Cindy Sherman is among the most influential artists of her generation. Using herself as model, wearing a range of costumes and portraying herself in invented situations, she interrogates the imagery employed by the mass media, po pular culture and fine art. Television, advertising, magazines, fashion and Old Master paintings all form part of her visual language. Whether using make-up, costumes, props and prosthetics to manipulate her own appearance, or devising elaborate tableaux, her entire body of 40 years' work constitutes a highly distinctive response to contemporary and earlier culture, whose stylistic tropes she appropriates and quotes. This book will explore the rich cultural sources that Sherman plunders in creating provocative and ambiguous images that lead us to question the things we see. Sherman's work is surveyed through two related themes. Examining Sherman's art within the context of portraiture it explores the way that identity is constructed from appearance. It also considers the nature of Sherman's involvement with a range of styles by positioning her work in the context of the pre-existing imagery that she appropriates.

Tower Bridge is one of the most famous bridges in the world. Designed by Sir Horace Jones (1819-1887) and engineer Sir John Wolfe Barry (1836-1918) over a period of eight years, it was the largest and most advanced bascule bridge ever completed when it opened in 1894, requiring 11,000 tons of steel and involving more than 400 construction workers. This impressive feat of engineering helped sustain the growing commercial activity at the docks and warehouses in East London, and the sudden influx of daily commuters brought in from the newly built London Bridge station. Still in full use today, the bridge is lifted an average of 850 times a year. This Victorian masterpiece remains a highly important crossing on the River Thames, as well as being one of London's defining landmarks. This compelling album of photographs by Harry Cory Wright allows us to experience the awe-inspiring structure of Tower Bridge in exquisite detail, from the intricate machinery and original mechanisms inside the control rooms and secret corridors, to the great cavernous space within the bascule chamber. It includes an interview with Senior Technical Officer Glen Ellis, who shares his own daily experience of lifting the bridge, evoking an incredibly vivid sense of `being there'.

Photographs and stories of 500 women from around the world, based on the author's hugely popular website. Since 2013 Mihaela Noroc has travelled the world with her backpack and camera taking photos of everyday women to showcase the diversity and beauty all around us. The Atlas of Beauty is a collection of her photographs that celebrates women from fifty countries across the globe and shows that beauty is everywhere, regardless of money, race or social status, and comes in many different sizes and colours. Mihaela's portraits feature women in their native environments, from the Amazon rain forest to markets in India, London city streets and parks in Harlem, creating a mirror of our varied cultures and proving that beauty has no rules. 'Stunning . . . aims to challenge the ideals of beauty dictated by the women's fashion magazine industry' Independent 'A startling and revealing project' Daily Mail 'Scrolling through "The Atlas of Beauty", beauty becomes not a universal standard, but a complicated tapestry' Huffington Post

At the northern entrance to Prince Albert in the Great Karoo lies Northend, a neighbourhood home to a special group of people. They have a very special way of communicating with others through their stories, which indicate an inherent joy of life. However, judging by their environment and circumstances, it is clear that they have experienced many hardship, and for an outsider it is an enriching experience to meet them.

Every picture in Slow Down Look Again tells a story and is supported by explanatory text. These enable the reader to gain insight into the past and the present of this unique neighbourhood and its residents.

The joy and sorrows of the residents of Northend - as well as their scant earthly possessions - are illustrated through Louis Botha?s excellent choice of photographic backgrounds. And yet the absolute neatness of their homes illustrates a certain pride - poverty without dilapidation. The intimacy of the photographs ultimately leaves the reader enriched. We become witnesses not only to the extraordinary character of a close-knit community, but also of its trusting relationship with the person whom they have allowed to tell their story. Louis Botha was born in Bloemfontein in 1955 and grew up on a small-holding north-east of Pretoria. After school he studied finance and followed a career in the Financial Services Industry. At the age of 40, and encouraged by his wife he pursued his hobby more seriously. He?s held several exhibitions and lives in Prince Albert.

Celebrate the majesty of America's natural wilderness with this special paperback edition honoring the 100th anniversary of Grand Canyon National Park--the perfect gift for nature lovers and photography enthusiasts alike. In The Grand Canyon and the Southwest, Adams' most iconic images of the Grand Canyon are reproduced alongside little-before-seen photographs showcasing the delicate and stark beauty of the Southwestern landscape surrounding it, from Texas to California. Next to Yosemite and the High Sierra, the Southwest was closest to Ansel Adams' heart. It was there, in the early 1930s, that he decided to make photography his life's work. These archival-quality images are complemented by a selection of Adams' vivid writings about the region and its influence on his art. "It is all very beautiful and magical here," he wrote, "a quality which cannot be described. You have to live it and breathe it, let the sun bake it into you."

Diesel and Dust offers visually stimulating images of Africa offer a multifaceted view of the continent in this recollection that is at once a history, a meditation, a travel memoir, and a tribute.

Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was `the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as `sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

As well as looking at the training environment Kandhola focuses on three established figures in boxing: Julius Francis, a four-times British Heavyweight and Commonwealth champion, who Kandhola first photographed in 2000 just before his fight with Mike Tyson; Robert McCracken, who won the British Light Middleweight title in 1994 and the Commonwealth title in 1995 - currently McCracken is Performance Director for the British Olympic team, and personal coach to Carl Froch; and Howard 'Clakka' Clarke who fought at Madison Square Garden for the IBF Light Middleweight Title - he lost, after which his career took a significant nose-dive with him winning only one fight out of his next seventy. He retired in 2007.

Obie encompasses a decades-long sweep of his life’s work and covers the globe. It is part coffee-table book, part travelogue, part autobiography and part storybook, with a bit of philosophy thrown in for good measure. It’s a great photographer, documenter and character looking back through his ever-increasing archive (built up over 60 years) and choosing the images that resonate the most, and which have a story to tell. Obie captures the rare, the human, the wonderful, the cosmic even. And he doesn’t just take pictures; he also meticulously records it all in words. His descriptions are often as intriguing, as beautiful or as crazy as his photographs.

As a small boy, John Comino-James stood in school cap and Sunday suit to have his snapshot taken under flags put up for Queen Elizabeth's Coronation. The resultant photograph resonates with an England long since disappeared, yet still fertile in the imagination. That sense of how that England has changed is the focus in John Comino-James' new book as he explores our everyday landscape of sign and symbol, from roadside verge to traffic-free shopping centre, to high-rise cityscapes. Art is in action ahead, and with a friendly corporate Hello, we are offered No Deposit Deals on Half Price Dreams. We are thanked for shopping, and offered free cash withdrawals. A Money Shop is at hand and woodlands are for sale - just visit the website. If we drop litter CCTV may catch us, and we are warned that if we leave something valuable on show in our car we can expect it to be stolen. Reminders of the valour and necessity, the sacrifices, the folly and the tragedy of war are never far away. Earthquakes may strike, stores may close but we can still buy artisan ice-cream. But if opportunity is the moment you have been looking for, where is salvation to be found if not in moments of direct relationship with others?

On the morning of July 30, 1883, President Chester A. Arthur embarked on a trip of historic proportions. His destination was Yellowstone National Park, established by an act of Congress only eleven years earlier. No sitting president had ever traveled this far west. Arthur's host and primary guide would be Philip H. Sheridan, the famed Union general. Also slated to join the expedition was a young photographer, Frank Jay Haynes. This elegant--and fascinating--book showcases Haynes's remarkable photographic album from their six-week journey.

A premier nineteenth-century landscape photographer, F. Jay Haynes, as he was known professionally, originally compiled the leather-bound album as a commemorative piece. As only six copies are known to exist, it has rarely been seen. The album's 104 images are accompanied by captions written by General Sheridan's brother, Colonel Michael V. Sheridan, who wrote daily dispatches that were distributed by the Associated Press.

In his informative introduction, historian Frank H. Goodyear III provides background about the excursion and explains the historic and aesthetic significance of Haynes's photographs. He then re-creates Arthur's journey by reintroducing Haynes's stunning images--along with Sheridan's original captions--including views of the Tetons and other landmarks; portraits of President Arthur, General Sheridan, and fellow travelers engaged in activities along the route; and images of the Shoshone and Arapaho leaders who gathered to greet the visiting party.

Published on the occasion of the reopening of the Haynes Photography Shop in Yellowstone, "A President in Yellowstone" offers a unique entry into the park's storied past.

In her international bestseller Strong Is the New Pretty (with 329,000 copies in print), the photographer Kate T. Parker changed the way we see girls by showing us their truest selves - fearless, messy, wild, stubborn, proud. Now it's time to talk about our boys. Prompted by #metoo, school shootings, bullying, and other toxic behaviour, there's a national conversation going on about what defines masculinity and how to raise sons to become good people. And Kate Parker is joining in by turning her lens to boys. The result is possibly even more moving, more eloquent, more surprising than Strong. The Heart of a Boy is a deeply felt celebration of boyhood as it's etched in the faces and bodies of dozens of boys, ages 5 to 18. There's the pensive look of a skateboarder caught in a moment between rides. The years of dedication in a ballet dancer's poise. The love of a younger brother hugging his older brother. The unself-conscious joy of a goofy grin with a missing tooth. The casual intimacy of two friends at a lemonade stand. The shyness of a lone boy and his model boat. The intensity in a football huddle. The proud, challenging gaze of a boy bald from alopecia - and the same kind of gaze, but wreathed in tenderness, of a boy a few years younger with flowing, almost waist-length hair. There are guitarists, fencers, wrestlers, star-gazers, a pilot - it's the world of our sons, in all their amazing variety and difference. The photographs feel spontaneous, direct, and with so much eye contact between the viewed and the viewer that it's impossible to turn away. And throughout, words from the boys themselves enrich every photo. What a gift for boys and anyone who is raising them.

`A photographer's gift to the viewer is sometimes beauty in the overlooked ordinary' Saul Leiter Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works - including early street photographs, images for advertising, nudes and paintings - cover Leiter's career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.

Cindy Sherman is among the most influential artists of her generation. Using herself as model, wearing a range of costumes and portraying herself in invented situations, she interrogates the imagery employed by the mass media, popular culture and fine art. Whether using make-up, costumes, props and prosthetics to manipulate her own appearance, or devising elaborate tableaux, her work constitutes a highly distinctive response to contemporary and earlier culture, whose stylistic tropes she appropriates and quotes. This book is a selection of Cindy Sherman's best loved works available as perforated postcards. Grouped by series, multiple postcards per page include both black and white photographs and full colour images. Produced in close collaboration with the artist, this fun package encourages appreciators to send `a piece of Cindy' by mail.

In this heartfelt tribute to the spirit and people of Oklahoma, one of the state's most distinguished photojournalists shows that he is equally talented as a photographer and writer. Showcasing black-and-white photographs and fifty short essays, "Shooting from the Hip "portrays Oklahoma's people, animals, lifestyles, landscapes, and weather in all their diversity. Cowboys, kids, tornados, trucks, rattlesnakes, fiddlers--J. Don Cook has seen them all, and through his poignant essays, he allows us not only to see them but to understand them as he does.

After a hardscrabble boyhood, Cook became a photographer at the age of twenty when he took a job with the "Ada Evening News" in southern Oklahoma. His first assignment was to photograph six abandoned puppies at the city dump--an apt foreshadowing of his career, for he has always been drawn to the poor, the disenfranchised, and the downtrodden.

In addition to the brief essays that accompany his photographs, Cook shares some of his own life experiences in a moving introduction and epilogue. His unsparing account of some of the worst moments of his difficult youth and his meditations on how he used these hardships to become an artist can only be called inspirational. "At seven I didn't know any better," he writes, "and believed I had few choices. But I quickly learned to cope--to feint, to dodge, to hide, to read, to run, to survive, to make art--and I did it all, shooting from the hip."

J. Don Cook, a resident of Oklahoma City, is an award-winning photojournalist, artist, poet, and business entrepreneur. Nominated three times for a Pulitzer Prize and named News Photographer of the Year seven times by the Oklahoma Press Association, his photographs have appeared in such magazines as National Geographic and Time. James Garner, the acclaimed film and television actor, is best known for his leading roles in the television series Maverick and the The Rockford Files. He is a native of Norman, Oklahoma.

Terence Donovan was one of the foremost photographers of his generation - among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. Alongside David Bailey and Brian Duffy, photographers of a similar working-class background and outlook, Donovan was a new force in fashion photography. Together, they captured and helped create the Swinging 60s. They socialized with celebrities and royalty, and found themselves elevated to stardom in their own right. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who pushed the limits of what was possible with a camera. And yet despite his fame and status, there has never been a publication devoted to his fashion work, for he allowed none to be released during his lifetime. Terence Donovan Fashion is thus the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how his constant invention and experimentation not only set him apart from his contemporaries, but also influenced generations to come. Contributions from some of the many designers, models and art directors who worked with him provide fascinating insights into his practice. Compiled by the artist's widow Diana Donovan and former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade, and including an illuminating text by Robin Muir, ex-picture editor of Vogue, and foreword by Grace Coddington, creative director of American Vogue and advisor to the project, Terence Donovan Fashion is indisputably a landmark in the history of fashion photography.

The remarkable photographs in Peoples of the Plateau capture the lives of Pacific Northwest Indians at the turn of the twentieth century--and at a turning point in their own history. This first major examination of photographer Lee Moorhouse and his work is lavishly illustrated with 104 b&w photographs.