The first sightings of newly discovered work from Saul Leiter's abundant archive of colour slides. Now widely acclaimed as one of the world's greatest photographers, Saul Leiter (1923-2013) remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter's images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. Saul Leiter was born in Pittsburgh and moved to New York City in 1946. He pioneered a painterly approach to colour photography starting in the late 1940s and produced covers for fashion magazines such as Esquire and Harper's Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first monograph, Early Color, inspired an avid 'rediscovery' of Leiter's work by contemporary audiences. His studio in New York's East Village, where he lived from 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The Foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the 'complete' archive. This volume contains works discovered through this process, specifically colour slides, never before published or seen by the public. Meticulously curated by Margit Erb and Michael Parillo of the Saul Leiter Foundation and supported by texts that explain how Leiter built the slide archive and how it is now being explored, catalogued and restored, this new monograph will be a must-have for photography fans worldwide.

This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. With an illuminating foreword by Eric Musgrave, 'Menswear' presents postcards of men in all manner of outfits, whether formal, practical or casual, dating from around 1900 up to c. 1949. Most of the subjects are posing for portraits, displaying both their individual style and an interpretation of the fashions of the time. The rich variety of accessories on display includes ties, gloves, pocket squares, walking sticks, canes, boutonnieres and spats.

Angus Stewart has spent 10 years backstage with London's burlesque community, getting to know the performers and documenting their shared world to create what he calls 'a family album'. From the beginning, his focus was on the personalities, rather than the performances. He deliberately eschews the 'big reveal'. Instead, his photographs capture the friendships, the laughter and the camaraderie that characterise the burlesque scene. We are introduced to a thriving community that values dedication and loyalty, and where the exotic is always laced with humour; and we hear from performers Rara Avis, Belle de Beauvoir, Cerise Rei, Lady Cheek, Lady May, Lynn Ruth Miller and Vixen Victoire. Burlesque can be provocative, it can be political, and it can be serious. But it can also be a lot of fun. 'I discovered that while some performers earn a living from burlesque, most have other jobs - anything from seamstresses to doctors, to company directors. This huge melting pot of professional experience, coupled with a variety of reasons for wanting to perform, means that personal development is encouraged. It's an incredibly supportive community, and I wanted to try to capture that spirit.' - Angus Stewart

A contemplative photographic journey by Jeffrey Ringer. During his 30 years as a commercial photographer and creative director, Jeffrey has photographed and compiled beautiful photos. With each image, Jeffrey and Jennifer have included contemplative prose with mindful and healing meditations in this beautiful hard cover book.

At the northern entrance to Prince Albert in the Great Karoo lies Northend, a neighbourhood home to a special group of people. They have a very special way of communicating with others through their stories, which indicate an inherent joy of life. However, judging by their environment and circumstances, it is clear that they have experienced many hardship, and for an outsider it is an enriching experience to meet them.

Every picture in Slow Down Look Again tells a story and is supported by explanatory text. These enable the reader to gain insight into the past and the present of this unique neighbourhood and its residents.

The joy and sorrows of the residents of Northend - as well as their scant earthly possessions - are illustrated through Louis Botha?s excellent choice of photographic backgrounds. And yet the absolute neatness of their homes illustrates a certain pride - poverty without dilapidation. The intimacy of the photographs ultimately leaves the reader enriched. We become witnesses not only to the extraordinary character of a close-knit community, but also of its trusting relationship with the person whom they have allowed to tell their story. Louis Botha was born in Bloemfontein in 1955 and grew up on a small-holding north-east of Pretoria. After school he studied finance and followed a career in the Financial Services Industry. At the age of 40, and encouraged by his wife he pursued his hobby more seriously. He?s held several exhibitions and lives in Prince Albert.

100 men bare all in a collection of photographs and interviews about manhood and 'manhood'. These days we are all less bound by gender and traditional roles, but is there more confusion about what being a man means? From veteran to vicar, from porn addict to prostate cancer survivor, men from all walks of life share honest reflections about their bodies, sexuality, relationships, fatherhood, work and health in this pioneering and unique book. Just as Bare Reality: 100 women, their breasts, their stories presented the un-airbrushed truth about breasts for women, Manhood: The Bare Reality shows us the spectrum of 'normal', revealing men's penises and bodies in all their diversity and glory, dispelling body image anxiety and myths. Sensitive and compassionate, Manhood will surprise you and reassure you. It may even make you reconsider what you think you know about men, their bodies and masculinity.

A mind-blowing genre crossing deep purple velvet adventure (formerly known as "BOOK"). This publication concerns a multimedia project consisting of visual arts, micro stories and music, with a history on Instagram.

Buite die hekke van Eden bevat dagboekfoto’s wat die bekende Suid-Afrikaanse fotograaf Paul Alberts oor ’n hele aantal jare in verskillende dele van Suid-Afrika geneem het. Die teks by die foto’s het Alberts self tydens sy fotografie-reise geskryf. Woord en beeld lewer kommentaar op sosiale en omgewingstoestande in die land. Met hierdie foto’s vang Alberts iets vas van die wese van lyding, verval en swaarkry, maar ook van die krag van die menslike gees. Die foto’s is by geleentheid van Alberts se 60ste verjaardag in die Oliewenhout-kunsmuseum in Bloemfontein uitgestal, saam met ’n aantal kwatryne wat Hennie Aucamp spesiaal vir die foto’s geskryf het. Buite die hekke van Eden is ’n publikasie met ’n besondere kultuurhistoriese en artistieke waarde.

When Gianni Bozzacchi accepted an assignment as a photographer on the set of The Comedians (1967), he didn't know that his life was about to change forever. His ability to capture the beauty of candid moments drew the attention of the film's star, Elizabeth Taylor, and prompted her to hire him as her personal photographer. Not only did he go on to enjoy a jet-set life as her friend and confidant -- preserving unguarded moments between the violet-eyed beauty and Richard Burton as they traveled the world -- but Bozzacchi also became an internationally renowned photographer and shot some of the biggest celebrities of the 1960s and 1970s. In My Life in Focus, Bozzacchi traces his journey from humble beginnings to the sphere of the rich and famous. As a child, he cultivated his skills by working with his father -- a photographer for the Italian government. Following in his parent's footsteps was not something Bozzacchi had foreseen for his future; but his passion for taking pictures and his ability to put his subjects at ease enabled him to capture stunning images of some of the greatest stars of the twentieth century, including Audrey Hepburn, Steve McQueen, Raquel Welch, Mia Farrow, Clint Eastwood, and the royal family of Monaco. Beautifully illustrated with many of the photographer's most iconic images, this lively memoir reveals private moments in the Taylor-Burton love story and provides an invaluable behind-the-scenes look at the business of filmmaking and the perils of celebrity.

Beirut born and based visual artist and creative director Eli Rezkallah founded the visual arts magazine Plastik in 2009. It was unlike anything that had been produced in the Middle East previously, with photographs of drag queens, nudity, bold colour, dramatic staging, and cutting edge visual stories by himself and other artists. In addition to the magazine, Plastik is now a studio, a gallery, and a social media presence. This book is a best-of celebration of Eli Rezkallah's work from Plastik, capturing his accessible, provocative, and socially astute work in a single volume. "Plastik's gift to the world is beauty, colour, magic and imagination. The gift is more important today than ever before." RuPaul

The definitive photographic celebration of 70 years of Ferrari's production cars, by the world's foremost Ferrari photography archive. Also including the key stats and stories behind more than 150 cars. Celebrate the performance, design and beauty of the prancing horse in these breathtaking photographs, captured by specialist Ferrari photographers, Maggi & Maggi. More than 300 jaw-dropping images covering over 150 cars from across Ferrari's history – from the 125 S of 1947 and the era-defining 250 GTO to the notorious F40 and the Enzo – sit alongside detailed technical specifications and fascinating text telling the story behind each model by renowned Ferrari expert Stuart Codling. With some of the most beautiful, powerful and expensive cars in the world, this elegant collection is a stunning reminder of the enduring appeal of Ferrari. The MAGGI & MAGGI archive is the world's foremost collection of Ferrari photography. The culmination of a forty-year project to photograph every Ferrari model, it houses close to 100,000 images. This book showcases the very best of the archive.