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Books > Humanities > Religion & beliefs > Christianity > The Bible > New Testament > General
General editor Lloyd J. Ogilvie brings together a team of skilled and exceptional communicators to blend sound scholarship with life-related illustrations. The design for the Preacher's Commentary gives the reader an overall outline of each book of the Bible. Following the introduction, which reveals the author's approach and salient background on the book, each chapter of the commentary provides the Scripture to be exposited. The New King James Bible has been chosen for the Preacher's Commentary because it combines with integrity the beauty of language, underlying Hebrew and Greek textual basis, and thought-flow of the 1611 King James Version, while replacing obsolete verb forms and other archaisms with their everyday contemporary counterparts for greater readability. Reverence for God is preserved in the capitalization of all pronouns referring to the Father, Son, or Holy Spirit. Readers who are more comfortable with another translation can readily find the parallel passage by means of the chapter and verse reference at the end of each passage being exposited. The paragraphs of exposition combine fresh insights to the Scripture, application, rich illustrative material, and innovative ways of utilizing the vibrant truth for his or her own life and for the challenge of communicating it with vigor and vitality.
General editor Lloyd J. Ogilvie brings together a team of skilled and exceptional communicators to blend sound scholarship with life-related illustrations. The design for the Preacher's Commentary gives the reader an overall outline of each book of the Bible. Following the introduction, which reveals the author's approach and salient background on the book, each chapter of the commentary provides the Scripture to be exposited. The New King James Bible has been chosen for the Preacher's Commentary because it combines with integrity the beauty of language, underlying Hebrew and Greek textual basis, and thought-flow of the 1611 King James Version, while replacing obsolete verb forms and other archaisms with their everyday contemporary counterparts for greater readability. Reverence for God is preserved in the capitalization of all pronouns referring to the Father, Son, or Holy Spirit. Readers who are more comfortable with another translation can readily find the parallel passage by means of the chapter and verse reference at the end of each passage being exposited. The paragraphs of exposition combine fresh insights to the Scripture, application, rich illustrative material, and innovative ways of utilizing the vibrant truth for his or her own life and for the challenge of communicating it with vigor and vitality.
This is a new critical edition, with translation and commentary, of the Scholia in Apocalypsin, which were falsely attributed to Origen a century ago. They include extensive sections from Didymus the Blind's lost Commentary on the Apocalypse (fourth century) and therefore counter the current belief that Oecumenius' commentary (sixth century) was the most ancient. Professor Tzamalikos argues that their author was in fact Cassian the Sabaite, an erudite monk and abbot at the monastery of Sabas, the Great Laura, in Palestine. He was different from the alleged Latin author John Cassian, placed a century or so before the real Cassian. The Scholia attest to the tension between the imperial Christian orthodoxy of the sixth century and certain monastic circles, who drew freely on Hellenic ideas and on alleged 'heretics'. They show that, during that period, Hellenism was a vigorous force inspiring not only pagan intellectuals, but also influential Christian quarters.
This insightful study explores the significance of the interactions between Jesus and 'marginal' women recounted in the "Gospel of Matthew". Employing social-scientific models and carefully using comparative data, "Love" examines the various aspects of this marginality, identifying the attempts of Matthew's Gospel to promote Jesus' vision of a new surrogate family of God that challenges the traditional structures of the household.
First published in 2002, this book offers an authoritative and accessible introduction to the New Testament and early Christian literature for all students of the Bible and the origins of Christianity. Delbert Burkett focuses on the New Testament, but also looks at a wealth of non-biblical writing to examine the history, religion and literature of Christianity in the years from 30 CE to 150 CE. The book is organized systematically with questions for in-class discussion and written assignments, step-by-step reading guides on individual works, special box features, charts, maps and numerous illustrations designed to facilitate student use. An appendix containing translations of primary texts allows instant access to the writings outside the canon. For this new edition, Burkett has reorganized and rewritten many chapters, and has also incorporated revisions throughout the text, bringing it up to date with current scholarship. This volume is designed for use as the primary textbook for one and two-semester courses on the New Testament and Early Christianity.
It is widely accepted by New Testament scholars that the Gospel of Luke and the Acts of the Apostles probably originated as two parts of one work by a single author. In spite of this, the books have been assigned to very different genres: Luke is traditionally viewed as a biography of Jesus, and Acts as a history of the early church. Comparing in detail the structure and content of Acts with the formal features of history, novel, epic and biography, Sean A. Adams challenges this division. Applying both ancient and modern genre theory, he argues that the best genre parallel for the Acts of the Apostles is in fact collected biography. Offering a nuanced and sophisticated understanding of genre theory, along with an insightful argument regarding the composition and purpose of Acts, this book will be of interest to those studying the New Testament, Acts, genre theory and ancient literature.
The first letter to the Corinthians is one of the most discussed biblical books in New Testament scholarship today. Despite this, there has been no consensus on its arrangement and central theme, in particular why the topic of the resurrection was left until the end of the letter, and what its theological significance would have been to the Corinthian church. Matthew R. Malcolm analyses this rhetoric of 'reversal', examines the unity of the epistle, and addresses key problems behind particular chapters. He argues that while Jewish and Greco-Roman resources contribute significantly to the overall arrangement of the letter, Paul writes as one whose identity and rhetorical resources of structure and imagery have been transformed by his preaching, or kerygma, of Christ. The study will be of interest to students of New Testament studies, Pauline theology and early Christianity.
Drawing from his long teaching experience, Gerald Stevens has successfully produced a comprehensive and clear Biblical Greek grammar for beginners and students of the New Testament. The book presents a practical format for learning, with full indexes and a number of illustrations. Exercises are included within the text, and the answer key is followed by indexes that include vocabulary, principal parts, paradigms and subjects. An appendix of English grammar helps the student link the two languages.
Brimming with photos and graphics, the Zondervan Illustrated Bible Backgrounds Commentary walks you verse by verse through all the books of the New Testament. It's like slipping on a set of glasses that lets you read the Bible through the eyes of a first-century reader! Discoveries await you that will snap the world of the New Testament into gripping immediacy. Things that seem mystifying, puzzling, or obscure will take on tremendous meaning when you view them in their ancient context. You'll deepen your understanding of the teachings of Jesus. You'll discover the close, sometimes startling interplay between God's kingdom and the practical affairs of the church. Best of all, you'll gain a deepened awareness of the Bible's relevance for your life. Written in a clear, engaging style, this beautiful set provides a new and accessible approach that more technical expository and exegetical commentaries don't offer.
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Brimming with photos and graphics, the Zondervan Illustrated Bible Backgrounds Commentary walks you verse by verse through all the books of the New Testament. It's like slipping on a set of glasses that lets you read the Bible through the eyes of a first-century reader! Discoveries await you that will snap the world of the New Testament into gripping immediacy. Things that seem mystifying, puzzling, or obscure will take on tremendous meaning when you view them in their ancient context. You'll deepen your understanding of the teachings of Jesus. You'll discover the close, sometimes startling interplay between God's kingdom and the practical affairs of the church. Best of all, you'll gain a deepened awareness of the Bible's relevance for your life. Written in a clear, engaging style, this beautiful set provides a new and accessible approach that more technical expository and exegetical commentaries don't offer.
This volume offers a comprehensive overview of one of the four New Testament gospels and brings a unique approach to the genre of Bible commentary. Featuring distinct Jewish and Christian voices in respectful conversation, Amy-Jill Levine and Ben Witherington, III methodologically break new ground in exploring why scholars disagree on questions of history (what actually happened, what is authorial invention, how do we address different versions of the same account), literature (what does this story tell us about Jesus and Peter, Mary Magdalene and Judas, among other characters), and theology (what can we say about resurrection and divine justice, or about Jesus as the Messiah). They show how Luke has been used to create both tragedy and hope, as well as to promote sexism, anti-semitism, and religious intolerance, thereby raising important questions regarding ethically responsible interpretation. This volume will be essential reading for theologians, clergy, and anyone interested in biblical studies and Jewish/Christian dialogue.
'An Artistic Approach to New Testament Literature' is a textbook for secondary schools and would also serve well in a undergraduate course. Historical criticism informs the background commentary. Biblical texts are described according to the formal art elements of form, line, colour, and texture. Other artistic terms such as perspective and focal point are used to characterize biblical passages. Thought-provoking questions and art projects are provided for exploration in the foreground or in the world in front of the text. This book is a bridge between church and academy. If church leaders or teachers have questions for the author, they are invited to e-mail her at [email protected]. Sharon Chace s attention to artistic elements such as line, form, colour, and texture opens up a unique visual perspective on the New Testament. Teachers will appreciate the ideas for art projects that enable young people to engage this perspective through active learning. Jocelyn McWhirter Assistant Professor of Religious Studies, Albion College An Artistic Approach is a key that unlocks a complicated volume for either the younger reader or one of any age beginning a faith quest who wants to understand what the Bible is and how it came to be. It also adds its own texture to scripture. Sharon Chace, as an artist, reminds me of a quilter assembling her work so that the whole is greater than the sum of its parts. James M. Perry Minnesota Annual Conference, The United Methodist Church An excellent overview of contemporary New Testament scholarship. I recommend it highly for adult study groups in mainstream churches. Lois N. Sundeen Retired minister, United Church of Christ Sharon R. Chace studied at Andover Newton Theological School and Harvard and Yale Divinity Schools, and is a Master of Theological Studies from Weston Jesuit School of Theology, Massachusetts. Her articles, poems, and children s stories have been widely published.
This volume presents in new English translations the scattered fragments and testimonies regarding Hermes Thrice Great that complete Brian Copenhaver's translation of the Hermetica (Cambridge, 1992). It contains the twenty-nine fragments from Stobaeus (including the famous Kore Kosmou), the Oxford and Vienna fragments (never before translated), an expanded selection of fragments from various authors (including Zosimus of Panopolis, Augustine, and Albert the Great), and testimonies about Hermes from thirty-eight authors (including Cicero, Pseudo-Manetho, the Emperor Julian, Al-Kindi, Michael Psellus, the Emerald Tablet, and Nicholas of Cusa). All translations are accompanied by introductions and notes which cite sources for further reading. These Hermetic texts will appeal to a broad array of readers interested in western esotericism including scholars of Egyptology, the New Testament, the classical world, Byzantium, medieval Islam, the Latin Middle Ages, and the Renaissance.
Allan McNicol examines the 'Conversion of the Nations' in the book of Revelation together with the author's vision for final redemption. Allan McNicol examines the longstanding tension between the author of Revelation 's description of the destruction of unrepentant nations early in the book in contrast with their final experience of salvation in Rev 21.24-26. McNicol examines how the author of Revelation interprets and refashions both scripture and the myths of the age in order to lay out his vision of redemption - leading to his ultimate conclusion that human political power (Rome) will crumble before the influence of the crucified Jesus. Through careful attention to references to the 'pilgrimage to the Gentiles' in prophetic literature, McNicol is able to draw valuable conclusions as to how the core tension examined may be resolved. This exegesis is in turn able show how the author of Revelation's alternative voice to Rome's power emerged among a small minority community in the Eastern Roman Empire and gained plausibility. This voice not only could articulate a construct of its own vindication (thus empowering its own converts) but it also construed a new destiny for the nations themselves separate and apart from Rome.
The first publication in a new series-Christian Arabic Texts in Translation, edited by Stephen Davis-this book presents English-language excerpts from thirteenth-century commentaries on the Apocalypse of John by two Egyptian authors, Bulus al-Bushi and Ibn Katib Qas.ar. Accompanied by scholarly introductions and critical annotations, this edition will provide a valuable entry-point to important but understudied theological work taking place at the at the meeting-points of the medieval Christian and Muslim worlds.
How did authority function before the bible as we know it emerged? Lee Martin McDonald examines the authorities that existed from the Church's beginning: the appeal to the texts containing the words of Jesus, and that would become the New Testament, the not yet finalized Hebrew Scriptures (referred to mostly in Greek) and the apostolic leadership of the churches. McDonald traces several sacred core traditions that broadly identified the essence of Christianity before there was a bible summarized in early creeds, hymns and spiritual songs, baptismal and Eucharistic affirmations, and in lectionaries and catalogues from the fourth century and following. McDonald shoes how those traditions were included in the early Christian writings later recognized as the New Testament. He also shows how Christians were never fully agreed on the scope of their Old Testament canon (Hebrew scriptures) and that it took centuries before there was universal acceptance of all of the books now included in the Christian bible. Further, McDonald shows that whilst writings such as the canonical gospels were read as authoritative texts likely from their beginning, they were not yet called or cited as scripture. What was cited in an authoritative manner were the words of Jesus in those texts, alongside the multiple affirmations and creeds that were circulated in the early Church and formed its key authorities and core sacred traditions.
This commentary offers a concise, incisive view of Galatians, Paul's most polemical letter. Here, Paul is fighting for the spiritual life and loyalty of some of his hard-won converts. Taking advantage of a range of persuasive rhetorical approaches, his letter appears to bristle with anger at the interlopers and the anguish of spurned affection. In this commentary, Craig S. Keener mines insights from the ancient world to highlight Paul's persuasive tactics and how the Galatian Christians would have heard his intense yet profound message. In so doing, Keener also helps readers to confront Galatians afresh today, so they can hear more closely what Paul is and is not saying for the church universal. Drawing on a wide range of ancient Mediterranean sources to reconstruct the context of Galatians, Keener helps us to grasp the issues that Paul was addressing, the reasons that Paul wrote the letter, and its continuing relevance for contemporary audiences.
This commentary offers a concise, incisive view of Galatians, Paul's most polemical letter. Here, Paul is fighting for the spiritual life and loyalty of some of his hard-won converts. Taking advantage of a range of persuasive rhetorical approaches, his letter appears to bristle with anger at the interlopers and the anguish of spurned affection. In this commentary, Craig S. Keener mines insights from the ancient world to highlight Paul's persuasive tactics and how the Galatian Christians would have heard his intense yet profound message. In so doing, Keener also helps readers to confront Galatians afresh today, so they can hear more closely what Paul is and is not saying for the church universal. Drawing on a wide range of ancient Mediterranean sources to reconstruct the context of Galatians, Keener helps us to grasp the issues that Paul was addressing, the reasons that Paul wrote the letter, and its continuing relevance for contemporary audiences. |
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