Matthias Smalbrugge compares modern images to plays without a script: while they appear to refer to a deeper identity or reality, it is ultimately the image itself that truly matters. He argues that our modern society of images is the product of a destructive tendency in the Christian notion of the image in general, and Augustine of Hippo's in particular. This insight enables him to decode our current 'scripts' of image. As we live in an increasingly visual culture, we are constantly confronted with images that seem to exist without a deeper identity or reality - but did this referential character really get lost over time? Smalbrugge first explores the roots of the modern image by analysing imagery, what it represents, and its moral state within the framework of Platonic philosophy. He then moves to the Augustinian heritage, in particular the Soliloquies, the Confessions and the Trinity, where he finds valuable insights into images and memory. He explores within the trinitarian framework the crossroads of a theology of grace and a theology based on Neoplatonic views. Smalbrugge ultimately answers two questions: what happened to the referential character of the image, and can it be recovered?

The extra Calvinisticum, the doctrine that the eternal Son maintains his existence beyond the flesh both during his earthly ministry and perpetually, divided the Lutheran and Reformed traditions during the Reformation. This book explores the emergence and development of the extra Calvinisticum in the Reformed tradition by tracing its first exposition from Ulrich Zwingli to early Reformed orthodoxy. Rather than being an ancillary issue, the questions surrounding the extra Calvinisticum were a determinative factor in the differentiation of Magisterial Protestantism into rival confessions. Reformed theologians maintained this doctrine in order to preserve the integrity of both Christ's divine and human natures as the mediator between God and humanity. This rationale remained consistent across this period with increasing elaboration and sophistication to meet the challenges leveled against the doctrine in Lutheran polemics. The study begins with Zwingli's early use of the extra Calvinisticum in the Eucharistic controversy with Martin Luther and especially as the alternative to Luther's doctrine of the ubiquity of Christ's human body. Over time, Reformed theologians, such as Peter Martyr Vermigli and Antione de Chandieu, articulated the extra Calvinisticum with increasing rigor by incorporating conciliar christology, the church fathers, and scholastic methodology to address the polemical needs of engagement with Lutheranism. The Flesh of the Word illustrates the development of christological doctrine by Reformed theologians offering a coherent historical narrative of Reformed christology from its emergence into the period of confessionalization. The extra Calvinisticum was interconnected to broader concerns affecting concepts of the union of Christ's natures, the communication of attributes, and the understanding of heaven.

The language of 'christophanies' is used technically by scholars to refer to appearances of the incarnate Son of God after his resurrection, as narrated in the New Testament Gospels and Acts. At a more popular level, though, the term is increasingly applied to alleged appearances of the pre-incarnate Son in the Old Testament. That Jesus appeared to - and was even recognized by - the likes of Abraham and Moses is usually argued from several scriptural trajectories. The New Testament suggests that God the Father is invisible, inviting us to ask who conducted the Old Testament appearances; the mysterious Angel of the Lord has often been interpreted as a manifestation of the divine Son; and several New Testament passages imply Old Testament appearances of and encounters with Jesus. It seems obvious, indeed orthodox, to affirm that Jesus has always been at work in communicating with and saving his world. However, Andrew Malone argues that, while Christ-centred readings of the Old Testament abound, christophanies prove to be a flimsy foundation on which to build. Despite apparent success, any scholarship commending the idea does not withstand close scrutiny. Malone carefully sifts the evidence to show that the popular arguments should be abandoned, and that the pursuit of Old Testament christophanies ultimately threatens to undermine the very values it promotes. He concludes that it better honours the Trinity and the text of Scripture to allow that the Father and the Spirit, as well as the Son, were themselves involved in Old Testament appearances.

C.S. Lewis's famous work on the nature of love divides love into four categories: Affection, Friendship, Eros and Charity. The first three are loves which come naturally to the human race. Charity, however, the Gift-love of God, is divine in its source and expression, and without the sweetening grace of this supernatural love, the natural loves become distorted and even dangerous.

The idea that God, understood as the most perfect being, must create the best possible world is often underacknowledged by contemporary theologians and philosophers of religion. This book clearly demonstrates the rationale for what Justin J. Daeley calls Theistic Optimism and interacts with the existing literature in order to highlight its limitations. While locating Theistic Optimism in the thought of Gottfried Leibniz, Daeley argues that Theistic Optimism is consistent with divine freedom, aseity, gratitude, and our typical modal intuitions. By offering plausible solutions to each of the criticisms levelled against Theistic Optimism, he also provides a vigorous and original defence against the charge that it deviates from the Christian tradition. Engaging with both the Christian tradition and contemporary theologians and philosophers, Why God Must Do What is Best positions the idea of Theistic Optimism firmly within the language of contemporary philosophy of religion.