Art, war, carnival or cult — masks have two sides: They conceal and hide, and at the same time create new personalities, strange and captivating at once. So, too, do masks reveal world views of time and place: cult masks from Africa, mediaeval knight helmets, fantasy masks of famous film heroes like Darth Vader, or gas masks and VR glasses as modern functional objects. In this new photo book, Russian photographer Olga Michi traces our millennia-old fascination with masks. Her expressive pictures place the masks centre-stage, creating a new, surrealistic aesthetic. With fascinating texts on each mask’s cultural-historical significance, this high-quality photo book delights, informs, and ignites the imagination. Text in English, French, German, and Russian.

From photographer Susan Kaufman, an intimate celebration of the beauty and charm of New York City For some people, New York City exists only in their imaginations, a big-screen beacon of wonder and twenty-four seven delight. For others, it's a dream destination: the diverse urban center where they will finally feel they belong. And still for many, it's the place they already call home. No matter how you view New York, longtime fashion editor and photographer Susan Kaufman will help you see the city with fresh, appreciative eyes. As she travels with her camera through New York, Susan Kaufman invites readers to see the city as she does: from the sidewalk. She explores the beauty of the city found in its charming townhouses, decorated shops, lovely parks, shop facades, and serene streetscapes. New York may be known as the city that never sleeps, but beneath the bustle, there's a soulful side, with its own quiet power and universal allure. Walk with Me New York invites readers to appreciate the streets and buildings that have made the world's most iconic city survive centuries of change yet retain its vitality and aspirational magnetism.

Bangladesh has been shunned by tourists from the moment it was created in 1971. Henry Kissinger described it as a basketcase. Poverty and humanitarian disasters defined Bangladesh in the ensuing decades. When Rupert Grey arrived in Dhaka in 1992, a sign announced that arrivals were ‘Welcome to Bangladesh before the tourists get here’. They still haven’t. Grey first came to Bangladesh as a London lawyer armed with three FM2 cameras. Many journeys and 30 years later he is a photographer armed with a useful legal background. The catalysts were Chobi Mela, the festival of photography, and its founder Shahidul Alam, an acclaimed photographer, human rights activist and Time magazine’s Person of the Year in 2018. This book charts Grey’s love affair with Bangladesh, including an epic transcontinental journey through India to Chobi Mela in a vintage Rolls-Royce, later portrayed in the award-winning, Sharon Stone produced film Romantic Road. His photographs, mostly taken on film, speak powerfully of the cultural vitality and energy which Kissinger missed, and which inspired Grey’s Homage to Bangladesh. As a libel and copyright lawyer Rupert has represented national papers, politicians, bankers, celebrities and explorers. He serves on the board of a number of front-line charities in the arts, education, photography and marine exploration. He has travelled on foot and horseback, by dug-out canoe, dog sledge, camel, elephant, bush-plane and Land Rover to the wild places of the earth. His photographs have been exhibited in several countries including Bangladesh, and his articles have been widely published. He lives with his wife Jan in a remote thatched cottage in Sussex, England, with their three daughters nearby.

Angus Stewart has spent 10 years backstage with London's burlesque community, getting to know the performers and documenting their shared world to create what he calls 'a family album'. From the beginning, his focus was on the personalities, rather than the performances. He deliberately eschews the 'big reveal'. Instead, his photographs capture the friendships, the laughter and the camaraderie that characterise the burlesque scene. We are introduced to a thriving community that values dedication and loyalty, and where the exotic is always laced with humour; and we hear from performers Rara Avis, Belle de Beauvoir, Cerise Rei, Lady Cheek, Lady May, Lynn Ruth Miller and Vixen Victoire. Burlesque can be provocative, it can be political, and it can be serious. But it can also be a lot of fun. 'I discovered that while some performers earn a living from burlesque, most have other jobs - anything from seamstresses to doctors, to company directors. This huge melting pot of professional experience, coupled with a variety of reasons for wanting to perform, means that personal development is encouraged. It's an incredibly supportive community, and I wanted to try to capture that spirit.' - Angus Stewart

A panorama of the career of South African photographer David Goldblatt, elucidating his artistic commitments, networks, and influence.

David Goldblatt: No Ulterior Motive coincides with a major traveling retrospective of the renowned South African photographer’s work. From vintage handprints of the artist’s black-and-white photography, taken between the 1950s and the 1990s, to his post-apartheid, large-format, color work, photographs in the volume are approached thematically—under headers such as “Assembly,” “Disbelief,” “Dialogues,” and “Extraction”—to draw out the artist’s core interests in working-class people, the landscape, and the built environment. Objects from Goldblatt’s (1930–2018) personal archive are also included.

In an effort to create a more inclusive dialogue around Goldblatt’s work, the catalogue features images and texts by contemporary photographers and scholars, many of whom were mentored by Goldblatt, including Zanele Muholi and Sabelo Mlangeni. Some write on Goldblatt’s photographs, while others discuss his influence on their own work. Goldblatt devoted his life to documenting his country and its people. Known for his nuanced portrayals of life under apartheid, he covered a wide range of subjects, all of them intimately connected to South African history and politics.

The wide-ranging voices in this catalogue foster a broad frame of reference for his work, thus countering a frequent misunderstanding of apartheid as a situation peculiar to South Africa.

"When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made." - Australian Women's Weekly Icons "Caine, the timeless gentleman." - Diego Armes, GQ Portugal "I had to be an actor," Michael Caine once said. "[...] And of course, you have to remember with me, the alternative was a factory." A working-class actor who broke through to stardom, Caine's screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O'Neill. Michael Caine: Photographed by Terry O'Neill offers an immersive visual journey through Michael Caine's career, immortalising Caine's charm both in and out of character. Caine occupies a landmark position in cinema and O'Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and colour images and includes never-before-seen contact sheets. Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.

A Kind of Prayer presents the first-ever survey dedicated to the late Cree artist Kimowan Metchewais and his singular body of work on Indigenous identity, community, and colonial memory. After his untimely death at age forty-eight in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes-including the artist's body, performative self-portraiture, language, landscapes, and everyday subjects-and served as the source material for works in other media, such as painting and collage. Metchewais's exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. A Kind of Prayer is a comprehensive overview that showcases this essential artist's astonishing vision.

A new collection of Saul Leiter's work, much of it published here for the first time. Saul Leiter remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter's painterly images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour, at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. In recent years, Leiter has been in the spotlight more and more with a series of exhibitions and publications. His studio in New York's East Village, where he had lived since 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the 'complete' archive. This volume contains works discovered through this process, valuable documents that reveal the secrets of Saul Leiter's creation, unpublished works, popular colour works and black-and-white works that have not been published so far, as well as works that trace the memories of those closest to him taken in private. As Saul Leiter said, 'Photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.' This is Forever Saul Leiter.

Barbara Cole's artwork is collected by public and private institutions and has been exhibited worldwide, including at the Canadian embassies in Washington, D.C. and Tokyo, Japan. Cole, who is often referred to as an inventor, uses a raw, hands-on photographic process that is consistent with her belief that the possibilities of photography are virtually limitless. Since the early 1980s, she has channelled her appreciation for the camera itself. She is dedicated to the history of photography by deviating from automatic cameras and techniques. Barbara Cole uses photography to play with notions of time, place, and identity. In her numerous series, Cole often asks the questions: how do you paint an image of timelessness? How do you capture the feeling of weightlessness in an image? Her ethereal photography takes on a quintessential painterly quality, with the transformation of figures a predominant theme in her work. Over the past 30 years, although she works with traditional photographic means, Cole's approach and aesthetic has become closer to that of a painter. The artist's work focuses on a powerful narrative, some with external motifs and others with intense figure transformations that alone tell the story. Cole's background in fashion and fashion editorial naturally leads to a process that channels her experience into creating a particular atmosphere with costumes and backdrops. Text in English and German.

A new collection from the award-winning Magnum photographer. A master of colour-saturated images, Harry Gruyaert has roamed the world searching for the perfect light for more than forty years. His very intuitive and physical sense of place immerses the spectator in a world that borrows simultaneously from the cinematic universe and from that of the painter. Dissolving the boundaries between the exterior and interior, Between Worlds offers just such a sensory immersion. No matter the setting, the country or the era, Gruyaert deploys a luminous alchemy suspended in time. Where are we? It doesn’t matter: in Gruyaert’s world, the pleasure of getting lost reigns.

Decades' worth of images have been distilled down to 512 pages of photographs in this ultimate retrospective collection of Nobuyoshi Araki's work, selected by the artist himself. First published as a Limited Edition and now back in a new format to celebrate TASCHEN's 40th anniversary, the curation delves deep into Araki's best-known imagery: Tokyo street scenes; faces and foods; colorful, sensual flowers; female genitalia; and the Japanese art of kinbaku, or bondage. As girls lay bound but defiant and glistening petals assume suggestive shapes, Araki plays constantly with patterns of subjugation and emancipation, death and desire and with the slippage between serene image and shock. Describing his bondage photographs as "a collaboration between the subject and the photographer", Araki seeks to come closer to his female subjects through photography, emphasizing the role of spoken conversation between himself and the model. In his native Japan, he has attained cult status for many women who feel liberated by his readiness to photograph the expression of their desire. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Toiletpaper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Henri Cartier-Bresson's photography came to define the 20th century. This book tells his life story through his images: all the major events from his youth to his death in 2004 are described, contextualized and analysed in the light of his photographic work. From his early encounters with the Surrealists, his film work and his experiences in the SecondWorldWar, to the development of his own personal aesthetic, the concept of the 'decisive moment', and the foundation of Magnum Photos, his influence on the world has been profound and unforgettable.

William Wegman is a world-renowned American artist whose paintings, photographs, videos and drawings have been exhibited in museums and galleries internationally. Today he is perhaps best known for his collaborations with his longstanding muses, an ever-expanding cast of Weimaraners, for whom performing elaborate scenarios or merely posing demurely for their portraits comes as second nature. Curated in close collaboration with distinguished photography author William A. Ewing, William Wegman: Being Human is the most extensive collection of Wegman's photographic work yet to be published. The book is organized thematically, presenting a wealth of exceptional work in such a way as to highlight the versatility of Wegman's everinventive mind as he explores what it means to be human. From portraits of characters we so easily recognize - a suburban housewife, a famous actor, a nightclub singer, a golfer dressed in plaid - to imagery that toys with a wide range of visual languages, Wegman quotes freely from fashion photography, Cubism, colour theory, the tradition of the nude and the history of art itself. Essays and an interview explore Wegman's approach to his subjects and their life in the studio. With over 300 images made over the last four decades, many published here for the first time, William Wegman: Being Human will delight and engage both those who are new to Wegman's work and those who have admired his art for many years.

324 pages of never before seen Roxy Music photographs from one of the most high-profile Roxy Music fans celebrating the 50th anniversary of the band's debut album. A perfect gift for fans of 80s bands, Roxy Music and music photography. 2022 marks the 50th anniversary of Roxy Music's eponymous debut album, which the band are celebrating with a North America and UK tour, their first in over a decade. To coincide with this milestone, we are proud to present a one-of-a-kind historical document and celebration of one of the most beloved and enduring bands of our times. Documenting the band from their heyday in 1973 right up to Roxy's last live performance in 2019 - more often than not from the photographer's pit - and punctuated by rare memorabilia, priceless memories and cheeky anecdotes, Roxy Live is the book Roxy fans have been waiting for.

Visions of London is a collection of urban city photography by award-winning photographer Simon Hadleigh-Sparks. The book highlights his passion for abstract-reflected architecture and reflected imagery, a style he has created for himself. He also experiments with extreme contrasts and has been called a master of light. His many online followers encourage him to develop and experiment further, with people liking the weird or the different. He has also mastered the art of post-production blending, temperature, tone curve, luminance - and the list goes on.

Very few celebrities are so iconic that their first name is all that's needed in order to immediately recognise them. One photographer has captured each and every one of these icons - and more besides - on film. He goes by the name of Oscar Abolafia. You can call him Oscar.

Instant Andy

Before there was Instagram, there was Warhol

Andy Warhol was a relentless chronicler of life and its encounters. Carrying a Polaroid camera from the late 1950s until his death in 1987, he amassed a huge collection of instant pictures of friends, lovers, patrons, the famous, the obscure, the scenic, the fashionable, and himself. Created in collaboration with the Andy Warhol Foundation, this book features hundreds of these instant photos.

Portraits of celebrities such as Mick Jagger, Alfred Hitchcock, Jack Nicholson, Yves Saint Laurent, Pele, Debbie Harry are included alongside images of Warhol's entourage and high life, landscapes, and still lifes from Cabbage Patch dolls to the iconic soup cans. Often raw and impromptu, the Polaroids document Warhol's era like Instagram captures our own, offering a unique record of the life, world, and vision behind the Pop Art maestro and modernist giant.

A broad monograph devoted to one of the preeminent names in contemporary Japanese photography. Moriyama's photography is provocative, both for the form it takes (Moriyama's photographs may be dirty, blurry, overexposed or scratched) and for its content. The viewer's experience of the photo--whether it captures a place, a person, a situation or an atmosphere--is the central thrust in his work, which vividly and directly conveys the artist's emotions. The approximately 200 black-and-white images sketch out an original perspective on Japanese society, especially during the period from the 1950s to the '70s. During this time, he produced a collection of photographs -- Nippon gekijo shashincho -- which showed darker sides of urban life and relatively unknown parts of cities. In them, he attempted to show what was being left behind during the technological advances and increased industrialization in much of Japanese society. His work was often stark and contrasting within itself--one image could convey an array of senses; all without using color. His work was jarring, yet symbiotic to his own fervent lifestyle. In addition, the artist has included a number of photos shot in the past decade to complete this volume.

William Henry Fox Talbot, the English inventor of photography, created around 15,000 photographs in the nineteenth century, most of them attempts to produce compelling scientific documents or pictorial records of the world around him. However, among those that have survived are also prints in which an image has been obscured, obliterated or simply failed to register. Borrowing its intriguing title from a poem written by Talbot, this book features twenty-four of these prints, his most experimental photographs. Originally intended as test prints or creative exercises, all that remains on these shaped pieces of photographic paper are chemical stains or imprinted patterns or shapes. Offered to the reader as enigmatic physical artefacts, these failed or ruined photographs are here reanimated as objects of beauty, mystery and promise, as artworks that speak of photography's most fundamental attributes and potentials. An accompanying essay illustrated with comparative images places these photographs in a broad historical context leading up to the present, revealing what relevance Talbot's experiments have to contemporary concepts of the art of photography.

Multiple Exposures - Allen Jones & Photography explores the numerous ways in which artist Allen Jones has engaged with the possibilities of this medium. Historian Philippe Garner has researched Jones's extensive archive to develop and present the insightful narratives implicit in this remarkable, often surprising selection of images. Studying at Hornsey School of Art, then at the Royal College of Art till 1961, Jones achieved swift success within a dynamic roster of artists celebrated as 'The New Generation: 1964' at the Whitechapel Gallery, London. Alongside his practice as a painter, sculptor, and printmaker, Jones nurtured an ongoing fascination with photography. This volume - an important addition to the literature on Jones's oeuvre - reveals how he was first drawn as a student to the camera's potential, making his earliest experiments in black and white. Through the sixty-plus years of Jones's career - using camera and, more recently, iPad, and iPhone - photography has become ever-more integrated within his wider practice as an artist. We observe his incorporation of 'found' photographs within his early collaged works; we discover the photographs he has taken as a visual ledger of all that intrigues him; we see a telling selection of the imagery that he has collected, mostly drawn from vernacular sources, such as post cards, newspaper cuttings, and magazine tear-sheets; we find his playful images of his studio and its juxtapositions; and we follow his investigation of the ways in which his paintings and sculptures can interact and invite fresh readings when transmuted into photographs. The images in Multiple Exposures, mostly hitherto unpublished, are supported by an introductory text by Philippe Garner and by revelatory chapter introductions and pertinent pull-quotes by Allen Jones. The dynamic design of the book is by the legendary graphic artist David Hillman.