Milt Gross (1895-1953), a Bronx-born cartoonist and animator, first found fame in the late 1920s, writing comic strips and newspaper columns in the unmistakable accent of Jewish immigrants. By the end of the 1920s, Gross had become one of the most famous humorists in the United States, his work drawing praise from writers like H. L. Mencken and Constance Roarke, even while some of his Jewish colleagues found Gross' extreme renderings of Jewish accents to be more crass than comical.

Working during the decline of vaudeville and the rise of the newspaper cartoon strip, Gross captured American humor in transition. Gross adapted the sounds of ethnic humor from the stage to the page and developed both a sound and a sensibility that grew out of an intimate knowledge of immigrant life. His parodies of beloved poetry sounded like reading primers set loose on the Lower East Side, while his accounts of Jewish tenement residents echoed with the mistakes and malapropisms born of the immigrant experience.

Introduced by an historical essay, Is Diss a System? presents some of the most outstanding and hilarious examples of Jewish dialect humor drawn from the five books Gross published between 1926 and 1928--"Nize Baby," "De Night in de Front from Chreesmas," "Hiawatta, Dunt Esk," and "Famous Fimmales"--providing a fresh opportunity to look, read, and laugh at this nearly forgotten forefather of American Jewish humor.

From the influential work of Los Bros Hernandez in Love & Rockets, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to express Latino identity and culture. Indeed, Latino fiction and nonfiction narratives are rapidly proliferating in graphic media as diverse and varied in form and content as is the whole of Latino culture today. Graphic Borders presents the most thorough exploration of comics by and about Latinos currently available. Thirteen essays and one interview by eminent and rising scholars of comics bring to life this exciting graphic genre that conveys the distinctive and wide-ranging experiences of Latinos in the United States. The contributors' exhilarating excavations delve into the following areas: comics created by Latinos that push the boundaries of generic conventions; Latino comic book author-artists who complicate issues of race and gender through their careful reconfigurations of the body; comic strips; Latino superheroes in mainstream comics; and the complex ways that Latino superheroes are created and consumed within larger popular cultural trends. Taken as a whole, the book unveils the resplendent riches of comics by and about Latinos and proves that there are no limits to the ways in which Latinos can be represented and imagined in the world of comics.

28 different characters, poses and expressions that offer a dynamic selection of manga chibi figures. Chibis are a fun subject to explore, with large eyes, tiny bodies and very expressive emotions. This is a genre perfect for anyone seeking to learn a simpler form of manga and the basics of creating these delightful characters.

This book traces the history of crime comics from their beginnings to the current resurgence and analyzes the cultural forces that give rise to influential works like Frank Miller's Sin City. Crime comic books in the 1950s caused controversy leading to their suppression and near extinction. Twenty-five years later, the dark hero, femme fatale, and bleak outlook of crime story comic books are even more striking and subversive. Terrence Wandtke traces the history of crime comics from their beginnings to the current resurgence and analyzes the cultural forces that give rise to influential works like Frank Miller's Sin City, Brian Azzarello's 100 Bullets, and Ed Brubaker's Criminal. The Dark Night Returns is the third book published in the RIT Press' Comics Studies Monograph Series. The series editor is Dr. Gary Hoppenstand, Professor of English at Michigan State University. TERRENCE WANDTKE is a professor at Judson University. His books include The Meaning of Superhero Comics (McFarland) and Ed Brubaker: Conversations (forthcoming from the University Press of Mississippi). He is the founder of the Imago Film Festival.

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Winner of the 2008 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category.

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"Not just a story of cartoons but a history of America through cartoons. Agreat gift book."
--"Brian Lehrer Live"

"An afternoon with The Art of Ill Will is time well spent, especially when followed by Funny Times, the cartoon monthly, and The Colbert Report."
--"New York Times Book Review"

"The true stars of this book are the cartoons themselves. During a period when an entire government seems drawn by a sartirist, its instructive to look back at a history of politics reduced to two dimensions. "
--"Village Voice"

"Dewey makes a strong case that the political cartoons has played a uniquely formative role in American history."--"Cartoon News"

"[A] handsome and bracingly irreverent history of the form."
--"New York Sun"

"This will make a nice coffee-table title for political junkies."
--"Publishers Weekly"

"This hybrid volume mixing history and sociology with political cartoons entertainingly brings the past to light. "
--"Library Journal"

"[Dewey's] well-researched text offers insight into the historical setting that allowed the form the burgeon in the late nineteenth century, as well as interesting anecdotal information that illuminates shadowed elements of political history."
--Popmatters.com

"Several previous titles have tackled this important subject, but none equals the depth, breadth, and value of this new title."
--"The Bloomsbury Review"

"More than 200 pungent examples, from the days of Paul Revere and Benjamin Franklin to thepresent, with a smooth text that explains the special punch of editorial cartoonists."
--"The Philadelphia Inquirer"

"A striking panorama of the unruly history of the American cartoonists trade. "
--"Austin American Statesman"

"Covers many, widely unknown political battles and scandals as well as cartoons that steered and swayed mass opinion with a one panel drawing."--"Alarm"

"Provides hundreds of examples of . . . puncturing the myths and mendacities in the political arena."--"Copley News Service"

The Art of Ill Will is a comprehensive history of American political cartooning, featuring over two hundred illustrations. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, Donald Dewey highlights these artists uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing and caption. Taking advantage of unlimited access to The Granger Collection, which holds thousands of the most significant works of Thomas Nast and the other early American cartoonists, The Art of Ill Will provides a survey of American history writ large, capturing the voice of the peopleᾹhopeful, angry, patriotic, frustratedᾹin times of peace and war, prosperity and depression.

Dewey tracks the cartoonists role as a jester with a serious brief. Ulysses S. Grant credited cartoonists with helping him win his election and was not the only president to feel that way; political bosses and even state legislatures have sought to ban cartoons when they endangered entrenched interests; General George Patton once promised to throw beloved wartime cartoonist Bill Mauldin in jail if he continued to spread dissent.(Mauldin later won the Pulitzer Prize.)

Despite the increasing threats they face as daily newspapers merge or vanish, cartoonists have given us some of our most memorable images, from Theodore Roosevelt's pince-nez and mustache to Richard Nixon's Pinocchio nose to Jimmy Carters Chiclet teeth. At a time when domestic and foreign political developments have made these artists more necessary than ever, The Art of Ill Will is a rich collection of the wickedly clever images that puncture pomposity and personalize American history.

Cartoonists include: Benjamin Franklin (whose Join, or Die was the first modern American political cartoon), the astoundingly prolific Thomas Nast, "Puck" magazine founder Joseph Keppler, Adalbert Volck, suffragist Laura Foster, Uncle Sam creator James Montgomery Flagg, Theodore Geisel departing from his Dr. Seuss persona to tackle World War II, Herbert Herblock Block (who so enraged Richard Nixon that the president canceled his subscription to the Washington Post), Daniel Fitzpatrick, Jules Feiffer, Paul Conrad, Gary Trudeau, and the controversial Ted Rall.

Garbage Pail kids, a series of stickers produced by Topps in 1985 were designed to parody overly saccharine Cabbage Patch Kids. Each sticker card features a Garbage Pail Kid character depicted in a grotesque and biting image, christened with a humourous character name involving wordplay. The series was the creation of Pulizer Prize-winning cartoonist Art Spiegelman, who in collaboration with other successful artists, turned the cads into a pop-culture phenomenon. Garbage Pail Kids will feature all 206 rare and hard-to-find stickers from Series 1 through 5, originally release in 1985 and 1 986 and contains an introduction by Spiegelman. Garbage Pail Kids includes a limited edition set of four rare and unreleased stickers, is packaged in a wax-coated jacket and is guaranteed to appeal to die-hard collectors as well as a new generation of fans.

This book helps you learn to draw manga step by step with over 1000 illustrations. It offers everything you need to know about materials and techniques, creating characters, using props and backgrounds, building action scenes, digital enhancement and simple anime creation. It incorporates methods used to create all styles of manga, including shojo, shonen and super-deformed characters. It explains how to digitally enhance your manga drawings and transform them into anime animation. The Japanese drawing style known as manga has rapidly evolved from simple wood-block etchings and low-budget, black-and-white graphic novels to one of the most diverse, popular and celebrated contemporary art forms. This book is an illustrated guide to creating your own manga characters. There are sections on shojo and shonen, and manga characters in both hand-drawn and digital mediums. The book also explores the history and latest achievements in anime. With much to offer both a professional or a complete manga novice, this practical volume provides expert instruction about this cutting-edge and innovative art form.

The detective genre has explored supernatural and paranormal themes throughout its colorful history. Stories of detectives investigating spiritualists, ghostly apparitions, the occult and psychics have spanned pulp fiction magazines, comic books, novels, film, television, animation and video games. This encyclopedia covers the history of the genre in its multiple forms and informs and adds to the knowledge of either the new or informed reader. Its A-Z format provides ready reference by title, detective fans browsing for new discoveries will enjoy the entertaining style.

The name Macbeth has been cursed for hundreds of years, synonymous with tyranny and over-vaulting ambition. But what if the true Macbeth was something other than the villain Shakespeare portrayed? Macbeth:The Red King tells an entirely new story of the real-life Scottish monarch, revealing a benevolent ruler who seized on his legitimate claim to the throne. Drawing from historical sources, this engaging graphic novel by Shaun Manning and Anna Wieszczyk is a visually stunning companion to Shakespeare's legendary drama. See Macbeth struggle for his kingdom-and witness his last stand against the insurgent Prince Malcolm.

In this comprehensive textbook, editors Matthew J. Brown, Randy Duncan, and Matthew J. Smith offer students a deeper understanding of the artistic and cultural significance of comic books and graphic novels by introducing key theories and critical methods for analyzing comics. Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. Contributors introduce a wide range of critical perspectives on comics, including disability studies, parasocial relationships, scientific humanities, queer theory, linguistics, critical geography, philosophical aesthetics, historiography, and much more. As a companion to the acclaimed Critical Approaches to Comics: Theories and Methods, this second volume features 19 fresh perspectives and serves as a stand-alone textbook in its own right. More Critical Approaches to Comics is a compelling classroom or research text for students and scholars interested in Comics Studies, Critical Theory, the Humanities, and beyond.

Contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing ZhangMonsters seem to be everywhere these days, in popular shows on television, in award-winning novels, and again and again in Hollywood blockbusters. They are figures that lurk in the margins and so, by contrast, help to illuminate the center - the embodiment of abnormality that summons the definition of normalcy by virtue of everything they are not. Samantha Langsdale and Elizabeth Rae Coody's edited volume explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. To analyze monstrous women is not only to examine comics, but also to witness how those constructions correspond to women's real material experiences. Each section takes a critical look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. Featured are essays on such comics as Faith, Monstress, Bitch Planet, and Batgirl and such characters as Harley Quinn and Wonder Woman. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.

Hergé’s classic comic book creation Tintin is one of the most iconic characters in children’s books. These highly collectible editions of the original 23 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures.

Join the most iconic character in comics as he embarks on extraordinary adventures and solves thrilling mysteries! From the Land of the Soviets to America, from outer space to the depths of the ocean, there are over 1,500 pages of delight in eight volumes of classic Tintin stories. The ultimate gift for any Tintin fan.

The Adventures of Tintin are among the best books for readers aged 8 and up.

Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time.

In the less than eight decades since Superman's debut in 1938, comic book superheroes have become an indispensible part of American society and the nation's dominant mythology. They quickly expanded from their sequential art origins to become a part of nearly every portion of society, from film and television to art and academia. They represent America's hopes, dreams, fears, and needs and have become ingrained in the nation's social and cultural fabric. As a form of popular literature, superhero narratives have closely mirrored and molded social trends and changes, influencing and reflecting political, social, and cultural events. This study provides a decade by decade chronicle of American history from 1938 to 2010 through the lens of superhero comics, revealing the spandex-clad guardians to be not only fictional characters but barometers of the place and time in which they reside.

Autobiography is one of the most dynamic and quickly-growing genres in contemporary comics and graphic narratives. In Serial Selves, Frederik Byrn Kohlert examines the genre's potential for representing lives and perspectives that have been socially marginalized or excluded. With a focus on the comics form's ability to produce alternative and challenging autobiographical narratives, thematic chapters investigate the work of artists writing from perspectives of marginality including gender, sexuality, disability, and race, as well as trauma. Interdisciplinary in scope and attuned to theories and methods from both literary and visual studies, the book provides detailed formal analysis to show that the highly personal and hand-drawn aesthetics of comics can help artists push against established narrative and visual conventions, and in the process invent new ways of seeing and being seen. As the first comparative study of how comics artists from a wide range of backgrounds use the form to write and draw themselves into cultural visibility, Serial Selves will be of interest to anyone interested in the current boom in autobiographical comics, as well as issues of representation in comics and visual culture more broadly.

Sophie Crumb's startlingly expressive drawings track her development as an artist from age two to twenty-eight. Sifting through dozens of their daughter's remarkable sketchbooks, our generation's most celebrated graphic artists have, with their only child, Sophie, now selected more than three hundred paintings and drawings that depict her artistic and psychological maturation. Revealing how an original artistic sensibility is both innate and nurtured, the book features six separate developmental stages, including Sophie's earliest drawings, the elaborate fantasy world of her childhood, her late adolescent rebellion, and her coming of age in the milieu of the Paris circus world and New York's "seventh circle of hell." The drawings from her early twenties of tattoo artists, dangerous men reflect a personal anguish that finally ends with her becoming a mother and creating a family of her own. Illuminating and intimate, this book is a dramatic yet subtle statement on the evolution of personality as seen through art."

A wide-ranging introductory guide for readers making their first steps into the world of manga, this book helps readers explore the full range of Japanese comic styles, forms and traditions from its earliest texts to the internationally popular comics of the 21st century. In an accessible and easy-to-navigate format, the book covers: · The history of Japanese comics, from influences in early visual culture to the global ‘Manga Boom’ of the 1990s to the present · Case studies of texts reflecting the range of themes, genres, forms and creators, including Osamu Tezuka, Machiko Hasegawa and Katsuhiro Otomo · Key themes and contexts – from gender and sexuality, to history and censorship · Critical approaches to manga, including definitions, biography and reception and global publishing contexts The book includes a bibliography of essential critical writing on manga, discussion questions for classroom use and a glossary of key critical terms.

Meet Little Nemo, a diminutive hero of comic narrative, but one of the greatest dream voyagers of the 20th century. The master creation of Winsor McCay (1869-1934), restless sleeper Nemo inspired generations of artists with his weekly adventures from bed to Slumberland, a realm of colorful companions, psychedelic scenery, and thrilling escapades. Nemo's creator Winsor McCay was a founding figure in the modern American entertainment industry, above all with his revolutionary comics, which set standards for panel layout and storytelling technique, timing and pacing, and architectural and other detail that left an inestimable influence on subsequent artists, including Robert Crumb and Federico Fellini. TASCHEN's sumptuous Winsor McCay - The Complete Little Nemo collects, in full, glorious color, all 549 episodes of Little Nemo. In the illustrated essay, art historian and comics expert Alexander Braun places Winsor McCay's life and work within the cultural history of the U.S. media and entertainment industry, and explores the immense art historical value of McCay's dream narrative. At once an adventure story, visual delight, and piece of cultural history, this publication is a tremendous monument to one of the most innovative pioneers-and one of the most intrepid explorers-of comic history.

Entertaining Comics Group (EC Comics) is perhaps best-known today for lurid horror comics like Tales from the Crypt and for a publication that long outlived the company's other titles, Mad magazine. But during its heyday in the early 1950s, EC was also an early innovator in another genre of comics: the so-called "preachies," socially conscious stories that boldly challenged the conservatism and conformity of Eisenhower-era America. EC Comics examines a selection of these works - sensationally-titled comics such as "Hate!", "The Guilty!", and "Judgment Day!" - and explores how they grappled with the civil rights struggle, antisemitism, and other forms of prejudice in America. Putting these socially aware stories into conversation with EC's better-known horror stories, Qiana Whitted discovers surprising similarities between their narrative, aesthetic, and marketing strategies. She also recounts the controversy that these stories inspired and the central role they played in congressional hearings about offensive content in comics. The first serious critical study of EC's social issues comics, this book will give readers a greater appreciation of their legacy. They not only served to inspire future comics creators, but also introduced a generation of young readers to provocative ideas and progressive ideals that pointed the way to a better America. Winner of the 2020 Eisner Award for Best Academic/Scholarly Work.

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children-white and nonwhite, middle-class and lower class, male and female-suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault's Hogan's Alley and Buster Brown, Rudolph Dirks's The Katzenjammer Kids and Winsor McCay's Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Incorrigibles and Innocents addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Lara Saguisag demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.

Just over 225 years ago, one of the most incredible odysseys in human history took place. 1,500 men and women were crammed aboard 11 ships and transported to the other side of the planet. They were criminals, outcasts, renegades: the scum of England. Having travelled over 24,000km, across three oceans, they arrived at a country that did not yet exist. For some, it was a one-way trip to hell; for others, it proved an unexpected chance of a new life. Bollee and Nicloux's 500-page masterpiece is an accurate, perceptive and sympathetic account of the birth of Australia.

One of England's most famous caricaturists, James Gillray, was an immensely successful and popular artist, yet there were no accounts of his work published in England during his lifetime. The single contemporary source on Gillray is a series of commentaries published in the German journal London und Paris between 1798 and 1806. Christine Banerji and Diana Donald have translated and edited selected commentaries, with accompanying illustrations, to reveal how Gillray's art was understood by his contemporaries. The edition offers a unique insight into the role of satire in British politics during the Napoleonic era and shows the subtle artistry of Gillray's designs. The volume also includes an informative introduction which places Gillray and his work in the context of a fascinating episode in Anglo-German relations at the turn of the eighteenth century.

A stunning hardcover companion to gen:LOCK, the latest animated show from Rooster Teeth, creators of RWBY! A stunning hardcover companion to the latest animated show from Rooster Teeth, the creators of RWBY! Go behind the scenes with exclusive commentary from the writers, animators, creators, and artists of gen:LOCK. Featuring full-color artwork from the show and sketches and notes about the development of the series that you won't find anywhere else!

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children-white and nonwhite, middle-class and lower class, male and female-suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault's Hogan's Alley and Buster Brown, Rudolph Dirks's The Katzenjammer Kids and Winsor McCay's Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Incorrigibles and Innocents addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Lara Saguisag demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.