'I spend a lot of time on Google Earth looking for places with an interesting or unusual aesthetic. My shooting days are usually quite simple. I shoot at sunrise and at sunset to capture the best light.' - Sebastien Nagy Award-winning Brussels-based photographer Sebastien Nagy has travelled all over the world, capturing bridges, towers, houses, roads, monuments and other structures from above with his drone camera. In a spectacular series of images, he shows the architectural footprint that humans leave behind on earth. From Mont Saint-Michel in Normandy to the Golden Gate Bridge in San Francisco and from the 'cycling through water trail' in Belgium to the Dubai Frame in the United Arab Emirates, Nagy invariably captures these well-known and lesser-known structures at the perfect time of day, as if they are all bathed in golden light. The approximately 120 photos are divided into four themes: Water, City, Desert and Nature.

As we withdraw farther from American canonical literature and poetry and move closer to a re-appraisal of literature's impact upon the arts through media, we may easily find a match for greater humanism and popular interaction in American rock culture through Paul Bowles. In this work, Bowles is re-invented within the postmodern, the postcolonial, and the renegade future underscored by liberal elites that had breathed new life into the American counterculture. Re-Creating Paul Bowles attests to the moments of relentless humanism and imaginative transformation that are most dreamlike, engaging the antagonism of psychology with imperialism at last. In his youth a classical composer and critic, Bowles deserves credit for spawning new generations of rock and pop music through his use of sound and tapping of non-Western or non-European folk music, bringing classic ethnography to the rock generation with Music of Morocco. Re-Creating Paul Bowles examines the Latin American, American, African, and Arab moments of his scholastic effort, a primary beginning for understanding modern popular music's free transcription of tradition. Re-Creating Paul Bowles includes several examples of films that adapt the author's personal life and times, the production of surrealist technique in film and literature, and the re-invention of classic works such as The Sheltering Sky and Collected Stories. It assumes the technique for re-production allows the elder Bowles greater freedom in crossing cultural boundaries and overruling the colonialist separateness that guarded cultural content for centuries. Bowles has always deserved re-appraisal in the American academy-and liberation from his stereotypical cult figure identity, a positive force in the ethnic comprehension of Self and society.

The ultimate record of the work of a world-class photographer. Capturing the iconic, candid, and unguarded moments of the famous and the notorious. "Terry was everywhere in the 60s - he knew everything and everyone that was happening" Keith Richards "Terry O'Neill rates rightly as one of the best photographers in the world. He captures something special" Sir Michael Caine "When it comes to photographic legends there can be few more prolific or revered than Terry O'Neill, the man who shot the greats." VOGUE "This sumptuous collection of portraits, taken over six decades, represents the best of his memorable career and should grace every coffee table in the land" The Daily Mail "I've been repeatedly asked to write my autobiography - I have seen an awful lot of famous people at their best and worst - but I'm not interested in making money trading their secrets or mine. I want my pictures to tell a story not sell a story." Terry O'Neill Terry O'Neill is one of the world's most celebrated and collected photographers. No one has captured the frontline of fame so broadly - and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history. Now, for the first time, an exhaustive cataloguing of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years. Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious - from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O' Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives. Add to that the magazine covers, album sleeves, film poster and fashion shoots of 1,000 stars, and Terry O'Neill - comprises the most compelling and epic catalogue of the age of celebrity.

This book is a vivid photographic record of daily life in Istanbul from the 1940s to the 1980s. Captured through the unerring lens of the award winning Ara Guler, the 'Eye of Istanbul', it reflects the city's melancholy aesthetic as it oscillates between tradition and modernity. Guler's remarkable duotone photographs are accompanied by evocative commentaries from Orhan Pamuk, another leading figure in Turkish culture. Both writer and photographer each held in their youth the ambition of becoming a painter. Here, each in his own way paints a brushless picture of his hometown and captures, through image and word, its very soul.

A definitive monograph to accompany the first museum survey of the renowned photographer and conceptual artist Rosamond Purcell (b. 1942), known for her strangely beautiful, often unsettling photographs of objects from the natural and man-made world. With more than 150 illustrations, the book reflects the breadth of the artist s career from the late 1960s to the present day, and includes photographs, assemblages, collages, and installations that serve to illuminate and explore the shifting boundaries between art and science. From large-format Polaroid prints to objects rescued from obscurity, Purcell s empathetic, evocative, multifaceted work explores the interstices between the unsettling and the sublime, the beautiful and the bizarre, the natural and the manufactured. With thoughtful and insightful texts from an eclectic list of critical voices including the acclaimed documentary filmmaker Errol Morris and the writer Christopher Irmscher and featuring an interview between Purcell and fellow contemporary artist Mark Dion, this book rejuvenates the critical approach Purcell s work and brings to light the evolution of a remarkable career.

Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn's working relationship. The trust and confidence they had in each other's capabilities was on full display in each photo. Greene passed in 1985, thinking his life's work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father's legacy. A photographer himself, Joshua spent years researching ways to restore his father's photographs as well as cataloguing and promoting Milton's vast body of work all over the world. After spending nearly two decades restoring his father's archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution. Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With 280 photographs, including many never-before published and unseen images, newly scanned and restored classics, as well as images that have appeared only once in publication, Greene's Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions - 50 in all - cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning - these breath-taking images of an icon stand above all the rest. The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions is sure to be a book that will become the platinum standard in photography monographs. Numbered to only 250 copies, this deluxe edition will be produced with the highest quality paper and cloth binding, packaged in a stunning cloth clamshell presentation case. Each book will come with a limited edition estate-stamped print, measuring 355 x 279mm, from Marilyn's 'Bed Sitting', which will be hand numbered, and a letter of authenticity from the Milton Greene estate.

For the first time, iconic fetish photographer G. Elliott Simpson is showing his works in a monograph. This book features cutting-edge fetish photography showcasing rubber and latex, aesthetically appealing and skillfully made. The Toronto-based photographer manages to approach the topic in a tasteful way, allowing viewers from the outside to explore an unknown world of lust and desire.

?????? One of Britain's leading contemporary photographers, Nick Waplington is known for photographing British social scenery and his life and close circle of friends and family in East London, where he lives and works. ?????? Double Dactyl accompanies his solo exhibition of the same name at The Whitechapel Gallery, London. ?????? Waplington first came to public notice with Living Room (1991), a photographic portrait based on the everyday lives of two close-knit families in Nottingham, England. ?????? Since then he has often worked in book form. Double Dactyl expands on previous work, now referencing the grand traditions of history painting, classical mythology and landscape photography. ?????? This new work also explores notions of photographic "reality," by working with constructed and manipulated images taken from his own large format photographs. ?????? Double Dactyl features 56 colour reproductions of this new body of work, its surreal and often subtle use of manipulation confirming Waplington's idiosynchratic approach to contemporary photographic practice. Nick Waplington has exhibited internationally including at Deitch Projects, New York, The Philadelphia Mudeum of Modern Art and the 2001 Venice Biennale. He lives and works in London. Also Published by Trolley You Love Life (2005) Learn How To Die The Easy Way (2001)

"Bruce Springsteen in All His Rock Star Glory." -Janet Macoska, The Daily Beast "Two careers were born on that cold night in 1974. Macoska would blossom into one of the most notable rock 'n' roll photographers of the last 50 years. And Springsteen was on his way to becoming The Boss." -Jay Crawford and Meg Hambach, wkyc3 "...Live In The Heartland covers almost five decades of touring from The Boss, and also includes set-lists and corresponding editorial content. The majority of the photos are previously unseen." -Classic Rock Magazine "There's only one boss of rock 'n' roll." -Tria Wen, Reader's Digest "... an energetic and moving visual tour that records the romance between The Boss and the Cleveland stages." -GQ Mexico Five decades of blue-jeans, down-to-earth rock 'n' roll. Five decades of poetic, authentic performances, political commentary, global tours and even a Broadway show. Bruce Springsteen hasn't just left an impact on the surface of modern music, he helped shape its foundations. From the early beginnings in 1974 to the seminal Born in the USA - one of the best-selling albums of all time - to the 2016 River Tour, the highest grossing tour of the year, Springsteen has a truly timeless appeal, captured here by lauded rock photographer, Janet Macoska. Macoska charts Springsteen through the ages. Through her lens we witness his enduring energy on the stage, from 1974 to 2016. Here is Springsteen at his finest: a down-to-earth superstar, whose powerful performances stand the test of time. "Bruce would rip his heart out and give it to his audience. He put everything into his performance. He was all over the stage, and the whole rest of the band was in lockstep, complimenting that energy. It was going out to the audience in bundles. We were sending it back , too, and that's really electric. That energy, those visuals? Photographers love that. It's perfect to have something like that to photograph." - Janet Macoska

"Her stunning images push boundaries and feature portraits of a wonderfully diverse selection of strong, bold people of all ages, races, and body types." - Loeidela Photographie "Inspirational, feminine and colourful..." - Flair Mode Magazin "...[pays] homage to all these forms of beauty that our society struggles to recognize".-Costanza Spina, Lense Alexandra Sophie is a French artist and renowned fashion and fine art photographer. Her work is described as sensual, fresh, and feminine, often entwining humans with nature. Alexandra Sophie's powerful and award-winning photographic work narrates stories on being human, the human being in environmental contexts - interwoven through floral themes - and explores identity through subjects such as sexuality, feminism, and interrogations on what constitutes the "normal" frontier. Alexandra's award-winning photography has gained international recognition, featuring collaborations and covers with high-fashion clientele, such as Swarovski, Cacharel, Vogue, Vanity Fair, Elle, and Harper's Bazaar UK, among many others; in 2018 Forbes named her as one to watch in its 30Under30 Europe profile. This highly illustrated book, which will include a preface written by Nathalie Colin (former Creative Director at Swarovski), comprises a lavish and rich portfolio of Alexandra's photographic portraits that is inspirational, beautiful, contemporary, and colourful. Her stunning images push boundaries and feature portraits of a wonderfully diverse selection of strong, bold people of all ages, races, and body types.

Barbara Cole's artwork is collected by public and private institutions and has been exhibited worldwide, including at the Canadian embassies in Washington, D.C. and Tokyo, Japan. Cole, who is often referred to as an inventor, uses a raw, hands-on photographic process that is consistent with her belief that the possibilities of photography are virtually limitless. Since the early 1980s, she has channelled her appreciation for the camera itself. She is dedicated to the history of photography by deviating from automatic cameras and techniques. Barbara Cole uses photography to play with notions of time, place, and identity. In her numerous series, Cole often asks the questions: how do you paint an image of timelessness? How do you capture the feeling of weightlessness in an image? Her ethereal photography takes on a quintessential painterly quality, with the transformation of figures a predominant theme in her work. Over the past 30 years, although she works with traditional photographic means, Cole's approach and aesthetic has become closer to that of a painter. The artist's work focuses on a powerful narrative, some with external motifs and others with intense figure transformations that alone tell the story. Cole's background in fashion and fashion editorial naturally leads to a process that channels her experience into creating a particular atmosphere with costumes and backdrops. Text in English and German.

"...a charming, beautiful and extremely aesthetically pleasing travelogue." -Roger Lush, Amateur Photographer "Stunning photography." -Outdoor Photography What does winter look like in the far north? According to the cliches: as dark and cold as a refrigerator. And yet it is precisely in these wintertime months that photographer Michael Koenigshofer picks up his camera and heads to the Arctic Circle! In this rich and original photo book, the Scandinavia-savvy Austrian captures much more than the cliched images of the Northern Lights. With an eye on the coexistence of nature and culture, Koenigshofer explores how lives are lived in this intense and extreme environment, from the traditional ivory carver in Greenland to the ice surfer in the North Cape. The result is an authentic portrait of Scandinavian life, showing a whole new side to life up north. Text in English and German.

One of the most unexpectedly useful things we can do when we're feeling glum or out of sorts is to look at pictures. The best works of art can lift our spirits, remind us of what we love and return perspective to our situation. A few moments in front of the right picture can rescue us. This is a collection of 100 of the world's most consoling and uplifting images, accompanied by small essays that talk about the works in a way that offers us comfort and inspiration. The images in the book range wildly across time and space: from ancient to modern art, east to west, north to south, taking in photography, painting, abstract and figurative art. All the images have been carefully chosen to help us with a particular problem we might face: a broken heart, a difficulty at work, the meanness of others, the challenges of family and friends We're invited to look at art with unusual depth and then find our way towards new hope and courage. This is a portable museum dedicated to beauty and consolation, a unique book about art which is also about psychology and healing: a true piece of art therapy.

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to purchase their own portraits. These portraits allowed individuals to create and embellish their own self images, presenting themselves as they wished to be seen within the trends and social mores of their time. Each book in the series contains two hundred images chosen from a visually rich vein of social history. Their back covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument." "Bicycles," as its title suggests, documents the great age of the safety bicycle, which was welcomed as a technology of emancipation for both women and men. Also included are portraits of competitive racers and newly pedaling toddlers. "
"These unique and visually stunning books offer a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike. "These images are captivating visual vignettes. We may not know who the subjects are, but the postcards offer us a glimpse of their interests, their time, and their world. Tom Phillips's exceptional collection gives us a fascinating chance to retrieve something of these lives."--Sandy Nairne, Director, National Portrait Gallery, London "Picture postcards from a century ago capture unique moments in time and place and are a wonderful social history record. Tom Phillips is adept at seeking out and choosing amazingly evocative postcard images."--Brian Lund, editor, "Picture Postcard Monthly"

This new paperback edition features 'No Less a Woman', the breast cancer awareness campaign with Stella McCartney. 100 women bravely share un-airbrushed photographs of their breasts alongside honest, courageous, powerful and humorous stories about their breasts and their lives. Women from all walks of life took part, aged from 19 to 101, sized AAA to K, from Buddhist nun to burlesque dancer. Their perspectives and experiences are revealing and profoundly moving. Intimate, visually refreshing, maybe even surprising, Bare Reality will make you reconsider how you think and feel about your own body, and those of the women in your life.

The book is about Dennis the Orang Utan. With a foreword of Dennis Weening, ambassador of the foundation Jaan, whom Dennis is named for. Dennis is a victim of the palm oil industry and rescued from the hands of an animal trader, along with a lot of other species. Dennis's mother was slain in a palm oil plantation so Dennis could be taken for trade in exotic pets. Meanwhile, the plantations take more and more rapidly in the original habitat of the animals. Dennis symbolizes all the victims of the palm oil industry and to call attention for the situation in Indonesia and the use of palm oil, the campaign Save Dennis started. Ted Van Der Hulst is a specialized portrait photographer who captures character in his photographs. He followed the progress of Dennis the Orangutan, at the SOCP Rehabilitation Centre in Sumatra. He captured the daily life of Dennis and his emotionally journey that he has to take without his mom. Dennis is a symbol of The main purpose is to raise awareness for the plight of the Orangutan and the Rainforests .. through Dennis' Story. Dennis the orangutan represents all the orangutans out there in the Indonesian forests, who all are seriously threatened to become extinct if we don't take action now

Frank Hurley is best known today as a photographer and film maker. His major documentary films include 'The Home of the Blizzard', 'In the Grip of the Polar Pack Ice', 'Sir Ross Smith's Flight' and 'Pearls and Savages', while his photographs of Douglas Mawson's Australasian Antarctic Expedition, Ernest Shackleton's Imperial Trans-Antarctic Expedition and the two World Wars have been so widely exhibited and reproduced that in many cases they are the principal means by which we have come to see those world-historical events. Yet there is another source, so far little known to the public, which also gives us a startling sense of the presence of the past: it is Hurley's voluminous manuscript diaries, only brief extracts from which have so far been published. Originally written in the field in Antarctica, South Georgia, England, France, the Middle East, Papua and Australia, and later raided and revised for his many publications and stage performances, they have survived years of world travel and are now carefully preserved in the archives of the National Library of Australia in Canberra and the Mitchell Library in Sydney. This illustrated edition of his diaries presents Frank Hurley in his own words, explores his testimony to these significant events, and reviews the part he played in imagining them for an international public.

Frank Hurley is best known today as a photographer and film maker. His major documentary films include 'The Home of the Blizzard', 'In the Grip of the Polar Pack Ice', 'Sir Ross Smith's Flight' and 'Pearls and Savages', while his photographs of Douglas Mawson's Australasian Antarctic Expedition, Ernest Shackleton's Imperial Trans-Antarctic Expedition and the two World Wars have been so widely exhibited and reproduced that in many cases they are the principal means by which we have come to see those world-historical events. Yet there is another source, so far little known to the public, which also gives us a startling sense of the presence of the past: it is Hurley's voluminous manuscript diaries, only brief extracts from which have so far been published. Originally written in the field in Antarctica, South Georgia, England, France, the Middle East, Papua and Australia, and later raided and revised for his many publications and stage performances, they have survived years of world travel and are now carefully preserved in the archives of the National Library of Australia in Canberra and the Mitchell Library in Sydney. This illustrated edition of his diaries presents Frank Hurley in his own words, explores his testimony to these significant events, and reviews the part he played in imagining them for an international public.

200 countries; one street each; seven years of travelling and collecting photos, stories, facts and figures about each country. This is not just another photography book. It reveals everything that a street means to society: education, wisdom, youth, experience, happiness, stories, food, and so much more. This is the raw material of life, drawn directly from the experiences of the Belgian photographer Jeroen Swolfs. Seeing the street as a unifying theme, he travelled in search of that one street in each place - sometimes by a harbour or a railway station - that comprised the country as a whole. Each stunning image conveys culture, colours, rituals, even the history of the city and country where he found them. Swolfs sees the street as a universal meeting place, a platform of crowds, a centre of news and gossip, a place of work, and a playground for children. Swolfs's streets are a matrix for community; his photographs are published at a time when the unique insularity of local communities everywhere has never been more under threat.