Author Lynn Barnes admits she's known all along that she'd been a little different in ways she can't explain. In her memoir, The Last Exit before the Toll, she examines her life and tries to make sense of who and what she is and how her being affects her existence.

She reflects on growing up as an only child and her life now as a single, surrealist artist and Poe aficionado. Barnes recalls the events that have greatly impacted her, including the deaths of her mother and father and the suicide of her best friend, Marc. But it was the discovery that she has undiagnosed Asperger's syndrome that helped piece together the puzzle that has been her life and allowed her to come to terms with the troubling personality traits she has experienced all her life.

An insightful and creative look at Barnes's life, The Last Exit before the Toll provides a glimpse into the sometimes frustrating and unknown world of someone who lives with Asperger's syndrome.

"Everyone that loves London will love this book." - Joanne Good, BBC Radio London "If you're looking for some inspiration for unusual places to photograph in the city, or just a good manual for avoiding the obvious, this is well worth looking into." - Amateur Photography Over the course of 15 years, native Londoner Paul Anthony Scane went out by bike and on foot to explore hidden corners of his city with four analogue cameras and an eye for the unusual. This book, which is devoid of the usual tourist spots, shines a light on places and people that are not often seen: the campy drycleaner ("Go Gay"); a double decker bus appearing to manoeuvre a miniature golf course; an abandoned tank in south London. These poignant and often witty images capture the character and soul of the real London with affection and curiosity. London Unseen is a character study of a world metropolis - based on its people and streets, away from Big Ben and Trafalgar Square.

In late 2011, photographer Douglas Holleley mounted an alphabet of wooden letters on a plywood base and placed it in the backyard of his home in Rochester, NY. His hypothesis was simple; to investigate the behavior of snow as it accumulated on a low-relief, three-dimensional object-in this case, as mentioned before, an alphabet of wooden letters. As the year progressed, Holleley continued to photograph through Spring, Summer and Autumn finishing around Christmas 2012. As such, in addition to the effects of the rain, snow and ice the alphabet is also graced with seeds, flowers, leaves and other traces of the seasons. Thus the book expanded from its original concept. What began as a simple observation of snow falling on a surface transformed into a gentle, and at times poignant, meditation on the nature of time and change.

The ultimate record of the work of a world-class photographer. Capturing the iconic, candid, and unguarded moments of the famous and the notorious. "Terry was everywhere in the 60s - he knew everything and everyone that was happening" Keith Richards "Terry O'Neill rates rightly as one of the best photographers in the world. He captures something special" Sir Michael Caine "When it comes to photographic legends there can be few more prolific or revered than Terry O'Neill, the man who shot the greats." VOGUE "This sumptuous collection of portraits, taken over six decades, represents the best of his memorable career and should grace every coffee table in the land" The Daily Mail "I've been repeatedly asked to write my autobiography - I have seen an awful lot of famous people at their best and worst - but I'm not interested in making money trading their secrets or mine. I want my pictures to tell a story not sell a story." Terry O'Neill Terry O'Neill is one of the world's most celebrated and collected photographers. No one has captured the frontline of fame so broadly - and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history. Now, for the first time, an exhaustive cataloguing of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years. Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious - from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O' Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives. Add to that the magazine covers, album sleeves, film poster and fashion shoots of 1,000 stars, and Terry O'Neill - comprises the most compelling and epic catalogue of the age of celebrity.

This series celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. Fantasy Travel shows people sitting proudly and playfully in studio mock-ups of aeroplanes, cars, speedboats and hot air balloons. Such modes of transport were beyond the dreams of the average person in the early twentieth century but the photographic studios allowed them to indulge wild flights of fancy and take away the resulting postcards.

They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.

They were the bohemians.

Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

American Brad Washburn's impact on his proteges and imitators was as profound as that of any other adventurer in the twentieth century. Unquestionably regarded as the greatest mountaineer in Alaskan history and as one of the finest mountain photographers of all time, Washburn transformed American attitudes toward wilderness and revolutionized the art of mountaineering and exploration in the great ranges. In The Last of His Kind, National Geographic Adventure contributing editor David Roberts goes beyond conventional biography to reveal the essence of this man through the prism of his extraordinary exploits from New England to Chamonix, and from the Himalayas to the Yukon. An exciting narrative of mountain climbing in the twentieth century, The Last of His Kind brings into focus Washburn's deeds in the context of the history of mountaineering, and provides a fascinating look at an amazing culture and the influential icon who shaped it.

This monograph is the first to collect the photographs of internationally acclaimed multimedia artist Barry McGee. Though best known for the inventive graphic sensibility of his paintings and drawings, McGee's use of photography is an essential, often underappreciated, component of his artistic vision. Captured at all hours and around the world with whatever camera is at hand, McGee's images are immediate, casual, intimate, and anarchic all at once. His work boldly employs geometric shapes, clusters of framed drawings and paintings, distinctive characters, and found objects such as empty bottles, surfboards, and wrecked vehicles. Whether incorporated into his iconic multi-element compositions, or printed in the innumerable fanzines and artist's books that often accompany his exhibitions, photographs pervade McGee's practice. Barry McGee: Photographs provides unique insight into the process of a major American artist, and is a testament to the immense amount of visual information McGee has absorbed to build one of the most eclectic and innovative artistic legacies of our time.