‘Look beyond the obvious. Street photography is what you make it’. Craig Whitehead’s shots of the streets are unique – his sense of colour, composition, storytelling and timing have earned him a hugely dedicated following. But how does he consistently take such special images, and what are the key creative takeaways to bring to your own photography? Find Your Frame is Whitehead’s personal how-to guide to a craft he has spent many years honing. Across 20 short, sharp lessons, he reveals his secrets, his tips, his creative approach, his sources of inspiration, and his way of seeing, shooting and anticipating the streets. Illustrated throughout with example images, and full of creative wisdom and advice, this is the start of your journey toward better street photography and a more creative way of visual thinking.

Finalist, 2021 Writers' League of Texas Book Award Regarded as both a legend and a villain, the critic Dave Hickey has inspired generations of artists, art critics, musicians, and writers. His 1993 book The Invisible Dragon became a cult hit for its potent and provocative critique of the art establishment and its call to reconsider the role of beauty in art. His next book, 1997's Air Guitar, introduced a new kind of cultural criticism-simultaneously insightful, complicated, vulnerable, and down-to-earth-that propelled Hickey to fame as an iconoclastic thinker, loved and loathed in equal measure, whose influence extended beyond the art world. Far from Respectable is a focused, evocative exploration of Hickey's work, his impact on the field of art criticism, and the man himself, from his Huck Finn childhood to his drug-fueled periods as both a New York gallerist and Nashville songwriter to, finally, his anointment as a tenured professor and MacArthur Fellow. Drawing on in-person interviews with Hickey, his friends and family, and art world comrades and critics, Daniel Oppenheimer examines the controversial writer's distinctive takes on a broad range of subjects, including Norman Rockwell, Robert Mapplethorpe, academia, Las Vegas, basketball, country music, and considers how Hickey and his vision of an "ethical, cosmopolitan paganism" built around a generous definition of art is more urgently needed than ever before.

Internationally celebrated Hugarian novelist Laszlo Krasznahorkai has been heralded by Susan Sontag as "the Hungarian master of the apocalypse" and compared favorably to Gogol by W. G. Sebald. A new work by Krasznahorkai is always an event, and The Manhattan Project is no less. As part of Krasznahorkai's fellowship at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library, he has been working on a novella inspired by a reading of Moby-Dick. Yet, as he follows in Herman Melville's footsteps, a second book alongside the original novella took shape. The Manhattan Project is that book. Offering a unique account of a great literary mind at work, Krasznahorkai reveals here the incidences and coincidences that shape his process of writing and creating. The Manhattan Project explores the act of creation through the lens of Krasznahorkai's encounter with Melville, and it places this vision alongside the work of others who have crossed Melville's path, both literally and fictionally. Presented alongside Krasznahorkai's text are photographs by Ornan Rotem, which trace the encounters of writers and artists with Melville as they crisscross Manhattan, driven by a hunger to unlock the city's inscrutable ways. As Krasznahorkai goes in search of Melville, we journey along with him on the quest for the secret of creativity. The Manhattan Project provides a rare understanding of great literature in the making.

The Mosque in Mecca, arranged around the central Ka’ba, is the holiest site in Islam. Mecca is the birthplace of the Prophet Mohammed. The Ka’ba was constructed on a site of a temple from a pre-Islamic period. The city of Mecca has grown over the centuries like its counterpart, Madinah, where the Prophet died in the seventh century. Mecca now accommodates as many as tens of thousands of pilgrims in a single day. The site is the point of pilgrimage to which pilgrims travel from across the world in the annual Hajj, a key point in Islamic spiritual life. The Ka’ba is a symbol of unity, a structure of the greatest geometrical simplicity containing a single door. It is, however, considered to be feminine in gender and is draped in a covering of black cloth known as Al Astar to protect its modesty. This cloth, woven with gold, is replaced every year with a special ceremony. On this one day, the Ka’ba is left exposed and unveiled. Adel Alquraishi, a Saudi photographer from Riyadh, had established his reputation with the authorities of the Great Mosque in Mecca with his work on the Guardians of the Mosque in Madinah, published in 2020 as The Guardians. In parallel with that great book, the authorities of the Great Mosque in Mecca have enabled Adel Alquraishi to photograph the Ka’ba, the epicentre of Islam, in its undraped state.

In a world in which many photographers seek to avoid definition, Roger Ballen's photographs define themselves in their defiance of classification and genre: his world stands out as one of a kind. The black-and-white images featured in Asylum of the Birds were created exclusively within the confines of a house in a Johannesburg suburb, the location of which remains a guarded secret. The inhabitants of the house, both human and animal - including, most notably, the ever-present birds - are the cast of Ballen's world, performers amidst the theatrical interiors that they create and he orchestrates. The resulting images exist in a space between painting, drawing, installation and photography. They are timeless, psychologically powerful and masterfully composed.

Peter Kuper (b. 1958), one of America's leading cartoonists, has created work recognized around the world. His art has graced the pages and covers of numerous magazines and newspapers, including Time, Newsweek, the New Yorker, Harper's, Mother Jones, the Progressive, the Nation, and the New York Times. He is also a longtime contributor to Mad magazine, where he has been writing and drawing Spy vs. Spy for nearly two decades. He is the cofounder and coeditor of World War 3 Illustrated, the cutting-edge magazine devoted to political graphic art. His graphic novels have explored the medium from comics journalism and autobiography to fiction and literary adaptations. Among the works examined herein are his books The System, Sticks and Stones, Stop Forgetting to Remember, Diario de Oaxaca, and adaptations of Franz Kafka's The Metamorphosis and Upton Sinclair's The Jungle. Kuper also discusses his recently published opus, the 328-page Ruins, inspired by his experiences in Oaxaca, Mexico. Along with two dozen black-and-white images, this volume features ten lively, informative interviews with Kuper, including a career-spanning lengthy new interview. The book also includes a quartet of revealing interviews with underground comix legends R. Crumb and Vaugh Bod?, Mad magazine publisher William Gaines, and Jack Kirby, co-creator of mainstream superheroes from the Avengers to the Fantastic Four. These interviews were conducted by Kuper and fellow artist Seth Tobocman in the early 1970s, when they were teenagers. Most of the interviews collected in this book are either previously unpublished or long out of print, and they address such varied topics as the nuts and bolts of creating graphic novels, world travels, teaching at Harvard University, Hollywood deal-making, climate change, Spy vs. Spy, New York City in the 1970s and 1980s, Mad magazine, and World War 3 Illustrated.

Working Men's Clubs were originally set up for the support and education of the working man. Many clubs have long since disappeared, though there are still six million UK members. As a child, Chris Coekin visited clubs with his parents, both in his home town of Leicester and, on family holidays, around England. "Knock Three Times" is set in the Acomb WMC York, which Chris first photographed in 1996. Through photographs and archive material, Coekin explores the cultural roots and identity of the Working Men's Club and examines the complexity of working class culture, as well as ideas of masculinity, relationships and the work ethic.

The definitive photographic celebration of 70 years of Ferrari's production cars, by the world's foremost Ferrari photography archive. Also including the key stats and stories behind more than 150 cars. Celebrate the performance, design and beauty of the prancing horse in these breathtaking photographs, captured by specialist Ferrari photographers, Maggi & Maggi. More than 300 jaw-dropping images covering over 150 cars from across Ferrari's history – from the 125 S of 1947 and the era-defining 250 GTO to the notorious F40 and the Enzo – sit alongside detailed technical specifications and fascinating text telling the story behind each model by renowned Ferrari expert Stuart Codling. With some of the most beautiful, powerful and expensive cars in the world, this elegant collection is a stunning reminder of the enduring appeal of Ferrari. The MAGGI & MAGGI archive is the world's foremost collection of Ferrari photography. The culmination of a forty-year project to photograph every Ferrari model, it houses close to 100,000 images. This book showcases the very best of the archive.

Robert Mapplethorpe's black-and-white Polaroid photographs of the 1970s--a medium in which he established the style that would bring him international acclaim--are brought together in this new paperback edition. Critically praised for his finely modeled and classically composed photographs, Robert Mapplethorpe remains intensely controversial and enormously popular. This book brings together almost 300 images from the Robert Mapplethorpe Foundation's archive and private collections to provide a critical view of Mapplethorpe's formative years as an artist, revealing the themes that would inspire Mapplethorpe throughout his career. Included is a selection of color Polaroids and objects incorporating his early "instant" photography. Some images convey a disarming tenderness and vulnerability, others a toughness and immediacy that would give way in later years to more classical form. The author traces the development of Mapplethorpe's use of instant photography over a period of five years, from 1970 to 1975, when the artist worked mainly in this medium. The images include self-portraits; figure studies; still lifes; portraits of lovers and friends such as Patti Smith, Sam Wagstaff, and Marianne Faithful; and observations of everyday objects. Marked by a spontaneity and creative curiosity, these fragile images offer an illuminating contrast to the glossy perfection of the work for which Mapplethorpe is best known, allowing us a more personal glimpse of his artistry.

Garry Fabian Miller's Dark Room is a photography book unlike any other. At its heart is the artist's description of a life lived making pictures between the dark and the light, a deeply personal account woven against the history of photography from the moment of its birth in the 1830s to its decline, and some would say death, in the digital age almost two hundred years later. It is a memoir that reads at times like a manifesto, at others like a confession; a last testament to the dark room as both a site for the imagination, and a physical space for the alchemy that William Henry Fox Talbot once described as 'a little bit of magic realised'. Dark Room charts Miller's work over five decades, shifting from a camera-based practice in early career to the abstract picture making for which he has become internationally recognised, working without a camera to experiment with the possibilities of light as both medium and subject. At its core is the relationship with nature and place that has so sustained his way of life, and specifically with his home on Dartmoor and the cycle of daily walks that have been at the core of his practice for thirty years. The book also features an essay on Miller's work by his friend the potter and writer Edmund de Waal and technical notes by Martin Barnes, senior photography curator of the Victoria and Albert Museum.

The first sightings of newly discovered work from Saul Leiter's abundant archive of colour slides. Now widely acclaimed as one of the world's greatest photographers, Saul Leiter (1923-2013) remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter's images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. Saul Leiter was born in Pittsburgh and moved to New York City in 1946. He pioneered a painterly approach to colour photography starting in the late 1940s and produced covers for fashion magazines such as Esquire and Harper's Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first monograph, Early Color, inspired an avid 'rediscovery' of Leiter's work by contemporary audiences. His studio in New York's East Village, where he lived from 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The Foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the 'complete' archive. This volume contains works discovered through this process, specifically colour slides, never before published or seen by the public. Meticulously curated by Margit Erb and Michael Parillo of the Saul Leiter Foundation and supported by texts that explain how Leiter built the slide archive and how it is now being explored, catalogued and restored, this new monograph will be a must-have for photography fans worldwide.

This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. With an illuminating foreword by Eric Musgrave, 'Menswear' presents postcards of men in all manner of outfits, whether formal, practical or casual, dating from around 1900 up to c. 1949. Most of the subjects are posing for portraits, displaying both their individual style and an interpretation of the fashions of the time. The rich variety of accessories on display includes ties, gloves, pocket squares, walking sticks, canes, boutonnieres and spats.

Angus Stewart has spent 10 years backstage with London's burlesque community, getting to know the performers and documenting their shared world to create what he calls 'a family album'. From the beginning, his focus was on the personalities, rather than the performances. He deliberately eschews the 'big reveal'. Instead, his photographs capture the friendships, the laughter and the camaraderie that characterise the burlesque scene. We are introduced to a thriving community that values dedication and loyalty, and where the exotic is always laced with humour; and we hear from performers Rara Avis, Belle de Beauvoir, Cerise Rei, Lady Cheek, Lady May, Lynn Ruth Miller and Vixen Victoire. Burlesque can be provocative, it can be political, and it can be serious. But it can also be a lot of fun. 'I discovered that while some performers earn a living from burlesque, most have other jobs - anything from seamstresses to doctors, to company directors. This huge melting pot of professional experience, coupled with a variety of reasons for wanting to perform, means that personal development is encouraged. It's an incredibly supportive community, and I wanted to try to capture that spirit.' - Angus Stewart