Ansel Adams: 400 Photographs presents the full spectrum of Adams' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, Ansel Adams: 400 Photographs will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information about Adams' life, document the evolution of his technique, and give voice to his artistic vision. Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and lifetime of hard work that a book of this scale can be compiled. Ansel Adams: 400 Photographs is a must-have for anyone who appreciates photography and the allure of the natural world.

In 2011, adhering to his mentor Henri Cartier-Bresson's mantra to 'photograph the truth', animation filmmaker Ishu Patel embarks on a photographic journey in southeast Asia. Abandoning moving images to secure a series of still images that capture a uniquely human gesture or powerful thought-provoking story, he prowls both urban and rural areas armed only with a Leica M9 with 35 and 50mm fast lenses. The result is a collection of elusive still images - photographs, mainly in black and white, that tell a story, seize a moment in life or are a witness to joy, struggle or human dignity. Never political or judgmental, the collection comprises Patel's homage to the unsung lives of ordinary Asians, many of whom are increasingly overlooked in today's fast- changing world. Patel also contributes thoughtful essays on the various countries and peoples he has so powerfully photographed.

Mellow is a collection of photography by the Norwegian photographer, Sofie Sund. Through carefully constructed still life images, Sofie captures the essence of what is usually perceived simply as normality. However, with a playful yet delicate touch, this series of images strives to elevate and capture the wonder of those little 'in-between moments'; the moments that when pieced together make up everyday life. The notion of the ordinary is something which inspires Sofie, as well as the more purely obvious aesthetic details in the world around her. Experimenting with color combinations and light is a big focus in this artist's work. Sofie's style is easily recognisable yet simple in its approach, with a light-heartedness that cuts through the sometimes emotionally oriented imagery. Using different textures and shapes, it is also clear that Sofie is fascinated by the smallest details - and now, with this ongoing photography project, this photographer wants to bring you into her creative universe.

Montauk's beautiful beaches, and its location just over 100 miles east of Midtown Manhattan, make it a go-to destination for city dwellers seeking summer bliss. More than 100 photos offer viewers an unfiltered peek into the all-American charm of this town on Long Island's South Shore, famous for its fishing and six surrounding state parks. Native New Yorker Car Pelleteri captures the culture and scenic landscape-surf and sun bathers at Ditch Plains, the terrestrial Hoodoos at Shadmoor, and horseback riding at Deep Hollow, the oldest cattle ranch in the US. Images of the sun dipping into the ocean at Navy Beach, the walking dunes at Hither Hills, and visitors enjoying the fresh local seafood and homegrown brews on the dock distill the essence of summer at a classic hotspot.

Nobody photographs libraries, those splendid and intimate cathedrals of knowledge, as beautifully as Candida Hoefer. Her photographs are sober and restrained - the atmosphere is disturbed by neither visitors nor users, especially as she forgoes any staging of the locations. The emptiness is imbued with substance by a subtle attention to colour, and the prevailing silence instilled with a metaphysical quality that gives voice to the objects, over and above the eloquence of the furnishings or the pathos of the architecture. This sumptuous volume contains Hoefer's famously ascetic images of the British Library in London, the Escorial in Spain, the Whitney Museum and the Pierpoint Library in New York, the Bibliotheque nationale de France in Paris, the Villa Medici in Rome and the Hamburg University Library, among others. Umberto Eco introduces the collection with a witty reflection on the role of libraries in all our lives. Almost completely devoid of people, as is Hoefer's trademark, these pictures radiate a comforting serenity that is exceptional in contemporary photography.

The tension between social reform photography and photojournalism is examined through this study of the life and work of German emigre Hansel Mieth (1909-1998), who made an unlikely journey from migrant farm worker to Life photographer. She was the second woman in that role, after Margaret Bourke-White. Unlike her colleagues, Mieth was a working-class reformer with a deep disdain for Life's conservatism and commercialism. In fact, her work often subverted Life's typical representations of women, workers, and minorities. Some of her most compelling photo essays used skillful visual storytelling to offer fresh views on controversial topics: birth control, vivisection, labor unions, and Japanese American internment during the Second World War. Her dual role as reformer and photojournalist made her a desirable commodity at Life in the late 1930s and early 40s, but this role became untenable in Cold War America, when her career was cut short. Today Mieth's life and photographs stand as compelling reminders of the vital yet overlooked role of immigrant women in twentieth-century photojournalism. Women, Workers, and Race in LIFE Magazine draws upon a rich array of primary sources, including Mieth's unpublished memoir, oral histories, and labor archives. The book seeks to unravel and understand the multi-layered, often contested stories of the photographer's life and work. It will be of interest to scholars of photography history, women's studies, visual culture, and media history.

An engaging introduction to the work and the world of pioneering photographer Julia Margaret Cameron, Arresting Beauty presents more than 120 images from the V&A’s collection, the largest holding of Cameron’s photographs in the world. Exploring her unique artistry, this book reaffirms her position as one of the most innovative and influential photographers of all time.

It is a familiar sight late night in the centers of major cities like London and New York: the rush of people sneaking drunken kisses and fumbling exchanges before stumbling home. But travelling the opposite direction there is a select few who only come out after midnight. The 'Night Flowers' is an affectionate term that encompasses the loose-knit society of drag kings and queens, club kids, alternative-queer, transgender, goths, fetishists, cabaret and burlesque performers who bloom at night and burn brightly under the neon lights of central London.These portraits are the result of a project begun by Damien Frost in early 2014 where he went out every night to wander the streets of London in search of its most colourful inhabitants. In so doing, Damien first stumbled across the world of the 'Night Flowers' and he began documenting the people and their wild array of looks and creative expresssion.For the most part, the photographs are incidental portraits taken after chance encounters on the streets, down dark alleys or backstage in a club and often in cramped and crowded circumstances - the poise and grace of the subjects belying the quizzical looks or comments or event taunts thrown at them by passers-by. Damien's photographs reveal a massive array of artists, dancers, designers, performers and others who were turning themselves into an ephemeral artwork that would last for a few hours at most.

This addition to the affordable Photofile series brings together the best work of Ernst Haas, one of the world's greatest photographers. One of the early pioneers of colour photography, Haas began his photographic career in the 1940s in Vienna, rising to fame following the publication of his photo essay on returning prisoners of war from Russia. In 1951, Haas decided to make his home in NewYork, and became renowned for his work with motion photography and advertising campaigns for companies such as Marlboro, Chrysler and Volkswagen. With a selection of his most representative images and a bibliography for further reading, this is an ideal introduction to the photographer.

Continuing the tradition of creating the next level of breathtaking pin-up girls in the modern world, internationally acclaimed photographer and pin-up artist Celeste Giuliano presents her classic style of pin-ups in stunning 3-D for the first time ever. The pin-up girl has been a staple of classic American culture since the 1920s. Featured on advertisements and novelty items, their coy smiles and flirtatious ways captivated millions while selling everything from colas to cars. During the 1950s, a whole new dimension of tease gained popularity once these timeless beauties were presented in 3-D. This book features all new images of the classic girl next door that tease both on and off the pages in breathtaking realism.

An introduction to the work of the celebrated fashion photographer. An experimenter and innovator, Erwin Blumenfeld (1897-1969) produced an extensive body of work including portraits and nudes, celebrity portraiture and advertising campaigns - but it is his fashion photography for which he is best known. Having fled Paris during World War II, Blumenfeld forged a stellar path in New York, where he worked for Harper's Bazaar, American Vogue, Helena Rubinstein, L'Oreal and Elizabeth Arden. Discover Blumenfeld's masterful work through sixty full-page reproductions in this title in the Photofile series. The curator Emmanuelle de l'Ecotais contributes an introduction.

Award winning international photographer Robert Herman elevates the practice of street photography in The Phone Book. With the iPhone (TM), he has created compelling images from his travels around the world. Inspired by the new Hipstamatic App (TM), The Phone Book compendium is a creative labyrinth that invites the viewer to discover their own connections between the images. As the follow up to his critically acclaimed first monograph, The New Yorkers, Robert Herman captures the world in brilliant spontaneity; unique in his artistry and universal in its humanity.

Let legendary fashion and portrait photographer Albert Watson guide you through how he captures his amazing images. In a series of bite-sized lessons Watson unveils the stories behind his most-famous shots and gives you the inspiration, tips and ideas to take into your own photography - from how to work with lighting and lenses, to learning to embrace your creativity and advice on getting your foot in the industry door. Illustrated throughout with key images from Watson's incredible 50-year career at the forefront of photography.

A Kind of Prayer presents the first-ever survey dedicated to the late Cree artist Kimowan Metchewais and his singular body of work on Indigenous identity, community, and colonial memory. After his untimely death at age forty-eight in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes-including the artist's body, performative self-portraiture, language, landscapes, and everyday subjects-and served as the source material for works in other media, such as painting and collage. Metchewais's exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. A Kind of Prayer is a comprehensive overview that showcases this essential artist's astonishing vision.

"These photos are stunning, bittersweet visions of a past shared by all of us." - Tom Hanks. "Brian Hamill is best known as a still photographer and a photojournalist. But I've always regarded him - first and foremost - as a master portraitist. And this book bears that out - capturing as it does, the many-faceted phenomenon that was John and Yoko - artists, lovers, cultural comrades and - most elusively - business partners. Behind his camera, Hamill is something of a phenomenon himself." - Richard Price John Lennon's life, death and music shaped the world. His reputation as a philanthropist, political activist and pacifist influenced millions worldwide. If Elvis was King, Lennon was his rightful successor - and fittingly, several images in this collection of both classic and unseen photos show him wearing a diamond-studded 'Elvis' pin over his heart, in homage to his forefather on the throne of Rock 'n' Roll. John Lennon is seen here in several sessions in New York, performing on stage, relaxed at home and walking on the street with Yoko Ono. Renowned celebrity photojournalist Brian Hamill delivers his own insider view of this Beatles icon, through intense, intimate photographic portraits and insightful text. Whether Lennon is dominating the stage, posing on the roof of the Dakota building, or relaxing with Yoko Ono, Hamill's photography takes this quasi-mythical figure from the world of Rock 'n' Roll and shows him as the man he really was. "Brian looked at the John Lennon who had become an icon and saw instead a familiar face. He saw a working-class hero like those that built the City of New York. And so when John Lennon came to live in New York, Brian captured him as a New Yorker, in the joyous images that you will find in this book." - Pete Hamill "Lennon, one of the most famous men in human history, wanted to live as one among many. Of course, he hit it off with Hamill. The guy that flew so high needed some oxygen. Hamill is fresh air. His folio of Lennon images shows Lennon focused, present, but edgy, never relaxed." - Alec Baldwin

The Underground is the backbone of the city of London, a part of our identity. It's a network of shared experiences and visual memories, and most Londoners and visitors to the city will at some point have an interaction with the London Underground tube and train network. The Tube Mapper project deliberately captures moments of subconscious recognition and overlooked interests, showcasing images that can be seen near or at many of London's Underground, Overground and DLR stations. Photographer Luke Agbaimoni gave up city-scape night photography after the birth of his first child, but creating the Tube Mapper project allowed him to continue being creative, fitting photography around his new lifestyle and adding stations on his daily commute. His memorable photographs consider such themes as symmetry, reflections, tunnels and escalators, as well as simply pointing out and appreciating the way the light falls on a platform in an evening sunset. This book reveals the London every commuter knows in a unique, vibrant and arresting style.

Features stunning aerial photographs of the Deep-water Horizon Gulf oil spill. The full scale of the disaster is revealed in these photographs where the human presence takes the form of tiny toy-like helicopters and ships. Only the billowing smoke from a great fire signals the true destruction caused.

Daleside, in the Gauteng Province, once had a predominantly white population and is isolated in the industrial outer suburbs of Johannesburg. Its separation has resulted in Daleside's residents becoming increasingly inward-facing, and in the space of a decade it has become an isolated ghost town with a dwindling population consisting of mostly mine workers and smallholders. Commissioned by Rubis Mecenat through their Of Soul and Joy programme, the resulting photographs provide a counterpoint-Clement-Delmas's images show dignified figures whose dreams are at odds with reality whereas Sobekwa's landscape portraits show no such escapism. Looking beyond the deep-seated Black/white binary, they depict the poverty afflicting Black and white residents alike as forgotten members of society stuck in a dead end. Contrary to his expectations of what he might find there, Sobekwa came face to face with the reality of Black and white residents experiencing the same poverty out of eyeshot of the tightly-guarded houses of the wealthy. In Daleside: Static Dreams, the images by each photographer are presented alongside each other in a foldout book so they can be read individually or as pairs.

American street photographer Leon Levinstein is much admired within the photographic community, but little known outside of it. Solo exhibitions at the National Gallery of Canada in 1995 and the Metropolitan Museum of Art in New York in 2010 brought him to the attention of many, but his dynamic and original work is yet to achieve the recognition it deserves. Levinstein's fearless and unsentimental black and white images, whether shot in New York City, Coney Island, Haiti, Mexico or India, possess in Metropolitan Museum of Art Curator of Photographs Jeff Rosenheim's words, "graphic virtuosity - seen in raw, expressive gestures and seemingly monumental bodies - balanced by an unusual compassion for his off-beat subjects." In 1975, at the age of 65, Levinstein received a grant from the John Simon Guggenheim Foundation. His intention, in his own words, was to photograph "as wide a spectrum of the American scene as my experience and vision will allow." This long-awaited book fulfils this ambitious goal.