Fintan O'Toole was born in the year the revolution began. It was 1958, and the Irish government-in despair, because all the young people were leaving-opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don't Know Ourselves, O'Toole, one of the Anglophone world's most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society-perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O'Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland's main export was beef and it was still not unknown for herds of cattle to clatter down Dublin's streets. Yet the Westerns were a sign of what was to come. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O'Toole's telling, America became a lodestar, from John F. Kennedy's 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O'Toole in coruscating prose captures the peculiar Irish habit of "deliberate unknowing," which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don't Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.

By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome, celebrated both as the Eternal City and Caput Mundi (the head of the world) had lost its pre-eminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile and a mania for building, determined to restore the prestige of his church by making Rome the must-visit destination for Europe's intellectual, political and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist: no mean feat in the age of Rubens, Rembrandt and Velazquez. Together, Alexander VII and Bernini made the greatest artistic double act in history, inventing the concept of soft power and the bucket list destination. Bernini and Alexander's creation of Baroque Rome as a city more beautiful and grander than since the days of the Emperor Augustus continues to delight and attract.

Now in B-format paperback, this book describes ten women over the past three hundred years who have found walking essential to their sense of themselves, as people and as writers. Wanderers traces their footsteps, from eighteenth-century parson's daughter Elizabeth Carter - who desired nothing more than to be taken for a vagabond in the wilds of southern England - to modern walker-writers such as Nan Shepherd and Cheryl Strayed. For each, walking was integral, whether it was rambling for miles across the Highlands, like Sarah Stoddart Hazlitt, or pacing novels into being, as Virginia Woolf did around Bloomsbury. Offering a beguiling view of the history of walking, Wanderers guides us through the different ways of seeing - of being - articulated by these ten pathfinding women.

An immensely readable and fascinating account of the city where South Africa's mining revolution first began. In association with the Historical Society of Kimberley and the Northern Cape.

Hostilities between Britain and the Boer republics broke out just two years after the invention of the Folding Pocket Kodak, the first camera to use “cartridge film” and that could be afforded by ordinary men, such as troops serving in foreign territories. Emmanoel Lee’s interest in South Africa’s history and his passion for photography are combined in this valuable pictorial history of the Boer War, which is the result of twenty years’ research in Britain, South Africa, Holland and the USA. To the Bitter End emphasizes particular aspects of the Boer War – the foreign volunteers, the concentration camps, the hospital treatment and the eighteen months of fighting that went on after the war had officially ended – and matches photographic images with historical documents to give a clear and evocative picture of the war.

The Price of Scotland covers a well-known episode in Scottish history, the ill-fated Darien Scheme. It recounts for the first time in almost forty years, the history of the Company of Scotland, looking at previously unexamined evidence and considering the failure in light of the Company's financial records. Douglas Watt offers the reader a new way of looking at this key moment in history, from the attempt to raise capital in London in 1695 through to the shareholder bail-out as part of the Treaty of Union in 1707. With the tercentenary of the Union in May 2007, The Price of Scotland provides a timely reassessment of this national disaster.

""The Winthrop Woman" is that rare literary accomplishment -- living history. Really good fictionalized history like this] often gives closer reality to a period than do factual records." - "Chicago Tribune"
In 1631 Elizabeth Winthrop, newly widowed with an infant daughter, set sail for the New World. Against a background of rigidity and conformity she dared to befriend Anne Hutchinson at the moment of her banishment from the Massachusetts Bay Colony; dared to challenge a determined army captain bent on the massacre of her friends the Siwanoy Indians; and, above all, dared to love a man as her heart and her whole being commanded. And so, as a response to this almost unmatched courage and vitality, Governor John Winthrop came to refer to this woman in the historical records of the time as his "unregenerate niece."
Anya Seton's riveting historical novel portrays the fortitude, humiliation, and ultimate triumph of the Winthrop woman, who believed in a concept of happiness transcending that of her own day.
"A rich and panoramic narrative full of gusto, sentimentality and compassion. It is bound to give much enjoyment and a good many thrills." - "Times Literary Supplement"
"Abundant and juicy entertainment." -" New York Times"

Before ‘the greatest showman’, P. T. Barnum, there was Philip Astley, an Englishman who revolutionised popular entertainment. This is his extraordinary story. The First Showman is a hugely entertaining history of the man who created the modern circus: Philip Astley. There have been many books about aspects of the circus but little written about its inventor. Here, New York Times bestselling author Karl Shaw draws on original research to tell the story of Britain’s Barnum. He brilliantly evokes the time, the place, the drama, pitfalls, successes, characters and passion behind Astley’s rise to fame. Born in Newcastle-under-Lyme, ‘Mr Astley’ is also a local hero for the author, who now lives there. Astley served as a sergeant major in the British Army where he learned his horse-riding skills, before becoming a brilliant innovator of equestrian tricks and spectacles. In April 1768 Astley staked out a ring at Halfpenny Hatch near Waterloo in London and he and his wife Patty put on displays of trick horse-riding in the open air. Two years later, he put a clown in the ring and gave birth to the modern circus. His circus performers included a strongman called Signor Colpi and a clown called Mr Merryman. He established the still-standard diameter of the circus ring, 42 feet. He was invited to perform before European royalty and built France’s first purpose-built circus building, the Amphitheatre Anglais, in Paris. Almost incredibly, he built circuses in twenty European cities. At home, Astley’s Amphitheatre was mentioned in books by Charles Dickens and Jane Austen. He died on 20 October 1814 and was buried in Pere Lachaise Cemetery, Paris. His life is a wonderful story of perseverance and flair on the way to achieving everlasting renown.

Welsh Food Stories explores more than two thousand years of history to discover the rich but forgotten heritage of Welsh foods - from oysters to cider, salted butter to salt-marsh lamb. Despite centuries of industry, ancient traditions have survived in pockets across the country among farmers, bakers, fisherfolk, brewers and growers who are taking Welsh food back to its roots, and trailblazing truly sustainable foods as they do so. In this important book, author Carwyn Graves travels Wales to uncover the country's traditional foods and meet the people making them today. There are the owners of a local Carmarthenshire chip shop who never forget a customer, the couple behind Anglesey's world-renowned salt company Halen Mon, and everyone else in between - all of them have unique and compelling stories to tell about how they contribute to the past, present and future of Welsh food. This is an evocative and insightful exploration of an often overlooked national cuisine, shining a spotlight on the importance - environmentally and socially - of keeping local food production alive.

By a winner of the Stanford Dolman Award for Travel Writing "Sayarer is a precise and passionate writer . . . We need writers who will go all the way for a story, and tell it with fire. Sayarer is a marvellous example" HORATIO CLARE On the eve of its centenary year and elections that will shape the coming generations, Julian Emre Sayarer sets out to cycle across Türkiye, from the Aegean coast to the Armenian border. Meeting Turkish farmers and workers, Syrian refugees and Russians avoiding conscription, the journey brings to life a living, breathing, cultural tapestry of the place where Asia, Africa and Europe converge. The result is a love letter to a country and its neighbours - one that offers a clear-eyed view of Türkiye and its place in a changing world. Yet the route is also marked by tragedy, as Sayarer cycles along a major fault line just months before one of the most devastating earthquakes in the region's modern history. Always engaged with the big historical and political questions that inform so much of his writing, Sayarer uses his bicycle and the roadside encounters it allows to bring everything back to the human level. At the end of his journey we are left with a deeper understanding of the country, as well as the essential and universal nature of political power, both in Türkiye and closer to home.

'A story told with verve and passion' The Times, Book of the Week 'An alternative and engaging biography...accessible and unpretentious' The Telegraph 'A stunning portrayal of two of the most powerful women in European history' Tracy Borman 'Exciting and compelling, packed full of tantalising details of diplomacy and court life, Paranque succeeds both in bringing history to life, but also in putting flesh on the bones of these two extraordinary women and rival queens' Kate Mosse 'A smart and stylish portrait of two of Europe's most remarkable rulers, a compelling profile of female power and - that rarest of things - a truly original book about the Tudor period' Jessie Childs In sixteenth-century Europe, two women came to hold all the power, against all the odds. They were Elizabeth I and Catherine de Medici. One a Virgin Queen who ruled her kingdom alone, and the other a clandestine leader who used her children to shape the dynasties of Europe, much has been written about these iconic women. But nothing has been said of their complicated relationship: thirty years of friendship, competition and conflict that changed the face of Europe. This is a story of two remarkable visionaries: a story of blood, fire and gold. It is also a tale of ceaseless calculation, of love and rivalry, of war and wisdom - and of female power in a male world. Shining new light on their legendary kingdoms Blood, Fire and Gold provides a new way of looking at two of history's most powerful women, and how they shaped each other as profoundly as they shaped the course of history. Drawing on their letters and brand new research, Estelle Paranque writes an entirely new chapter in the well-worn story of the sixteenth century.

China Miéville's brilliant reading of the modern world's most controversial and enduring political document: The Communist Manifesto. 'It's thrilling to accompany Miéville... as he wrestles – in critical good faith and incandescent commitment – with a manifesto that still calls on us to build a new world' Naomi Klein 'Read this and be dazzled by its contemporaneity' Mike Davis 'A rich, luminous reflection of and on a light that never quite goes out' Andreas Malm 'Reading with [Miéville] today sharpens our senses to contemporary internationalist movements from below' Ruth Wilson Gilmore '[Written] with diligence and a ruthlessly critical eye worthy of Marx himself' Sarah Jaffe In 1848, a strange political tract was published by two German émigrés. Marx and Engles's apocalyptic vision of an insatiable system, which penetrates every corner of the globe, reduces every relationship to that of profit, and bursts asunder the old forms of production and of politics, remains a picture of our world. And the vampiric energy of that system is once again highly contentious. The Manifesto shows no sign of fading into antiquarian obscurity, and remains a key touchstone for modern political debate. China Miéville is not a writer hemmed in by conventions of disciplinary boundaries or genre, and this is a strikingly imaginative take on Marx and what his most haunting book has to say to us today. Like the Manifesto itself, this is a book haunted by ghosts, sorcery and creative destruction.

The Neolithic village known as Skara Brae was continuously occupied for about 300 to 400 years, before being abandoned around 2500 BC. Despite severe coastal erosion, eight houses and a workshop have survived largely intact, with their stone furniture still in place. This is the best-preserved settlement of its period in northern Europe, and thousands of artefacts were discovered during excavations of the site. Who lived here? How did they live? And why did they ultimately abandon the village? In this lively account, Dr David Clarke, who led major excavations at Orkney's Skara Brae, describes the details of the site and explores some of the enigmas posed by this extraordinary survival.

Soon after 2:00 a.m. on Easter morning 2008, the fishing trawler Alaska Ranger began taking on water in the middle of the frigid Bering Sea. While the first mate broadcast Mayday calls to a remote Coast Guard station more than eight hundred miles away, the men on the ship's icy deck scrambled to inflate life rafts and activate beacon lights. By 4:30 a.m., most of the forty-seven crew members were in the water. Many knew that if they weren't rescued soon, they would drown or freeze to death.

Two Coast Guard helicopter rescue teams were woken up in the middle of the night to save the crew of the Alaska Ranger. Many of the men thought the mission would be routine. They were wrong. The helicopter teams battled snow squalls, enormous swells, and gale-force winds as they tried to fulfill one guiding principle: save as many as possible.

Deadliest Sea is a daring and mesmerizing adventure tale that chronicles the power of nature against man. Veteran journalist Kalee Thompson recounts the harrowing stories of both the rescuers and the rescued while paying tribute to the courage, tenacity, and skill of the dedicated people who risk their lives for the lives of others.

The shocking, untold story of how African independence was strangled at birth by America’s systematic interference. Accra, 1958. Africa’s liberation leaders have gathered for a conference, full of strength, purpose and vision. Newly independent Ghana’s Kwame Nkrumah and Congo’s Patrice Lumumba strike up a close partnership. Everything seems possible. But, within a few years, both men will have been targeted by the CIA, and their dream of true African autonomy undermined. The United States, watching the Europeans withdraw from Africa, was determined to take control. Pan-Africanism was inspiring African Americans fighting for civil rights; the threat of Soviet influence over new African governments loomed; and the idea of an atomic reactor in black hands was unacceptable. The conclusion was simple: the US had to ‘recapture’ Africa, in the shadows, by any means necessary. Renowned historian Susan Williams dives into the archives, revealing new, shocking details of America’s covert programme in Africa. The CIA crawled over the continent, poisoning the hopes of 1958 with secret agents and informants; surreptitious UN lobbying; cultural infiltration and bribery; assassinations and coups. As the colonisers moved out, the Americans swept in—with bitter consequences that reverberate in Africa to this day.

A provocative and original history of the scientists and writers, artists and philosophers who took drugs to explore the hidden regions of the mind   “Captivating. . . . A welcome reconsideration of the role drugs play in life, medicine, and science.�—Publishers Weekly   Until the twentieth century, scientists investigating the effects of drugs on the mind did so by experimenting on themselves. Vivid descriptions of drug experiences sparked insights across the mind sciences, pharmacology, medicine, and philosophy. Accounts in journals and literary fiction inspired a fascinated public to make their own experiments—in scientific demonstrations, on exotic travels, at literary salons, and in occult rituals.   But after 1900 drugs were increasingly viewed as a social problem, and the long tradition of self-experimentation began to disappear.   From Sigmund Freud’s experiments with cocaine to William James’s epiphany on nitrous oxide, Mike Jay brilliantly recovers a lost intellectual tradition of drug-taking that fed the birth of psychology, the discovery of the unconscious, and the emergence of modernism. Today, as we embrace novel cognitive enhancers and psychedelics, the experiments of the original psychonauts reveal the deep influence of mind-altering drugs on Western science, philosophy, and culture.

Providing a novel multi-disciplinary theorization of memory politics, this insightful Handbook brings varied literatures into a focused dialogue on the ways in which the past is remembered and how these influence transnational, interstate, and global politics in the present. With case studies from Africa, East and Southeast Asia, Europe, South America, and the United States, the Handbook focuses on the political features of historical memory in international relations. Chapters examine key concepts of memory politics, including accountability, commemoration and memorialization, the Europeanization of memory, and the politics of trauma and victimhood, as well as analyzing different sites of memory, from the human body and memorial sites to media, film, and television. It also answers essential questions such as who and what determines the relevance of the past in the present; how does memory become a political question; and what are the political effects and ethical implications of its mobilization? Exploring the links between the politics of memory, international ethics, law, and diplomacy, this stimulating Handbook will be essential reading for students and scholars of politics and international relations, cultural studies, history, and transitional justice. Its discussion of notable agents and practices of memory politics will also be beneficial for practitioners working in human rights, politics, and public policy.

  A SPECIAL ANNIVERSARY EDITION TO COMMEMORATE 80 YEARS SINCE THE EXTRAORDINARY EVENTS OF 1943 Sophie Scholl and the White Rose tells the gripping true story of five Munich university students who set up an underground resistance movement in World War II. The thrilling story of their courage and defiance, brought to life in the Oscar-nominated film Sophie Scholl - The Final Days, is beautifully told in this special 80th anniversary edition of Annette Dumbach & Jud Newborn's critically acclaimed work. Acclaim for Sophie Scholl and the White Rose: 'The animated narrative reads like a suspense novel.' New York Times 'Powerful and compelling... Among the indispensable literature of modern political culture.' Hans-Wolf von Wietersheim, Das Parlament 'A dramatic story of courage during the darkest period of the 20th Century... And it's a story with new chapters unfolding. This book is a fundamental resource and a memorable read.' Toby Axelrod, author and reporter