From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt. Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about justice and how to achieve it.

For some in our society, diversity is a threat. Others feel society should be more inclusive, if only out of fairness. But as Johnnetta Cole argues in her new book, embracing diversity and inclusiveness is more than a virtuous ideal; it is essential to a healthy, productive society. Focusing on higher education and other arenas of cultural development, Cole explores our institutions' vulnerability to the influence of racism and the wider implications for American society. At the core of Cole's argument is the belief that increasing the representation of historically marginalized groups on college campuses, and in museums, media, and other institutions is, like the liberal arts, vitally important to social progress. Accompanying Cole's urgent calls to implement social change are vividly rendered experiences from her own remarkable life. Cole issues a challenge for courageous conversations about race and racism and places unique responsibility and accountability on institutions of higher education in leading these conversations.

A compelling and fascinating portrait of the continuing intellectual tradition of Greek writers and thinkers in the Age of Rome. In 146 BC, Greece yielded to the military might of the Roman Republic; sixty years later, when Athens and other Greek city-states rebelled against Rome, the general Lucius Cornelius Sulla destroyed the city of Socrates and Plato, laying waste to the famous Academy where Aristotle had studied. However, the traditions of Greek cultural life would continue to flourish during the centuries of Roman rule that followed, in the lives and work of a distinguished array of philosophers, doctors, scientists, geographers, travellers and theologians. Charles Freeman's accounts of such luminaries as the physician Galen, the geographer Ptolemy and the philosopher Plotinus are interwoven with contextual 'interludes' that showcase a sequence of unjustly neglected and richly influential lives. Like the author's The Awakening, The Children of Athena is a cultural history on an epic scale: the story of a rich and vibrant tradition of Greek intellectual inquiry across a period of more than five hundred years, from the second century BC to the start of the fifth century AD.

The remarkable true story of friendship, resilience and survival against the odds 'A remarkable tale of survival' Jeremy Dronfield, bestselling author of The Boy Who Followed His Father into Auschwitz 'It's an account of astounding courage and resourcefulness . . . The real miracle here is the vitality of Kacenberg's faith and determination' Mail on Sunday __________ In a small Polish village, Mala Kacenberg grew up in the comfort of her family. Until the Nazis arrived. Her village was torn apart. Her family were murdered. And Mala had no one left. Except she wasn't alone. Her beloved cat, Malach, remained by her side. They were forced to hide in the forest. Food was impossible to find. And with German soldiers hunting them at every turn, they were never safe. Alone, they would have died. But could they somehow survive together? __________ This is the astonishing true story of one girl's journey through the Holocaust, and the guardian angel who gave her the strength to live. 'A vital document of a history that must never be allowed to vanish' Julie Orringer for the New York Times 'To read Mala's Cat is to enter a dreamscape of horrors seen through innocent eyes' Jewish Chronicle

First published in 2006 The Atlantic Slave Trade (4 volume set) tells the history of the Atlantic slave trade from its origins through to the nineteenth century. Outlined in essays taken from key journals in the field from 1940 onwards, it is also the history of Atlantic power systems and economies. Each of the collections is introduced by an essay from the general editor, which comments on the contribution the essays make. The Atlantic slave trade was established as a response to economic need and was a product of the search for economic opportunity. As such, it was a system of servitude driven essentially by free enterprise. The key context was European trans-oceanic expansion focused on the Atlantic world where labour was needed and labour was available but not at the same place. This set is a re-issue originally published in 2006 and contains articles from 1940 onwards. The language used is a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication.

A hilarious look at how the line between 'genius' and 'extremely lucky idiot' is finer than we'd like to admit.

The more you delve into the stories behind history's greatest names, the more you realise they have something in common: a mystifying lack of common sense. Take Marie Curie, famous for both discovering radioactivity and having absolutely zero lab safety protocols. Or Lord Byron, who literally took a bear with him to university. Or James Glaisher, a hot-air balloon pioneer who nearly ended up as the world's first human satellite...

From Nikola Tesla falling in love with a pigeon to non-swimmer Albert Einstein's near-fatal love of sailing holidays, The Limits of Genius is filled with examples of the so-called brightest and best of humanity doing, to put it bluntly, some really dumb shit.

These are the stories that deserve to be told but never are: the hilarious, regrettable and downright baffling lesser-known achievements of the men and women who somehow managed to bungle their way into our history books.

From the Booker-shortlisted author of Umbrella, a world-girdling collection of writings inspired by a life lived in and for literatureFrom one of the most unusual and distinctive writers working today, dubbed "the most daring and delightful novelist of his generation" by the Guardian, Will Self's Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature.Self takes us with him: from the foibles of his typewriter repairman to the irradiated exclusion zone of Chernobyl, to the Australian outback, and to literary forms past and future. With his characteristic intellectual brio, Self aims his inimitable eye at titans of literature like Woolf, Kafka, Orwell, and Conrad. He writes movingly on W.G. Sebald's childhood in Germany and provocatively describes the elevation of William S. Burroughs's Junky from shocking pulp novel to beloved cult classic. Self also expands on his regular column in Literary Hub to ask readers, how, what, and ultimately why we should read in an ever-changing world. Whether he is writing on the rise of the bookshelf as an item of furniture in the nineteenth century or on the impossibility of Googling his own name in a world lived online, Self's trademark intoxicating prose and mordant, energetic humor infuse every piece.A book that examines how the human stream of consciousness flows into and out of literature, Why Read will satisfy both old and new readers of this icon of contemporary literature.

Mats Svensson is a photographer who took 60,000 photos in the occupied Palestinian territories over several years and winnowed them down to the 92 perceptive, nuanced, and ultimately heart-rending images in this volume. Svenssons photos are accompanied by pithy and surprising commentary from a wide variety of Palestinian and Israeli figures as well as international voices from Barack Obama and George W Bush to Nelson Mandela and Desmond Tutu. Svensson documents Palestinian street scenes, conveying the mannerisms and customs of daily life, as did the humanist photographer Cartier Bresson. Svensson does not display the blood and gore of conflict, yet he shows its precursors and its aftermath in photos that, taken together, are as charged as the war photos of Robert Capa and David Douglas Duncan. Svensson shows us occupation, expropriation, arrest, and immense concrete barriers encroaching on daily life and asks us to come to our own conclusions. Americans will recognize this use of photos and words in the long tradition of politically committed photojournalists such as Walker Evans and James Agee who depicted the dispossessed of the earth in the American south at the depths of the Great Depression in their classic, Let Us Now Praise Famous Men.

"A fresh and fast-paced study of one of the most important crimes of the twentieth century" ("The Washington Post"), "The Brother" now discloses new information revealed since the original publication in 2003--including an admission by his sons that Julius Rosenberg was indeed a Soviet spy and a confession to the author by the Rosenbergs' co-defendant.
Sixty years after their execution in June 1953 for conspiring to steal atomic secrets, Julius and Ethel Rosenberg remain the subjects of great emotional debate and acrimony. The man whose testimony almost single-handedly convicted them was Ethel Rosenberg's own brother, David Greenglass. Though the Rosenbergs were executed, Greenglass served a mere ten years in prison, after which, with a new name, he disappeared. But journalist Sam Roberts found Greenglass, and then managed to convince him to talk about everything that had happened.
Since the original publication of "The Brother," Roberts sued to release grand jury testimony, which further implicates Greenglass and demonstrates how the prosecution was tainted. One of the defendants, Morton Sobell, admitted to Roberts that he and Julius Rosenberg were spies. Furthermore, Michael and Robert Meeropol, the Rosenbergs' sons, acknowledged to Roberts that although their mother was not legally culpable, that the "secret" to the atomic bomb was not compromised, and that the death penalty was excessive, their father was, in fact, guilty of conspiracy to commit espionage on behalf of the Soviet Union.
Now released with this important new information, "The Brother" is more than ever, "A gripping account of the most famous espionage case in US history...an excellent book, written with flair and alive with the agony of the age" ("The Wall Street Journal").

‘A tremendous feat of storytelling, propelled by numerous twists and revelations, yet anchored by a deep moral seriousness . . . Enthralling‘ Guardian ‘Part detective story, part family history, part probing inquiry into how best to reckon with the horrors of a previous century, Come to This Court and Cry is bracingly original, beautifully written and haunting. An astonishing book‘ Patrick Radden Keefe, author of Empire of Pain To probe the past is to submit the memory of one's ancestors to a certain kind of trial. In this case, the trial came to me. A few years ago Linda Kinstler discovered that a man fifty years dead – a former Nazi who belonged to the same killing unit as her grandfather – was the subject of an ongoing criminal investigation in Latvia. The proceedings threatened to pardon his crimes. They put on the line hard-won facts about the Holocaust at the precise moment that the last living survivors – the last legal witnesses – were dying. Across the world, Second World War-era cases are winding their way through the courts. Survivors have been telling their stories for the better part of a century, and still judges ask for proof. Where do these stories end? What responsibilities attend their transmission, so many generations on? How many ghosts need to be put on trial for us to consider the crime scene of history closed? In this major non-fiction debut, Linda Kinstler investigates both her family story and the archives of ten nations to examine what it takes to prove history in our uncertain century. Probing and profound, Come to this Court and Cry is about the nature of memory and justice when revisionism, ultra-nationalism and denialism make it feel like history is slipping out from under our feet. It asks how the stories we tell about ourselves, our families and our nations are passed down, how we alter them, and what they demand of us. 'Kinstler reminds us of the dangerous instability of truth and testimony, and the urgent need, in the twenty-first century, to keep telling the history of the twentieth' Anne Applebaum 'A masterpiece' Peter Pomerantsev

In May 1941, Gertrude van Tijn arrived in Lisbon on a mission of mercy from German occupied Amsterdam. She came with Nazi approval to the capital of neutral Portugal to negotiate the departure from Hitler's Europe of thousands of German and Dutch Jews. Was this middle aged Jewish woman, burdened with such a terrible responsibility, merely a pawn of the Nazis, or was her journey a genuine opportunity to save large numbers of Jews from the gas chambers? In such impossible circumstances, what is just action, and what is complicity?

A moving account of courage and of all-too-human failings in the face of extraordinary moral challenges, Th"e Ambiguity of Virtue "tells the story of Van Tijn's work on behalf of her fellow Jews as the avenues that might save them were closed off. Between 1933 and 1940 Van Tijn helped organize Jewish emigration from Germany. After the Germans occupied Holland, she worked for the Nazi appointed Jewish Council in Amsterdam and enabled many Jews to escape. Some later called her a heroine for the choices she made; others denounced her as a collaborator.

Bernard Wasserstein's haunting narrative draws readers into the twilight world of wartime Europe, to expose the wrenching dilemmas that confronted Jews under Nazi occupation. Gertrude van Tijn's experience raises crucial questions about German policy toward the Jews, about the role of the Jewish Council, and about Dutch, American, and British responses to the persecution and mass murder of Jews on an unimaginable scale."

Stalingrad was not only the most-crucial battle on the Eastern Front, it was the main turning point of the whole Second World War in Europe. The Third Reich had suffered setbacks earlier, notably at El Alamein in North Africa in October 1942, but the scale of the fighting on the Eastern Front was incomparably larger than any of the other war fronts and it was the fate of the armies there that decided the outcome of the global conflict. After the demise of the German 6. Armee at Stalingrad in February 1943 it was clear that Nazi Germany would lose the war. This book brings together three After the Battle stories devoted to that historic struggle. It opens with a detailed account of the fight for the city of Voronezh. Lying on the great Don river, it was a prime initial objective of the German summer offensive towards the Caucasus launched on June 28, 1942. Possession of Voronezh would secure an eastern anchor point for a northern defensive line needed for the southward advance to Stalingrad. The city was taken with relative ease in early July but, when the Soviets launched a counter-offensive, the Heeresgruppe S d commander, Generalfeldmarschall Fedor von Bock, allowed his panzer and motorised divisions to be drawn into the protracted fight. This week-long delay which infuriated Hitler severely disrupted the timetable for the main offensive, and fatally contributed to the failure to seize Stalingrad in a surprise raid. The main part of the book is taken up by a comprehensive description of the gargantuan seven-month battle for Stalingrad itself. All stages are described in detail: the advance of the German armies to the city in August, the stubborn and heroic defence of the besieged Soviet 62nd Army against overwhelming German superiority in September-November; and the subsequent encirclement and annihilation of the doomed 6. Armee in the winter, ending in total capitulation on February 2, 1943. Due to the wholesale destruction of the embattled city, it was long thought impossible to apply After the Battle s then and now format to Stalingrad but with the help of a local expert and acknowledged student of the battle, Alexander Trofimov, we managed to match up numerous combat photos taken all over the city, giving full treatment to the months-long struggle for the city on the Volga. The same goes for Voronezh where we found another local expert, Sergey Popov, who achieved equally astounding comparisons. Without them, this book could not have been made. The German catastrophe at Stalingrad, with around 150,000 men killed or succumbing to the winter cold and around 100,000 taken prisoner (of whom only some 5,000 survived captivity), remained a national trauma in Germany. Coming to terms with the event proved difficult, the sorrow over the loss of so many German lives being surmounted by guilt over the fact that Germany had been the aggressor. In many ways, Stalingrad became a taboo, remembered in silence but avoided in public discussion. Illustrative of this is the fact that it took a full 50 years before a major feature film on Stalingrad could be produced in Germany. It was only in 1992 that the German film industry felt the time was ripe and produced and released Stalingrad, the first full-fledged war movie on the battle. We include the story of the making of this film as an epilogue to the main story.

The Sunday Times-bestselling author of Dresden returns with a monumental biography of the city that defined the twentieth century - Berlin Throughout the twentieth century, Berlin stood at the centre of a convulsing world. This history is often viewed as separate acts: the suffering of the First World War, the cosmopolitan city of science, culture and sexual freedom Berlin became, steep economic plunges, the rise of the Nazis, the destruction of the Second World War, the psychosis of genocide, and a city rent in two by competing ideologies. But people do not live their lives in fixed eras. An epoch ends, yet the people continue - or try to continue - much as they did before. Berlin tells the story of the city as seen through the eyes not of its rulers, but of those who walked its streets. In this magisterial biography of a city and its inhabitants, bestselling historian Sinclair McKay sheds new light on well-known characters - from idealistic scientist Albert Einstein to Nazi architect Albert Speer - and draws on never-before-seen first-person accounts to introduce us to people of all walks of Berlin life. For example, we meet office worker Mechtild Evers, who in her efforts to escape an oncoming army runs into even more appalling jeopardy, and Reinhart Cruger, a 12-year-old boy in 1941 who witnesses with horror the Gestapo coming for each of his Jewish neighbours in turn. Ever a city of curious contrasts, moments of unbelievable darkness give way to a wry Berliner humour - from banned perms to the often ridiculous tit-for-tat between East and West Berlin - and moments of joyous hope - like forced labourers at a jam factory warmly welcoming their Soviet liberators. How did those ideologies - fascism and communism - come to flower so fully here? And how did their repercussions continue to be felt throughout Europe and the West right up until that extraordinary night in the autumn of 1989 when the Wall - that final expression of totalitarian oppression - was at last breached? You cannot understand the twentieth century without understanding Berlin; and you cannot understand Berlin without understanding the experiences of its people. Drawing on a staggering breadth of culture - from art to film, opera to literature, science to architecture - McKay's latest masterpiece shows us this hypnotic city as never before. 'Remarkable . . . A majestic work of non-fiction' Matthew d'Ancona 'Sinclair McKay was born to write this book' David Aaronovitch, The Times 'A masterful account of a city marked by infamy . . . If there is a book that must be read this year, this is it' Amanda Foreman 'An electrifying new account of Berlin' Julia Boyd, author of Travellers in the Third Reich 'One of my favourite historians' Dan Snow

Celebrating 100 years of the 24 Hours of Le Mans, motorsport’s iconic endurance race, technical illustrator Mick Hill takes us on a potted history of this world-famous event. The follow-on book to his successful Grand Prix’s Winning Colours, Mick once again allows his signature artwork to take centre stage, presenting a complete visual record of every winning car since the championship began back in 1923. Including details of the cars’ drivers, as well as interesting facts about each race, such as weather conditions, distance covered and average speeds, Le Mans Winning Colours is a book to treasure for all racing-car enthusiasts.

'A warm and tender tale about the power and healing of friendship and community and the magic of books' - Ruth Hogan As the bombs began to fall, the book club kept their hopes alive... The most emotional, uplifting and captivating story of wartime London and the extraordinary power of books to shine a light and draw people together in the darkest of days, inspired by true events. London, 1938. Bookseller Gertie Bingham is facing difficult times, having just lost her beloved husband, Harry, and with a lingering sadness at never having been able to have a child of her own. Struggling to face running the bookshop she and Harry opened together, Gertie is preparing to sell up and move away when she is asked if she would be willing to take in a young Jewish refugee from Germany. Gertie is unsure and when sullen teenager Hedy Fischer arrives, Gertie fears she has nothing left to give the troubled girl. But when the German bombers come and the lights go out over London, Gertie and Hedy realise that joining forces will make them stronger, and that books have the power to bring young and old together and unite a community in need in its darkest hour... *Annie Lyons was shortlisted for the RNA Contemporary Romantic Novel of the Year Award* Readers adore The Air Raid Book Club: 'Annie Lyons has cleverly woven the horror and heartbreak of war with the resilience of human nature, the strength of love, and the importance of friends . . . perfect for fans of Lissa Evans and AJ Pearce' - Kerry Barrett 'This is a book to be read and re-read - each time there will be something new to discover . . . a triumph' - Celia Anderson 'Warm and nostalgic . . . This story of love, bravery and found family is heart-wrenching and utterly charming. I sobbed my way through the final chapters' - Fiona Lucas 'A wonderful story of strong female friendship and found family . . . I absolutely adored it' - â­� â­� â­� â­� â­� Real reader review 'A gentle, heartwarming read . . . [with] two main characters who are lovely ordinary people living in remarkable times' - â­� â­� â­� â­� â­� Real reader review '[A] beautiful depiction of a community striving to survive and thrive together . . . I came to love the many characters and I felt like I, too, would be welcomed into their book club' - â­� â­� â­� â­� â­� Real reader review 'One of my favourite books ever . . . reading this beautiful, heartfelt, heartbreaking, but yet promising story leaves me feeling hope for the human spirit' - â­� â­� â­� â­� â­� Real reader review

A New Yorker staff writer, investigates his grandfather, a Nazi Party Chief, in this "unflinching, gorgeously written, and deeply moving exploration of morality, family, and war� Patrick Radden Keefe, author of Empire of Pain ‘The book we need right now’ Atul Gawande, author of Being Mortal What do we owe the past? How to make peace with a dark family history? Burkhard Bilger hardly knew his grandfather growing up. His parents immigrated to Oklahoma from Germany after World War II, and though his mother was an historian, she rarely talked about her father or what he did during the war. Then one day a packet of letters arrived from Germany, yellowing with age, and a secret history began to unfold. Karl Gönner was a schoolteacher and Nazi party member from the Black Forest. In 1940, he was sent to a village in occupied France and tasked with turning its children into proper Germans. A fervent Nazi when the war began, he grew close to the villagers over the next four years, till he came to think of himself as their protector, shielding them from his own party’s brutality. Yet he was arrested in 1946 and accused of war crimes. Was he guilty or innocent? A vicious collaborator or just an ordinary man, struggling to atone for his country’s crimes? Bilger goes to Germany to find out. What follows is a literary suspense story: a tale of chance encounters and serendipitous discoveries in villages and dusty archives across Germany and France. Intimate and far-reaching, Fatherland is an extraordinary odyssey through the great upheavals of the past century, tracing one family’s path through history’s wreckage. For readers of Bart van Es’s The Cut Out Girl or Edmund de Waal’s The Hare with the Amber Eyes, this is a story of middle lands, torn allegiances and loaded family inheritance.

From classicist James Romm comes a “striking…fascinating� (Booklist) deep dive into the last decades of ancient Greek freedom leading up to Alexander the Great’s destruction of Thebes—and the saga of the greatest military corps of the time, the Theban Sacred Band, a unit composed of 150 pairs of male lovers. The story of the Sacred Band, an elite 300-man corps recruited from pairs of lovers, highlights a chaotic era of ancient Greek history, four decades marked by battles, ideological disputes, and the rise of vicious strongmen. At stake was freedom, democracy, and the fate of Thebes, at this time the leading power of the Greek world. The tale begins in 379 BC, with a group of Theban patriots sneaking into occupied Thebes. Disguised in women’s clothing, they cut down the agents of Sparta, the state that had cowed much of Greece with its military might. To counter the Spartans, this group of patriots would form the Sacred Band, a corps whose history plays out against a backdrop of Theban democracy, of desperate power struggles between leading city-states, and the new prominence of eros, sexual love, in Greek public life. After four decades without a defeat, the Sacred Band was annihilated by the forces of Philip II of Macedon and his son Alexander in the Battle of Chaeronea—extinguishing Greek liberty for two thousand years. Buried on the battlefield where they fell, they were rediscovered in 1880—some skeletons still in pairs, with arms linked together. From violent combat in city streets to massive clashes on open ground, from ruthless tyrants to bold women who held their era in thrall, The Sacred Band recounts “in fluent, accessible prose� (The Wall Street Journal) the twists and turns of a crucial historical moment: the end of the treasured freedom of ancient Greece.

The graphic history of the Nazi attempt to destroy the Jews of Europe during the Second World War is illustrated in this series of 363 detailed maps. The maps, and the text and photographs that accompany them, powerfully depict the fate of the Jews between 1933 and 1945, while also setting the chronological story in the wider context of the war itself. The maps include: • Historical background – from the effects of anti-Jewish violence between 1880 and 1933 to the geography of the existing Jewish communities when the Nazi Party came to power • The beginning of the violence – from the destruction of the synagogues in November 1938 to Jewish migrations and deportations, the ghettos, and the establishment of the concentration camps and death camps throughout German-dominated Europe • The spread of Nazi rule – the fate of the Jews throughout Europe including Germany, Austria, Poland, Greece, Yugoslavia, Bulgaria, Russia, Denmark, Norway, France, Holland, Belgium, Italy, and the Baltic States • Jewish revolts and resistance – acts of armed resistance, fighting in the forests, individual acts of courage • Jews in hiding – escape routes, Christians who helped Jews • The death marches – the advance of the Allies and the liberation of the camps, the survivors, and the final death toll. This new edition now includes an additional 30 of Martin Gilbert’s maps, with many additional camp and ghetto maps, further illustrating the layout and organization of some of the most significant towns and cities affected by the Holocaust, especially useful to those visiting the sites.

This 9th edition of Martin Gilbert’s Atlas of Jewish History spans over four thousand years of history in 196 maps, starting with the worldwide migration of the Jews from ancient Mesopotamia and coming up into the first decades of the twenty-first century. It presents a vivid picture of a fascinating people and the trials and tribulations which have haunted the Jewish story, as well as Jewish achievements. The themes covered include: Prejudice and Violence – from the destruction of Jewish independence between 722 and 586 BC to the flight from German persecution in the 1930s. Also covers the incidence of anti-Semitic attacks in the Americas and Europe. Migrations and Movements – from ancient dispersals from the promised land, to new maps on the ingathering of exiles from Arab and Muslim lands from 1948, and from the break-up of the Soviet Union in 1992. Society, Trade and Culture – from Jewish trade routes between 800 and 900, the geography of the Jews of China, of India, to communal life in the ghettoes and the situation of world Jewry in the opening years of the twenty-first century. Politics, Government and War – from the Court Jews of the fifteenth century to the founding and growth of the modern State of Israel. This new edition now includes an additional 39 of Martin Gilbert’s maps, across the whole range of Jewish history, originally published across a range of publications, now gathered in this one volume for the first time. Over 50 years on from its first publication, this book is still an indispensable guide to Jewish history.

In 1971, a caravan of 60 brightly painted school buses and assorted

other vehicles carrying more than 300 hippie idealists landed on an

abandoned farm in central Tennessee. They had a mission: to be a

part of something bigger than themselves, to follow a peaceful and

spiritual path, and to make a difference in the world.

Out to Change the World tells the story of how those hippies established The Farm, one of the largest and longest-lasting intentional communities in the United States. Starting with the 1960s HaightAshbury scene where it all began and continuing through the changeover from commune to collective up to the present day, this is the first complete account of The Farm's origins, inception, growth, and evolution. By turns inspiring, cautionary, triumphant, and wistful, it's a captivating narrative from start to finish.

A ground-breaking, personal exploration of America’s obsession with continuing human bondage from the editor of the New York Times–bestselling Barracoon. Freedom and equality are the watchwords of American democracy. But like justice, freedom and equality are meaningless when there is no corresponding practical application of the ideals they represent. Physical, bodily liberty is fundamental to every American’s personal sovereignty. And yet, millions of Americans—including author Deborah Plant’s brother, whose life sentence at Angola Prison reveals a shocking current parallel to her academic work on the history of slavery in America—are deprived of these basic freedoms every day. In her studies of Zora Neale Hurston, Deborah Plant became fascinated by Hurston’s explanation for the atrocities of the international slave trade. In her memoir, Dust Tracks on a Road, Hurston wrote: “But the inescapable fact that stuck in my craw, was: my people had sold me and the white people had bought me. . . . It impressed upon me the universal nature of greed and glory.� We look the other way when the basic human rights of marginalized and stigmatized groups are violated and desecrated, not realizing that only the practice of justice everywhere secures justice, for any of us, anywhere. An active vigilance is required of those who would be and remain free; with Of Greed and Glory, Deborah Plant reveals the many ways in which slavery continues in America today and charts our collective course toward personal sovereignty for all.