The first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as "leaning into the uncanny," visualizing ritual and the process of excavating Black men's erotic potential, the better to exorcise the "intangible presences that haunt their bodies and psyches." The men's faces and bodies glisten with sweat (and tears)-the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as "an ideal, a warm depiction that insists on concrete possibility for another world." In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.

Accompanying an exhibition at Tate Liverpool of iconic British photographer, Don McCullin (b.1935), this exquisitely produced book includes his work from the mid-1950s to the present. Highlighting all areas of McCullin's output, it reflects his long career as a conflict photographer, social documentary practice, travel assignments and his more recent engagement with landscape. This new edition to accompany Tate Liverpool's exhibition features newly-printed images of Liverpool and the North of England taken in the 1960s and 70s. A native Londoner, McCullin began to take photographs in the 1950s documenting his surroundings and local community, including the gangs in his neighbourhood. In 1958 his photograph The Guvnors - a portrait of a notorious Finsbury Park gang who were involved in the murder of a police officer - was published in the Observer, launching his career as a photojournalist. He went on to become one of the best-known war correspondents in the country.

This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. Fantasy Travel shows people sitting proudly and playfully in studio mock-ups of aeroplanes, cars, speedboats and hot air balloons. Such modes of transport were beyond the dreams of the average person in the early twentieth century but the photographic studios allowed them to indulge wild flights of fancy and take away the resulting postcards.

Filled with brilliant reproductions and engaging texts reflecting the latest scholarship, this portable and attractively priced volume is the perfect introduction to the renowned Spanish Baroque painter.

Celebrated for his masterful realism and innovative techniques, Diego Velázquez profoundly influenced art history through his use of light, perspective, and portraiture.

Opening with an introductory essay, Velázquez's life and work are explored within their historical context, and in stunning reproductions of 35 of his significant works. Readers will discover how Velázquez’s role as court painter to King Philip IV of Spain allowed him to experiment with new techniques, and how masterpieces such as “Las Meninas,” and “The Triumph of Bacchus” showcase his genius for composition and psychological depth.

"This elegant approach to his chosen medium is evident in an alluring new book from German luxury publisher teNeues, Vincent Peters: Selected Works" - Jared Paul Stern, Maxim "With his signature black-and-white photography and exquisite lighting, his portraits look like snapshots from classic movies." - Square Mile Vincent Peters' photographs have left the fast-moving trends of fashion photography behind and become timeless works of art. Born in Bremen in 1969, Peters has been one of the most sought-after fashion and portrait photographers for over 25 years. With his signature black-and-white photography and exquisite lighting, his portraits look like snapshots from classic movies. Supermodels, stars, and legends have all stood before his camera - from Penelope Cruz and Rosamund Pike to Mickey Rourke and Matt Dillon. This new Collector's Edition with luxurious linen finish expands on Peters' bestselling book with 30 new images, all personally selected by Peters. A collection of astonishing portraits, in which the intimate urgency of the moment creates a timeless image.

The extraordinary experiences of ordinary people-their suffering and their unimaginable bravery-are the subject of Judy Glickman Lauder's remarkable photographs. Beyond the Shadows responds to the world's looking the other way as the Nazis took power and their hate-fueled nationalism steadily turned to mass murder. In the context of the horror of the Holocaust, it also tells the uplifting story of how the citizens and leadership of Denmark, under occupation and at tremendous risk to themselves, defied the Third Reich to transport the country's Jews to safety in Sweden. Over the past thirty years, Glickman Lauder has captured the intensity of death camps in Germany, Poland, and Czechoslovakia, in dark and expressive photographs, telling of a world turned upside down, and, in contrast, the redemptive and uplifting story of the "Danish exception." Including texts by Holocaust scholars Michael Berenbaum and Judith S. Goldstein, and a previously unpublished original text by survivor Elie Wiesel, Beyond the Shadows demonstrates passionately what hate can lead to, and what can be done to stand in its path. "This is photography and storytelling for our times, about what hate leads to, and how we can stand up to it. Beyond the Shadows is powerful and revealing, and sharply relevant to all of us who believe in the human family." - Sir Elton John

Autopsy of America takes you through the tattered remnants of the United States of America in a way that you never seen before. The beautiful apocalyptic landscapes consisting of abandoned schools, factories, shopping malls, amusement parks, theaters, hospitals, sport arenas, homes even entire towns offer a visual diagnostic to some of the county's true ills. The captivating images are accompanied by Lawless' personal anecdotes and thoughtprovoking stories that are equally riveting as the images.

Look out! Here come sixty sultry femmes fatales captured at their most alluring by world famous photographer Bunny Yeager. Each image was hand-picked by Yeager herself from her vast photo archives of seductive, flirtatious, beautiful women. These images are sure to hold every reader's attention and heighten an appreciation for the artistry portrayed on every page. Photo locations range from the familiar and intimate to the wild and exotic, yet all the while maintaining a certain 1950s style and flair. Here are the girls you wished had lived next door, including actress Allison Hayes, ready to capture you with the very first glance.

A new collection from the award-winning Magnum photographer. A master of colour-saturated images, Harry Gruyaert has roamed the world searching for the perfect light for more than forty years. His very intuitive and physical sense of place immerses the spectator in a world that borrows simultaneously from the cinematic universe and from that of the painter. Dissolving the boundaries between the exterior and interior, Between Worlds offers just such a sensory immersion. No matter the setting, the country or the era, Gruyaert deploys a luminous alchemy suspended in time. Where are we? It doesn’t matter: in Gruyaert’s world, the pleasure of getting lost reigns.

Gordon Parks (1912-2006) was a pioneering figure in 20th-century photography. As well as being the first African-American photographer to join the Farm Security Administration (FSA) and to become a staff photographer for Life magazine, he was also a writer, film director and composer. Although best known for documenting issues such as poverty, race relations and civil rights, he was remarkably versatile, turning his gift for visual narrative to subjects as diverse as news coverage, fashion, art and sport. He also captured prominent figures of his era, from Malcolm X to Marilyn Monroe, in a series of memorable portraits. Working in the US and around the world, he was driven by a commitment to social justice: 'The common search for a better life and a better world is deeper than colour or blood.'

MOSHOOD ADEMOLA FAYEMIWO was a newspaper publisher/editor in Nigeria where he grew up but now lives in Chicago. An alumnus of University of Lagos, Nigeria, University of South Florida, and State University of New York, he is author of Who's Who of Africans in America and four published books.. His next book is; Jonathan; The Squandering of Good Luck. MARGIE MARIE NEAL is former university professor, education consultant, and reading coach in Chicago. An alumna of State University of New York, Chicago State University, American College of Education, and University of Illinois at Urbana-Champaign. She is co-author, People Power in Africa: A Week That Changed Nigeria Forever," and author of; "The Roles of Professional Organizations in the Effective Teaching of Reading in Chicago Public School-CPS: The IRA and IRC as Case Studies," (forthcoming). Praise For ALIKO MOHAMMAD ADNGOTE THE BIOGRAPHY OF THE RICHEST BLACK PERSON IN THE WORLD "A highly recommended book to anyone who enjoys learning about how different people of all walks of life become rich and successful, and what it takes to get to the top"---Readers Favorite Book (Starred Review), USA. "A compelling book about a unique personality in Africa"---Goodreads, USA. "Flawlessly written, Dangote stands out as a hallmark of excellent artisanship and knowledgeable chronicling"--- Bookplex Review of Books, Mumbai, India. "Nigerian Aliko Dangote, the richest black person in the world, is a witness to the fact that success as a passionate entrepreneur is not limited by race, ethnicity or national origin"---Congressman Jesse L. Jackson, Jr.-(D - IL), 2nd Congressional District, U.S. House of Representatives, Washington, DC, USA. In a land lacking a culture of independent biography, this is a starting point, and Dangote is a promising introduction to the fascinating and still largely unmapped universe of one of the world's richest men."---The Huffington Post, USA. "Dangote has trumped long held assumptions, cultural archetypes and stereotypes, to become known as a respected business man, power broker and philanthropist"---Hon Gloria Hyatt, Member of the British Empire (MBE), motivational speaker, education, coach and managing director, Teach Consultancy Limited, UK. "This is a timely book on Aliko Dangote and the positive changes that are taking place in Africa,"---Prof. Vijay Mahajan, The John Harbin Centennial Chair of Business, McCombs School of Business, University of Texas, Austin USA. Publisher's website: http: //sbpra.com/MoshoodAdemolaFayemiwoandMargieMarieNeal

This visually striking book is the first to explore the oeuvre of the celebrated multidisciplinary Nigerian artist, and its themes of identity, globalization, migration, cultural heritage, and African postcolonial identities.

From his birth in a rural village in Nigeria to his unorthodox ascent as a global art star Victor Ehikhamenor is garnering worldwide attention for his vibrant and incisive works that engage contemporary art, African history, and the postcolonial politics of global Black identity.
Drawing inspiration from his Nigerian roots, Ehikhamenor fuses tradition with contemporary expression through intricate patterns, symbolic motifs, and a rich visual language that weaves together the threads of mythology and cultural heritage. Brimming with boldly colored photographs and reproductions, this book focuses on Ehikhamenor’s most recent work such as Daydream Esoterica, Saints and Sanctums, Still Standing, and A Biography of the Forgotten, investigating them through a transcultural analysis of mobility, circulation, networks, and connectivity.
It explores seven key aspects of the artist’s practice—rosaries, perforations, installations, paintings, drawings, collage, and sculpture—to show how he creates complex portraits of African peoples and African spaces.

This monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee. Though best known for the inventive graphic sensibility of his paintings and drawings, McGee's use of photography is an essential, often underappreciated, component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee's images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist's books that often accompany his exhibitions, photographs pervade McGee's practice. Barry McGee: Photographs provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.

True Colors (or, Affirmations in a Crisis) is a chronicle of survival by trailblazing artist Zora J Murff. Murff constructs a manual for coming to terms with the historic and contemporary realities of America's divisive structures of privilege and caste. Since leaving social work to pursue photography over a decade ago, Murff's work has consistently grappled with the complicit entanglement of the medium in the histories of spectacle, commodification, and race, often contextualizing his own photographs with found and appropriated images and commissioned texts. True Colors continues that work, expanding to address the act of remembering and the politics of self, which Murff identifies as "the duality of Black patriotism and the challenges of finding belonging in places not made for me-of creating an affirmation in a moment of crisis as I learn to remake myself in my own image." Nuanced, challenging, and inspiring, True Colors (or, Affirmations in a Crisis) is a must-have monograph by a rising and standout artist. True Colors is the result of the inaugural Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, with the generous support of 7G Foundation. An exhibition of the work will open at Baxter St in New York in November 2021.

This landmark book offers a synthesis of celebrated Magnum photographer Susan Meiselas's views on her work and the role of the documentary photographer. Through text drawn largely from exclusive interviews with editor Mark Holborn, she offers a remarkable commentary on her career, from early work with carnival strippers, through groundbreaking reportage on Nicaragua and El Salvador, to projects encompassing subjects as varied as the Dani tribe of Indonesia, the Kurds of Northern Iraq and victims of domestic violence in California. Central to Meiselas's work are themes of collaboration, return and exchange. With over 110 photographs - some classics, others rarely published - this book demonstrates how the frontline on which Meiselas has worked involves a bearing of witness and a gathering of evidence. As Meiselas has stated: `To continue on is to be curious - to be compelled to confront, to examine, to expose, to engage, and not know where you will end up or how the journey will change you. The frontline is always a choice.'

Only accessible for a few months a year, this beautiful travel and photo-location guidebook covers Iceland's enigmatic highlands, one of the most desolate yet beautiful locations on Earth. The interaction of wind, water and fire has sculpted a unique upland environment defined by inhospitable landscapes, extreme weather and rugged topography. A place of beauty, mystery and drama, much of the region's photographic appeal lies in this epitome of the Icelandic archetype, with no permanent habitation, a preference for unmetalled roads and very little infrastructure. A trip to this area of genuine wilderness therefore requires careful consideration and planning to ensure a safe and productive visit. The long and often difficult driving approaches make many of the locations in the highlands unsuitable for hit and run tourism. FEATURING SOUTHERN HIGHLANDS The Kjoelur Route F35 - Kerlingarfjoell Mountains F35 - Hveravellir Hot Springs F208 & F225 - Fjallabaksleid Nyrdri F225 - Raudfoss Waterfall & Raudufossakvisl Source F208 - Sigoeldufoss Waterfall F208 - Sigoeldugljufur Canyon & Waterfalls F208 - Hnausapollur / Blahylur Crater Lake F208 - Frostastadavatn Lake & Stutur Crater F208 - Landmannalaugar Mountains Laugavegur & Fimmvoerduhals Hiking Trails Langisjor Lake Eldgja canyon & Ofaerufoss waterfall F210 & F232 - Fjallabaksleid Sydri F210 - Axlafoss waterfall F210 - Holmsarlon lake & Raudibotn crater F232 & F210 - Maelifell volcano THorsmoerk / Thorsmoerk Nature Reserve THakgil / Thakgil Canyons Lakagigar volcanic fissure & Laki Loop NORTHERN HIGHLANDS F26 - Sprengisandslei F26 - Aldeyjarfoss & Ingvararfoss waterfalls F26 - Hrafnabjargafoss waterfall Askja Caldera & Dyngjufjoell Mountains Kverkfjoell mountains

Brooklyn-born photographer Helen Levitt (1913-2009) was an assistant to Walker Evans and a friend of Henri Cartier-Bresson, but forged her own path with fierce independence and endless curiosity about the world around her. She is best known for her street photography, capturing children at play on the streets of Depression-era New York and chalk drawings on walls, but she also cast her eye upon the adult world, seeking out moments of movement, transience and theatricality. Following her first solo exhibition at MoMA in 1943, she devoted more than a decade to filmmaking, but returned to photography in the late 1950s and began to work in colour as well as black and white. Lyrical and witty, her images reveal the streets of New York as flowing with life and unexpected poetry. With 68 illustrations

Nominated for the William MB Berger Prize for British Art History 2017. The Victorians admired Julia Margaret Cameron for her evocative photographic portraits of eminent men like Tennyson, Carlyle and Darwin. However, Cameron also made numerous photographs that she called 'Fancy subjects', depicting scenes from literature, personifications from classical mythology, and Biblical parables from the Old and New Testament. This book is the first comprehensive study of these works, examining Cameron's use of historical allegories and popular iconography to embed moral, intellectual and political narratives in her photographs. A work of cultural history as much as art history, this book examines cartoons from Punch and line drawings from the Illustrated London News, cabinet photographs and autotype prints, textiles and wall paper, book illustrations and lithographs from period folios, all as a way to contextualise the allegorical subjects that Cameron represented, revealing connections between her 'Fancy subjects' and popular debates about such topics as Biblical interpretation, democratic government and colonial expansion. -- .