Peter Yearwood reconsiders the League of Nations, not as an attempt to realize an idea but as an element in the day-to-day conduct of Britain's foreign policy and domestic politics during the period 1914-25.
He challenges the usual view that London reluctantly adopted the idea in response to pressure from Woodrow Wilson and from domestic public opinion, and that it was particularly wary of ideas of collective security. Instead he examines how London actively promoted the idea to manage Anglo-American relations in war and to provide the context for an enduring hegemonic partnership.
The book breaks new ground in examining how London tried to use the League in the crises of the early 1920s: Armenia, Persia, Vilna, Upper Silesia, Albania, and Corfu. It shows how in the negotiations leading to the Draft Treaty of Mutual Assistance, the Geneva Protocol, and the Locarno accords, Robert Cecil, Ramsay MacDonald, and Austen Chamberlain tried to solve the Franco-German security question through the League. This involves a re-examination of how these leaders tried to use the League as an issue in British domestic politics and why it emerged as central to British foreign policy.
Based on extensive, detailed archival research, this book provides a new and authoritative account of a largely misunderstood topic.

This book provides the first comprehensive and authoritative account of the events leading up to the UK seeking a massive loan from the IMF in 1976 which almost precipitated a financial crisis on a par with those of the 1930's and early post War period. Sir Douglas Wass, who was permanent Secretary to the Treasury at the time, provides a unique first hand account of the events that took place as the crisis unfolded and the decision-making process. Bringing unrivalled experience and knowledge of Whitehall to the narrative, he draws on recently released documents such as official Treasury minutes, memoranda, official statements and reports, IMF documents and blends them with his own assessment of this key period of policy making to provide a fascinating, blow-by-blow account of how the Treasury reacted when faced with a series of inter-locking crises. Decline to Fall will be a must read for anyone interested in the formulation of policy and the workings of government.

Who were the Victorians? Were they self-confident imperialists secure in the virtues of the home, and ruled by the values of authority, duty, religion and respectability? Or were they self-doubting and hypocritical prudes whose family life was authoritarian and loveless? Ever since Lytton Strachey mocked Florence Nightingale and General Gordon in Eminent Victorians, the reputation of the Victorians, and of what they stood for, has been the subject of vigorous debate.
John Gardiner provides a fascinating guide to the changing reputation of the Victorians during the 20th century. Different social, political, and aesthetic values, two world wars, youth culture, nostalgia, new historical trends and the heritage industry have all affected the way we see the age and its men and women. The second half of the book shows how radically biographical accounts have changed over the last 100 years, exemplified by four archetypical Victorians: Charles Dickens, W.E. Gladstone, Oscar Wilde, and Queen Victoria herself.

The Historia Novella is a key source for the succession dispute between King Stephen and the Empress Matilda which brought England to civil war in the twelfth century. William of Malmesbury was the doyen of the historians of his day. His account of the main events of the years 1126 to 1142, to some of which he was an eyewitness, is sympathetic to the empress's cause, but not uncritical of her. Edmund King offers a complete revision of K. R. Potter's edition of 1955, retaining only the translation, which has been amended in places. Not only is this a new edition but it offers a new text, arguing that what have earlier been seen as William of Malmesbury's final revisions are not from his hand. Rather they seem to come from somewhere in the circle of Robert of Gloucester, the empress's half-brother, to whom the work is dedicated. In this way the work raises important questions concerning the transmission of medieval texts.

Serious Offenders: A Historical Study of Habitual Criminals examines the persistent offending careers of men and women operating in northwest England between the 1840s and 1940s. The book focuses on a group of serious and persistent offenders who as well as offending in the region, had lengthy offending careers spanning several decades in various other locations. These were highly mobile persistent serious offenders who appear not to have been so closely bound in to the processes and structures which aided desistence from offending for the vast majority of the petty offenders.
The authors discuss questions such as: Why did some people remain minor offenders, whilst others developed into serious offenders? What were the triggers which propelled previously minor offenders towards persistent serious criminality? What part did changes in criminal legislation play in these processes? They conclude by drawing on the lessons to be learnt for today's debates about the regulation and surveillance of serious habitual offenders.

This book examines the importance of the Glorious Revolution and the passing of the Toleration Act to the development of religious and intellectual freedom in England. Most historians have considered these events to be of little significance in this connection. From Persecution to Toleration focuses on the importance of the Toleration Act for contemporaries, and also explores its wider historical context and impact. Taking its point of departure from the intolerance of the sixteenth century, the book goes on to emphasize what is here seen to be the very substantial contribution of the Toleration Act for the development of religious freedom in England. It demonstrates that his freedom was initially limited to Protestant Nonconformists, immigrant as well as English, and that it quickly came in practice to include Catholics, Jews, and anti-Trinitarians. Contributors: John Bossy, Patrick Collinson, John Dunn, Graham Gibbs, Mark Goldie, Ole Peter Grell, Robin Gwynn, Jonathan I. Israel, David S. Katz, Andrew Pettegree, Richard H. Popkin, Hugh Trevor-Roper, Nicholas Tyacke, and B. R. White.

This volume is the first of six that will present in their entirety Frances Burney's journals and letters from 17 July 1786, when she assumed the position of Keeper of the Robes to Queen Charlotte, until 7 July 1791, when she resigned her position because of ill health. Burney's later journals have been edited as The Journals and Letters of Fanny Burney (Madame d'Arblay), 1791-1840 (12 vols., 1972-84). Her earlier journals have been edited as The Early Journals and Letters of Fanny Burney (4 vols. to date, 1988- ). The Court Journals and Letters of Frances Burney continues the modern editing of Burney's surviving journals and letters, from 1768 until her death in 1840.
The only previous edition of the Court journals and letters is the Diary and Letters of Madame d'Arblay, edited by Burney's niece Charlotte Barrett and published by Henry Colburn in seven volumes, 1842-46. Barrett's edition, however, is heavily abridged. For the Court years, it excludes about half of the extant material, which will be printed in the present volumes for the first time. In addition, Barrett made no attempt to recover the thousands of lines obliterated by Burney in the Court journals and letters, and indeed added many further deletions of her own. Barrett's edition was subsequently revised by Austin Dobson in a six-volume edition, 1904-05, containing new annotations and illustrations, but no alterations to the text.
The present edition includes every extant letter that Burney wrote during her five years at Court, as well as all of her copious journals. The elderly Madame d'Arblay attempted to edit her own journals and letters, making numerous changes that would, she believed, make them fitter for publication. This edition aims to restore the manuscripts, as far as possible, to their original state. It recovers the words, lines, and entire passages that Madame d'Arblay strove to conceal and it contains a comprehensive commentary on the text.

The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries. Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time. A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.

By 1700 London was the largest city in the world, with over 500,000 inhabitants. Very weakly policed, its streets saw regular outbreaks of rioting by a mob easily stirred by economic grievances, politics or religion. If the mob vented its anger more often on property than people, eighteenth-century Londoners frequently came to blows over personal disputes in a society where men and women were quick to defend their honour. Slanging matches easily turned to fisticuffs and slights on honour were avenged in duels. In this world, where the detection and prosecution of crime was the part of the business of the citizen, punishment, whether by the pillory, whipping at a cart's tail or hanging at Tyburn, was public and endorsed by crowds. The Mob draws a fascinating portrait of the public life of the modern world's first great city.

The Liberal Party and the Economy, 1929-1964 explores the reception, generation, and use of economic ideas in the British Liberal Party between its electoral decline in the 1920s and 1930s, and its post-war revival under Jo Grimond. Drawing on archival sources, party publications, and the press, this volume analyses the diverse intellectual influences which shaped British Liberals' economic thought up to the mid-twentieth century, and highlights the ways in which the party sought to reconcile its progressive identity with its longstanding commitment to free trade and competitive markets. Peter Sloman shows that Liberals' enthusiasm for public works and Keynesian economic management - which David Lloyd George launched onto the political agenda at the 1929 general election - was only intermittently matched by support for more detailed forms of state intervention and planning. Likewise, the party's support for redistributive taxation and social welfare provision was frequently qualified by the insistence that the ultimate Liberal aim was not the expansion of the functions of the state but the pursuit of 'ownership for all'. Liberal policy was thus shaped not only by the ideas of reformist intellectuals such as John Maynard Keynes and William Beveridge, but also by the libertarian and distributist concerns of Liberal activists and by interactions with the early neoliberal movement. This study concludes that it was ideological and generational changes in the early 1960s that cut the party's links with the New Right, opened up common ground with revisionist social democrats, and re-established its progressive credentials.

Victorian Britain is often described as an age of dawning democracy and as an exemplar of the modern Liberal state; yet a hereditary monarchy, a hereditary House of Lords, and an established Anglican Church survived as influential aspects of national public life with traditional elites assuming redefined roles. After 1832, constitutional notions of 'mixed government' gradually gave way to the orthodoxy of 'parliamentary government', shaping the function and nature of political parties in Westminster and the constituencies, as well as the relations between them. Following the 1867-8 Reform Acts, national political parties began to replace the premises of 'parliamentary government'. The subsequent emergence of a mass male electorate in the 1880s and 1890s prompted politicians to adopt new language and methods by which to appeal to voters, while enduring public values associated with morality, community and evocations of the past continued to shape Britain's distinctive political culture. This gave a particularly conservative trajectory to the nation's entry into the twentieth century. This study of British political culture from the late eighteenth to the early twentieth century examines the public values that informed perceptions of the constitution, electoral activity, party partisanship, and political organization. Its exploration of Victorian views of status, power, and authority as revealed in political language, speeches, and writing, as well as theology, literature, and science, shows how the development of moral communities rooted in readings of the past enabled politicians to manage far-reaching change. This presents a new over-arching perspective on the constitutional and political transformations of the Victorian age.

Thomas Walsingham, a monk of St Albans, has been described as the last of the great medieval chroniclers. The St Albans Chronicle is arguably the most important account of English history to be written in England at this time. This volume contains the material which can be shown to have been written by Walsingham himself before 1400, and includes his highly individual account of such episodes as the Peasants' Revolt and the rise of Lollardy. This is the first modern edition, and it provides a facing-page English translation, substantial historical commentary, and textual notes.

Viking Identities is the first detailed archaeological study of Viking-Age Scandinavian-style female dress items from England. Based on primary archival and archaeological research, including the analysis of hundreds of recent metal-detector finds, it presents evidence for over 500 brooches and pendants worn by women in the late ninth and tenth centuries. Jane F. Kershaw argues that these finds add an entirely new dimension to the limited existing archaeological evidence for Scandinavian activity in the British Isles and make possible a substantial reassessment of the Viking settlements. Kershaw offers an interpretation of the significance of the jewellery in a broader, historical context. The jewellery highlights locations of settlement not commonly associated with the Vikings. In contrast to claims of high levels of cultural assimilation, the jewellery suggests that incoming groups maintained a distinct Scandinavian identity which was sometimes appropriated by the indigenous population. Kershaw also addresses one of the great unanswered questions in the study of Viking-Age settlements: what about the women? The interpretation of the jewellery challenges traditional perceptions of Viking conquest as an all-male affair and brings into focus a population group which has, until now, been almost invisible. Kershaw describes the objects and explores a number of themes related to their contemporary use, including their date, distribution, and function in costume. This body of material - unknown 30 years ago - is introduced to a public audience for the first time. Including many object images and maps, the study provides a practical guide to the identification of Scandinavian metalwork.

This book examines the lives of Irish women between 1890 and 1914, tracing the shift of their labour out of the fields and into the home. Joanna Bourke shows how their position within the employment market deteriorated: married women came to be increasingly dependent on their husbands' earnings, while economic opportunities for unmarried and widowed women collapsed. More and more women devoted all their productive enterprise to performing housework. In this thoroughly documented and carefully argued study, Dr Bourke analyses the crucial elements in this change: the coincidence of sectoral shifts in the employment market, increasing investment in the rural economy, and the growth of a labour-intensive household sector. Controversially, she argues that Irish women welcomed their altered role, finding housework preferable to many of the other options available to them.

The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater variety of social strata, saw the painted cast of the Parthenon frieze in Sydenham than the original in Bloomsbury. Utilizing an extensive variety of archival material, including diaries, scrapbooks and photographs, Greece and Rome at the Crystal Palace evokes visitor experiences at Sydenham, and examines the discussion that arose around the presentation of classical plaster casts to a mass audience. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, assessing how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.

This diary gives a vivid picture of life in a Yorkshire village between the Napoleonic Wars and the Victorian era. Robert Sharp, schoolmaster, village constable, shopkeeper, and tax collector, was in a unique position to observe the affairs of the village and the lives of his fellow-villagers, whom he describes with wry humour and affection, often quoting their conversations verbatim. He also took a keen interest in what was happening outside the village, both nationally and internationally, giving the reader a valuable insight into how these events were reflected at the local level and how they were viewed by contemporaries.

This book breaks new ground in the study of crime and law enforcement in late medieval England using the reign of Henry V as a detailed case study. Dr Powell considers the subject on three levels: legal theory - academic, governmental, and popular thinking about the nature of law; legal machinery - the framework of courts and their procedures; and legal practice - the enforcement of the law in the reign of Henry V. There exists at present no other work devoted to setting the legal system of this period in its social and political context. Rejecting the traditional view of late medieval England as chronically lawless and violent, Dr Powell emphasizes instead the structural constraints on royal power to enforce the law, and the King's dependence on the co-operation of local society for the maintenance of his peace. Public order relied less on the coercive powers of the courts than the art of political management and the use of procedures for conciliation and arbitration at local level.

Copywriter: include this in European/French History rather than British This is a comparative study of national labour movements in France and Britain during the First World War. Historians of labour in this period have concentrated on pacifism, and on the post-war radicalism and emergent communism to which that contributed. John N. Horne focuses instead on the majorities in both the French and the British labour movements which continued to support the war to its end. He examines the terms of their support, and the broader working-class experience which this reflected, showing how a critical programme of socialist reforms was gradually developed. Labour at War is a genuinely comparative analysis, based on intensive primary research in both countries. It is an important contribution both to labour history, and to the social and political history of the First World War.

More than any other English monarch before or since, Queen Elizabeth I used her annual progresses to shape her royal persona and to bolster her popularity and authority. During the spring and summer, accompanied by her court, Elizabeth toured southern England, the Midlands, and parts of the West Country, staying with private and civic hosts, and at the universities of Oxford and Cambridge. The progresses provided hosts with unique opportunities to impress and influence the Queen, and became occasions for magnificent and ingenious entertainments and pageants, drawing on the skills of architects, artists, and craftsmen, as well as dramatic performances, formal orations, poetic recitations, parades, masques, dances, and bear baiting.
The Progresses, Pageants, and Entertainments of Queen Elizabeth I is an interdisciplinary essay collection, drawing together new and innovative work by experts in literary studies, history, theatre and performance studies, art history, and antiquarian studies. As such, it will make a unique and timely contribution to research on the culture and history of Elizabethan England. Chapters include examinations of some of the principal Elizabethan progress entertainments, including the coronation pageant Veritas temporis filia (1559), Kenilworth (1575), Norwich (1578), Cowdray (1591), Bisham (1592), and Harefield (1602), while other chapters consider the themes raised by these events, including the ritual of gift-giving; the conduct of government whilst on progress; the significance of the visual arts in the entertainments; regional identity and militarism; elite and learned women as hosts; the circulation and publication of entertainment and pageant texts; theafterlife of the Elizabethan progresses, including their reappropriation in Caroline England and the documenting of Elizabeth's reign by late eighteenth- and early nineteenth-century antiquarians such as John Nichols, who went on to compile the monumentalThe Progresses of Queen Elizabeth (1788-1823).

An extraordinary exploration of the ancestry of Britain through seven burial sites. By using new advances in genetics and taking us through important archaeological discoveries, Professor Alice Roberts helps us better understand life today. 'This is a terrific, timely and transporting book - taking us heart, body and mind beyond history, to the fascinating truth of the prehistoric past and the present' Bettany Hughes We often think of Britain springing from nowhere with the arrival of the Romans. But in Ancestors, pre-eminent archaeologist, broadcaster and academic Professor Alice Roberts explores what we can learn about the very earliest Britons, from burial sites and by using new technology to analyse ancient DNA. Told through seven fascinating burial sites, this groundbreaking prehistory of Britain teaches us more about ourselves and our history: how people came and went and how we came to be on this island. It explores forgotten journeys and memories of migrations long ago, written into genes and preserved in the ground for thousands of years. This is a book about belonging: about walking in ancient places, in the footsteps of the ancestors. It explores our interconnected global ancestry, and the human experience that binds us all together. It's about reaching back in time, to find ourselves, and our place in the world.

Britain's underground economy flourished during the 1940s and early 1950s thanks to rationing and price control, producers, traders, and professional criminals helped consumers to get a little extra on the side, from under the counter, or off the back of a lorry. Yet widespread evasion of regulations designed to ensure fair shares for all did not undermine the austerity policies that characterised these years and its vital role in securing compliance with economic regulation. In Black Market Britain, Mark Roodhouse argues that Britons showed self-restraint in their illegal dealings. The means, motives, and opportunities for evasion were not lacking. The shortages were real, regulations were not watertight, and enforcement was haphazard. Fairness, not patriotism and respect for the law, is the key to understanding this self-restraint. By invoking popular notions of a fair price, a fair profit, and a fair share, government rhetoric limited black marketeering as would-be evaders had to justify their offences both to themselves and others. Black Market Britain underlines the importance of fairness to those seeking a richer understanding of economic life in modern Britain.

From the twelve days of Christmas to the Spring traditions of Valentine, Shrovetide, and Easter eggs, through May Day revels and Midsummer fires, and on to the waning of the year, Harvest Home, and Hallowe'en; Ronald Hutton takes us on a fascinating journey through the ritual year in Britain.
His comprehensive study covers all the British Isles and the whole sweep of history from the earliest written records to the present day. Great and lesser, ancient and modern, Christian and pagan, all rituals are treated with the same attention. The result is a colorful and absorbing history in which Ronald Hutton challenges many common assumptions about the customs of the past and the festivals of the present debunking many myths and illuminates the history of the calendar we live by.
Stations of the Sun is the first complete scholarly work to cover the full span of British rituals, challenging the work of specialists from the late Victorian period onwards, reworking our picture of the field thoroughly, and raising issues for historians of every period.

In the modern world, angels can often seem to be no more than a symbol, but in the Middle Ages men and women thought differently. Some offered prayers intended to secure the angelic assistance for the living and the dead; others erected stone monuments carved with images of winged figures; and still others made angels the subject of poetic endeavour and theological scholarship. This wealth of material has never been fully explored, and was once dismissed as the detritus of a superstitious age. Angels in Early Medieval England offers a different perspective, by using angels as a prism through which to study the changing religious culture of an unfamiliar age. Focusing on one corner of medieval Europe which produced an abundance of material relating to angels, Richard Sowerby investigates the way that ancient beliefs about angels were preserved and adapted in England during the Anglo-Saxon period. Between the sixth century and the eleventh, the convictions of Anglo-Saxon men and women about the world of the spirits underwent a gradual transformation. This book is the first to explore that transformation, and to show the ways in which the Anglo-Saxons tried to reconcile their religious inheritance with their own perspectives about the world, human nature, and God.

The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. London, New York, Paris, and Vienna feature prominently as cities in which the challenge to the classical tradition was strongest, and in which original and influential forms of popular music arose, from Viennese waltz and polka to vaudeville and cabaret.
Scott explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious.
A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds ofthe Metropolis will appeal to students of music, cultural sociology, and history.

Jack Cade's rebellion of 1450 was one of the most important popular uprisings to take place in England during the Middle Ages. It began as an orchestrated demonstration of political protest by the inhabitants of south-eastern England against the corruption, mismanagement, and oppression of Henry VI's government. When no assurance of any remedy came from the king the rising soon collapsed into violence. This is the first full-length study of Cade's revolt to be published this century. I. M. W. Harvey charts the course of the rebellion and its associated troubles during the early 1450s, and explores the nature of the society which gave rise to these upheavals. She makes full use of the available contemporary evidence, as well as the work of subsequent historians, in order to uncover the identities of the rebels, explain their actions, assess their relations with the magnates, and to examine their achievements. Dr Harvey's lucid and scholarly analysis of Jack Cade's rebellion helps make intelligible the eventual collapse of Henry VI's reign into the Wars of the Roses.