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Ariana is not just the ponytailed princess of pop, she is one of the world's biggest stars, every album and every single she releases tops the chart, she is the number one most followed female on Instagram, a fierce advocate for women's rights, and a supporter of the LGBT+ community, she's a businesswoman, an actress, and a survivor, who puts family first, and that includes seven rescue dogs. If anyone thinks they can come for her crown, we've got three words for them , "thank you, next."
Dig If U Will The Picture is a portrait of The Artist who will be remembered by many as the most seductive and enigmatic pop star of his generation. A year after Prince's death at the age of 57, acclaimed writer Ben Greenman brilliantly anatomizes the star's dramatic career and an aesthetic that at times seemed otherworldly. In thematically structured chapters that blend critical consideration of Prince's art with the author's personal connection to the music, this is a fitting memorial to a legendary performer: monumental, yet deeply intimate. Drawing on over 40 studio albums, a repertoire of 2,000 plus live shows, and close analysis of the unreleased highlights of the Vault, Dig If U Will the Picture is the definitive book on Prince's work.
The Big Book of Rock & Roll Names tells the behind-the-scenes stories of how the world's most popular and influential rock and pop acts got their names. By turns fascinating, funny, and bizarre, the pages offer insight into the peculiar choices and idiosyncratic psychologies of hundreds of top musicians from the 1960s to the present. Originally published more than two decades ago to great success, it's been out of print for years and has now been completely updated and expanded to feature dozens of exclusive interviews including conversations with groups like The Black Keys, The Killers, Twenty One Pilots, Coldplay, Cage the Elephant, and Vampire Weekend. From Arcade Fire to ZZ Top, this diverting and handsome collection reveals the often overlooked but defining histories of hundreds of the biggest names in rock and pop.
Includes a new chapter on John Cage. Alex Ross's award-winning international best-seller, `The Rest is Noise: Listening to the Twentieth Century', has become a contemporary classic, establishing him as one of our most popular and acclaimed cultural historians; this is his much anticipated next book on the subject of music. In `Listen To This' Alex Ross, the music critic for the New Yorker, looks both backwards and forwards in time, capturing essential figures and ideas in classical music history, as well as giving an alternative view of recent pop music that emphasizes the power of the individual musical voice. After relating his first encounter with classical music, Ross vibrantly sketches canonical composers such as Schubert, Verdi and Brahms; gives us in-depth interviews wth modern pop masters such as Bjork and Radiohead; and introduces us to music students at a Newark high school and to indie-rock hipsters in Beijing. In his essay `Chacona, Lamento, Walking Blues', Ross brilliantly retells hundreds of years of music history - from Renaissance dance to Led Zeppelin - through a few iconic bass lines of celebration and lament. Whether his subject is Mozart or Bob Dylan, Ross writes in a style at once erudite and lively, showing how music expresses the full complexity of the human condition. He explains how pop music can achieve the status of high art and how classical music can become a vital part of the wider contemporary culture. Witty, passionate and brimming with insight, `Listen to This' teaches us to listen more closely.
'A real treat for Can fans.' Spectator
'Hugely enjoyable ... Green's great achievement is to recapture exactly how those moments felt, but remain sufficiently detached about the whole thing to render the experience honestly' MOJO Johnny Green first met the Clash in 1977. A RIOT OF OUR OWN is his tale of three delirious years of rock 'n' roll madness as confidant and road manager of the Clash, from the early punk days to LONDON CALLING and touring America. Ray Lowry accompanied the band as official 'war artist' on the second American tour and designed the London Calling album cover. Together, in words and pictures, Green and Lowry give the definitive, inside story on one of the most magnificent rock 'n' roll bands ever.
Metallica are easily the best, most influential heavy-metal band of the last 20 years, responsible for bringing the music back to earth. Instead of playing the usual rock star games of metal stars of the early 1980s, the band looked and talked like they were from the street, and through that connected with a disparate tribe of punks, metallers, skate kids and anyone into high-energy thrash music. Metallica expanded the limits of thrash, using speed and volume not for its own sake, but to enhance their intricately structured compositions. The release of 1983's Kill 'Em All, marked the beginning of legitimisation of heavy metal's underground bringing a new complexity and depth to the genre. Tracing their musical development through each album, looking at their influences, the events that inspired their songs, and what they mean to their fans, this is the essential companion to Metallica's biggest songs.
Stephen Morris has had a distinguished career, spanning nearly forty years, as a pivotal member of Joy Division and New Order with his trademark machine-like drumming. After the death of Joy Division's singer, Ian Curtis, in 1980, Bernard Sumner, Peter Hook, Morris and his wife Gillian formed New Order, one of the most critically acclaimed and influential bands of the late twentieth century. New Order became the flagship band for Tony Wilson's Factory Records and, alongside him, opened the infamous Hacienda nightclub, the centre of the acid house movement. In 2015, after a ten-year hiatus, New Order released Music Complete; which charted at #2 in its first week of release (the band's highest position in over twenty years). Stephen's book won't be that typical music autobiography, which tends to be high on mischief and low on the music. Part memoir, part aural history, it will be a hybrid memoir in Stephen's wry and witty voice. Stephen will weave a dual narrative of growing up in the North West during the 1970s with how the music actually works. It will also explore what it is to be part of a mythologised band and the idea of what you do becoming who you are.
Lee Brilleaux, the charismatic star of proto-punk R&B reprobates Dr Feelgood, was one of rock'n'roll's greatest frontmen. But he was also one of its greatest gentlemen - a class act with heart, fire, wanderlust and a wild streak. Exploding out of Canvey Island in the early 1970s - an age of glam rock, post-hippy folk and pop androgyny - the Feelgoods, with Lee Brilleaux and Wilko Johnson at the helm, charged into London, grabbed the pub rock scene by the throat and sparked a revolutionary new era, proving that you didn't have to be middle class, wearing the `right clothes' or living in the `right place' to succeed.
Imaginative and unique gig poster art to colorfully calm your mind... You've seen the concert and love the band, but it's the quirky, original art of a gig poster that you really want. In Rock Art: A Gig Poster Coloring Book, two of today's top gig poster artists, Boss Construction and Methane Studios, offer up a volume of their bewitching art for your coloring pleasure. They've done posters for some of the world's most popular musical acts including The Dave Matthews Band, Ray Lamontagne, Tom Petty, Father John Misty, Luke Bryan, and many, many more, and now you can give their cutting edge art your own creative spin. Grab your colored pencils and markers, put on your favorite tunes, and chill out in the colorful world of gig poster art.
Since his death in 1971, friends and band members have produced several biographies describing various aspects of Jim Morrison's life and career. Now James Riordan and Jerry Prochnicky examine with insightful clarity the entire story of Morrison's roots, his early family life, the intellectual foundations of his music, his wild days with The Doors, his private life, and the mystery that still surrounds his death.
In Break On Through, we see Morrison's angry relationship with his father and how a horrifying, deadly car accident Morrison witnessed as a small boy influenced his songs and poetry. We witness The Doors' exhilarating early days of struggle and the infamous Miami trial, where Morrison stood charged with obscenity. And here is the real story of Morrison's death in Paris, based on interviews with new sources who conclusively disprove the official finding of death by heart attack.
Break On Through is more than an insightful look at a rock legend whose cult following never stops growing. With dozens of rarely published photographs, this is the authoritative portrait of the man and his career.
A GUARDIAN AND INDEPENDENT BEST MUSIC BOOK OF THE YEAR `At last an expert classicist gets to grips with Bob Dylan' Mary Beard `Thomas's elegant, charming book offers something for everyone - not just the super-fans' Independent When the Nobel Prize for Literature was awarded to Bob Dylan, the literary world was up in arms. How could the world's most prestigious book prize be awarded to a famously cantankerous singer-songwriter in his Seventies, who wouldn't even deign to make an acceptance speech? In Why Dylan Matters, Harvard Professor Richard F. Thomas answers that question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil and Ovid. Dylan's Nobel prize win brought him vindication. This witty, personal volume is a distillation of Thomas's famous course, and makes a compelling case for moving Dylan out of the rock n' roll Hall of Fame and into the pantheon of Classical poets. You'll never think about Bob Dylan in the same way again.
Steven Patrick Morrissey was born in Manchester on May 22nd 1959. Singer-songwriter and co-founder of the Smiths (1982-1987), Morrissey has been a solo artist for twenty-six years, during which time he has had three number 1 albums in England in three different decades. Achieving twelve Top 10 albums (plus nine with the Smiths), his songs have been recorded by David Bowie, Nancy Sinatra, Marianne Faithfull, Chrissie Hynde, Thelma Houston, My Chemical Romance and Christy Moore, amongst others. An animal protectionist, in 2006 Morrissey was voted the second greatest living British icon by viewers of the BBC, losing out to Sir David Attenborough. In 2007 Morrissey was voted the greatest northern male, past or present, in a nationwide newspaper poll. In 2012, Morrissey was awarded the Keys to the City of Tel-Aviv. It has been said 'Most pop stars have to be dead before they reach the iconic status that Morrissey has reached in his lifetime.' Autobiography covers Morrissey's life from his birth until the present day.
Founding member of Megadeth and former Metallica guitarist Dave Mustaine tells a never-before-heard story of the lifetime he has spent in rock `n' roll. But this extraordinary tale, riddled with his own personal ups and downs, is also the inside account of two of the most influential heavy metal bands in the world. Here, for the first time ever, Dave Mustaine tells the tale of two of the biggest metal bands in history; a story yet to be told from the inside. Metallica, the pioneers of the thrash metal genre, rocketed to international fame in the 1980s, selling over 90 million records worldwide, making it the most successful band of its kind - ever. Megadeth, the second most successful thrash metal band ever, have sold more than 20 million albums worldwide, including six consecutive platinum albums. Despite their enormous success together, Dave and Metallica have bad blood by the bucket-load. In April of 1983, due in part to alcoholism and in part to personality clashes with founding members Hetfield and Ulrich, Dave was unceremoniously fired from the band, dumped at a Greyhound bus station in Rochester, NY with a single ticket back to LA. How did such an abrupt end come about? How did he pick himself back up, recover his dignity, and go on to send another band into the dizzying heights of rock stardom? The time has come to set the record straight. From the early, crazy days of Metallica to his split with the band, and to his glorious reign with Megadeth, Dave has seen and experienced life's extremities. This startlingly candid, refreshingly in-your-face memoir tells it all.
50 Years of Glastonbury celebrates the mud and mayhem that makes the festival one of the most popular musical events in the world, for fans and for artists, alike. Packed with incredible photographs and stories of the acts and attendees who have made Glastonbury a phenomenon, this is a visual feast showing line-ups from each festival and outstanding photographs of headliners and cult acts from the festival's extraordinary history.
This is the story of how the Verve rose from obscurity in Wigan, sank into nothingness then rose again t o the passionate sound of Bitter Sweet Symphony. It is a tal e of contradictions, obsessions and pure rock''n''roll. '
'Peter Dogett's book is a fascinating, rip-roaring and timely re-telling of a corner of music history that was hugely important but is all too often forgotten. The rehabilitation of Crosby, Stills and Nash's reputation (and of Young's contributions here) is long overdue' - FRANK TURNER
At 3 a.m. on Monday, 18 August 1969, the final night of the Woodstock Music & Art Fair, four men armed only with acoustic guitars faced the gaping darkness of a vast open-air audience. An hour later, Crosby, Stills, Nash and Young had confounded and convinced their peers, and cemented their place in rock history. They had also made themselves, for better or worse, synonymous with Woodstock, and with the nebulous Woodstock generation which it inspired.
Between 1969 and 1974, CSNY were the most successful, influential and politically potent rock band in America. More than any of their peers, they channelled and broadcast all the radical anger, romantic idealism and generational angst of their era. The vast emotional range of their music, from delicate acoustic confessionals to raucous counter-culture anthems, was mirrored in the turbulence of their personal lives. Their trademark may have been vocal harmony, but few if any of their contemporaries could match the recklessness of their hedonistic and often warring lifestyles, as four stubborn, driven songwriters pursued chemical and sexual pleasure to life-threatening extremes.
Crosby, Stills, Nash & Young is the first major biography of a band whose first two albums are undisputed rock classics, and which continues to attract a large and loyal following to their sporadic reunions. At the same time, Peter Doggett illuminates the pivotal years of 1960s counterculture through the story of four of its key protagonists, whose music, beliefs and relationships with each other chronicle both its trajectory and its legacy.
The story of a remarkable time and place: Los Angeles from the dawn of the singer-songwriter era in the mid-Sixties to the peak of The Eagles' success in the late Seventies. `Hotel California' is an epic tale of songs and sunshine, drugs and denim, genius and greed, and is the first in-depth account of the LA Canyons scene between 1967 and 1976. Hoskyn's history of this vital period in the development of today's great musical influences spans the rise of Joni Mitchell, Crosby Stills Nash and Young, The Eagles, James Taylor and Jackson Browne, and focuses on the brilliance and determination of David Geffen, the man who linked them all. Covering genius, drug-crazed disintegration, and the myriad relationships between these artists and the songs that issued from them, and drawing on extensive interviews with countless stars, singers, writers, managers, executives and scenesters, `Hotel California' is a pop-culture classic.
What was it like to be John Lennon? What was it like to be the cast-off child, the clown at school, and the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognisable singing voices in the world, but to dislike it so much he always wanted to disguise it? How must it have felt, when he saw the melodies of his younger song writing partner praised so highly, and his own songs, in his eyes, undervalued? And what was it like to become trapped inside a four-headed deity knowing that it would become increasingly impossible to keep feeding the desires of its worshippers? Being John Lennon is not about the whitewashed Prince of Peace of 'Imagine' legend, because that was only a small part of him. The John Lennon depicted in these pages is a much more kaleidoscopic figure, sometimes almost a collision of different characters. He was funny, often very funny. But, above everything, he had 'attitude', his impudent, plain speaking somehow personifying the aspirations of his generation to answer back to authority. Rank and status didn't unnerve him. He could, and would, say the unsayable. Perhaps sometimes he shouldn't, and he would excuse himself later by saying, 'Oh, that was only me mouth talking.' Though there were more glamorous rock stars around, even in the Beatles, it was John Lennon's attitude which caught, and then defined, the moment best.
The International Bestseller 'I can't help that my music shows who I am in this moment, what I'm drawn to, what I'm wondering about. I don't want to help it. What you hear in the words, what you feel in those songs - that's what I was feeling when I wrote them. I want you to see me, just like I want to see you.' - Justin Timberlake In his first book, Justin Timberlake creates a characteristically dynamic experience, one that combines intimate reflections and observations on his life and work, with hundreds of candid photographs from his personal archives. He looks back on his childhood and his very early love of music, and reveals the inspiration behind many of his songs and albums. He explores his internal songwriting process, and his collaborations with other artists and directors. He also reflects on who he is, examining what makes him tick, speaking candidly about fatherhood, family, close relationships, struggles, and his search to find an inner calm and strength. This is the Prince of Pop as you've never seen him before.
The "Now" part of this unique book is drawn from writer and film-maker Robin Bextor's exclusive interviews with Paul McCartney - during which he talked candidly of his private life, of his life as a singer, musician, composer and businessman, of The Beatles and why they broke up. While Tony Barrow, Beatles PR from 1962 - 1968, looks back on McCartney as he was then, offering his own fascinating account of life inside the Fab Four camp. Illustrated throughout with rare photographs, and with additional insights and recollections from those who have been closest to him throughout his career, "Paul McCartney Now and Then" creates a revealing and personal portrait of the one of the world's greatest living musical icons.
Mayhem are the most influential Black Metal band in the world, and obviously no strangers to controversy. Death Archives offer never before seen photographs and unique insight into one of music's most extreme subcultures. The Death Archives is a ravishingly illustrated first-person account of the birth of black metal in the Norwegian scene by Jorn "Necrobutcher" Stubberud, the founding member and ongoing bass player in Mayhem. During the band's ongoing career, now spanning thirty years, bass player and only surviving band member from the original line-up, Jorn "Necrobutcher" Stubberud, has collected enormous amounts of photographs, video diaries and memorabilia. In this unique documentary book, Stubberud shares the first groundbreaking years of Mayhem's existence including their first photo-sessions in full corpse regalia; recording sessions, and exclusive stills from live video footage of their earliest gigs. In Necrobutcher's Death Archives he shares rarely seen photos of the band before death of singer Pelle "Dead" Ohlin and murder of guitarist Oystein "Euronymous" Aarseth.
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