Decades' worth of images have been distilled down to 512 pages of photographs in this ultimate retrospective collection of Nobuyoshi Araki's work, selected by the artist himself. First published as a Limited Edition and now back in a new format to celebrate TASCHEN's 40th anniversary, the curation delves deep into Araki's best-known imagery: Tokyo street scenes; faces and foods; colorful, sensual flowers; female genitalia; and the Japanese art of kinbaku, or bondage. As girls lay bound but defiant and glistening petals assume suggestive shapes, Araki plays constantly with patterns of subjugation and emancipation, death and desire and with the slippage between serene image and shock. Describing his bondage photographs as "a collaboration between the subject and the photographer", Araki seeks to come closer to his female subjects through photography, emphasizing the role of spoken conversation between himself and the model. In his native Japan, he has attained cult status for many women who feel liberated by his readiness to photograph the expression of their desire. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

"Bruce Springsteen in All His Rock Star Glory." -Janet Macoska, The Daily Beast "Two careers were born on that cold night in 1974. Macoska would blossom into one of the most notable rock 'n' roll photographers of the last 50 years. And Springsteen was on his way to becoming The Boss." -Jay Crawford and Meg Hambach, wkyc3 "...Live In The Heartland covers almost five decades of touring from The Boss, and also includes set-lists and corresponding editorial content. The majority of the photos are previously unseen." -Classic Rock Magazine "There's only one boss of rock 'n' roll." -Tria Wen, Reader's Digest "... an energetic and moving visual tour that records the romance between The Boss and the Cleveland stages." -GQ Mexico Five decades of blue-jeans, down-to-earth rock 'n' roll. Five decades of poetic, authentic performances, political commentary, global tours and even a Broadway show. Bruce Springsteen hasn't just left an impact on the surface of modern music, he helped shape its foundations. From the early beginnings in 1974 to the seminal Born in the USA - one of the best-selling albums of all time - to the 2016 River Tour, the highest grossing tour of the year, Springsteen has a truly timeless appeal, captured here by lauded rock photographer, Janet Macoska. Macoska charts Springsteen through the ages. Through her lens we witness his enduring energy on the stage, from 1974 to 2016. Here is Springsteen at his finest: a down-to-earth superstar, whose powerful performances stand the test of time. "Bruce would rip his heart out and give it to his audience. He put everything into his performance. He was all over the stage, and the whole rest of the band was in lockstep, complimenting that energy. It was going out to the audience in bundles. We were sending it back , too, and that's really electric. That energy, those visuals? Photographers love that. It's perfect to have something like that to photograph." - Janet Macoska

The idea of America, and the American identity, has been central to this country's cultural conversation and debate since its inception. America -- past, present, and future -- is an ongoing experiment in free will and liberty for all who reach its welcoming shores, plow its fertile soil, and raise their children to achieve that great promise of the American Dream. In The American Experiment, photographer Brandon Ralph presents an exploration of the patriotic symbols, the vast and varied landscape, and the tapestry of humanity that poses the question anew: What makes an American? The result is a finely wrought collection of moments and Americans captured in time, separated by decades and by state lines, by events of national significance and by the invisible routines of day-to-day life. In Ralph's starkly beautiful and unwaveringly sensitive images, there is a sense of timelessness that speaks to our collective nostalgia, our unflagging optimism, and our unending pursuit of freedom for all people.

Maryam Ashrafi is a social documentary photographer who believes in long term projects, she chooses to stay behind the front lines and observe the daily lives of combatants, which includes a lot of waiting around. She is above all involved in documenting the everyday life on the Kurdish front. Her work puts a face on a widely commented war which remains, from afar, perceived mainly by the West in terms of the number of refugees. Maryam documents the war in her own way, stressing its complexities and the actual building of a new social model based on equality where women occupy the same roles as men, which is remarkable in this area of the world. This is why, over the years, she has returned to the same places, from Kobane to Tabqa, to show the unique power of the resilience of the population and the will to live and change. "The struggle of the Kurdish people and their fight for freedom and fundamental rights have not come to an end, and therefore this book cannot portray all of their journeys, nor shall I stop documenting what is still to come. Yet I believe, as a witness, I owe it to history and to those I have met for sharing some of these images in this book to show part of their journey to freedom and equality", Maryam believes. The book is built on the chronology of the events as documented by Maryam Ashrafi, to understand the evolution of the conflict and its consequences on the populations and their living environment. Photographer James Nachtwey once made a point about such war photographs shown in museums, or in a book; it is "a space for reflection on the universality of the dramas that humanity is going through in its entirety". During her travels, Maryam Ashrafi has created a body of images which highlight very important topics as they are an immediate consequence of war, from the sheer destruction to the refugee camps, as they evoke the foundations of the culture and the identity of the Kurdish people - the ceremonies in honour of martyrs, dances around fires, New Year celebrations etc. Finally, Maryam Ashrafi's work is also about empathy and about invisible wounds; it is obvious that one could not witness a conflict without being caught up in the daily suffering, especially children and women. Maryam finds emotions and feelings, in simple gestures, smiles and dances, these moments of intimacy. The presence of the photographer is forgotten, there remains only the reality of their fight and the resilience of a people. In these moments, she captures expressions that speak so much more than long speeches. Let's listen to them in the midst of ruins, dancing amid bullets.

What is it about horses that draws people in so deeply? Why is it that horses hold meaning and symbolism across cultures around the world? Why do so many of us experience horses as not just beautiful creatures but wise and healing teachers? These are some of the questions that revered equine photographer Tony Stromberg set out to answer with his best photos from the past half decade. The resulting collection more than meets Stromberg's goal of highlighting and honoring the mysterious ways horses and humans can bring out the best, the highest, and the most powerful in one another.

Stephen Shore is a pioneering photographer and influential teacher. From Galilee to the Negev is an intimate portrait of a multi-faceted place, exploring the landscape of Israel and the Palestinian territories of the West Bank; its complexities and its contradictions. Shore travelled the length and breadth of the region, questioning and revealing through his camera lens. His visual inquiry explores the landscape itself and the people who live in it - the daily lives and the narratives that combine to create this fascinating place - at once beautiful and ugly, safe and hostile. A selection of texts by a diverse range of writers - who have each selected one photograph as a spring board - will be interspersed amongst the photographs, offering a gathering of voices and perspectives.

Award-winning photographer Steve McCurry's celebration of coffee-growing communities around the world, from the foothills of the Andes and the South American rain forest to the slopes of Kilimanjaro and the Jungles of Vietnam. Source: A Portrait of Coffee Growers conveys the vibrancy of community life on coffee plantations around the world from the Andes and South American rain forests to the slopes of Kilimanjaro and the jungles of Vietnam. Portraits of workers and their families are presented alongside stunning natural landscapes that bring each coffee plantation to life. A brand new portfolio, featuring previously unpublished images from the last ten years, Source: A Portrait of Coffee Growers, is an exciting new addition to one of the world's most admired and popular photojournalists body of work.

American street photographer Leon Levinstein is much admired within the photographic community, but little known outside of it. Solo exhibitions at the National Gallery of Canada in 1995 and the Metropolitan Museum of Art in New York in 2010 brought him to the attention of many, but his dynamic and original work is yet to achieve the recognition it deserves. Levinstein's fearless and unsentimental black and white images, whether shot in New York City, Coney Island, Haiti, Mexico or India, possess in Metropolitan Museum of Art Curator of Photographs Jeff Rosenheim's words, "graphic virtuosity - seen in raw, expressive gestures and seemingly monumental bodies - balanced by an unusual compassion for his off-beat subjects." In 1975, at the age of 65, Levinstein received a grant from the John Simon Guggenheim Foundation. His intention, in his own words, was to photograph "as wide a spectrum of the American scene as my experience and vision will allow." This long-awaited book fulfils this ambitious goal.

"Patrick's work offers a mesmerising journey around the world in search of the divine, offering a timeless portrait of people living on the fringe, creating life on their own terms." - i-D For more than 25 years, French photographer Patrick Cariou has traveled to far out places around the globe, documenting people living on the fringes of society and making a way for themselves. Whether photographing surfers, gypsies, Rastafarians, or rude boys of Kingston, Cariou celebrates his subjects as they are: peoples of the earth who meet the struggles of life with honor, dignity, and joy. Bringing together works from his groundbreaking monographs including Surfers, Yes Rasta, Trenchtown Love, and Gypsies, Works 1985-2005 takes us on a scenic journey around the world, offering an intimate and captivating look at cultures that distance themselves from the blessings and curses of modernism. Given access to these hermetic realms, Cariou presents a fascinating portrait of resistance in a multiplicity of forms. The landscape plays a vital role in Cariou's work, revealing how people live shapes their identity and destiny in equal part. Whether following the waves, living in the mountains, or surviving urban and rural poverty, Cariou's subjects reval the importance of preserving one's native culture at a time of Western cultural hegemony. The spirit of pride and defiance comes alive in his work; each of the peoples portrayed have found a way to survive despite the brutality facing them and the earth alike.

A member of the 1980s Slovak New Wave generation of photographers trained under Jan mok, Peter Zupnik (born 1961) searches out hidden poetry in everyday objects, by means of close-ups, short depth of field and additional painting. Zupnik's series "Little Big Things" is perhaps the best-known example of his approach, of which he was virtually a pioneer in Czechoslovakia.

The seminal work by photographer and artist Roger Ballen, re-released in an expanded edition with never-before-seen images from Ballen's archive. The culmination of nearly 20 years of work, Outland marked Ballen's move from documentary photography into the realms of fiction and propelled him into the international spotlight. Disturbing, exciting and impossible to forget, Ballen's images captured people living on the fringes of South African society. His powerful psychological studies influenced a generation of artists and still resonate today. First published in 2001, Outland is back in print and expanded to include 50 never-before-seen images from Ballen's archive with illuminating new commentary from the artist himself.

The Fotobus Society, founded by Christoph Bangert, provides a network connecting more than 700 photographers who are currently studying at German and European universities or photography schools. Members have access to a wide range of cultural and social activities offered by the association. At the heart of the community is a 30-year-old bus that serves as a mobile photography school and regularly carries members to photo festivals, symposia, and professional events. This book is the second volume in a series presenting selected works by members. Whereas the main mission of the association is to promote exchange within the international photography scene, the coronavirus pandemic prevented the artists from travelling and meeting up as usual. For many of them, taking photos became an outlet and a medium to communicate with the "outside world". As a result, the projects showcased in this publication also tell of the insecurity, hope, and distress of the last months, giving an inside view of the experiences and stories of people from around the world. In different ways, the images document their lives and the spaces in which they live, or the concepts and ideas, in which they believe.

Mario Testino is recognized as the ultimate fashion photographer of his generation but his pictures of Kate Moss transcend fashion. The result of two decades of extraordinary friendship, and phenomenal glamour, this iconic collaboration is an intimate insight into the lives and minds of two of the world's definitive style leaders. This book follows the journey of this exceptional fashion partnership, from early days backstage at the shows to behind-the-scenes glimpses of the groundbreaking editorials they continue to produce for the world's most respected magazines. Of the 100-plus images, many photographs have been chosen from Testino's private archive and are published here for the first time. They are accompanied by a foreword by Testino and an exclusive essay by Kate Moss.

Brilliant and sophisticated fashion photographer, leading artist of Vogue magazine for six decades, Horst P. Horst has become a reference for entire generations in this photographic genre. This volume traces Horst's main creative periods, from the beginning of his career to his latest creations, with a focus on some highlights of his production: the link with classical art which, nevertheless, doesn't elude the influences of the avant-gardes, and surrealism in particular; the visual investigation of the human figure's harmony and elegance, embellished by the perfect mastery of scene lighting; the fruitful and lasting collaboration with Vogue, a magazine for which the photographer has provided dozens of covers; the portraits of stars from the world of fashion and art, often set in their own homes, which once again reveal his indisputable compositional skills. Over 120 works, chosen from among his best known ones by the author himself, alongside a series of surprising previously unpublished works, testify to the talent and creative vision of one of the leading figures in 20th century photography. Text in English and Italian.

During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. 'Basic Forms' represents the culmination of their career. Although the subject matter is unglamorous-mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks-the Bechers' passion for their work imbues these photographs with beauty and solemnity. The Bechers restricted the conditions of each photograph-taking them early in the morning, on overcast days, so as to eliminate shadow and distribute light evenly. Each image is centered and frontally framed, its parallel lines set on an even plane. There are no human figures, nor are there birds in the sky. The result is a treasury of precisely functional architectural forms, a sublime example of conceptual artistic practices, and a series of "perfect sculptures of a bygone industrial age."

A quirky, photographic exploration of two beloved subjects: breakfasts and dogs. Curiosity. Longing. Hunger. Bread and a Dog is a quirky photographic journey into the psychic trauma of living with a professional food stylist... as a dog. Japanese food stylist Kuwahar Natsuko photographs her breakfast, laid out every morning, in beautifully arranged aerial tableaus with an unexpected twist, her omnipresent, exceptionally well-trained dog. Through 100 photographs, readers will delight not only in Natsuko's delicious meals served on beautiful dishes, glassware and flatware, but in the dog's enthrallment with what is happening on the table above him. Presented as a sequence of photographs, the book concludes with recipes for each breakfast, and tips and tricks on food photography from Natsuko herself. A perfect gift for animal lovers. Features: - Recipes and tips for successful and stylish breakfasts from the author, a professional food stylist. - 100 charming photographs of an adorable dog taken from a refreshing and relatable point of view. Perfect gift or impulse buy for animal or food lovers.

"Architects are trained to see a space before it's realised, so I think photography helps me with that. But I'd also say it's the other way around. My training helps me with the way I photograph. I look at space with a more symmetrical eye, and you see a lot of symmetry in my photos." ~ Vivien Liu Vivien Liu studied architecture at the University of Waterloo and then attended Harvard University's Graduate School of Design, where she was awarded the prestigious Clifford Wong Prize in Housing Design. As an architect, she has worked for nearly a decade in the United States, Canada, the United Kingdom, China and Hong Kong, where she now resides and first took up photography. As a photographer, she quickly developed a strong sensibility portraying space as seen through the first person, which now defines her style. What began as a weekend pastime has transformed Vivien into one of the most prolific urban photographers in Hong Kong, attracting over 240,000 followers on Instagram. Her first book, Being There explores the dialogue and tension between people and spaces through portraiture, landscapes, and street photography, from the urban density of Hong Kong and Tokyo to epic natural landscapes like Zhangjajie, China. With an architect's artful eye, Ms. Liu captures this juxtaposition in the most beautiful way, sharply highlighting her eye for patterns and symmetry across settings.

First we had dogs underwater, then dogs shaking off water... and now dogs soaking up the exhilarating no-holds-barred pleasure of a ride in a car. Photographer Lara Jo Regan began her pet project as a calendar but the response was overwhelming and absolute: her photographs of the cruising canines, taken from incredible perspectives, with tongues hanging and ears flapping, became a global Internet sensation. The energy of the photographs is impressive and visceral. In order to get these shots, Regan built a special light, which jutted out over the roof of the car, a harness that allowed her to lean out of the window and various other contraptions to make the images come to life. Dogs In Cars will have the reader laughing out loud.

This is a display of her entire oeuvre, with neither a curator nor any apparent order, which seeks to question the art market and its rules. At the same time, this book shows a series made up of pictures taken in New Zealand in which the artist strives to bring depth back to landscape photography by using mirrors and her own devices. Both works are captured in this publication, a book that had become an object of desire even before it materialised, as always happens with the works of one of the most fascinating photographers on today's scene. Every copy is signed and numbered by the artist.