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Prisoner of the State "is the story of Premier Zhao Ziyang, the man who brought liberal change to China and who was dethroned at the height of the Tiananmen Square protests in 1989 for trying to stop the massacre. Zhao spent the last years of his life under house arrest. An occasional detail about his life would slip out, but scholars and citizens lamented that Zhao never had his final say.
But Zhao did produce a memoir, secretly recording on audio tapes the real story of what happened during modern China's most critical moments. He provides intimate details about the Tiananmen crackdown, describes the ploys and double crosses used by China's leaders, and exhorts China to adopt democracy in order to achieve long-term stability. His riveting, behind-the-scenes recollections form the basis of "Prisoner of the State."
The China that Zhao portrays is not some long-lost dynasty. It is today's China, where its leaders accept economic freedom but resist political change. Zhao might have steered China's political system toward openness and tolerance had he survived. Although Zhao now speaks from the grave, his voice still has the moral power to make China sit up and listen.

Mention female spies, and most people think of Mata Hari. But during the Roaring Twenties, Marguerite Harrison and Stan Harding were the cause celebre: two beautiful, accomplished women whose names were splashed across newspapers around the world. Almost a century later, it is easy to understand the fascination with these two remarkable women. Marguerite was a highly respectable and recently widowed American journalist and socialite from Baltimore; Stan was a runaway, a bohemian artist and dancer of British heritage who left her wealthy, religious family to make a life for herself in the expatriate community in Florence. The two women were very different, yet both were strong-willed, independent and highly ambitious women unafraid of taking risks. And both, as the Great War ended and Central Europe dissolved into violent chaos, were looking for adventure. Their paths first crossed in war-ravaged Berlin during the Armistice and the the Spartacist Uprising in 1919. Fellow travellers, they became friends and, the evidence suggests, lovers. Dodging bullets and interviewing colourful characters in war-torn Europe led these intrepid women, separately, to Bolshevik Russia, a country closed to outsiders since the October Revolution of 1917. Their fateful meeting had repercussions that spanned three decades, involving heads of state and politicians in Britain, the United States and Soviet Russia. The Lady is a Spy tells their forgotten story: that of two women who, far in advance of their time, worked as foreign correspondents, who operated as spies in dangerous shadowlands of international politics, and who were both imprisoned in Lubyanka, one of the most desperate places on earth. Their lives are reconstructed through numerous primary sources, not only the poems, diaries and letters of their friends and lovers, but also government documents (including newly declassified US State Department papers) that reveal the truth about their espionage careers and - in one case - evidence of a shocking betrayal.

He was known simply as the Blind Traveler. A solitary, sightless adventurer, James Holman (1786-1857) fought the slave trade in Africa, survived a frozen captivity in Siberia, hunted rogue elephants in Ceylon, helped chart the Australian outback--and, astonishingly, circumnavigated the globe, becoming one of the greatest wonders of the world he so sagaciously explored. A Sense of the World is a spellbinding and moving rediscovery of one of history's most epic lives--a story to awaken our own senses of awe and wonder.

In June 1942, Anne Frank received a red-and-white-checked diary for her thirteenth birthday, just weeks before she and her family went into hiding in an Amsterdam attic to escape the Nazis. For two years, with ever-increasing maturity, Anne crafted a memoir that has become one of the most compelling documents of modern history. But Anne Frank's diary, argues Francine Prose, is as much a work of art as it is a historical record. Through close reading, she marvels at the teenage Frank's skillfully natural narrative voice, at her finely tuned dialogue and ability to turn living people into characters.

Anne Frank: The Book, The Life, The Afterlife tells the extraordinary story of the book that became a force in the world. Along the way, Prose definitively establishes that Anne Frank was not an accidental author or a casual teenage chronicler but a writer of prodigious talent and ambition.