Australian War Diaries of a Japanese P.O.W. is a remarkable story of survival and the endurance of Australian spirit in the face of adversity. Fred Lasslett went down with the HMAS Perth off Indonesia, and was captured by the Japanese. He spent the remainder of the war in POW camps in Indonesia and Japan, but through it all maintained a diary in the form of letters home to his "elusive girl", written on cigarette paper and preserved to this day. Fred's diaries include amazing stories of escape and recapture, with the author ultimately facing a Japanese firing squad and telling how he survived. These letters reveal a spirit unshaken in the face of long imprisonment, failed escape attempts and dreary conditions in the Japanese work camp. Grim, unquenchable, uplifting; Australian War Diaries of a Japanese P.O.W. is sure to inspire.

'Cements her reputation as one of the most fierce and elegant chroniclers of how we live now.' Stephanie Merritt, Observer Coventry is a collection of essays about choices, womanhood and art. Encompassing memoir and cultural and literary criticism, with pieces on gender, politics and writers such as D. H. Lawrence, Olivia Manning and Natalia Ginzburg, it is essential reading for our age: fearless, unrepentantly erudite, both startling and rewarding to behold.

Wace's Roman de Rou relates the history of the Normans from Rollo (Rou) to the battle of Tinchebray, establishing their right to the English throne. Wace's Roman de Rou relates the origins of Normandy from the time of Rollo (Rou) to the battle of Tinchebray. It was commissioned by Henry II as a way of both celebrating the Norman past and justifying the right of Norman rulers to the throne of England: the accounts it gives of the early life of William the Conqueror and of the battle of Hastings, which occupy a substantial portion of the work, make it a valuable historical document as well as an important work of literature. Wace related the events partly in Alexandrines and partly in the octosyllabic rhyming couplets used by the romance writers of the day; indeed, at a time when the boundary between romance and history was blurred, he created a cast of characters and recounted a series of battles and adventures in a style worthy of any of the great masters of romance. He was also exceptionally good, like other contemporary romance writers, at realistic conversations, such as those between King Harold and his brother Gyrth before the battle of Hastings. As a historian, Wace was dedicated to the truth and willing to undertake personal research in order to verify the accuracyof his statements. As a storyteller, he had the ability to render events more dramatic by showing how they arose from the interplay of human beings. The translation, by GLYN S. BURGESS, is accompanied by full editorial notes(in collaboration with Elisabeth van Houts) and an introduction; the volume is completed by a critical essay by Professor van Houts. GLYN S. BURGESS is Emeritus Professor of the University of Liverpool; ELISABETH VAN HOUTS lectures in medieval history, University of Cambridge.

"These essays are noble relics indeed, and Jekyll has the puff-pastry touch."--BookForum

"Three cheers to Persephone Books for publishing this witty, sharp writer, nostalgic but unsentimental, humorous but precise, erudite and always elegant."--"Country Living"

"Kitchen Essays is a rare thing, a cookbook that is as fun to read as its food is to eat."--"Sunday Herald" (Glasgow)

" An] exquisitely reprinted period piece."--"BBC Good Food" magazine

First published in "The Times" (London) during the 1920s, "Kitchen Essays" explains the proper way to make Lobster Newburg while offering fascinating insight into the social history of England.

Agnes Jekyll felt that cooking should fit the occasion and temperament and states that "a large crayfish or lobster rearing itself menacingly on its tail seems quite at home on a sideboard of a Brighton hotel-de-luxe, but will intimidate a shy guest at a small dinner-party." And that "a hardy sportsman should not be fed in the same way as a depressed financier."

Agnes Jekyll (1860-1937) was the daughter of William Graham, Liberal MP for Glasgow and patron of the Pre-Raphaelites. A celebrated hostess and entertainer, her first dinner party included Robert Browning, John Ruskin, and Edward Burne-Jones. She lived in Surrey, England.

'Those who read or listen to our stories see everything as though through a lens. This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless ...In our brief mortal lives, we are grinders of these lenses'. When John Berger wrote this apparently unclassifiable book, it was to become a sensation, translated into nine languages and indelible from the minds of those who read it. This stunning work is a shoebox filled with delicate love letters containing poetry and thoughts on mortality, art, love and absence, capturing moments in time that hover above Berger's surprising landscapes. From his lyrical description of the works of Caravaggio and profound explorations of death and immigration to the sight of some lilac at dusk in the mountains, this is a beautiful and most intimate response to the world around us.

(Applause Books). Thirteen plays by the Oscar-winning author of Moonstruck . Includes: "The Big Funk," "Savage in Limbo," "Danny & The Deep Blue Sea," "Welcome to the Moon," "The Red Coat," "Down & Out," "Let Us Go Out Into the Starry Night," "Out West," "A Lonely Impulse of Delight," "Women of Manhattan," "The Dreamer Examines His Pillow," "Italian-American Reconciliation," and "Beggars in the House of Plenty." Also includes an introduction by the author.

Marcus Aurelius (121-180 CE), Roman emperor and Stoic philosopher, born at Rome, received training under his guardian and uncle emperor Antoninus Pius (reigned 138-161), who adopted him. He was converted to Stoicism and henceforward studied and practised philosophy and law. A gentle man, he lived in agreement and collaboration with Antoninus Pius. He married Pius's daughter and succeeded him as emperor in March 161, sharing some of the burdens with Lucius Verus.

Marcus's reign soon saw fearful national disasters from flood, earthquakes, epidemics, threatened revolt (in Britain), a Parthian war, and pressure of barbarians north of the Alps. From 169 onwards he had to struggle hard against the German Quadi, Marcomani, Vandals, and others until success came in 174. In 175 (when Faustina died) he pacified affairs in Asia after a revolt by Avidius. War with Germans was renewed during which he caught some disease and died by the Danube in March 180.

The famous "Meditations" of Marcus Aurelius (not his title; he simply calls them 'The matters addressed to himself') represents reflections written in periods of solitude during the emperor's military campaigns. Originally intended for his private guidance and self-admonition, the "Meditations" has endured as a potent expression of Stoic belief. It is a central text for students of Stoicism as well as a unique personal guide to the moral life.

Ruling your day just got easier with this journal by bestselling author Joel Osteen! You would like to savor each moment, grow into your best life, engage in productive relationships, and see your dreams come to pass. But distractions, delays, and disappointments relentlessly hijack your plans and undermine your good intentions. While you can't control everything that comes your way, you can control how life's unexpected setbacks affect your attitude, emotions, thoughts, and actions. In this beautifully packaged journal, Joel provides inspirational quotes and plentiful space on bleed-proof paper to write down your intentions and conversations with God while you ask Him to help you Rule Your Day. Don't settle for surviving when you could be thriving-Rule Your Day!

The fourth volume of this acclaimed edition of Britten's letters covers the composition of three key works and the world trip that was to radically inform the composer's style thereafter. One of the most illuminating biographical projects in recent years. PETER ACKROYD The fourth volume of the annotated selected letters of Benjamin Britten covers the years 1952-57, during which he wrote three major worksfor the stage - the Coronation opera Gloriana, the chamber opera The Turn of the Screw, and the full-length ballet The Prince of the Pagodas - as well as important vocal works such as Canticles II and III andthe Hardy song-cycle Winter Words. Correspondents include librettists William Plomer (Gloriana) and Myfanwy Piper (The Turn of the Screw), and friends and collaborators such as Edith Sitwell, E. M. Forster, Basil Coleman, Imogen Holst, Francis Poulenc, Lennox Berkeley, the Earl of Harewood and Britten's partner and principal interpreter, Peter Pears. The volume charts Britten's growing stature as a major figure of the Europeanmusical establishment as composer, conductor and pianist, and his continuing involvement with the Aldeburgh Festival, the English Opera Group, and Covent Garden. Central to the period is the world trip undertaken by Britten and Pears and the first-hand encounter with the music and cultures of Bali and Japan that were radically to inform Britten's compositional techniques from Pagodas onwards. The comprehensive and scholarly annotations vividly evoke a key period in twentieth-century musical and cultural history, and offer a wide range of detailed information fascinating for both the Britten specialist and the general reader. Published in association with The Britten-Pears Foundation.

From one of the most famous poets in history comes a new selection of writings to bereaved friends and acquaintances, providing comfort in a time of grief and words to soothe the soul.

Throughout his life, the poet Rainer Maria Rilke addressed letters to individuals who were close to him, who had contacted him after reading his works, or whom he had met briefly - anyone with whom he felt an inner connection. Within his vast correspondence, there are about two dozen letters of condolence. In these direct, personal and practical letters, Rilke writes about loss and mortality, assuming the role of a sensitive, serious and uplifting guide through life's difficulties. He consoles a friend on the loss of her nephew, which she experienced like the loss of her own child; a mentor on the death of her dog; and an acquaintance struggling to cope with the end of a friendship. The result is a profound vision of mourning and a meditation on the role of pain in our lives, as well as a soothing guide for how to get through it.

Where things become truly difficult and unbearable, we find ourselves in a place already very close to its transformation...

The French entered the Pacific in the late 17th century, but the ocean remained largely a Spanish preserve until British navigators began to cross its vast expanse in the mid 1760s. France's concerns that Britain might establish its superiority in the area, meant they welcomed Louis de Bougainville's voyage of exploration undertaken in 1766-9. After handing over the colony he had established in the Falkland Islands to Spain, he sailed through the still relatively unknown Straits of Magellan into the poorly charted South Pacific. He made a number of discoveries in the south west, but was too late to discover Tahiti, where Samuel Wallis had preceded him by less than a year. Reports on Bougainville's reception there and on life in the island were to create wide interest and controversy in Europe. He then sailed to the Samoan Islands and on to Vanuatu, as far as the Great Barrier Reef, and north towards New Guinea and the Samoan Islands making a number of discoveries and all the while leaving his name to a number of features, the best known of which are the island of Bougainville and the Bougainvillea flower. He returned home by way of the Dutch East Indies and the Indian Ocean. Although Bougainville published an account of his voyage in 1771, his original journal was published only in 1977; the present volume makes the latter text available for the first time in English translation.

A Room of One's Own is a very clear example of how creative thinkers connect and present things in novel ways. Based on the text of a talk given by Virginia Woolf at an all-female Cambridge college, Room considers the subject of 'women and fiction.' Woolf's approach is to ask why, in the early 20th century, literary history presented so few examples of canonically 'great' women writers. The common prejudices of the time suggested this was caused by (and proof of) women's creative and intellectual inferiority to men. Woolf argued instead that it was to do with a very simple fact: across the centuries, male-dominated society had systematically prevented women from having the educational opportunities, private spaces and economic independence to produce great art. At a time when 'art' was commonly considered to be a province of the mind that had no relation to economic circumstances, this was a novel proposal. More novel, though, was Woolf's manner of arguing and proving her contentions: through a fictional account of the limits placed on even the most privileged women in everyday existence. An impressive early example of cultural materialism, A Room of One's Own is an exemplary encapsulation of creative thinking.

In June 1948 the SS Empire Windrush docked in Tilbury, carrying with it the hopes and dreams of hundreds of young men and women from the Caribbean. It was both a point of departure and a historic transformation, a moment which influenced generations of writers and artists and produced much poetry, prose, fiction, journalism and influential essays. In this groundbreaking collection, journalist and writer Onyekachi Wambu collates some of the best and most significant writing from the 75 years following the arrival of Empire Windrush. Featuring an introduction by Margaret Busby, and new writing from Bernardine Evaristo, Mike Philips and Dan Hicks, Empire Windrush conjures a unique journey through the British past, present and future, via the prism of the Black imagination.

Originally written only for his personal consumption, Marcus Aurelius's Meditations has become a key text in the understanding of Roman Stoic philosophy. This Penguin Classics edition is translated with notes by Martin Hammond and an introduction by Diskin Clay. Written in Greek by an intellectual Roman emperor without any intention of publication, the Meditations of Marcus Aurelius offer a wide range of fascinating spiritual reflections and exercises developed as the leader struggled to understand himself and make sense of the universe. Spanning from doubt and despair to conviction and exaltation, they cover such diverse topics as the question of virtue, human rationality, the nature of the gods and Aurelius's own emotions. But while the Meditations were composed to provide personal consolation, in developing his beliefs Marcus also created one of the greatest of all works of philosophy: a series of wise and practical aphorisms that have been consulted and admired by statesmen, thinkers and ordinary readers for almost two thousand years. Martin Hammond's new translation fully expresses the intimacy and eloquence of the original work, with detailed notes elucidating the text. This edition also includes an introduction by Diskin Clay, exploring the nature and development of the Meditations, a chronology, further reading and full indexes. Marcus Aelius Aurelius Antoninus (121-80) was adopted by the emperor Antoninus Pius and succeeded him in 161, (as joint emperor with adoptive brother Lucius Verus). He ruled alone from 169, and spent much of his reign in putting down various rebellions, and was a persecutor of Christians. His fame rest, above all, on his Meditations, a series of reflections, strongly influenced by Epictetus, which represent a Stoic outlook on life. He was succeeded by his natural son, thus ending the period of the adoptive emperors. If you enjoyed Meditations, you might like Seneca's Letters from a Stoic, also available in Penguin Classics.

NEW YORK TIMES BESTSELLER! "Savagery appeased can only grow. Once you give in to it, it must escalate, like a fire searching for air." The man who won the Pulitzer Prize for GLENGARRY GLEN ROSS, who wrote the classic films THE VERDICT and WAG THE DOG sounds his alarm about the Visigoths at our gates. In RECESSIONAL he calls out, skewers, mocks, and, most importantly, dissects the virus of conformity which is now an existential threat to the West. A broad-ranging journey through history, the Bible, and literature, RECESSIONAL examines how politics and cultural attitudes about rebellion have shifted in the United States in the last generation. By screaming down freedom of thought and expression, Mamet explains, we kill invention and democracy - the foundations of security and growth. A wickedly funny, wistful and wry appeal to the free-thinking citizen, RECESSIONAL is a vital warning that if we don't confront the cultural thuggery now, the commissars and their dupes will transform the Land of the Free into the dictatorship at which they aim.

George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell's Essays series, Orwell takes aim at the language used in politics, which, he says, 'is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind'. In an age where the language used in politics is constantly under the microscope, Orwell's Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play.

A plain, blank stationer's notebook from the 1780s in the Bodleian Library contains some of the most famous juvenilia in all of English literature. Copied out in Jane Austen's youthful hand, Volume the First, which takes its name from the inscription on the cover, preserves the stories, playlets, verses, and moral fragments she wrote during her teenage years. For the first time, the entire manuscript of Volume the First is available in a printed facsimile. In it, we see the young author's delight in language, in expressing ideas and sentiments sharply and economically. We also see Jane Austen learning the craft of genre by closely observing and parodying the popular stories of her day. Kathryn Sutherland's introduction places Jane's Austen's earliest works in context and explains how she mimicked even the style and manner in which these stories were presented and arranged on the page. Clearly the work of a teenager, Volume the First reveals the development of the unmistakable voice and style that would mark out Jane Austen as one of the most popular authors of all time. None of her six famous novels survives in manuscript form. This is a unique opportunity to own a likeness of Jane Austen's hand in the form of a complete manuscript facsimile.

First published in 1965, this reissued work by Wendy Craik provides a thorough and extensive study of Jane Austen's six complete novels: Northanger Abbey, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma and Persuasion. This is a truly groundbreaking study of Austen which, in addition to a close analysis of the novels themselves, also goes on investigate the principles by which Jane Austen selected and arranged her material.

Gold is the final and crowning achievement of the fifty-year career of science fiction's transcendent genius, the world-famous author who defined the field of science fiction for its practitioners, its millions of readers, and the world at large.

The first section contains stories that range from the humorous to the profound, at the heart of which is the title story, "Gold," a moving and revealing drama about a writer who gambles everything on a chance at immortality: a gamble Asimov himself made -- and won. The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

As a rule, an author's correspondence possesses only a secondary interest, but Jacob Burckhardt's letters are of primary interest to students of history because of the nature of the man and of his major writings. "Judgments on History and Historians, " for example, consists not of Burckhardt's own lectures, but of notes on his lectures by one of his greatest students. It is because Burckhardt was a remarkably private man who believed that contemplation was the key to insight into the nature of man and history, and because his approach to the study of history was reflective rather than systematic or dogmatic, that his letters possess a singular significance. For it is in his letters that Burckhardt provides additional and even personal observations on his learned explorations of antiquity, the Renaissance, and modern Europe, and it is in his letters that Burckhardt muses on the consequences that he believed--and feared--awaited a Europe that had given itself almost wholly to a rationalistic and materialistic understanding of history and destiny.For example, Burckhardt is widely known to have been the most renowned of the historians of the nineteenth century to predict, with astonishing accuracy, what we in our notice of his "Reflections on History" describe as "the totalitarian direction that history could take"--and which history in fact did take in the twentieth century. It was in his letters, rather than in his lectures or longer works, that Burckhardt most directly addressed the currents of intellectual thought and social and political order--or disorder--of Europe in the nineteenth century. It was in his letters, for instance, that he warned that these currents portended the rise of a new kind of demagogue unique to the modern era. Such demagogues would, Burckhardt feared, respond to the complexities and confusions of modern life by becoming "terrible simplifiers," marshaling masses of people into totalitarian regimes for simple solutions to complex challenges that would wreak havoc upon numerous countries and millions of lives.Thus, the letters constitute a text that complements Burckhardt's larger works, including his most notable work, "The Civilization of the Renaissance in Italy." Not only are the letters addressed to some of the most important thinkers of the time (Nietzsche, Burckhardt's younger colleague at the University of Basel, among them), but also they address the most pressing issues and the most important personages of the era. As the translator notes, the "letters, written from 1838 to 1897, have a lightness of touch, an informality and humor, and a breadth of vision that make one realize why he was the most civilized historian of his century. Their contents range across a vast field of interests. Art, architecture, history, poetry, music, religion--all stirred him to contagious enthusiasm. His travels led him to Italy, Germany, France, and England, and to his letters we owe delightful and penetrating insights into the character of each country."Jacob Burckhardt (1818-1897) has been called "the most civilized historian of the nineteenth century," and he was certainly one of the greatest historians of art and culture of his time. A professor at the University of Basel, Burckhardt was especially knowledgeable about the Renaissance, and his best-known work is "The Civilization of the Renaissance in Italy."
Alberto R. Coll is Professor of Law and Director of the European Legal Studies Program at DePaul University.

This is the third and final volume in the set of William Scoresby's journals. It contains the unpublished accounts of his three voyages 1817, 1818 and 1820. During the years of the voyages in this volume Scoresby's life changed profoundly. An unsuccessful hunt for whales in 1817 led to a break with the Whitby shipowners, and command of the Fame in 1818 in partnership with his father. The partnership was a brief one, and at the end of 1818 Scoresby broke with his father and moved to Liverpool, finding new partners, completing the writing of An Account of the Arctic Regions and watching the construction of his new ship, the Baffin. Meanwhile he suffered a severe financial loss and made a profound religious commitment. After his first summer ashore for many years in 1819, he brought back to Liverpool in 1820 a 'full ship' of seventeen whales, despite being faced by mutineers in the crew who earlier had been involved in piracy in the Caribbean and, apparently, hoped to seize the Baffin 'and convey her and her valuable cargo to a foreign country'. In each of the journals, Scoresby wrote detailed descriptions of his landings: on Jan Mayen in 1817, western Spitsbergen in 1818, and the Langanes peninsula in northeast Iceland in 1820. The 1817 voyage, when Scoresby and others found the Greenland Sea relatively free of ice, involved him in the renewed British interest in arctic maritime exploration after the Napoleonic Wars. The Introduction to this volume contains a major reappraisal of Scoresby's role, especially in regard to his alleged mistreatment by John Barrow, Second Secretary of the Admiralty. The volume also contains an appendix by Fred M. Walker on the building of wooden whaleships such as the Baffin that were capable of routine ice navigation under sail as far north as 80A DegreesN, based on Scoresby's account, as Owners' Representative, at the beginning of the 1820 journal.