The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter's in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, "The Genius in the Design" is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today.

They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.

They were the bohemians.

Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

Botswana's rapid transition between 1965 and 2016 from one of the poorest countries in the world to one rated as middle income has been extraordinary. Fifty years of change has seen the widespread disappearance of coal-fired locomotives and popularly used passenger trains, and ox drawn wagons. Blacksmiths, paraffin lamps, rondavels and thatched buildings, lime, women carrying buckets of water, metal water tanks have gone. The list goes on: the displacement of the round by the rectangular, migrant labour, hand cranked telephones and party lines, older men in army great coats, school children with bare feet, guttering and down pipes, granaries, the decoration of the lelapa, indigenous foodstuffs, the sub-language fanagalo, the crafts made for domestic needs. Yet more: changes in clothing, housing, property and vehicle ownership, means of entertainment, untarred main roads, do it yourself housing and in many places, general stores. The majority of the photos selected are of people. This is deliberate. It means that this book has no photographs that are routinely included in other books - the country's marvellous wilderness and wildlife, the Okavango and the Kgalagadi, the sand dunes and places of great natural beauty.

Humphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'. A member of the GPO Film Unit and director of wartime canonical classics such as Listen to Britain (1942) and A Diary for Timothy (1945), he was also an acclaimed writer, painter, photographer and poet. This seminal collection of critical essays, first published in 1982 and here reissued with a new introduction, traces Jennings's fascinating career in all its aspects with the aid of documents from the Jennings family archive. Situating Jennings's work in the world of his contemporaries, and illuminating the qualities by which his films are now recognised, Humphrey Jennings: Film-Maker, Painter, Poet explores the many insights and cultural contributions of this truly remarkable artist.

"This collection of 28 oversize photographs transforms ordinary advertising posters into richly layered tapestries." - The New York Times The Billboard Papers is the fourth book of photography by award-winning screen and stage actor Joel Grey. Twenty-eight full-color photographs of various torn and decaying billboards from the streets of New York resemble paper collages, revealing the strange and unexpected layers of billboards past. Grey's striking photographs are of tapestries of embedded memories - constantly fleeting and subject to change, or demolition, or renewal. This unique collection, designed by Sam Shahid, features an introduction by Grey and a preface by American artist Ross Bleckner; it is published in a limited edition of 600 numbered copies.

Blue Ice is the new book from photographer Alex Bernasconi whose unique approach to wildlife photography has been honoured with multiple prestigious awards. Bernasconi's breathtaking panoramas reveal the spectacular beauty of the Antarctic landscape shaped by its extreme climate, while his wildlife portraits depict the surprising diversity of Species, highly adapted to the challenging conditions in which they live. A foreword by the British glaciologist Professor Julian Dowdeswell, Director of the Scott Polar Research Institute, explains the dynamics of the geography and ice masses, and the effects of climate change, while Dr Peter Clarkson draws on his personal experiences as a member of the British Antarctic Survey in his introduction, which also recounts the challenges of working and living in one of the harshest environments on Earth. Blue Ice provides a remarkable Visual record of an eco-system at risk, revealing the extraordinary, unexpected beauty of the Antarctic, the most remote and endangered place on Earth.

This publication is made up of a series of photographs taken inside the abandoned Conservative Party headquarters at 32 Smith Square in London. Award-winning artist Lisa Barnard was granted access to the abandoned site in 2009 and documented the building and found objects. This book features previously unseen photos of the interior documenting the dulled shades of corporate blue, stained carpets, peeling paintwork and discarded iconography of past alliances.

A collaboration between best-selling author Di Smith and fine art photographer Ker Stanley, A Lighter Way of Being is a contemplative and poetic journey to the heart of mindfulness with South Africa as a backdrop

Where do we turn to find respite from the hyped up frenzy of life in South Africa? How do we let go of holding our breath?

Through a tapestry of prose, heartwarming memoirs and conceptual art, Di shares her personal stories of living through the trials and tribulations of a country she deeply loves, mindfully pointing out a clear path to guide us through the messy reality that is everyday human life.