This is a popular introduction, aimed at general readers, to prayer and the spiritual life in the tradition of Ignatius Loyola. A deep prayer life is not just something for mystics or religious specialists. It's for everyone, and everyone has a capacity for it. There is a great thirst for spiritual depth among Christians and seekers. This is a popular introduction to prayer and the spiritual life - a guide for Lent and the rest of the year - in the tradition of Ignatius Loyola. Simmonds also explores Ignatian influence on the life of the seventeenth-century Yorkshire woman, Mary Ward. The Ignatian tradition is hugely adaptable to different approaches. At its heart is personal encounter with Jesus, so The Way of Ignatius will help people to pray with the Scriptures in an imaginative way. It includes questions to aid reflection and discussion at the end of each chapter, and also looks at the way in which the Passion and resurrection of Jesus are woven into the patterns of human life.

Founded in 1421, the Collegiate Church of Manchester, which became a cathedral in 1847, is of outstanding historical and architectural importance. But until now it has not been the subject of a comprehensive study. Appearing on the 600th anniversary of the Cathedral's inception by Henry V, this book explores the building's past and its place at the heart of the world's first industrial city, touching on everything from architecture and music to misericords and stained glass. Written by a team of renowned experts and beautifully illustrated with more than 100 photographs, this history of the 'Collegiate Church' is at the same time a history of the English church in miniature. -- .

Despite the existence of many hermitages and eremitic communities recorded throughout the medieval period, they have, somewhat surprisingly, received little archaeological attention. Consequently, this book offers an archaeological history of hermitages and eremitic communities, with reference to key examples and case-studies. It has a particular emphasis on the British medieval period, but it also contextualises this within a wider comparative framework. Many hermitages and eremitic communities are recorded throughout the medieval period, yet to date there has been no comprehensive archaeological study. This richly illustrated book will consequently discuss a range of hermitages and introduce the reader to their architectural forms, spaces, location and environments as well as the religious practices associated with them. It will focus primarily on the British material but will nonetheless consider this within a wider comparative framework. Overall, it will offer an archaeological history of hermitages and presents a unique window into a lost world of medieval spirituality and religious life. Key related themes will include the earliest archaeological evidence for hermits (eremitic life) in India, China and East Asia, pre- and early Christian desert hermitages, cave hermitages, eremitic communities, saints and missionary hermits, life and diet, medieval mysticism and the contemplative tradition, secular and ornamental hermitages and hermits in post-medieval and contemporary society. This book offers an illustrated archaeological history of hermitages and eremitic communities, with reference to key examples and case-studies. It will therefore appeal to both academics, students and a more general readership interested in archaeology, history, comparative religion, architecture, religion and belief, spirituality, medieval Britain, modern contemplative practice and contemporary heritage issues.

Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."

Crafted to be an easy-to-carry large print Bible with cross references allowing this Bible to be an ideal choice to take with you wherever you go. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size. Enjoy the unmatched beauty of the King James Version combined with the readability of Thomas Nelson's KJV Comfort Print (R) typeface, all in a Bible that's a convenient size to take anywhere. Plus, you'll also have essential study resources, including over 42,000 cross references, a concordance and more. In 1611 the King James Bible was published and authorized by the monarch of England and Scotland. Today, more than 400 years since its initial publication, the KJV is considered one of the most influential and beautiful works of the English language and continues to be the favorite translation for millions of Christians worldwide. Features include: The presentation page is a special place to personalize the special gift by recording a memory or note Book introductions provide a concise overview of the background and historical context of the book about to be read Extensive end-of-page cross references allow you to find related passages quickly and easily Translation notes provide a look into the thinking of the translators with alternative translations that could have been used and textual notes about manuscript variations Words of Christ in red help you quickly identify Jesus' teachings and statements Miracles and parables of Jesus provide a quick reference to important events in the life of Christ Two satin ribbon markers for you to easily navigate and keep track of where you were reading Gilded page edges help protect the edge of the page and provide a polished look Durable and flexible Smyth-sewn binding so the Bible will lay flat in your hand or on a desk Reading plan guiding you through the entire Bible in a year Concordance for looking up a word's occurrences throughout the Bible Full-color maps show a visual representation of Israel and other biblical locations for better context Easy-to-read 10-point KJV Comfort Print (R) The Vintage Series reflects Thomas Nelson's centuries of publishing with distinguished cover designs that give witness to the majesty of God's Word and the KJV legacy.

“Are you there, God? It’s me, Manhattan…Butler…argues that far from being a Sodom on the Hudson, New York was a center of religious dynamism throughout the 20th century.” —Wall Street Journal “What a pleasure it is to take a tour of Manhattan’s sacred past led by one of the nation’s preeminent religious historians.” —Christianity Today “A masterwork by a master historian…God in Gotham should be an instant classic.” —Jonathan D. Sarna, author of American Judaism In Gilded Age Manhattan, religious leaders agonized over the fate of traditional faith practice amid chaotic and sometimes terrifying change. Massive immigration, urban anonymity, and the bureaucratization of modern life tore at the binding fibers of religious community. Yet fears of the demise of religion were dramatically overblown. Jon Butler finds a spiritual hothouse in the supposed capital of American secularism as Catholics, Jews, and Protestants peppered the borough with sanctuaries. A center of religious publishing and broadcasting, by the 1950s it was home to Reinhold Niebuhr, Abraham Heschel, Dorothy Day, and Norman Vincent Peale. While white spiritual seekers sometimes met in midtown hotels, black worshippers gathered in Harlem’s storefront churches. Though denied the ministry almost everywhere, women shaped congregations, founded missionary societies, and fused spirituality and political activism. God in Gotham portrays a city where people of faith embraced modernity and thrived.

Don't sacrifice readability for portability with this KJV Giant Print Thinline Bible. The extra-large Bible text features Thomas Nelson's exclusive KJV Comfort Print, which was designed to be the easiest to read at any size. Crafted with a highly durable Smyth-sewn binding, each of the Bibles in this Vintage Series has an elegant cover with rich colors and ornate design paying tribute to the legacy of the King James Version. Features include: Presentation page Words of Christ in red One-year reading plan Full-color maps Satin ribbon markers Clear and readable 12-point KJV Comfort Print More than 400 years after its initial publication, the bestselling King James Version Bible continues to inspire, encourage, and strengthen people from all walks of life. The KJV is considered one of the most influential and beautiful works of literature in the English language and the favorite, trusted translation for millions of Christians worldwide.

Originally published in 1997, Medieval Liturgy is a unique and interesting collection of nine essays that explores medieval liturgy from three distinct perspectives: historical, liturgical, and theological. The book includes contributions from eminent scholars of the time and discusses the development of 9th to 11th century ordines, the meaning of the Mass in the 12th and 13th centuries, medieval preaching, ordination practices, popular penance practices, marriage rites, the role of music in Eucharistic liturgy, and the relationship between liturgical architectural space and theology.

Originally published in 1966, The Church in Early Irish Society traces the history of the church right up until the twelfth century. It gives an account of the problems which arose when the organization of the Christian church, imported from the urban bureaucracy of the Roman Empire, had to be adapted to the society of early Ireland. The book also looks at the legal texts of the sixth seventh and eighth centuries and attempts through them, to trace the gradual process of modification which culminated in the eighth century, when the church now fully adjusted to Irish society, reached a so-far unprecedented height of power and influence. The book also examines the issues faced in the ninth century by the Viking raids and settlements.

Originally published in 1979, Gold Was the Mortar details the financing and the building of the medieval cathedrals at Paris, Amiens, Toulouse, Lyon, Strasbourg, York, Poitiers and Rouen. The book examines the raising of funds and their expenditure, not only on the Cathedrals themselves, but also on the worldly ambitions of the bishop or archbishop, which went beyond the 'wars and natural disasters' theory to explain the reasons that caused the delays in building the cathedrals. The book also looks at the issues of building the cathedrals, such as the availability of finance and how for some there was a steady flow of funds while others suffered prolonged breaks. The book also provides case studies of specific cathedrals and examines how places such as York were held up by the internecine disputes with Canterbury; Toulouse and Poiters by the vast expropriations following conquests; and Lyon by the suppression of the commercial and social hierarchy. All the cathedrals depended on the benevolence of patrons, but the part played by the commoners, as revealed in wills and contemporary documents, was an extraordinary contribution, usually exceeding that of the nobility and royalty and sometimes that of the hierarchy itself.

This book examines the status that rulers of one faith conferred onto their subjects belonging to a different one, how the rulers handled relationships with them, and the interactions between subjects of the Muslim and Christian religions. The chronological arc of this volume spans from the first conquests by the Arabs in the Near East in the 630s to the exchange between Turkey and Greece, in 1923, of the Orthodox Christians and Muslims residing in their territories. Through organized topics, Berto analyzes both similarities and differences in Christian and Muslim lands and emphasizes how coexistences and conflicts took directions that were not always inevitable. Primary sources are used to examine the mentality of those who composed them and of their audiences. In doing so, the book considers the nuances and all the features of the multifaceted experiences of Christian subjects under Muslim rule and of Muslim subjects under Christian rule. Christians under the Crescent and Muslims under the Cross is the ideal resource for upper-level undergraduates, postgraduates, and scholars interested in the relationships between Christians and Muslims, religious minorities, and the Near East and the Mediterranean from the Middle Ages to the early twentieth century.

This book provides a comprehensive study on the proclamation of Holy Scriptures as an enacted celebration, as well as its function as a performance within sacralized theatrical spaces. Scripture is integral to religious life within Judaism, Christianity, and Islam, and these traditions have venerated the reading of texts from an appointed place as a sacred act. Thus, the study of how these readings are conducted illuminates some vitally important aspects of this widespread act of worship. Contributing to an underexplored area of scholarship, the book offers an overview of scripture reading in the three Abrahamic faiths and then focuses on where and how the "Word of God" is presented within the Christian tradition. It gathers and summarizes research on the origins of a defined place for the proclamation of holy writings, giving a thorough architectural analysis and interpretation of the various uses and symbols related to these spaces over time. Finally, the listener is considered with a phenomenological description of the place for reading and its hermeneutical interpretation. The material in this book uncovers the contemporary impact of a rich history of publicly reading out scriptures. It will, therefore, be of great interest to scholars of liturgical theology, religious studies, and ritual studies.

In the nineteenth century the dissenting Christian community fought for the civil rights of Roman Catholics, non-Christians, and even atheists on an issue of principle which had its flowering in the enthusiastic and undivided support which nonconformity gave to the campaign for Jewish emancipation. This book offers a case study of a theologically conservative group defending religious pluralism in the civic sphere, showing that the concept of religious equality was a grand vision at the center of the political philosophy of the dissenters.

"An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work." -The Observer At least since Max Weber, capitalism has been understood as part of the "disenchantment" of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to America by Puritans and evangelicals, whose doctrine made ample room for industry and profit, capitalism has become so thoroughly enmeshed in the fabric of our society that our faith in "the market" has become sacrosanct. Informed by cultural history and theology as well as management theory, The Enchantments of Mammon looks to nineteenth-century Romantics, whose vision of labor combined reason, creativity, and mutual aid, for salvation. In this impassioned challenge to some of our most firmly held assumptions, McCarraher argues that capitalism has hijacked our intrinsic longing for divinity-and urges us to break its hold on our souls. "A majestic achievement...It is a work of great moral and spiritual intelligence, and one that invites contemplation about things we can't afford not to care about deeply." -Commonweal "More brilliant, more capacious, and more entertaining, page by page, than his most ardent fans dared hope. The magnitude of his accomplishment-an account of American capitalism as a religion...will stun even skeptical readers." -Christian Century

This book is an exploration of the ideals and values of the ascetic and monastic life, as expressed through clothes. Clothes are often seen as an extension of us as humans, a determinant of who we are and how we experience and interact with the world. In this way, they can play a significant role in the embodied and material aspects of religious practice. The focus of this book is on clothing and garments among ancient monastics and ascetics in Egypt, but with a broader outlook to the general meaning and function of clothes in religion. The garments of the Egyptian ascetics and monastics are important because they belong to a period of transition in the history of Christianity and very much represent this way of living. This study combines a cognitive perspective on clothes with an attempt to grasp the embodied experiences of being clothed, as well as viewing clothes as potential actors. Using sources such as travelogues, biographies, letters, contracts, images, and garments from monastic burials, the role of clothes is brought into conversation with material religion more generally. This unique study builds links between ancient and contemporary uses of religious clothing. It will, therefore, be of interest to any scholar of religious studies, religious history, religion in antiquity, and material religion.

Peter Paul Rubens and the Crisis of the Beati Moderni takes up the question of the issues involved in the formation of recent saints - or Beati moderni (modern Blesseds) as they were called - by the Jesuits and Oratorians in the new environment of increased strictures and censorship that developed after the Council of Trent with respect to legal canonization procedures and cultic devotion to the saints. Ruth Noyes focuses particularly on how the new regulations pertained to the creation of emerging cults of those not yet canonized, the so-called Beati moderni, such as Jesuit founders Francis Xavier and Ignatius Loyola, and Filippo Neri, founder of the Oratorians. Centrally involved in the book is the question of the fate and meaning of the two altarpiece paintings commissioned by the Oratorians from Peter Paul Rubens. The Congregation rejected his first altarpiece because it too specifically identified Filippo Neri as a cult figure to be venerated (before his actual canonization) and thus was caught up in the politics of cult formation and the papacy's desire to control such pre-canonization cults. The book demonstrates that Rubens' second altarpiece, although less overtly depicting Neri as a saint, was if anything more radical in the claims it made for him. Peter Paul Rubens and the Crisis of the Beati Moderni offers the first comparative study of Jesuit and Oratorian images of their respective would-be saints, and the controversy they ignited across Church hierarchies. It is also the first work to examine provocative Philippine imagery and demonstrate how its bold promotion specifically triggered the first wave of curial censure in 1602.

The debate over clerical celibacy and marriage had its origins in the early Christian centuries, and is still very much alive in the modern church. The content and form of controversy have remained remarkably consistent, but each era has selected and shaped the sources that underpin its narrative, and imbued an ancient issue with an immediacy and relevance. The basic question of whether, and why, continence should be demanded of those who serve at the altar has never gone away, but the implications of that question, and of the answers given, have changed with each generation. In this reassessment of the history of sacerdotal celibacy, Helen Parish examines the emergence and evolution of the celibate priesthood in the Latin church, and the challenges posed to this model of the ministry in the era of the Protestant Reformation. Celibacy was, and is, intensely personal, but also polemical, institutional, and historical. Clerical celibacy acquired theological, moral, and confessional meanings in the writings of its critics and defenders, and its place in the life of the church continues to be defined in relation to broader debates over Scripture, apostolic tradition, ecclesiastical history, and papal authority. Highlighting continuity and change in attitudes to priestly celibacy, Helen Parish reveals that the implications of celibacy and marriage for the priesthood reach deep into the history, traditions, and understanding of the church.

Originally published in 1961, Christianity Among the Religions examines whether it is possible to learn from other religions without compromising on personal religious loyalties. The book traces from the thirteenth century the gradual awakening of the West to the spiritual qualities of other religions and the various efforts made to place them in relation to Christianity. It explores the reports sent home by Jesuit missionaries in China, the advance in knowledge in nineteenth-century Europe, and the gradual decline in Western "provincialism". In doing so, the book puts forwards suggestions for the relation between Christianity and other religions and calls for open conversations between representatives of different faiths with the aim of increased unity of spirit. Christianity Among the Religions will appeal to all those with an interest in the history of Christianity and religious studies more generally.

Originally published in 1986. The Force of the Feminine brings together the work of Christians from a number of denominations in examining different aspects of the task of converting the Church to the 'feminine'. Women have by and large occupied a subordinate position within the Church: men have written the theology; in the majority of denominations only men have always been permitted to be priests or ministers. The book explores how to awaken individual Christians to the need to feminise Church structures and, further, the possible need to rethink the very notion of God. The Force of the Feminine will appeal to those with an interest in religious studies, the history of Christianity, and religion and gender.

Originally published in 1958, The Cathedral is a verse sequence evoking the spirit of an English cathedral and the characters associated with its history. Although Salisbury is at its core, the book does not focus on the portrait of one specific cathedral, but instead includes features from many. It brings to life the figures that it portrays, giving voices to a wide variety of characters from the Peasant's Daughter to The Devil, and the Spire-Builder to the Queen. The Cathedral will appeal to those with an interest in poetry, Christianity, and religious architecture.

Originally published in 1958, Introduction to Christianity considers the nature of Christianity as a life shared in an historical, continuing community. Divided into five parts, the book is a comprehensive interpretation of Christianity as a people created by God's activity in history, with a focus on the proclamation of the Gospel. It highlights and examines the relevance of Christian doctrine to reflections on the meaning of life, and considers the significance of this at a time in which attitudes towards religion are increasingly ambiguous. Introduction to Christianity is ideal for those with an interest in the history of Christianity, Christian theology, and religious philosophy.

The history of the Christian church is a fascinating story. Since the ascension of Jesus and the birth of the church at Pentecost, the followers of Christ have experienced persecution and martyrdom, established orthodoxy and orthopraxy, endured internal division and social upheaval, and sought to proclaim the good news "to the end of the earth." How can we possibly begin to grasp the complexity of the church's story? In this brief volume, historian Jennifer Woodruff Tait provides a primer using seven sentences to introduce readers to the sweeping scope of church history. Among the sentences: "No one whatsoever should be denied the opportunity to give his heart to the observance of the Christian religion." -The Edict of Milan (AD 313) "Light from Light, true God from true God, begotten not made, of one substance from the Father." -The Nicene Creed (325) "When our Lord and Master Jesus Christ said, 'Repent,' he willed the entire life of believers to be one of repentance." -Martin Luther's Ninety-Five Theses (1517) "The church is confronted today, as in no preceding generation, with a literally worldwide opportunity to make Christ known." -The Edinburgh Conference (1910) Pick up and read. The story continues. The accessible primers in the Introductions in Seven Sentences collection act as brief introductions to an academic field, with simple organization: seven key sentences that give readers a birds-eye view of an entire discipline.

This four-volume historical resource provides new opportunities for investigating the relationship between religion, literature and society in Britain and its imperial territories by making accessible a diverse selection of harder-to-find primary sources. These include religious fiction, poetry, essays, memoirs, sermons, travel writing, religious ephemera, unpublished notebooks and pamphlet literature. Spanning the long nineteenth century (c.1789-1914), the resource departs from older models of 'the Victorian crisis of faith' in order to open up new ways of conceptualising religion. This first volume looks at 'Traditions', offering an overview of the different religious traditions and denominations present in Britain during this period.

This four-volume historical resource provides new opportunities for investigating the relationship between religion, literature and society in Britain and its imperial territories by making accessible a diverse selection of harder-to-find primary sources. These include religious fiction, poetry, essays, memoirs, sermons, travel writing, religious ephemera, unpublished notebooks and pamphlet literature. Spanning the long nineteenth century (c.1789-1914), the resource departs from older models of 'the Victorian crisis of faith' in order to open up new ways of conceptualising religion. This second volume is called 'Mission and Reform' and it considers the social and political importance of religious faith and practice as expressed through foreign and domestic mission and philanthropic and political movements at home and abroad.

This four-volume historical resource provides new opportunities for investigating the relationship between religion, literature and society in Britain and its imperial territories by making accessible a diverse selection of harder-to-find primary sources. These include religious fiction, poetry, essays, memoirs, sermons, travel writing, religious ephemera, unpublished notebooks and pamphlet literature. Spanning the long nineteenth century (c.1789-1914), the resource departs from older models of 'the Victorian crisis of faith' in order to open up new ways of conceptualising religion. This third volume looks at 'religious feeling' as an important and distinct category for understanding the ways in which religion is embodied and expressed in culture.