By the end of America s Golden Age of Magic, Chicago had taken center stage in front of an American audience drawn to the craft by the likes of Harry Houdini and Howard Thurston. Cashing in on a craze that rivaled big-band mania, magic shops and clubs sprang up everywhere across the Windy City, packed in customers and put down roots. Over the last century, for example, Magic, Inc. has outfitted magicians from Harry Blackstone Sr. to Penn and Teller to David Copperfield. Magic was an integral part of Chicago s culture, from its earliest venture into live television to the card sharps and hucksters lurking in its amusement parks and pool halls. David Witter keeps track of the shell game of Chicago s fascinating magic history from its vaudeville circuit to its contemporary resurgence.

Conjuring Science explores the history of magic shows and scientific entertainment. It follows the frictions and connections of magic and science as they occurred in the world of popular entertainment in France from the mid-eighteenth to the early twentieth century. It situates conjurers within the broader culture of science and argues that stage magic formed an important popular conduit for science and scientific enthusiasm during this period. From the scientific recreations of the fairs to the grand illusions of the theatre stage and the development of early cinema, conjurers used and were inspired by scientific and technological innovations to create illusions, provoke a sense of wonder, and often even instruct their audience. In their hands, science took on many meanings and served different purposes: it was a set of pleasant facts and recreational demonstrations upon which to draw; it was the knowledge presented in various scientific lectures accompanied by optical projections at magic shows; it was the techniques necessary to create illusions and effects on stage and later on at the cinema; and it was a way to separate conjuring from the deceit of mediums, mystical showmen and quacks in order to gain a better standing within an increasingly scientifically-minded society.

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility-whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games, and the Internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible. This book celebrates more than 500 years of the stunning visual culture of the world's greatest magicians. Featuring more than 750 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Bruegel among others, The Magic Book traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magicians' craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century's golden age of magic to groundbreaking daredevils like Houdini and the early 20th century's vaudevillians.

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