The UK shipping forecast covers the waters of Western Europe and separates them into 31 sea areas encompassing the UK, from Dover to Southeast Iceland to German Bight- of which Power photographed all of them, over a period of four years. Each image is captioned with the 0600hr forecast on the day they were taken. This newly edited and revised second edition includes over 100 previously unpublished images. 'The shipping forecast, of course, exists to save lives. It warns those at sea, or about to put to sea, of approaching storms. But for the majority of us, in Britain at least, its strange, rhythmic language is unashamedly romantic and oddly reassuring, despite forming an image of an island nation perpetually buffeted by wind and waves. It manages to do all this while remaining virtually incomprehensible: the general synopsis at 0 1 00. Low, Southeast Iceland 995 moving slowly southwest, filling 1 00 7 by 0 1 00 tomorrow. Low, Biscay 958, expected Wales 1 00 5 by the same time. Low, Trafalgar 1 00 3, moving slowly east, losing its identity.'

Easton's photographs, alongside texts by writer, poet and social researcher Abdul Aziz Hafiz, aim to confront stereotypes and question the dangerous over-simplification of the challenges facing such communities. They do so by presenting the contemporary experience of residents as an 'alternative history telling'. The black and white photographs in the book were all made in an area less than half a mile square in Blackburn during 2019 and 2020. Working with a large-format wooden field camera, Easton spent long days and weeks in the neighbourhood talking to residents and sometimes making pictures. The project melds image and text - Easton's portraiture and landscapes combined with poetry and an essay by Aziz Hafiz and with the testimonies of residents. This long-form collaboration acknowledges the issues and impacts of social deprivation, housing, unemployment, immigration and representation, as well as past and present foreign policy. The result is a collective and nuanced portrait of the town - a sensitive response to the oversimplistic representation of such communities in both the media and by government, which deny the right of Bank Top to tell its own story.

Very few celebrities are so iconic that their first name is all that's needed in order to immediately recognise them. One photographer has captured each and every one of these icons - and more besides - on film. He goes by the name of Oscar Abolafia. You can call him Oscar.

Art, war, carnival or cult — masks have two sides: They conceal and hide, and at the same time create new personalities, strange and captivating at once. So, too, do masks reveal world views of time and place: cult masks from Africa, mediaeval knight helmets, fantasy masks of famous film heroes like Darth Vader, or gas masks and VR glasses as modern functional objects. In this new photo book, Russian photographer Olga Michi traces our millennia-old fascination with masks. Her expressive pictures place the masks centre-stage, creating a new, surrealistic aesthetic. With fascinating texts on each mask’s cultural-historical significance, this high-quality photo book delights, informs, and ignites the imagination. Text in English, French, German, and Russian.

A landmark biography of a singular and important Australian photographer, Olive Cotton, by an award-winning writer - beautifully written and deeply moving. Winner of the 2020 Canberra Critics' Circle Award for Biography Winner of the University of Queensland Non Fiction Book Award, Queensland Literary Awards 2020 Winner of the Magarey Medal for Biography for 2020 Shortlisted 2022 Adelaide Festival Awards for Literature, Non Fiction Award Longlisted for the 2020 Mark & Evette Moran Nib Literary Award 2020 Olive Cotton was one of Australia's pioneering modernist photographers, whose significant talent was recognised as equal to her first husband, the famous photographer Max Dupain. Together, Olive and Max were an Australian version of Frida Kahlo and Diego Rivera or Ray and Charles Eames, and the photographic work they produced in the 1930s and early 1940s was bold, distinctive and quintessentially Australian. But in the mid-1940s Olive divorced Max, leaving Sydney to live with her second husband, Ross McInerney, and raise their two children in a tent on a farm near Cowra - later moving to a cottage that had no running water, electricity or telephone for many years. Famously quiet, yet stubbornly determined, Olive continued her photography despite these challenges and the lack of a dark room. But away from the public eye, her work was almost forgotten until a landmark exhibition in Sydney in 1985 shot her back to fame, followed by a major retrospective at the Art Gallery of New South Wales in 2000, ensuring her reputation as one of the country's greatest photographers. Intriguing, moving and powerful, this is Olive's story, but it is also a compelling story of women and creativity - and about what it means for an artist to try to balance the competing demands of their art, work, marriage, children and family. 'Absorbing ... illuminating and moving' Inside Story

this is a book of restroom graffiti around Dallas and Austin texas. Some of it is funny, insightful, and also crude.

What do we see when we observe? What do we see when we observe a photograph? Ghirri's work is distinguished by the tension between the object and its representation, and there is nothing that he loves more than those situations in which boundaries become permeable; his work has taught us a new way of seeing, giving meaning to what is seemingly obvious. This is not the landscape that is normally perceived, but the one that is supposed to be latent, inscribed on the reverse: landscape of memory and fairytale, the landscape of hidden figures and wonders. In this direction, Ghirri has always preferred common and familiar places, already seen, but for the first time 'observed' with different eyes, where everything is suspended between past and future and where, like in the countryside, the world can be imagined as a vision which still arouses wonder. A thought-landscape. Text in English and Italian.

"If you're a lover of wildlife imagery, this is worth adding to your wishlist" -Amateur Photographer "...an amazing new photobook on the giants of the animal kingdom..." -Examiner USA "This is the type of book that makes a handsome gift for any wildlife lover. But you'll want to look at every photo before giving it away." -Inhabitat "This book marvelously lives up to its title, not just in size... but in subject matter: big animals, from lions to sharks to grizzly bears, all stunningly photographed by two highly accomplished wildlife photographers who decided to combine their work for this wondrous portfolio." -Air Mail When we encounter an animal in nature, it triggers something in us; we feel a certain emotion in the presence of the other creature: amazement, adoration, fascination, and indeed, in some situations, fear and apprehension. But a brush with a deer, wild boar, or hare is no comparison to a rendezvous with a grizzly, lion, shark, or pod of whales. Amos Nachoum and Marko Dimitrijevic have experienced this hundreds of times in their combined 70 years as wildlife photographers. Now, for the first time, they are combining their award-winning photographs with previously unpublished photographs of the world's largest animals in one book. The two photographers, who are also friends, tell us what it is like to be out in the wild and look the world's biggest animals right in the eye. The structure of the book's chapters is arranged based on human emotions such as amazement, admiration, fear, and love. In their book, Nachoum and Dimitrijevic bring us closer to the giant animals of our planet, and allow us to share what these two men feel during these encounters, helping us learn about ourselves when we do so. Text in English and German.

The quintessential British landscape--the seaside--is the subject of these nostalgic Polaroids by the acclaimed English photographer Jon Nicholson. Anyone who grew up holidaying on England's beaches is familiar with the distinctive features of these historic resorts--not the exclusive haunts of the rich and famous, but the gritty, often rocky shores of the Atlantic and the Irish and North Seas, filled with amusement arcades, bathing huts, beach umbrellas, and people of all ages and classes. Jon Nicolson's Polaroid SX-70 camera is the perfect vehicle to capture the color and character of summers at the sea. At once immediate and ephemeral, these delicately hued, slightly muted images taken with original, out-of-date film stock depict the faded glory of Yarmouth's giant piers, Brighton's pebbly shores, the Blackpool Pleasure Beach amusement park, and many other resorts across Britain. Each of the 70 photographs is beautifully reproduced on its own page with descriptive captions. A foreword by Joseph Galliano provides a wry, contemporary perspective on these beloved, centuries-old locations.

The Theatre of Apparitions is a highly anticipated body of work by one of the most original image-makers of our times, whose remarkable artistic trajectory spans the past 40 years. This book is the culmination of his ongoing study of the connections between photography, drawing, the mind and the body. Created between the years 2004 and 2008, these 90-odd black-and-white images encourage viewers to delve deep into the darkest part of their psyches. The images in this new monograph were inspired by the simple act of drawing on windows - a practice that Ballen observed first-hand in many communities. From there, he started to experiment using different spray paints on glass and then `drawing on' or removing the paint with a sharp object to let natural light through. Finally, he photographed the results with a macro lens using black-and-white film. These black, dimensionless spaces effectively operate as canvases onto which Ballen projects pictorially his thoughts and emotions, creating, in effect, a theatre of the mind. The plates are separated into seven chapters or `acts', with each one introduced by a text written by Ballen himself. Carving out a realm that is both earthly and otherworldly, physical and spiritual, his work transcends all traditional concepts of photography.

One hundred of the most outstanding photographs taken by photographer, model and Surrealist muse Lee Miller, published in anticipation of the November 2023 release of the film Lee, starring Kate Winslet as Lee Miller Photojournalist, war correspondent, model and Surrealist muse, Lee Miller was one of the most important women photographers of the twentieth century, working in the fields of photojournalism, fashion, portraiture and advertising. This book presents 100 of Miller’s finest works in a single volume. Introduced to photography at an early age, Lee Miller honed her craft in Paris, where she associated with the Surrealists and avant-garde artists including Jean Cocteau and Picasso. Together with Man Ray she accidentally discovered the distinctive technique of solarization to create mesmerizing halo effects. After establishing her own photographic studio in New York, where she became a prominent commercial photographer, she then moved to the Middle East and Europe before becoming the official war photographer for Vogue, a period during which she took many of her most iconic photographs. This evocative book collects Lee Miller’s most famous documentary, fashion, and war works, as well as photographs of Miller, all carefully compiled by her son the photographer Antony Penrose, with a foreword by actress Kate Winslet, who will star as Miller in the film Lee.

"Toala Olivares' photos seem so carefree; sometimes almost snapshots. But they are testament to an unfailing insight into the story that needs to be told." -Jeroen Junte, journalist & historian, about The Amsterdam Canals Documentary photographer Cris Toala Olivares experienced the enormous forces emanating from the core of a volcano during the 2014 eruption of the volcano Tungurahua in Ecuador. People who had lived on the fertile flanks for generations were forced to leave, something they did only with great reluctance despite the looming danger. Toala Olivares decided to delve deeper into the different relationships that people all over the world have with volcanoes. He visited 13 volcanoes, from Iceland to Indonesia, and has captured them in stunning photographs accompanied by interviews with the people who live there.