Barbara Cole's artwork is collected by public and private institutions and has been exhibited worldwide, including at the Canadian embassies in Washington, D.C. and Tokyo, Japan. Cole, who is often referred to as an inventor, uses a raw, hands-on photographic process that is consistent with her belief that the possibilities of photography are virtually limitless. Since the early 1980s, she has channelled her appreciation for the camera itself. She is dedicated to the history of photography by deviating from automatic cameras and techniques. Barbara Cole uses photography to play with notions of time, place, and identity. In her numerous series, Cole often asks the questions: how do you paint an image of timelessness? How do you capture the feeling of weightlessness in an image? Her ethereal photography takes on a quintessential painterly quality, with the transformation of figures a predominant theme in her work. Over the past 30 years, although she works with traditional photographic means, Cole's approach and aesthetic has become closer to that of a painter. The artist's work focuses on a powerful narrative, some with external motifs and others with intense figure transformations that alone tell the story. Cole's background in fashion and fashion editorial naturally leads to a process that channels her experience into creating a particular atmosphere with costumes and backdrops. Text in English and German.

A landmark biography of a singular and important Australian photographer, Olive Cotton, by an award-winning writer - beautifully written and deeply moving. Winner of the 2020 Canberra Critics' Circle Award for Biography Winner of the University of Queensland Non Fiction Book Award, Queensland Literary Awards 2020 Winner of the Magarey Medal for Biography for 2020 Shortlisted 2022 Adelaide Festival Awards for Literature, Non Fiction Award Longlisted for the 2020 Mark & Evette Moran Nib Literary Award 2020 Olive Cotton was one of Australia's pioneering modernist photographers, whose significant talent was recognised as equal to her first husband, the famous photographer Max Dupain. Together, Olive and Max were an Australian version of Frida Kahlo and Diego Rivera or Ray and Charles Eames, and the photographic work they produced in the 1930s and early 1940s was bold, distinctive and quintessentially Australian. But in the mid-1940s Olive divorced Max, leaving Sydney to live with her second husband, Ross McInerney, and raise their two children in a tent on a farm near Cowra - later moving to a cottage that had no running water, electricity or telephone for many years. Famously quiet, yet stubbornly determined, Olive continued her photography despite these challenges and the lack of a dark room. But away from the public eye, her work was almost forgotten until a landmark exhibition in Sydney in 1985 shot her back to fame, followed by a major retrospective at the Art Gallery of New South Wales in 2000, ensuring her reputation as one of the country's greatest photographers. Intriguing, moving and powerful, this is Olive's story, but it is also a compelling story of women and creativity - and about what it means for an artist to try to balance the competing demands of their art, work, marriage, children and family. 'Absorbing ... illuminating and moving' Inside Story

The definitive monograph on Alex Prager, one of the truly original image makers of our time. Alex Prager is a photographer and filmmaker whose elaborate sets and complex staging draw on a rich cultural heritage of cinematic style, informed by street photography, to produce work that is unerringly memorable. At once temporal and timeless, bright but shadowed, Prager's images exist within a hyperreal world, deeply rooted in the eerie undertones of Los Angeles, where the line between reality and fiction is blurred. Prager's critically acclaimed work is introduced here, spanning a decade of photographic work and five films. This collection of carefully curated photographs is complemented by an in-depth interview by Nathalie Herschdorfer, director of the Musee des Beaux-Arts Le Locle, Switzerland, and discursive essays by Michael Govan, director of the Los Angeles County Museum of Art, Michael Mansfield, executive director of the Ogunquit Museum of American Art, Maine, and Clare Grafik, senior curator at The Photographers' Gallery, London.

True Colors (or, Affirmations in a Crisis) is a chronicle of survival by trailblazing artist Zora J Murff. Murff constructs a manual for coming to terms with the historic and contemporary realities of America's divisive structures of privilege and caste. Since leaving social work to pursue photography over a decade ago, Murff's work has consistently grappled with the complicit entanglement of the medium in the histories of spectacle, commodification, and race, often contextualizing his own photographs with found and appropriated images and commissioned texts. True Colors continues that work, expanding to address the act of remembering and the politics of self, which Murff identifies as "the duality of Black patriotism and the challenges of finding belonging in places not made for me-of creating an affirmation in a moment of crisis as I learn to remake myself in my own image." Nuanced, challenging, and inspiring, True Colors (or, Affirmations in a Crisis) is a must-have monograph by a rising and standout artist. True Colors is the result of the inaugural Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, with the generous support of 7G Foundation. An exhibition of the work will open at Baxter St in New York in November 2021.

"..new studies of Verger's archive show a greater range of interest in his pictures, many of which celebrated jazz age nightlife and an emergent professional class. The rediscovered images are collected in a new book that offers a nuanced portrait of black America before the war." "Verger's pictures offer a different perspective: thoughtful, often hopeful images of arresting individuals in black communities, full of aspirational intent and not shy of beauty." "Verger devoted his life to the study of the African diaspora across the world, always alive to human joys as well as social hardships." - The Observer Pierre Fatumbi Verger is considered one of the most outstanding photographers of the twentieth century as well as a recognized researcher in the field of African Diaspora and religion studies. Verger traveled to the United States of America in 1934 and 1937, during the Great Depression, producing a collection of stunning images that document the national symbols that configure American identity and the challenging social and economic atmosphere of the time. Verger was able to capture with great sensibility the complex cultural and racial diversity of the country where many citizens still confront segregation and poverty, while struggling to live a better life. Vergers photographs constitute an extraordinary contribution to our understanding of the 1930s in the U.S., and to the growth of photojournalism, documentary and artistic photography, representing the world from new and enriching perspectives. In the introduction, Javier Escudero Rodriguez frames Vergers significant contribution to modern photography as well as the lasting relevance of this new collection of iconic images of the Great Depression. The 150 images included in the book, the majority of them never published before, were selected among 1110 negatives, after a meticulous research from Vergers archive at the Pierre Verger Foundation in Salvador.

As Kylie Jenner put it, "Check out this inspiring photograph from...@vladamua! " From opulent to optical illusion, Vlada's art is a blend of make-up and magic that transform her lips into canvases. MUA royalty, her work is washed across the internet, lips dripping and bedazzled, transformed by talent and a vision that's helped shape the beauty industry. Featuring over 200 photographs of Vlada's work, Art of the Lip is a sumptuous tome to flip through and marvel at the minute, painted details on her lips in each photo. Gloss, lipstick, sequins and jewels transform Vlada's skin in hundreds of different images, with looks inspired by nature, jewellery, pop culture and more. Much more than just lipstick, Vlada's art is a showcase of makeup's power and an artist's innovation.

William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photography's most fundamental attributes and potentials. An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbot's experiments have to contemporary concepts of the art of photography.

When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influence-even something of a legend-among serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972- along with the posthumous retrospective at The Museum of Modern Art-offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbus's friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation. Nearly half of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus's photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

"...Immerse yourself in this selection of spellbinding shots from his latest book, The World." -Food & Travel Michael Poliza is more than a seasoned globetrotter who has travelled through almost 170 countries. He is also a collector of the world, always on the lookout for breathtaking landscapes, remote regions, and intact nature reserves. With his camera ever on hand, Poliza does not only want to experience the beauty of the planet, but also to make it accessible to all. In his two great books, Africa and Eyes over Africa, as well as his single volumes on South Africa, Kenya, and Namibia, Poliza opened our eyes to the diversity of the African continent. In AntArctic, the WWF ambassador created a sensitive double portrait of the polar regions. And in his characteristic aerial photographs, he even opened up new perspectives on well-known places like Mallorca. In this trade edition of The World, Poliza opens his digital treasure chest to reveal previously unpublished images from all seven continents. Like a true photographic world tour, we travel with him to Australia and New Zealand, to Vietnam and Myanmar, to the west of the USA and north to Canada, to the Galapagos Islands and Bolivia, across the Antarctic and the many lands of Africa. No matter how different the regions he explores, the photographer always captures extraordinary images, instilling both the beauty of our planet and an urgent need to protect the natural world. Text in English and German.

This book is a vivid photographic record of daily life in Istanbul from the 1940s to the 1980s. Captured through the unerring lens of the award winning Ara Guler, the 'Eye of Istanbul', it reflects the city's melancholy aesthetic as it oscillates between tradition and modernity. Guler's remarkable duotone photographs are accompanied by evocative commentaries from Orhan Pamuk, another leading figure in Turkish culture. Both writer and photographer each held in their youth the ambition of becoming a painter. Here, each in his own way paints a brushless picture of his hometown and captures, through image and word, its very soul.

Henri Cartier-Bresson's photography came to define the 20th century. This book tells his life story through his images: all the major events from his youth to his death in 2004 are described, contextualized and analysed in the light of his photographic work. From his early encounters with the Surrealists, his film work and his experiences in the SecondWorldWar, to the development of his own personal aesthetic, the concept of the 'decisive moment', and the foundation of Magnum Photos, his influence on the world has been profound and unforgettable.

Before they became two of America's most iconic pop artists, Andy Warhol and Robert Indiana were young aspiring creatives, living in New York. There, they met and befriended William John Kennedy, who would take some of the first photographs of these artists in their career. Many photographers worked with Andy Warhol, but few so early on in his career or in a such a uniquely collaborative fashion. After establishing a friendship with Robert Indiana and taking some of the first, important close-up images of him in his studio, Kennedy went on to work in a similarly creative way with Warhol. These striking images of the young Warhol and Indiana were lost for nearly 50 years before being rediscovered. They were immediately recognised as important documents by the Warhol Museum and by Robert Indiana, and presented in the Before they were Famous exhibition, which travelled to London and New York. The story of the re-discovery of these photographs was made into an acclaimed documentary in 2010 - Full Circle: Before They Were Famous, Documentary on William John Kennedy. William John Kennedy: The Lost Archive: Photographs of Andy Warhol and Robert Indiana will be the first of William John Kennedy's books devoted solely to the time he spent with Andy Warhol and Robert Indiana. The book features pictures of both artists as well as images of Taylor Mead, UltraViolet and other members of Warhol's circle.

This is a collection of digital photos of cats on plaid and plaid on cats.

During his production years, Gustav Stickley made photographs of much of his work. Some were used in his Craftsman magazine, and some were used in a series of catalogs. Many of Stickley's glass negatives are now in the collection of the Winterthur Museum in Delaware, and are reprinted here for the first time. Many have never before been published, and those that were published by Stickley, now benefit from high quality modern printing. Whenever possible dimensions and catalog references are given, making this an important compilation of Stickley's work. A foreword by Leslie Greene Bowman, Director and C.E.O. of Winterthur Museum, Garden & Library, further enriches the work. A driving force in the American Arts & Crafts Movement, Gustav Stickley produced furniture inspired by a vision of craftsmanship and comfortable functionality. Its high quality makes it a standard of the period. Today pieces from his Craftsman Studio are cherished antiques. This new volume of his photographic archives will be a welcomed addition to the literature.

World renowned photographer Bunny Yeager brings together 144 of the most beautiful and flirtatious girls from the 1950s. Selected from her vast photographic archives, these images will awaken the senses and stir the reader to a new appreciation of their timeless beauty. These are "flirty" photographs, because of the certain "something"-a look, an attitude, perhaps a suggestive body position.-that subtle way that a person says "Look at me!" Appreciate the pioneering creativity of Bunny Yeager through her unique photographic art. And, of course, there is the wonderful allure of so many beautiful women.

Part memoir, part document of the DIY, punk-infused subculture of skateboarding as it came of age in the 1990s and early 2000s, Ed Templeton’s Wires Crossed pulses with the raw, combustive energy of Templeton’s image-making from the last twenty-plus years. Illustrated by photographs, collages, texts, maps, and other ephemera from Templeton’s journals, Wires Crossed offers an insider’s look at a subculture in the making and reflects the unique aesthetic stamp that sprang from the skate world he helped create. Templeton occupies the rare position of having been a professional skateboarder, a two-time World Skateboarding champion, as well as a photographer and artist working within the skateboard community as it gained increasing cultural currency in the 1990s and beyond. His work first gained recognition as part of the Beautiful Losers collective loosely gathered around Aaron Rose’s Alleged Gallery on Manhattan’s Lower East Side. This work, much of it previously unpublished and unseen, explores Templeton’s own journey as an image maker, as well as the lives of professional skateboarders as they spent long hours crisscrossing the world on tour, reveling in their newfound status as rock star–like figures and the eternal search for new terrain to skate. Interviews between Templeton and fellow pro-skaters and friends add compelling detail about the pressures and pleasures of life on the road, and what it’s like to obsessively pursue an art form—whether on their decks or behind the camera.

This is a book of poetry accompainied by photography