This is a book of poetry accompainied by photography

Bangladesh has been shunned by tourists from the moment it was created in 1971. Henry Kissinger described it as a basketcase. Poverty and humanitarian disasters defined Bangladesh in the ensuing decades. When Rupert Grey arrived in Dhaka in 1992, a sign announced that arrivals were ‘Welcome to Bangladesh before the tourists get here’. They still haven’t. Grey first came to Bangladesh as a London lawyer armed with three FM2 cameras. Many journeys and 30 years later he is a photographer armed with a useful legal background. The catalysts were Chobi Mela, the festival of photography, and its founder Shahidul Alam, an acclaimed photographer, human rights activist and Time magazine’s Person of the Year in 2018. This book charts Grey’s love affair with Bangladesh, including an epic transcontinental journey through India to Chobi Mela in a vintage Rolls-Royce, later portrayed in the award-winning, Sharon Stone produced film Romantic Road. His photographs, mostly taken on film, speak powerfully of the cultural vitality and energy which Kissinger missed, and which inspired Grey’s Homage to Bangladesh. As a libel and copyright lawyer Rupert has represented national papers, politicians, bankers, celebrities and explorers. He serves on the board of a number of front-line charities in the arts, education, photography and marine exploration. He has travelled on foot and horseback, by dug-out canoe, dog sledge, camel, elephant, bush-plane and Land Rover to the wild places of the earth. His photographs have been exhibited in several countries including Bangladesh, and his articles have been widely published. He lives with his wife Jan in a remote thatched cottage in Sussex, England, with their three daughters nearby.

For more than two decades, legendary British photographer David Yarrow has created evocative photography of some of the world s most iconic personalities, sporting moments, and endangered wildlife. With his images raising huge sums for charity, he is one of the most relevant and best-selling photographers in the world today. This stunning volume is a retrospective of Yarrow s storytelling work, which has earned him wide acclaim in the fine-art market. This assemblage of truly unmatched work brings the magic and brilliance of the big screen to each singular image. Inspired by the great cinematic directors, Yarrow tells stories from the Wild West to the pirates of the Caribbean, the coasts of Alaska to the plains of Africa, Manhattan to an old saloon in Montana. Whether poignant, dramatic, or provocative, they are always epic. Offering additional insight are behind-the-scenes photos and Yarrow s own first-person contextual narratives. The book features a mix of more than 150 yet-to-be-published and already iconic photographs, including work from assignments with some of the biggest names and brands in fashion, sports, and culture, like Cindy Crawford, Cara Delevingne, Russell Wilson, Ciara, and Alessandra Ambrosio.

Roger Ballen’s new rat-human character: a gothic allegory in immaculately composed photographs

Over the past 35 years, Johannesburg-based American photographer and painter Roger Ballen (born 1950) has developed a distinctively dark and eerie style―characterized by a simple square format and stark black and white―to create images of the South African social landscape and portraits of surreal vignettes.

In his latest volume Ballen expands on his longstanding predilection for unsettling interiors and spooky characters. Roger the Rat follows the life of a creature whose body is human but whose head is that of a rat. Ballen’s rat character interacts with mannequins, people and various objects in often cramped and oppressive rooms, in ways that defy explanation but seem at once humorous and sinister. This book gathers the series, made between 2015 and 2020.

This book is published on the occasion of an exhibition in Milan, which was first shown in Murcia (Spain) and after in Siena (September 2009 - January 2010), featuring a selection of 114 pictures, some of which are previoiusly unpublished, almost all of small size, by the famous American photographer Francesca Woodman. Born in Denver in 1958, daughter of the ceramist Betty and the painter George Woodman, Francesca started to work with the camera when she was only thirteen, by making her first self-portrait. In the nine following years, before her suicide in January 1981 when she was only twenty-three, she kept on taking pictures of herself at home, in the midst of nature, on her own or with friends, while in action shots or in studied poses. With texts by Isabel Tejeda, Marco Pierini and Lorenzo Fusi, a biography of the artist and a complete bibliography, this book is the most recent and most complete publication of the artist's work. Text in English and Italian.

Reveals new and previously unknown biographical material about an important figure in 19th-century American architecture and music Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City architecture. Yet he was one-third of the party responsible for the early development of Central Park in New York. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this 19th-century American architect and musical genius. Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed "the Church of the Holy Zebra," it was the first building in America to display the mix of colorful materials and Medieval Italian inspiration that were characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould's spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC's revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875-1879, he worked for Henry Meiggs, the "Yankee Pizarro," in Lima, Peru. Resting on the foundation of Central Park Docent Lucille Gordon's heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photography's most fundamental attributes and potentials. An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbot's experiments have to contemporary concepts of the art of photography.

This visually striking book is the first to explore the oeuvre of the celebrated multidisciplinary Nigerian artist, and its themes of identity, globalization, migration, cultural heritage, and African postcolonial identities.

From his birth in a rural village in Nigeria to his unorthodox ascent as a global art star Victor Ehikhamenor is garnering worldwide attention for his vibrant and incisive works that engage contemporary art, African history, and the postcolonial politics of global Black identity.
Drawing inspiration from his Nigerian roots, Ehikhamenor fuses tradition with contemporary expression through intricate patterns, symbolic motifs, and a rich visual language that weaves together the threads of mythology and cultural heritage. Brimming with boldly colored photographs and reproductions, this book focuses on Ehikhamenor’s most recent work such as Daydream Esoterica, Saints and Sanctums, Still Standing, and A Biography of the Forgotten, investigating them through a transcultural analysis of mobility, circulation, networks, and connectivity.
It explores seven key aspects of the artist’s practice—rosaries, perforations, installations, paintings, drawings, collage, and sculpture—to show how he creates complex portraits of African peoples and African spaces.

Explore and discover the most beautiful places in Northumberland with this definitive visitor and photo-location guidebook. From coast to castles, endless beaches and windswept hills, you'll experience solitude and a hearty welcome in the kingdom of Northumbria. Northumberland is a magical place to visit and Anita Nicholson leads you to ancient castles; hidden gardens; unspoilt beaches; rolling hills; rugged moorland; sweeping views, villages and friendly little market towns. COVERING: * Berwick-Upon-Tweed * Lindisfarne * Bamburgh Castle To Howick * Alnwick & Coast * Druridge Bay To Collywell Bay * Cheviot: Moors & Valleys * Northumberland National Park * Simonside & Rothbury * Kielder & Otterburn * Hadrian's Wall & The West With 62 locations described and illustrated by over 500 colour photographs, Photographing Northumberland is the definitive visitor and photo-location guidebook to photographing this beautiful county. It includes the best places to stay, eat and drink. FEATURING: * 62 locations and over 500 beautiful photographs * Detailed maps, directions and co-ordinates for each location * Best seasons and time of day to visit * Sun compass * Accommodation and best pubs * Accessibility information

Before they became two of America's most iconic pop artists, Andy Warhol and Robert Indiana were young aspiring creatives, living in New York. There, they met and befriended William John Kennedy, who would take some of the first photographs of these artists in their career. Many photographers worked with Andy Warhol, but few so early on in his career or in a such a uniquely collaborative fashion. After establishing a friendship with Robert Indiana and taking some of the first, important close-up images of him in his studio, Kennedy went on to work in a similarly creative way with Warhol. These striking images of the young Warhol and Indiana were lost for nearly 50 years before being rediscovered. They were immediately recognised as important documents by the Warhol Museum and by Robert Indiana, and presented in the Before they were Famous exhibition, which travelled to London and New York. The story of the re-discovery of these photographs was made into an acclaimed documentary in 2010 - Full Circle: Before They Were Famous, Documentary on William John Kennedy. William John Kennedy: The Lost Archive: Photographs of Andy Warhol and Robert Indiana will be the first of William John Kennedy's books devoted solely to the time he spent with Andy Warhol and Robert Indiana. The book features pictures of both artists as well as images of Taylor Mead, UltraViolet and other members of Warhol's circle.

'I can't make my work without the collaboration of the community. Their willingness to allow their story to be told is an important part of what I see.' Sabelo Mlangeni Many of the stories that Sabelo Mlangeni tells are of communities on the periphery of society. Taking time to build relationships, he gains trust and, eventually, access to inner circles and sacred spaces. Based in South Africa, he has focused on Johannesburg (Big City, 2002-15), as well as the rural areas surrounding his hometown of Driefontein (At Home, 2004-9), and the country towns that 'freedom and opportunity have somehow skipped past' (Ghost Town, 2009-11). People are at the heart of Mlangeni's photography, often those who have been pushed to the so-called 'margins', or whose stories could have easily gone untold, such as the street-sweepers of Invisible Women (2006) and the hostel residents in Men Only (2008-9). In My Storie (2012) and No Problem (2013) he reveals the legacy of apartheid in the stark divisions that remain between racially segregated communities; and in Country Girls (2003-9) he explores gender roles in portraits ranging from the glamorous to the tender and intimate. Mlangeni's work seeks to recentre themes of friendship, love and joy in the face of ever-present risk. Above all, his images tell stories of seeking out your people, choosing a family and building a home, wherever you find yourself. The Tate Photography Series is a celebration of international photography in the Tate collection and an introduction to some of the greatest photographers at work today. With the direct involvement of living photographers in collaboration with photography curators, these books showcase the best and most notable images taken across the globe, from city streets to seashores, moving across landscapes and through subcultures, in a visual travelogue of our world. Each book contains a new conversation between curator and photographer and is prefaced with a short introduction. The theme for the first four titles is Community and Solidarity. Also available in this series are: Sirkka-Liisa Konttinen (978-1-84976-800-9) Liz Johnson Artur (978-1-84976-801-6) Sheba Chhachhi (978-1-84976-803-0)

World renowned photographer Bunny Yeager brings together 144 of the most beautiful and flirtatious girls from the 1950s. Selected from her vast photographic archives, these images will awaken the senses and stir the reader to a new appreciation of their timeless beauty. These are "flirty" photographs, because of the certain "something"-a look, an attitude, perhaps a suggestive body position.-that subtle way that a person says "Look at me!" Appreciate the pioneering creativity of Bunny Yeager through her unique photographic art. And, of course, there is the wonderful allure of so many beautiful women.

Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that took him to eight African countries.

In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately 1,500 colour negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017.

Todd Webb in Africa includes over 150 striking colour photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Accompanying essays place the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.

The first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as "leaning into the uncanny," visualizing ritual and the process of excavating Black men's erotic potential, the better to exorcise the "intangible presences that haunt their bodies and psyches." The men's faces and bodies glisten with sweat (and tears)-the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as "an ideal, a warm depiction that insists on concrete possibility for another world." In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.