Henri Cartier-Bresson's photography came to define the 20th century. This book tells his life story through his images: all the major events from his youth to his death in 2004 are described, contextualized and analysed in the light of his photographic work. From his early encounters with the Surrealists, his film work and his experiences in the SecondWorldWar, to the development of his own personal aesthetic, the concept of the 'decisive moment', and the foundation of Magnum Photos, his influence on the world has been profound and unforgettable.

The Theatre of Apparitions is a highly anticipated body of work by one of the most original image-makers of our times, whose remarkable artistic trajectory spans the past 40 years. This book is the culmination of his ongoing study of the connections between photography, drawing, the mind and the body. Created between the years 2004 and 2008, these 90-odd black-and-white images encourage viewers to delve deep into the darkest part of their psyches. The images in this new monograph were inspired by the simple act of drawing on windows - a practice that Ballen observed first-hand in many communities. From there, he started to experiment using different spray paints on glass and then `drawing on' or removing the paint with a sharp object to let natural light through. Finally, he photographed the results with a macro lens using black-and-white film. These black, dimensionless spaces effectively operate as canvases onto which Ballen projects pictorially his thoughts and emotions, creating, in effect, a theatre of the mind. The plates are separated into seven chapters or `acts', with each one introduced by a text written by Ballen himself. Carving out a realm that is both earthly and otherworldly, physical and spiritual, his work transcends all traditional concepts of photography.

Since the beginning of her photography career, Sarah Moon has always sought to evoke the transience of beauty and the fragility of dreams. In her delicate, ethereal style, she has shot some of the most creative advertising campaigns of recent years and her work has been featured in many major magazines. Winner of an ICP Infinity Award among other honours, she continues to produce a diverse body of work that also includes film.This series brings together the best work of the world's greatest photographers, in an attractive format and at an easily affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series was awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.

Ever since its invention, the medium of photography has been in competition with the previously dominant genre of painting. Photography as a means of capturing the real world at first seemed to obviate the need for painting. Later, impressionists, cubists, and eventually abstract painters moved away from figurative imagery, until artists such as Richter or Polke transferred photography back into painting. These conflicting challenges are at the heart of Berit Schneidereit's work, who creates hybrids through analogue editing of digital images and joins together photographic methods with techniques used in painting, graphic art, and collage. Schneidereit mostly takes photographs in botanical gardens. In the darkroom, she then superimposes a grid or net-like structure over her motifs, which become blurred, ambiguous, and hazy. The artist thus achieves something that is close to painting once again. Like invisible curtains, her manipulations distort or obscure our view of the real image. Her work in this way questions the relationship between visibility and invisibility (also as a result of the media) and illustrates how the visual media, that are available today, force themselves between our gaze and the world. Text in English and German.

The quintessential British landscape--the seaside--is the subject of these nostalgic Polaroids by the acclaimed English photographer Jon Nicholson. Anyone who grew up holidaying on England's beaches is familiar with the distinctive features of these historic resorts--not the exclusive haunts of the rich and famous, but the gritty, often rocky shores of the Atlantic and the Irish and North Seas, filled with amusement arcades, bathing huts, beach umbrellas, and people of all ages and classes. Jon Nicolson's Polaroid SX-70 camera is the perfect vehicle to capture the color and character of summers at the sea. At once immediate and ephemeral, these delicately hued, slightly muted images taken with original, out-of-date film stock depict the faded glory of Yarmouth's giant piers, Brighton's pebbly shores, the Blackpool Pleasure Beach amusement park, and many other resorts across Britain. Each of the 70 photographs is beautifully reproduced on its own page with descriptive captions. A foreword by Joseph Galliano provides a wry, contemporary perspective on these beloved, centuries-old locations.

"Toala Olivares' photos seem so carefree; sometimes almost snapshots. But they are testament to an unfailing insight into the story that needs to be told." -Jeroen Junte, journalist & historian, about The Amsterdam Canals Documentary photographer Cris Toala Olivares experienced the enormous forces emanating from the core of a volcano during the 2014 eruption of the volcano Tungurahua in Ecuador. People who had lived on the fertile flanks for generations were forced to leave, something they did only with great reluctance despite the looming danger. Toala Olivares decided to delve deeper into the different relationships that people all over the world have with volcanoes. He visited 13 volcanoes, from Iceland to Indonesia, and has captured them in stunning photographs accompanied by interviews with the people who live there.

Michael Katakis has spent his life travelling with a camera and writing a journal. This is the resulting book. For the past 25 years he has collaborated with the social anthropologist Kris Hardin in work spanning continents and cultures. Their initial project was the Vietnam Veterans Memorial in Washington DC, photographing and interviewing veterans and civilians alike, the result of which was a moving portrait of America's strengths, sacrifices and errors during a profoundly divisive time in the nation's history. A different and disturbing portrait of the country emerges in 'Troubled Land: Twelve Days Across America' where Michael Katakis sought to have a dialogue with ordinary people right after September 11 2001. In between these projects were two periods of fieldwork in Sierra Leone documenting the people of a village before their bloody civil war began. His fine photographs were given an added, unintended significance by the awful events that followed. From Michael Palin's Introduction: 'Michael Katakis is an indefatigable traveller. Driven by a restless curiosity and a belief in the importance of the individual against the system he puts his humane and enquiring ear to the ground and picks up signals that are salutary, precise and stimulating. His thoughtful words and pictures confer dignity and provoke indignation in equal measure. He guides our eye and our conscience without ever having to resort to hustle or harangue. There is a peacefulness at the heart of his work which gives us time to think.'

Buite die hekke van Eden bevat dagboekfoto’s wat die bekende Suid-Afrikaanse fotograaf Paul Alberts oor ’n hele aantal jare in verskillende dele van Suid-Afrika geneem het. Die teks by die foto’s het Alberts self tydens sy fotografie-reise geskryf. Woord en beeld lewer kommentaar op sosiale en omgewingstoestande in die land. Met hierdie foto’s vang Alberts iets vas van die wese van lyding, verval en swaarkry, maar ook van die krag van die menslike gees. Die foto’s is by geleentheid van Alberts se 60ste verjaardag in die Oliewenhout-kunsmuseum in Bloemfontein uitgestal, saam met ’n aantal kwatryne wat Hennie Aucamp spesiaal vir die foto’s geskryf het. Buite die hekke van Eden is ’n publikasie met ’n besondere kultuurhistoriese en artistieke waarde.

"[A] gorgeous anthology of fashion images ... Leibovitz is nothing less than America's greatest living photographic portraitist ... she has changed fashion photography forever." - Anna Wintour Legendary photographer Annie Leibovitz's surprising account of her encounters with fashion over five decades 'Looking back at my work, I see that fashion has always been there,' Annie Leibovitz observes in the preface to Wonderland. 'Fashion plays a part in the scheme of everything, but photography always comes first for me. The photograph is the most important part. And photography is so big that it can encompass journalism, portraiture, reportage, family photographs, fashion ... My work for Vogue fueled the fire for a kind of photography that I might not otherwise have explored.' Includes 350 extraordinary images (many of them previously unpublished) featuring a wide and diverse range of subjects: Nicole Kidman, Serena Williams, Pina Bausch, RuPaul, Cate Blanchett, Lady Gaga, Matthew Barney, Kate Moss, Natalia Vodianova, Rihanna, Chimamanda Ngozi Adichie, Karl Lagerfeld, Nancy Pelosi. With a foreword by Anna Wintour.

_______________________ THE FIRST FULL-LENGTH BIOGRAPHY OF LEGENDARY PHOTOGRAPHER LEE MILLER _______________________ 'Lee Miller was an astounding woman, brought memorably to life in this astounding book' - Daily Telegraph 'Does its perplexingly complicated subject more than justice, adding welcome depths and nuances to the familiar legend' - Sunday Times 'A serious and gripping biography from Carolyn Burke' - Boyd Tonkin, Independent _______________________ Lee Miller was one of the most extraordinary photographers of the twentieth century, famous for her portraits and devastating photographs of World War Two, as well as for her legendary beauty. An art student and a Vogue model, she was a close friend of artists such as Picasso, Cocteau, Max Ernst and Paul Eluard, and became a muse of Man Ray and the Parisian surrealists. One of the few female photographers to enter Hitler's Germany, she was the first to access his Munich home and among the first to document the liberation of the concentration camps. Carolyn Burke captures Lee Miller in all her complexity, unveiling the glittering art world of the thirties and forties of which she was a central figure. Meticulously researched, beautifully written, this is an enthralling account of one of the most fascinating women of her era.

"This modern, refreshing examination of today’s American cowboys and cowgirls is something people will want to revisit time and time." — Yahoo “...captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.� – Ailbhe Macmahon, Daily Mail "Cowboys may be innately photogenic, but French photographer Anouk Krantz has succeeded in capturing their lives and surroundings like no other."  —Graphius Magazine Having earned wide acclaim for her bestselling Wild Horses of Cumberland Island (2017) and West: The American Cowboy (2019), this new collection of work that is American Cowboys is Anouk’s strongest work yet. Join Anouk Masson Krantz in her solo journey across America where she reveals the intimate lives and families of this private, elusive icon of our American West. Through her lens Anouk showcases an incredible journey from an outsider’s perspective into the private world of the American cowboy. Real people and real stories — a remarkable and inspiring story of people coming together to share their lives and celebrate the nation’s cowboy culture. This book is a must-have title among Anouk’s fine collections of photographs. Anouk’s work has been exhibited in galleries and museums across America. She is renowned for her large-scale contemporary photography and her use of white space that defines her elegant, minimalistic style.