The Jackson's Shinku brush range is a red synthetic haired brush (Shinku means 'crimson' in Japanese) that has a vibrant spring in the hairs. The hairs are super glossy which helps achieve smooth and fresh brush marks. Shinku brushes are made to the highest specification which means you will not lose hairs in your work while painting. It is a wonderful long-handled brush, perfect for acrylic painting techniques. Please note that this synthetic brush does not contain any animal products, either in the varnish, bristles, paint or glue.

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

Akoya brushes, so named because their pure white silky hairs resemble the Akoya pearl, have been developed to match and build upon qualities offered by the leading natural hog brushes. Colour and liquid absorbency is maximised by craters in each hair that gather pigment and replicate natural hairs in a way that other synthetic brushes are not capable of. In addition to this, the Akoya brushes maintain the excellent spring and shape that one would expect of a synthetic brush, reinforced by the two thicknesses of hair used. These brushes are designed to last, thanks to a heating process that causes the hairs to retain their shape after use, and the strength of the filaments themselves. This durability means that you won't have bristles breaking off in your paint. With slightly stiffer hair than our Procryl brushes, the Akoya exhibits the best characteristics of both the highest grade natural and the finest synthetic brushes. Please note that this synthetic brush does not contain any animal products, either in the varnish, bristles, paint or glue. For more information and reviews on Jackson's Ayoka Brushes, click here.

Jackson's Wooden Panels are made of smooth, sanded light plywood, reinforced on the reverse to prevent warping. Sturdy yet lightweight, they are perfect for plein air painting projects and work in the studio.

These panels are made from wood and they are not supplied sealed. This means that liquids are absorbed into the surface and if they get too ‘wet’, there could be a swelling of the veneer. If the panel is to be used for painting then you should seal the surface with a quality glue size or an acrylic based primer. When you're applying acrylic gesso primer, avoid thinning it with water.

After sizing we recommend priming with acrylic gesso and sanding the surface to produce a smooth yet slightly absorbent surface.

Jackson's Wooden Panels can also be used for encaustic painting, or as a work support / drawing board.

Available in 20mm (approx. 3/4") and 50mm (approx. 2") deep profiles, in a wide range of sizes.

Please note: as this is a natural product, small cracks can develop on the surface. These can be removed by sanding the surface before applying the sealer or primer.

Pack of 10 envelopes, with no cards.

This Ceramic Palette has a nice weighty feel and can be used with watercolour, inks and dyes. Because it is made from porcelain, it is easy to clean, will not stain and will keep your paints wet for longer than a plastic palette; providing a longer period for wet mixing and allowing you to avoid having to colour match to dry hues. Ceramic palettes are very sturdy and designed for years of consistent use.

The 5 slanting wells allow for the storing of a reasonable amount of pigment while preventing your brush having to approach the pigment at a sharp angle. They also can be used for creating gradations of wetness and tone, while the 5 circular wells mean you can simultaneously store water or keep a consistent colour separated.

Colour: Michael Harding Warm White (Lead White Alternative)Pigment Index: PY42 PW6OpaqueLightfastness: ExcellentPrice Series: 1This warm and opaque white is excellent for artists who want a lead like paint. Great mixing colour. Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

The favoured brush of a number of professional oil painters, Jackson's Procryl is not slick or too springy like many synthetic brushes - it has been designed with professional oil and acrylic painters in mind. Made with acrylic fibres, they are moderately springy and absorbent and soften after repeated cleaning with solvents. The softness of the hairs makes this brush great for soft blending. The brush is very responsive and capable of blending to a very high standard. The edge holds its tight shape while loaded with paint, producing a clean, chiseled edge where necessary. Measurements are as follows:Total length: 29. 3cmLength of bristles: 1. 2cmWidth of bristles at ferrule: 0. 5cmPlease note that this synthetic brush does not contain any animal products, either in the varnish, bristles, paint or glue.

In addition to the highest lightfastness, the Luminance 6901 leads benefit from an extreme softness which enables you to obtain subtle mixings and gradations, as well as blendings. Every shade has been formulated using finely-ground pigments chosen for their purity, intensity and resistance to UV.

Canson® Mixed Media Essentia is a versatile paper that can be used for all techniques (wet and dry). Its texture offers artists a beautiful alternative, that reflects the light and brings brilliance to the pigments. Its tint is ideal for a harmonious rendering of colours and its surface results in accentuated colour contrasts.

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

The 10oz traditional medium texture weave used for our Premium Cotton Canvas is suitable for oil and acrylic painting - from thin washes to thick impasto marks, and is universally primed to protect the natural fibres of the cotton. Each canvas is tightly stretched over a sturdy pine wood stretcher frame, and has the look and feel of a canvas that has been made for you by hand. Unique to this range are a number of sizes that have the proportions of the Golden Ratio, the shape considered most aesthetically pleasing throughout western art history. Nothing has been compromised in their manufacture so that nothing is compromised in your finished work. GS = Golden Section size(-) = Crossbar(+) = 2 x Crossbar

Akoya brushes, so named because their pure white silky hairs resemble the Akoya pearl, have been developed to match and build upon qualities offered by the leading natural hog brushes. Colour and liquid absorbency is maximised by craters in each hair that gather pigment and replicate natural hairs in a way that other synthetic brushes are not capable of. In addition to this, the Akoya brushes maintain the excellent spring and shape that one would expect of a synthetic brush, reinforced by the two thicknesses of hair used. These brushes are designed to last, thanks to a heating process that causes the hairs to retain their shape after use, and the strength of the filaments themselves. This durability means that you won't have bristles breaking off in your paint. With slightly stiffer hair than our Procryl brushes, the Akoya exhibits the best characteristics of both the highest grade natural and the finest synthetic brushes. Please note that this synthetic brush does not contain any animal products, either in the varnish, bristles, paint or glue. For more information and reviews on Jackson's Ayoka Brushes, click here.

PW 6 Titanium Dioxide. PW4 Zinc Oxide. Very slow Dryer, Very Opaque, Excellent Lightfastness, High Tint Power, Non-toxic.

Safflower oil dries to a robust film, which means that this paint can be overpainted with a low risk of later cracking. It yellows comparably less to linseed oil, and handles in a similar way. This is the most brilliant non-toxic White in the range, suitable for cool, opaque light hues, and generally as a highly keyed mixer.

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. There are 200 soft and bright colours in the range, as well as a wide variety of themed selection sets.

Our Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

Fabriano 5 is an exceptionally smooth paper made by the Italian company Fabriano. This paper is both surface sized and watermarked, with the Fabriano logo. The Fabriano 5 paper is mould made from 50% cotton and 50% carefully selected raw material. The absence of acid to guarantees excellent permanence and resistance to ageing.

This paper is designed for watercolour painting and lithography printing, but can also be used for tempera, charcoal, graphite, wax, and pastel. It is immensely popular product with watercolour artists and printmakers alike.

Please note: There has been a slight texture change to the Fabriano 5 paper meaning it is slightly less smooth than before.

Perfect for studio work, architectural drawing or life drawing, this sturdy beechwood board has a lovely smooth surface on both sides. The hollow core means it is surprisingly lightweight (1.35kg).The metal edges are on the two shortest sides of this drawing board and are grooved to help with stability and slip-resistance. The metal edges will also mean the board is more durable.Dimensions: 660 x 505mm (20 x 26 in)Weight: 1.35kgThickness: 20mmThis drawing board has square edges.

Probably the most famous Sable water colour brush there is. Manufactured from only the finest pure Kolinsky Sable hair, in rust-proof, seamless nickel plated ferrules with black polished handles. Series 7 uses only the highest quality raw materials and enjoys hand made manufacture by brush makers with years of experience. For larger sizes, each brush is packed into an individual box with a tag included to indicate the name of the Series 7 brush maker who made that particular brush. The tradition of excellence began in 1866 when Queen Victoria gave orders that Winsor & Newton be commanded to produce brushes of the finest possible quality in her favourite size; No.7. Now known as Series 7, these brushes have a long-established world wide reputation for excellence.

The Kuretake Zig H2O Brush Pens are perfect for the artist on the go, as they are a clean and easy way to paint. Simply fill the barrel of the pen with water and being creating. Zig H2O Brush Pens have a retractable valve to allow squeeze control of the water released.

The Zig H2O Brush Pen is available in four nib sizes: detailer tip, medium tip, large tip and broad tip .

One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.

Young artists, whether you’re right or left-handed, Lyra Ferby graphite pencils are made for you!!! It’s child’s play finding the right holder (three grip points), enabling you to draw effortlessly for hours on end. 12cm long HB extra-resistant lead.

Great for curves, ripple effects and long lines, blending from thick to thin.

Ideal brushes for acrylic.
Daler-Rowney System3 brushes are resilient and durable, perfect for painting with acrylics. The dark-tipped synthetic filaments and black shadow aluminium ferrule combined with an ergonomic black handle give this brush style, affordability, flexibility and comfort. Available in short and long-handled options, System3 brushes are an ideal fine art and craft painting tool for beginners and enthusiasts alike.

Synthetic hair.
Daler-Rowney System3 short-handled brushes feature soft synthetic filaments that give a good snap and perfect spring ideal for thin to medium flow acrylic colours. These short-handled brushes are available in 10 series of head shapes and sizes from 10/0 to 30. System3 long-handled brushes feature stiff synthetic filaments that retain their shape even after heavy use, allowing the artist more control and accuracy and are ideal for heavy body acrylic colours. These long-handled brushes are available in 5 series of head shapes and sizes from 0 to 12.

Glassine paper can be used to protect the surface of prints, drawings, paintings and other artworks from spilling, exposure, or rubbing during storage or presentation. It will not damage or smudge pastel, charcoal or graphite. Often used in bookbinding separating (interleaving) pages containing plates or illustrations. Its smooth surface is resistant to grease, air and water, and is pH neutral (acid-free) to ensure archival protection. Please note: Glassine paper is translucent not crystal clear. Sheet size: 50 x 75cm (19. 5" x 29. 5") Weight: 40gsm