For the first time, iconic fetish photographer G. Elliott Simpson is showing his works in a monograph. This book features cutting-edge fetish photography showcasing rubber and latex, aesthetically appealing and skillfully made. The Toronto-based photographer manages to approach the topic in a tasteful way, allowing viewers from the outside to explore an unknown world of lust and desire.

I'm not saying I'm a sculptor, I just make images. I don't take photographs, I make them. And now I'm making something else. Renowned as one of the world's most illustrious photographers, Bailey shocked viewers as he presented a dark and rugged collection of cast silver and bronze sculptures alongside a body of new photographs, underlining the stark contrast between the two media and emphasizing his versatility as an artist. This book, designed by Bailey, showcases these new works. The book explores the idea that image-makers should not be confined to one discipline, a freedom that Bailey fully justifies with these powerful works.

Think you know photography? Think again. Through a carefully curated selection of quotes and images, this book reveals what matters most to the masters of photography. With 50 iconic images and accompanying text by Henry Carroll, author of the internationally bestselling Read This If You Want To Take Great Photographs series, you'll learn what photography actually means to the giants of the genres and how they developed their distinctive visual styles.

It has been almost a generation since Sebastiao Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first "boat people" of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother's breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones. At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado's own words, to temper our behaviors in a "new regimen of coexistence."

The photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much effect on the viewer as the selection of images, their positioning in the layout, typography, and texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art studies, phenomenological discussions complement methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium of renditions. Through a practice-based examination of contemporary photobooks, this reader gets to the root of the field of photo books.

Singapore: small tropical island and dynamic city, where some of Asia's Tallest buildings tower over modest quayside shophouses. Few landscapes, coastlines have been transformed as rapidly as those of Singapore. Seen from the air, the island revealed as a spectacular landscape of intricate patterns, rich textures and diverse colors. Stunning images show the true and unexpected variety of this city-state, providing a fresh perspective from which to view its landmarks and to explore the less-well-known sights of its industry, agriculture and outlying islands. In Over Singapore, award-winning Singaporean photographer Richard W. J. Koh showcases the dynamism of this ever-changing nation. His photographs are complemented by the insightful fext and captions of diplomat and international lawyer Professor Tommy Koh who prvides reavealing historical introduction to the book and an insider's guide to the north, south, east and west of the country.

Australia is a collection of iconic images collaged to create a quintessential Australian experience, showing the cities and countryside on offer. This book of photographs is designed to take the viewer on a trip around Australia and would appeal to the tourist and local alike. Having travelled through Europe as a tourist taking photographs of any thing and everything, Susan Peters wondered what it would be like to do the same in her own country. Australia is the result. Starting her tour in Sydney, then Canberra and on to Melbourne. Queensland is well represented with images of Brisbane, the Gold Coast, The Whitsundays and Cairns. Darwin and Uluru, Perth, South Australia and Tasmania are all included. A key figure in the establishment of the Greater Newcastle Building Society. This book sets out to chart the remarkable career of this inspirational Novocastrian.

Humphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'. A member of the GPO Film Unit and director of wartime canonical classics such as Listen to Britain (1942) and A Diary for Timothy (1945), he was also an acclaimed writer, painter, photographer and poet. This seminal collection of critical essays, first published in 1982 and here reissued with a new introduction, traces Jennings's fascinating career in all its aspects with the aid of documents from the Jennings family archive. Situating Jennings's work in the world of his contemporaries, and illuminating the qualities by which his films are now recognised, Humphrey Jennings: Film-Maker, Painter, Poet explores the many insights and cultural contributions of this truly remarkable artist.

To celebrate the acquisition of the Tom Phillips archive, the Bodleian Library has asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Readers shows people reading (or pretending to read) a wide variety of material from the Bible to Film Fun, either in the photographer's studio, in their own home or holidaying on the beach. Each book contains 200 images chosen with the eye of a leading artist from a visually rich vein of social history. Their covers will also feature a thematically linked painting, especially created for each title, from Tom Phillips' signature work, A Humument.

The first major publication dedicated to one of Norway's most important photographers Working in a signature modulating gray scale, the late Norwegian photographer Tom Sandberg spent decades rendering the world according to an exacting vision, training his eye on the shapes and forms of the everyday-dark abstractions of asphalt and sea, the hard edges of an automobile, an ominously curved tunnel, an anonymous figure casting a shadow-to plumb the nature of photographic seeing. His pictures are subtle yet transformative, studies of stillness that radiate mystery. A perfectionist in the darkroom, Sandberg was acutely sensitive to the rich spectrum of black and white, and his handmade prints, at times printed on aluminum and canvas, project a powerful physical presence. Although Sandberg is esteemed in his native Norway and throughout Scandinavia and Europe, his oeuvre is less known in the United States and other parts of the world. This monograph, produced in close collaboration with the Tom Sandberg Foundation in Oslo, is a long-overdue celebration of this distinguished artist.

A spiritually uplifting and beautiful designed visual memoir by the hugely popular photographer on Instagram, Joe Greer, combining thoughtful essays and more than 100 gorgeous landscape photos-half fan favorites, and half never-before-seen. "Each photograph really does come down to a split second when you decide to freeze that moment in time. . . . You ask yourself what the story is that you want to tell, and let the rest unfold: Click."-from the introduction Joe Greer never imagined he would become a photographer. Raised in Florida by an aunt and uncle after his mother's death when he was four, Joe had a seemingly normal childhood, spending summers at church camp and dreaming of going to college. But nearly fifteen years later, the ground shifted beneath his feet when he discovered a family secret that would impact the rest of his life. Trying to make sense of that revelation and what it meant for his future, Greer set his sights on becoming a pastor at Spokane's Moody Bible Institute. There, he discovered Instagram-and a passion for photography. His pictures of the lush, wild beauty of the Pacific Northwest landscape attracted a large following that has grown to more than three quarters of a millions fans and continues to expand. The Lay of the Land is Joe's story in words and pictures. In this stunning compendium, he reflects on the trauma of his early life and what photography has taught him: how to find his light; how to slow down; how to appreciate the world around him, a reverence for the nature world that that both nurtures and amplifies his creativity and faith; how to love-his photography led him to his wife, Madison-and how to heal. For Joe, photography has been a way to find purpose, better understand his faith, and express himself. Though he began with landscapes, meeting his wife sparked a new love of portraiture, and he turned to making photos of street scenes that explored his complicated feelings about family. A love letter to the natural world, to faith, and to finding your calling in the most unexpected places, The Lay of the Land is a window into the beautiful mind and heart of one of the internet's favorite photographers. Moving and inspiring, it is a creative and spiritual journey that offers lessons on life and living. As Greer reminds us all, whatever it is you want, it's up to you to make the moment (and the photograph).

Capturing the romance and beauty of la dolce vita, this volume features intimate and rare moments of Veruschka, the iconic face of 1960s glamour, from the forgotten and unpublished photographic archive of Johnny Moncada. When fashion photographer Johnny Moncada unlocked a trunk he had left sealed for forty years, he and his daughter discovered ten thousand of his unpublished negatives. They revealed the world of 1960s Italian fashion in all its languid glamour, personified by the iconic Veruschka. In three thousand images, Moncada captured the German-born model in both beautifully staged and informal poses. A selection of these photographs is presented in this lavish volume. They were taken over the course of a year in Rome, including seaside shoots in Capri, Sardinia, and other locales of la dolce vita. While serving as an invaluable source of inspiration to aficionados of 1960s style, Moncada's work also presents a rare glimpse of a young woman, known to friends as Vera, transforming in front of the camera into the image of perfection that we know as Veruschka.

Following on from Terence Donovan: 100 Fashion Photos, this new compact edition of collected photographs features over 100 of Terence Donovan's best portraits. Terence Donovan (1936–1996) was one of the foremost photographers of his generation, with a career spanning four decades. He came to prominence as part of a post-war cultural renaissance in Britain, representing a new force in photography. Donovan had an eye for taking captivating portraits, and this book is a collection of one hundred of his best, from royalty to musicians, politicians, actors and more. Gifted with an unerring eye for the iconic as well as the transformative, Donovan was a master of his craft and was an acclaimed portrait photographer. Featuring some of his most striking and memorable portraits from a vast array of people, including iconic images of Sophia Loren, Jimi Hendrix, Jazzy B, Bryan Ferry and Mary Quant, this small edition is an affordable yet luxurious introduction to Donovan's work, perfect for lovers of photography.

An engaging introduction to the work and the world of pioneering photographer Julia Margaret Cameron, Arresting Beauty presents more than 120 images from the V&A’s collection, the largest holding of Cameron’s photographs in the world. Exploring her unique artistry, this book reaffirms her position as one of the most innovative and influential photographers of all time.

The tension between social reform photography and photojournalism is examined through this study of the life and work of German emigre Hansel Mieth (1909-1998), who made an unlikely journey from migrant farm worker to Life photographer. She was the second woman in that role, after Margaret Bourke-White. Unlike her colleagues, Mieth was a working-class reformer with a deep disdain for Life's conservatism and commercialism. In fact, her work often subverted Life's typical representations of women, workers, and minorities. Some of her most compelling photo essays used skillful visual storytelling to offer fresh views on controversial topics: birth control, vivisection, labor unions, and Japanese American internment during the Second World War. Her dual role as reformer and photojournalist made her a desirable commodity at Life in the late 1930s and early 40s, but this role became untenable in Cold War America, when her career was cut short. Today Mieth's life and photographs stand as compelling reminders of the vital yet overlooked role of immigrant women in twentieth-century photojournalism. Women, Workers, and Race in LIFE Magazine draws upon a rich array of primary sources, including Mieth's unpublished memoir, oral histories, and labor archives. The book seeks to unravel and understand the multi-layered, often contested stories of the photographer's life and work. It will be of interest to scholars of photography history, women's studies, visual culture, and media history.

A magisterial study of celebrated photographer Walker Evans Walker Evans (1903-75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans's work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans's practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans's dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists-from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner-underscoring how Evans's travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style. A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world-to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.