Midge Ure is one of the most successful musicians of his generation, selling more than 20 million albums over the last five decades. During the 1970s he played in various rock and pop bands around Scotland before moving to London to join ex-Sex Pistol Glen Matlock's Rich Kids, later playing guitar for Thin Lizzy, forming Visage and joining Ultravox. In the 1980s he had phenomenal worldwide success with Ultravox and as a solo artist. He also co-wrote one of the best-selling singles of all time, Band Aid's 'Do They Know It's Christmas'. He co-founded the Band Aid charity and is still involved with it today. This book is a stunning collection of photographs taken by Midge on his travels between 1980 and 1985. Travelling with a Canon A-1 camera, he documented his work in the recording studio, on tour with Ultravox, behind the scenes whilst directing promotional videos (for Ultravox and other artists such as Phil Lynott, Fun Boy Three, Bananarama) and holidays in far-flung places and road trips. This is a fascinating travelogue of a working musician. All photographs have been carefully scanned and retouched from the original negative to show the images in their glorious best, and every element of this book has been produced to the highest specification. Midge is still active today writing and recording music, touring around the world as well as presenting TV and Radio programs.

"... Any dog devotee will put it right on their coffee table the second they open it." -Christina Vercelletto, CNN Underscored "...a magnificent collection of photos of animals looking sweet, innocent, thoughtful, tender and sublime." -Dave Johnson, Forbes What makes dogs so unique? They are the only species that favour the company of humans over their own kind. A dog looks at us with a deep understanding and empathy perhaps greater than our own. In this charming book of dog photography, Vincent Lagrange records this treasured intimacy with our four-legged friends. Applying the techniques of portrait photography, which he learned in his youth at his father Marc Lagrange's studio, he captures our canine counterparts in crisp, perfectly illuminated pictures that allow their own soulful personalities to shine through. Text in English and German.

Most unusually among major painters, Vincent van Gogh (1853-90) was also an accomplished writer. His letters provide both a unique self-portrait and a vivid picture of the contemporary cultural scene. Van Gogh emerges as a complex but captivating personality, struggling with utter integrity to fulfil his artistic destiny. This major new edition, which is based on an entirely new translation, reinstating a large number of passages omitted from earlier editions, is expressly designed to reveal his inner journey as much as the outward facts of his life. It includes complete letters wherever possible, linked with brief passages of connecting narrative and showing all the pen-and-ink sketches that originally went with them. Despite the familiar image of Van Gogh as an antisocial madman who died a martyr to his art, his troubled life was rich in friendships and generous passions. In his letters we discover the humanitarian and religious causes he embraced, his fascination with the French Revolution, his striving for God and for ethical ideals, his desperate courtship of his cousin, Kee Vos, and his largely unsuccessful search for love. All of this, suggests De Leeuw, demolishes some of the myths surrounding Van Gogh and his career but brings hint before us as a flesh-and-blood human being, an individual of immense pathos and spiritual depth. Perhaps even more moving, these letters illuminate his constant conflicts as a painter, torn between realism, symbolism and abstraction; between landscape and portraiture; between his desire to depict peasant life and the exciting diversions of the city; between his uncanny versatility as a sketcher and his ideal of the full-scale finished tableau. SinceVan Gogh received little feedback from the public, he wrote at length to friends, fellow artists and his family, above all to his brother Theo, the Parisian art dealer, who was his confidant and mainstay. Along with his intense powers of visual imagination, Vincent brought to the

A fearless innovator who inspired designers, models, photographers, and artists, Diana Vreeland, the famed editor of Vogue, reinvented the way we think about style. In this first full-length biography, Amanda Mackenzie Stuart tells the story of Vreeland's childhood on New York's Upper East Side, her first job at Harper's Bazaar, her renowned post at Vogue, and her role as special consultant to the Costume Institute at the Metropolitan Museum of Art. Empress of Fashion is an intimate and surprising look at an icon who made a lasting mark on the world of couture.

"This elegant approach to his chosen medium is evident in an alluring new book from German luxury publisher teNeues, Vincent Peters: Selected Works" - Jared Paul Stern, Maxim "With his signature black-and-white photography and exquisite lighting, his portraits look like snapshots from classic movies." - Square Mile Vincent Peters' photographs have left the fast-moving trends of fashion photography behind and become timeless works of art. Born in Bremen in 1969, Peters has been one of the most sought-after fashion and portrait photographers for over 25 years. With his signature black-and-white photography and exquisite lighting, his portraits look like snapshots from classic movies. Supermodels, stars, and legends have all stood before his camera - from Penelope Cruz and Rosamund Pike to Mickey Rourke and Matt Dillon. This new Collector's Edition with luxurious linen finish expands on Peters' bestselling book with 30 new images, all personally selected by Peters. A collection of astonishing portraits, in which the intimate urgency of the moment creates a timeless image.

On his nighttime rambles through the City of London-i.e., its historical and financial heart-Andreas Schmidt (born 1967) documents the icy glamour of its epic-scaled financial palaces, in which empty lobbies, conference rooms and endless corridors proliferate. Schmidt's portrait of these eerily alienated realms restore the understanding that such environments, in their oversized grandeur, are very far from the civic good.