_______________________ THE FIRST FULL-LENGTH BIOGRAPHY OF LEGENDARY PHOTOGRAPHER LEE MILLER _______________________ 'Lee Miller was an astounding woman, brought memorably to life in this astounding book' - Daily Telegraph 'Does its perplexingly complicated subject more than justice, adding welcome depths and nuances to the familiar legend' - Sunday Times 'A serious and gripping biography from Carolyn Burke' - Boyd Tonkin, Independent _______________________ Lee Miller was one of the most extraordinary photographers of the twentieth century, famous for her portraits and devastating photographs of World War Two, as well as for her legendary beauty. An art student and a Vogue model, she was a close friend of artists such as Picasso, Cocteau, Max Ernst and Paul Eluard, and became a muse of Man Ray and the Parisian surrealists. One of the few female photographers to enter Hitler's Germany, she was the first to access his Munich home and among the first to document the liberation of the concentration camps. Carolyn Burke captures Lee Miller in all her complexity, unveiling the glittering art world of the thirties and forties of which she was a central figure. Meticulously researched, beautifully written, this is an enthralling account of one of the most fascinating women of her era.

What do we see when we observe? What do we see when we observe a photograph? Ghirri's work is distinguished by the tension between the object and its representation, and there is nothing that he loves more than those situations in which boundaries become permeable; his work has taught us a new way of seeing, giving meaning to what is seemingly obvious. This is not the landscape that is normally perceived, but the one that is supposed to be latent, inscribed on the reverse: landscape of memory and fairytale, the landscape of hidden figures and wonders. In this direction, Ghirri has always preferred common and familiar places, already seen, but for the first time 'observed' with different eyes, where everything is suspended between past and future and where, like in the countryside, the world can be imagined as a vision which still arouses wonder. A thought-landscape. Text in English and Italian.

The images in 'Industrial Scars' and the narrative that accompanies them tell the story of the impact of the consumer life-style on the natural systems that support life on the planet. These photographs, mostly aerial and taken at locations around the world, are masterworks of composition and colour, made with a nod to the great abstract painters of modern art. This book is the result of countless hours of research and careful planning by New York photographer J. Henry Fair, who travels to the locations and charters a small plane to photograph areas usually fenced off from prying eyes so he can get a true view of our real footprint. This is a new edition.

The Colour of Ireland: County by County 1860-1960 is a photographic celebration of the history, culture, people and places that make up a century of life in Ireland. Covering all 32 counties, this beautiful, meticulously researched collection takes a past only ever viewed before in black and white and - in glorious colour - breathes fresh energy and emotion into it. With close to 200 colourised photographs set alongside their black and white counterparts, here is a world seen for the first time: a treasure trove to fire the imagination and reignite our connection to the past as it was actually lived. From the thatched cottages of Meath to the libraries of Trinity College, from 1920s sunseekers in Dun Laoghaire to women spinning and carding wool in County Mayo, all of Ireland is vividly brought to life. Along with key moments from the Irish War of Independence and the turbulent history of the 32 counties, these images capture rural landscapes, villages, towns and cities. Endlessly, uniquely fascinating, The Colour of Ireland offers a wealth of perspectives on the bygone ages of an ever-changing land.

Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre.In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual but to the type; not to the 'reality' of the street but to its 'romance'.

From its origins in China and Scandinavia, the sport of skiing has come a long way to attract daring athletes, tourists and locals on winter holiday, the chic and wealthy leisure class, and international royalty. On the technical side, pioneering innovators developed cutting-edge equipment that, over the years, has grown skiing to become a fiercely competitive spectator sport while, on the cultural side, the exciting and well-groomed stars of the ski world and jetsetter destinations have come to define a distinctive and popular global culture and aspirational lifestyle. The Stylish Life: Skiing is a nostalgic and spectacular journey through alpine history and beyond, including this singularly unique sport's founders, superstars, influence on design and entertainment, and the evolution of its resorts, fashion, equipment, and much more.

Daido Moriyama is one of two new books this season in Thames & Hudson's acclaimed 'Photofile' series. Each book brings together the best work of the world's greatest photographers in an attractive format and at an easily affordable price. Hailed by The Times as 'finely produced', the books are printed to the highest standards. Each one contains some sixty full-page reproductions, together with a critical introduction and a full bibliography.

The border town of Hay-on-Wye is famous for two things: the annual Festival of Literature and its stunning location. Jim Saunders' book is a photographic record of the town which celebrates its environs and people.

An unsurpassable, visual tour of the greatest pilgrimage sites of Europe, from North to South; East to West. Pilgrimage in Europe is currently thriving on a scale that simply could not have been envisaged just a few decades ago. Not only are greater numbers of people now emulating the medieval pilgrims who made their way on foot across Europe to the shrines of martyred apostles in Rome (SS Peter and Paul), Santiago de Compostela (St James) and Trondheim (St Olav), but international religious tourism is also thriving and millions each year are now travelling by air, rail and road to Europe's major pilgrimage churches and famous sites of Marian Apparition such as Lourdes (France) and Fatima (Portugal). This book covers those key pilgrimage sites as well as many lesser known ones such as the Marian Sanctuary of La Salette in the French Alps, the cave sanctuary of Covadonga in Northern Spain, the majestic twenty-first-century basilica of Our Lady of Lichen in Poland and the Chapel of Grace in Altoetting, Bavaria. It comprises an atmospheric and colourful portrayal of the pilgrimage churches and cathedrals adorned with sculpture, art and iconography associated not only with the Virgin Mary but also the national saints and Early Christian martyrs revered by both Catholic and Anglican faiths alike. En route the reader will see some of the world's most impressive examples of medieval art and architecture set amidst historic townscapes or spectacular landscapes. This volume will serve as both an enticement to take to the road, a treasured aide memoire for those who have visited at least some of these iconic places and hopefully, a source of comfort and inspiration for those unable to travel abroad from wherever they live in the world.

This monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee. Though best known for the inventive graphic sensibility of his paintings and drawings, McGee's use of photography is an essential, often underappreciated, component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee's images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist's books that often accompany his exhibitions, photographs pervade McGee's practice. Barry McGee: Photographs provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.

Zygmunt Bauman is known internationally as the sociologist of postmodernity and ‘liquid’ society. But he was also a serious photographer. This book presents a selection of his black-and-white photographs, together with a range of essays by colleagues, friends and family about his work with images. The book features a mixture of short pieces on individual photographs and longer essays addressing aspects of Bauman’s photography and the life and work of his wife, Janina. These include an essay of Bauman’s from 1989, in which he considers Monika Krajewska’s photographs of abandoned Jewish graveyards in Poland. Also reprinted is an essay by Bauman’s daughter Lydia, taken from the catalogue of an exhibition of the photographs in 2010, and an essay by Keith Tester about Bauman’s interest in film. Jack Palmer discusses the relationship between Bauman’s sociology and his photography, while Peter Beilharz, Janet Wolff, and Antony Bryant and Griselda Pollock offer personal reflections on some of Bauman’s photographs. The book concludes with an essay by Karl Dudman, one of the Baumans’ grandchildren, based on a series of photographs he took in the family home shortly after his grandfather’s death. Janina Bauman appears in a number of ways in the book. Some of the photographs are of her, and several of the short essays discuss her place in Zygmunt’s life and work. Izabela Wagner, biographer of Zygmunt Bauman, presents new material on Janina’s work in the Polish film industry in the post-war period. -- .

At the northern entrance to Prince Albert in the Great Karoo lies Northend, a neighbourhood home to a special group of people. They have a very special way of communicating with others through their stories, which indicate an inherent joy of life. However, judging by their environment and circumstances, it is clear that they have experienced many hardship, and for an outsider it is an enriching experience to meet them.

Every picture in Slow Down Look Again tells a story and is supported by explanatory text. These enable the reader to gain insight into the past and the present of this unique neighbourhood and its residents.

The joy and sorrows of the residents of Northend - as well as their scant earthly possessions - are illustrated through Louis Botha?s excellent choice of photographic backgrounds. And yet the absolute neatness of their homes illustrates a certain pride - poverty without dilapidation. The intimacy of the photographs ultimately leaves the reader enriched. We become witnesses not only to the extraordinary character of a close-knit community, but also of its trusting relationship with the person whom they have allowed to tell their story. Louis Botha was born in Bloemfontein in 1955 and grew up on a small-holding north-east of Pretoria. After school he studied finance and followed a career in the Financial Services Industry. At the age of 40, and encouraged by his wife he pursued his hobby more seriously. He?s held several exhibitions and lives in Prince Albert.

Reveals new and previously unknown biographical material about an important figure in 19th-century American architecture and music Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City architecture. Yet he was one-third of the party responsible for the early development of Central Park in New York. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this 19th-century American architect and musical genius. Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed "the Church of the Holy Zebra," it was the first building in America to display the mix of colorful materials and Medieval Italian inspiration that were characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould's spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC's revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875-1879, he worked for Henry Meiggs, the "Yankee Pizarro," in Lima, Peru. Resting on the foundation of Central Park Docent Lucille Gordon's heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

this is a book of restroom graffiti around Dallas and Austin texas. Some of it is funny, insightful, and also crude.

This visually striking book is the first to explore the oeuvre of the celebrated multidisciplinary Nigerian artist, and its themes of identity, globalization, migration, cultural heritage, and African postcolonial identities.

From his birth in a rural village in Nigeria to his unorthodox ascent as a global art star Victor Ehikhamenor is garnering worldwide attention for his vibrant and incisive works that engage contemporary art, African history, and the postcolonial politics of global Black identity.
Drawing inspiration from his Nigerian roots, Ehikhamenor fuses tradition with contemporary expression through intricate patterns, symbolic motifs, and a rich visual language that weaves together the threads of mythology and cultural heritage. Brimming with boldly colored photographs and reproductions, this book focuses on Ehikhamenor’s most recent work such as Daydream Esoterica, Saints and Sanctums, Still Standing, and A Biography of the Forgotten, investigating them through a transcultural analysis of mobility, circulation, networks, and connectivity.
It explores seven key aspects of the artist’s practice—rosaries, perforations, installations, paintings, drawings, collage, and sculpture—to show how he creates complex portraits of African peoples and African spaces.

Bangladesh has been shunned by tourists from the moment it was created in 1971. Henry Kissinger described it as a basketcase. Poverty and humanitarian disasters defined Bangladesh in the ensuing decades. When Rupert Grey arrived in Dhaka in 1992, a sign announced that arrivals were ‘Welcome to Bangladesh before the tourists get here’. They still haven’t. Grey first came to Bangladesh as a London lawyer armed with three FM2 cameras. Many journeys and 30 years later he is a photographer armed with a useful legal background. The catalysts were Chobi Mela, the festival of photography, and its founder Shahidul Alam, an acclaimed photographer, human rights activist and Time magazine’s Person of the Year in 2018. This book charts Grey’s love affair with Bangladesh, including an epic transcontinental journey through India to Chobi Mela in a vintage Rolls-Royce, later portrayed in the award-winning, Sharon Stone produced film Romantic Road. His photographs, mostly taken on film, speak powerfully of the cultural vitality and energy which Kissinger missed, and which inspired Grey’s Homage to Bangladesh. As a libel and copyright lawyer Rupert has represented national papers, politicians, bankers, celebrities and explorers. He serves on the board of a number of front-line charities in the arts, education, photography and marine exploration. He has travelled on foot and horseback, by dug-out canoe, dog sledge, camel, elephant, bush-plane and Land Rover to the wild places of the earth. His photographs have been exhibited in several countries including Bangladesh, and his articles have been widely published. He lives with his wife Jan in a remote thatched cottage in Sussex, England, with their three daughters nearby.

Stories and photography intermingle on the pages of this gorgeous homage to '70s and '80s cinema and celebrity. Including rare and never-before-seen images, Through Her Lens is a wonderful collection of images and memoires that capture the spirit of the age. From unexpected late-night calls from Romy Schneider, to a stay at Paul Newman's home in Connecticut; from working on set with Bernardo Bertolucci, Werner Herzog, Steven Spielberg and Sydney Pollack, to lounging poolside with Raquel Welch; Sereny reveals her favourite moments from working behind the lens. This is the first photographic retrospective of Sereny's star-studded career, including nearly 100 never-before-seen images complemented by Eva's own stories.

The definitive monograph on Alex Prager, one of the truly original image makers of our time. Alex Prager is a photographer and filmmaker whose elaborate sets and complex staging draw on a rich cultural heritage of cinematic style, informed by street photography, to produce work that is unerringly memorable. At once temporal and timeless, bright but shadowed, Prager's images exist within a hyperreal world, deeply rooted in the eerie undertones of Los Angeles, where the line between reality and fiction is blurred. Prager's critically acclaimed work is introduced here, spanning a decade of photographic work and five films. This collection of carefully curated photographs is complemented by an in-depth interview by Nathalie Herschdorfer, director of the Musee des Beaux-Arts Le Locle, Switzerland, and discursive essays by Michael Govan, director of the Los Angeles County Museum of Art, Michael Mansfield, executive director of the Ogunquit Museum of American Art, Maine, and Clare Grafik, senior curator at The Photographers' Gallery, London.