble each other, and differ from each other. Finally, a brief look at the future of "electronic Prayer Books" offers a glimpse at how this story of development and adaptation may continue. John Donne, Samuel Johnson, Jane Austen, T. S. Eliot, W. H. Auden, C. S. Lewis, Dorothy Sayers, and P. D. James, among many others, worshiped from the Prayer Book, giving it immense literary influence. The Prayer Book family has created worship language that remains within Anglican tradition, while adapting to very different cultural contexts. Prayer Books in New Zealand, for example, incorporate Maori elements, and ones in Myanmar use Buddhist prayer forms - just a few of the fascinating facts in this rich and varied history. In this Guide any reader, Anglican or not, can learn why The Book of Common Prayer is a classic of liturgy and literature.

A brand new edition of the ultimate combination of traditional hymns and modern worship songs. 'Mission Praise' is a much-loved hymn book, and has remained so since its outset in 1984. Initially used for Billy Graham's Mission England rallies - where thousands of people converted to Christianity - it has become a staple of worship throughout the UK and across the world. It was the first hymn book of its kind, introducing more modern styles of music into worship yet retaining the best of traditional hymnody loved by churchgoers of every age. This new, expanded edition of 'Complete Mission Praise' includes the whole of the existing collection of over 1000 songs and hymns, and adds the best new songs in various styles from the past few years. This brand new edition has been put together by 'Mission Praise''s original editorial team of Peter Horrobin and Greg Leavers, and contains - in this 30th anniversary year - over 100 new songs and has, by popular request, been split into two volumes in order to be more user-friendly.

One of the best-loved spiritual writers of our time-an author ranked with C.S. Lewis and Thomas Merton-Henry J.M. Nowuen, takes a moving, personal look at human mortality in Our Greatest Gift. A meditation on dying and caring, Our Greatest Gift gently and eloquently reveals the gifts that the living and dying can give to one another. The beloved bestselling author of With Open Hands, The Wounded Healer, and Making All Things New shares his own experiences with aging, loss, grief, and fear in this important and life-altering work.

This important work engages with a long historical debate: were the earliest Christians under the direction of ordained ministers, or under the influence of inspired laypeople? Who was in charge: bishops, elders and deacons, or apostles, prophets and teachers? Rather than trace Church offices backwards, Burtchaell examines the contemporary Jewish communities and finds evidence that Christians simply continued the offices of the synagogue. Thus, he asserts that from the very first they were presided over by officers. The author then advances the provocative view that in the first century it was not the officers who spoke with the most authority. They presided, but did not lead, and deferred to more charismatic laypeople. Burtchaell sees the evidence in favor of the Catholic/Orthodox/Anglican view that bishops have always presided in the Christian Church. At the same time he argues alongside the Prostestants that in its formative era the Church deferred most to the judgment of those who were inspired, yet never ordained.

The sanctus (the "thrice holy" of Isaiah 6.3) is found in almost all eucharistic prayer, ancient and modern, and comprises the prayer recited over the bread and wine at the communion service. The origin of the sanctus as a constituent element in the eucharistic prayer is one of the unsolved mysteries of Christian liturgy, and the author of this study makes a careful investigation into its background and the instances of its occurrence in early Christian literature.

Seleccionadas de entre las muchas reflexiones sobre la oracion de Bunyan, esta nueva colecci+n de oraciones ha sido editada para los lectores de hoy.

Gathered from Bunyan's many reflections on prayer in his writings, this new collection on prayer has been edited for today's readers.

Many in the church see worship leading and theological processing at opposite ends of a big room. Theology is considered the business of pastors and professors, while worship is the business of musicians and rock stars.
But a new wave of young worship leaders is hungry for something different, the desire to think not just pragmatically (sound, charts, guitars) but theologically (the gospel, justice, pastoral ministry) about worship. Likewise, pastors and churches increasingly desire to be led by thoughtful worship leaders who combine doxology and theology.
"Doxology and Theology" is a resource by worship leaders for worship leaders that clearly articulates how these two pieces join together. Contributions from eleven respected worship leaders around the country including Matt Papa (Summit Church, Raleigh-Durham), Aaron Keyes (Grace Church, Atlanta), Michael Bleecker (The Village Church, Dallas), and Zac Hicks (Cherry Creek Presbyterian Church, Denver) unite worship with themes of mission, disciple-making, the Word of God, the Trinity, family, and more.

"Kingdom Man Devotional" is based on the principles and concepts presented in the book "Kingdom Man." For the man who wants to be the leader that God has called him to be, this 90-day devotional will help him explore the scriptural mandate to exercise dominion and take responsibility over the various areas of his life. This devotional will challenge and encourage men to embrace their role of provider, protector, cultivator, champion, visionary, and leader, discipling them in the areas of responsibility and spiritual authority."Kingdom Man Devotional" challenges and equips men to fully understand their position under God and their position over what God has given them, while challenging them to initiate the practical implementation of leadership principles.

For those suffering and for caregivers, With Healing Wings gives voice to the anguish of illness, affliction, and heartache-and offers God's own words of comfort, hope, and healing. Here are conversations with God to restore the health of body, mind, and spirit.

An edition of two unprinted Wycliffite texts, together with parallel text version of the first, composed between c. 1400-1414. This volume also includes a full discussion of the historical context and authorship.

This is an anthology of the writings of Charles Wesley. Best known for his hymns, such as `Hark! the Herald Angels Sing', and `Jesus, Lover of My Soul', Charles was the younger brother of John Wesley and the co-founder of Methodism. Despite his importance in the history of Protestantism, there is no collection of his writings in print, and indeed, little work has been done specifically on Charles in the last two generations. Tyson presents a chronologically arranged selection of the journals, sermons, letters, hymns, and poems in such a way as to both outline Wesley's life and illuminate the leading elements of his thought.

"'I love the Lord, He heard my cry, ' Deacon cries out as the newly gathered congregation, now seated in their pews, echoes his words in a plaintive tune". Thus begins the Devotional at St. John Progressive Baptist Church, one of many Afro-Baptist services that Walter Pitts observed in the dual role of anthropologist and church pianist. Based on extensive fieldwork in black Baptist churches in rural Texas, this is a major new study of the African origins of African-American forms of worship. Over a period of five years, Pitts, a scholar of anthropology and linguistics, played the piano at and recorded numerous worship services. Offering an extensive history of Afro-Baptist religion in the American South, he compares the ritual structures he observed with those of traditional African worship and other religious rituals of African origin in the New World. Through these historical comparisons, coupled with sociolinguistic analysis, Pitts uncovers striking parallels between Afro-Baptist services and the rituals of Western and Central Africa, as well as African-derived rituals in the United States Sea Islands, the Caribbean, and Brazil. Pitts demonstrates that African and African-American worship share an underlying binary structure: the somber melancholy of the first ritual frame and the joyful, ecstatic trance of the second frame, both essential to the fulfillment of that structure. Of particular interest is his discovery of the way in which the deliberate heightening and strategic suppression of "black English" contribute to this binary structure of worship. This highly original study, with a foreword by Vincent Wimbush, creates a memorable portrait of this vital, yet misunderstood aspectof African-American culture. A model for the investigation of African retentions in the diaspora, Old Ship of Zion will be of keen interest to students and scholars of cultural anthropology, religious studies, and African-American studies, as well as those concerned with the culture of the diaspora, the investigation of syncretism, folklore, and ethnomusicology.

Ann Lewin draws on her extensive experience as a retreat leader and writer to provide a feast of spiritual nourishment for the entire Christian year. Her minimalist style is intentional, allowing space for people to encounter God and respond in their own way. Her aim is to encourage readers to explore afresh the riches of God's love and to find fresh ways of expressing that love. Seasons of Grace is arranged in three parts: Advent to Candlemas, Lent to Pentecost, and Ordinary time,and offers seasonal liturgies, prayers for special occasions, imaginative ideas for worship, themed reflections, programme ideas for workshops and retreats and practical suggestions for enriching one's own spiritual life. Ann's characteristic poems and prayers throughout are a delight. First published in 2005 under the title Words by the Way by Inspire (MPH), this new edition contains added new material.

This 1996 book provides a study and critical edition of the corpus of hymns sung by monks and canons in their services in England before the Norman Conquest. It assembles textual evidence, some of it hitherto unpublished, based on all extant manuscripts. Of these, an eleventh-century Latin manuscript known as the 'Durham Hymnal', with its accompanying Old English interlinear gloss, provides the core of the edition and its base manuscript. An introduction and commentary include descriptions of the manuscripts concerned and discussions of the sources, liturgical use, and music of the hymns, as well as the phonology and vocabulary of the Old English gloss. The text of the hymns is accompanied by a translation of the Latin into modern English prose.

This text represents a sort of customary or ordinal for the English court chapel in 1449, intended to govern the life of the 49 people, including choirboys, who were the staff of this peripatetic establishment. It was based on earlier drafts, and was sent to Alvaro Vaz d'Almada, a knight of the Garter, for the use of Afonso V of Portugal; it includes a copy of the English coronation rites.

This collection of essays, written to commemorate their centenary, celebrates the work of the Plainsong and Mediaeval Music Society. Founded in 1888, the Society quickly established two areas of activity: the propagation of information on medieval music and the revitalization of the Anglican liturgy with the riches of the plainchant of the Roman Rite.

Of the two sides of the Society's activities, the scholarly and the practical, this collection represents the former. The essays reflect the founders' interest in medieval music, both monophonic and polyphonic, and, particularly, their concern with chant. The contributors to this volume are among the most distinguished scholars of medieval music of recent years.

Contributors: David Hiley, Ritva Jacobsson, Michel Huglo, Susan Rankin, Wulf Arlt, Ruth Steiner, David Chadd, Andrew Hughes, John Caldwell, Frank Ll. Harrison, Nick Sandon.