How to Be a Christian brings together the best of Lewis's insights on Christian practice and its expression in our daily lives. Cultivated from his many essays, articles, and letters, as well as his classic works. From the revered teacher and best-selling author of such classic Christian works as Mere Christianity and The Screwtape Letters comes a collection that gathers the best of C. S. Lewis's practical advice on how to embody a Christian life. The most famous adherent and defender of Christianity in the twentieth century, C. S. Lewis has long influenced our perceptions and understanding of the faith. More than fifty years after his death, Lewis's arguments remain extraordinarily persuasive because they originate from his deep insights into the Christian life itself. Only an intellectual of such profound faith could form such cogent and compelling reasons for its truth. By provoking readers to more carefully ponder their faith, How to Be a Christian can help readers forge a deeper understanding of their personal beliefs and what is means to be a Christian, and strengthen their profound relationship with God.

This, the second volume of the series, is a selected set of revised versions of the scriptures of the 'less supported' established religions of the world: Jainism, Sikhism, Sufism, Shintoism, Baha'ism, Neo-Paganism; together with works of later mystics and poets, sundry esotera, the Gnostic gospels from Christianity, a couple of apocryphal pieces from Judaism, a conflation of parts of the Kabbalah with Neo-Christian reincarnationist traditions, a heterodox sutra from Hinduism, and a replacement for Psalms. All the texts been transliterated to conform, insofar as that is possible, with modern scientific understanding and a liberal, in its widest sense, political agenda, and hopefully to make them easier to read.

Based in the riches of Christian worship and tradition, this brief, eloquently written introduction to Christian thinking and worldview helps readers put back together again faith and reason, truth and beauty, and the fragmented academic disciplines. By reclaiming the classic liberal arts and viewing disciplines such as science and mathematics through a poetic lens, the author explains that unity is present within diversity. Now repackaged with a new foreword by Ken Myers, this book will continue to benefit parents, homeschoolers, lifelong learners, Christian students, and readers interested in the history of ideas.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Augustine knows by faith that God is a trinity, Father, Son and Holy Spirit, and he is seeking as far as possible to understand what he believes. In the first seven books Augustine begins by searching the scriptures of the Old and New Testaments for clues to understanding, and then argues in the language of philosophy and logic to defend the orthodox statement of the doctrine against the Arians. In the last eight books Augustine seeks to understand the mystery of the divine Trinity by observing an analogous trinity in the image of God, which is the human mind; and in so doing he also suggests a programme for the serious Christian of spiritual self-discovery and renewal. The Second Edition now features convenient footnotes rather than the previously used endnotes.

How much do you know about the end of the world? In The 50 Final Events in World History, beloved and respected pastor Robert J. Morgan takes readers on a journey through end-times prophecy, walking step-by-step through the end of the world to the dawn of the new kingdom of heaven. Heard of worldwide pandemics? Weapons of mass destruction flashing through the air? Global water and air contamination? The nation of Israel restored after 2,000 years, encircled by hostile nations and buffered by the nation of Jordan? Air evacuations with machines having two wings? Threats from Russia and Asia? Extremism in Turkey? Clamor for globalization? Hand implants for commerce and security? The gospel penetrating unreached places? Violent persecution? Cascading wickedness? The world falling apart? All of this is predicted in the book of Revelation. If you find yourself baffled and maybe even a little intimidated by end times and the book of Revelation, The 50 Final Events in World History will be a comprehensive yet easy-to-understand overview of the book of Revelation, resource you can turn to again and again, helpful tool that translates the events of Revelation both literally and sequentially, and guide to interpret present circumstances as well as future events. Revelation is the Bible's final words on the world's last days. The key is understanding its simple sequence of events-one after another, clearly laid out -the fifty final events in world history. This is information we need to know now since we might soon be on the doorstep of event #1.

"What are Christians to make of their mission in an pluralistic world?" asks Paul F. Knitter, author of the landmark work in interfaith dialogue No Other Name? As a recognized scholar and participant in interfaith dialogue, Knitter is in a unique position to explore the key concept of what Christian mission must entail in a world that will remain a world of many religious faiths for the foreseeable future. From the first chapter of Jesus and the Other Names, which recounts his own theological and dialogical odyssey, Knitter constructs what he calls a "correlational, globally-responsible theology of religions" as a necessary correction to traditional pluralist and exclusivist approaches. By anticipating and addressing his critics - both conservative and liberal - Knitter makes a powerful argument for a reconstruction of mission faithful to the Christian imperative and dynamically attuned to the plurality of the world. Jesus and the Other Names will give pause to those who believe Christian mission can be carried on as it was in the modern era. Sure to inspire debate as well as dialogue it offers a more humble, but perhaps more "Christic", postmodern approach to mission in the new millennium that has little to do with earthly glory and nothing to do with the sense of cultural superiority that has so often - and often so tragicallyaccompanied modern missionary movements. Theologians, missiologists, Christian historians, can all benefit from its thoughtful and timely message.