In 2003, Jorge Mario Munera won the Latino and Latin American Art Forum Prize at Harvard University, which entitled him to produce and present an exhibit at Harvard's David Rockefeller Center for Latin American Studies. By this time, Munera had already produced an important body of work, revealing even the farthest corners of his native Colombia through his photographs of people and their traditions. Portraits of an Invisible Country, which bears the name of the exhibit he presented at Harvard in 2004, is the culmination of a five-year collaboration between the photographer and the curator of the show, Jose Luis Falconi. It comprises a book of essays with insightful reflections on Munera's diverse body of work and a series of sixteen photo posters, which together highlight the photographer's travels within Colombia and his careful depiction of his countrymen and women. Renowned in Colombia as one of the most prolific and influential photographers of his generation, Munera was the first recipient of the National Photography Award in Colombia in 1998. Since then, numerous international accolades have followed, chief among them as the first photographer to hold the Andres Bello Chair of the King Juan Carlos Center at New York University.

"...Mario goes beyond basic reportage or documentation in an effort to create a timeless set of portraits." - Amateur Photographer "I try to read people's lives," says photographer Mario Marino. In this new photo book, the Austrian-born camera artist presents over 220 colour and black-and-white photographs from some of the most remote areas of Ethiopia, Tanzania, Sudan, and Kenya. Stunning landscapes combine with powerful portraiture, capturing in particular remote communities whose heritage and ways of life are threatened by the combined forces of tourism, technology, and globalisation. With his subjects illuminated by the sunlight alone, particular attention is given to traditional markers upon the body: face paint, hair styles, and jewellery. Beyond simple reportage or documentation, Faces of Africa strives to create a timeless portrait that speaks to the deep geographical and cultural roots of each individual. Text in English and German.

"The real charm of Byways isn't playing spot-the-location as Deakins dabbles between takes, but the window it opens onto his youthful eye. You can trace his drive from an early age to catch the light at its best - or wait for it - all night if necessary." - The Telegraph "...his first monograph, Byways, looks not to his revered cinematography career, but his decades-long habit of taking still photographs. Among them are breathtaking landscapes and moments of stillness, interspersed with photographs imbued with wit thanks to the playful possibilities of scale, framing and timing. It's the kind of dry humour that sits passers by in conversation with monuments and miscellaneous objects in the street, or captures a canine rendition of Cartier-Bresson's seminal image Behind The Gare Saint-Lazare. - Creative Review "Candid close-ups, wide-angle landscapes, and dynamic long exposures, his monochrome photographs display a variety of approaches and techniques, yet first and foremost, testify to the remarkably perceptive artistic gaze that has seen him nominated for an Oscar on fifteen separate occasions (winning twice). Thoughtful, poetic, and profoundly arresting, they display his distinct enigmatic sensibility, and presented for the most part with little or no information or context (index aside) form a compelling visual soliloquy that conveys with great eloquence, the profound power of the still image." The Independent Photographer "An intimate introduction to the man behind the lens" - The Times Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers This is the first monograph by the legendary Oscar-winning cinematographer Sir Roger Deakins, best known for his collaborations with directors such as the Coen brothers, Sam Mendes and Denis Villeneuve. It includes previously unpublished black-and-white photographs spanning five decades, from 1971 to the present. After graduating from college Deakins spent a year photographing life in rural North Devon, in South West England, on a commission for the Beaford Arts Centre; these images are gathered here for the first time and attest to a keenly ironic English sensibility, also documenting a vanished postwar Britain. A second suite of images expresses Deakins' love of the seaside. Traveling for his cinematic work has allowed Deakins to photograph landscapes all over the world; in this third group of images, that same irony remains evident.

Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reflect her journey, explore her own image and possibilities as a black woman in today’s global society, and ― most important ― to speak emphatically in response to contemporary and historical rascisms. As she states, “I am producing this photographic document to encourage people to be brave enough to occupy spaces, brave enough to create without fear of being vilified. . . . To teach people about our history, to re-think what history is all about, to re-claim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back.”

More than twenty curators, poets, and authors offer written contributions that draw out the layers of meaning and possible readings to accompany select images. Powerfully arresting, this collection is as much a manifesto of resistance as it is an autobiographical, artistic statement.

Terence Donovan (1936-1996) was one of the foremost photographers of his generation, with a career spanning almost 40 years. He came to prominence in London as part of a post-war renaissance in art, design and music, representing a new force in fashion and, later, advertising and portrait photography. He operated at the heart of London's Swinging Sixties, both as participant in, and observer of, the world he so brilliantly and incisively captured with his camera. Born into a working-class family in East London, Donovan was fascinated by photography and printmaking from an early age. He opened his own studio in 1959 at the age of twenty-two and was immediately sought after by a range of clients, including leading advertising agencies and fashion and lifestyle magazines of the time, including Vogue, Harper's Bazaar and Elle. Terence Donovan: 100 Fashion Photos brings together the very best of his fashion photography, from his ground-breaking work in the sixties to the superlative glamour of the supermodels of the nineties. Gifted with an unerring eye for the iconic as well as the transformative, Donovan was a master of his craft, a technical genius who pushed the limits of what was possible with a camera. This stylish book contains some of his most famous shots, as well as previously unseen images, and is a perfect gift for lovers of both fashion and photography.

Play draws exclusively on Rankin s archive of photographs of the biggest names in contemporary music from the rock gods who shaped our musical landscape to the British Invasion of the 1990s and the American superstars who mix music and production to define what the record industry is today. Divided by theme Heroes and Girl Gangs and Boy Bands, Cool Britannia and My Generation Play collects almost two hundred of Rankin s favorite images of the most influential artists of the last three decades, from David Bowie and Elton John to Pharrell, the Spice Girls, Grimes, and Bjork. Alongside his photos are anecdotes from Rankin and the artists themselves on the reciprocal relationship between photographer and subject and between the star power of pop music and the iconography of fashion.

Paolo Ventura's Short Stories are whimsical narratives told through pictures-tales of love, war, and family-where things magically appear or disappear, set in an imaginary past of World War II Italy. Much like in silent films, the drama unfolds with no words or captions. For these works, Ventura constructed life-sized sets, in which he situated himself and members of his family (casting his son, wife, and twin brother as actors), in stories that are at once charming and disquieting. While seemingly simple, Ventura's vignettes come with larger implications: brothers who encounter each other by surprise on the battlefield, jugglers who appear from above, a man who packs himself into his suitcase, a small-town magician who accidently makes his son disappear for real, and many others. Here, Ventura has built a world of realistic proportions and actors, in fantastical tales and against painted backdrops-challenging notions of what is real and what is make-believe. This book collects the entire series of Ventura's Short Stories together for the first time, including three previously unpublished, and offers a glimpse into the artist's extraordinary imagination. Paolo Ventura (born in Milan, 1968) graduated from the Accademia di Belle Arti di Brera in Milan in 1991. His work has been exhibited internationally, including at Forma International Center for Photography, Milan; Rencontres de la Photographie, Arles, France; and Maison Europeenne de la Photographie, Paris. He also created a series of works for the Italian pavilion at the 2011 Venice Biennale. His works have been acquired by prominent collections, including the Museum of Fine Arts, Boston; Library of Congress, Washington, D.C.; and the Margulies Collection, Miami. His monographs include War Souvenir (2006), Winter Stories (Aperture and Contrasto, 2009), and The Automaton (2012).

Few creative alliances flourished as productively as that of the artist Georgia O'Keeffe and the photographer Alfred Stieglitz. Author Peter-Cornell Richter examines the lives of these artists to reveal the roads they took together and independently. Alternating biographical chapters interweave their stories. More than fifty exquisite reproductions of their paintingsand photographs illustrate how the two artists inspired and influenced each other, producing masterpieces of lasting relevance.

'I spend a lot of time on Google Earth looking for places with an interesting or unusual aesthetic. My shooting days are usually quite simple. I shoot at sunrise and at sunset to capture the best light.' - Sebastien Nagy Award-winning Brussels-based photographer Sebastien Nagy has travelled all over the world, capturing bridges, towers, houses, roads, monuments and other structures from above with his drone camera. In a spectacular series of images, he shows the architectural footprint that humans leave behind on earth. From Mont Saint-Michel in Normandy to the Golden Gate Bridge in San Francisco and from the 'cycling through water trail' in Belgium to the Dubai Frame in the United Arab Emirates, Nagy invariably captures these well-known and lesser-known structures at the perfect time of day, as if they are all bathed in golden light. The approximately 120 photos are divided into four themes: Water, City, Desert and Nature.

In 1972, Gilles Mora and his wife Francoise left France to teach the French language in public schools in Louisiana. At the time, he knew nothing about photography. Fascinated by the Deep South, however, Mora soon started a photographic project on its culture. Greatly influenced by artists such as Walker Evans, Ben Shahn, Eudora Welty, and Clarence John Laughlin; playing music with some of the major figures of the rockabilly scene, including Carl Perkins; and infused with the sensuality of the South, Mora produced a unique body of pictures over more than twenty years. Rarely exhibited or published, the images in Antebellum present a kind of travelogue, a photographic recording of Mora's personal mythologies, which evoke the disappearing world of the Deep South.

This new and expanded edition of Roger Ballen's widely acclaimed 1979 photobook Boyhood features new and unpublished images taken by the photographer in the '70. Quoted by Andre Kertesz, Bruce Davidson and Elliott Erwitt as a rare and intimate view of the spirit of youth, these images are able to bring back the childhood of everyone. In photographs and stories, Ballen leads us across the continents of Europe, Asia, and North America in search of boyhood: boyhood as it is lived in the Himalayas of Nepal, the islands of Indonesia, the provinces of China, the streets of America. Each stunning black and white photograph (culled from 15,000 boy photos shot during Ballen's four-year quest of his subject) depicts the magic of boys revealed in their games, their adventures, their dreams, their mischief. Boyhood is able to connect boys all around the world across the borders of nationality and culture. More of an ode or a memory than a literal document, Ballen's first book is as powerful and current today as it was 43 years ago presenting a stunning series of timeless images that transcend social and cultural particularities.

Multiple Exposures - Allen Jones & Photography explores the numerous ways in which artist Allen Jones has engaged with the possibilities of this medium. Historian Philippe Garner has researched Jones's extensive archive to develop and present the insightful narratives implicit in this remarkable, often surprising selection of images. Studying at Hornsey School of Art, then at the Royal College of Art till 1961, Jones achieved swift success within a dynamic roster of artists celebrated as 'The New Generation: 1964' at the Whitechapel Gallery, London. Alongside his practice as a painter, sculptor, and printmaker, Jones nurtured an ongoing fascination with photography. This volume - an important addition to the literature on Jones's oeuvre - reveals how he was first drawn as a student to the camera's potential, making his earliest experiments in black and white. Through the sixty-plus years of Jones's career - using camera and, more recently, iPad, and iPhone - photography has become ever-more integrated within his wider practice as an artist. We observe his incorporation of 'found' photographs within his early collaged works; we discover the photographs he has taken as a visual ledger of all that intrigues him; we see a telling selection of the imagery that he has collected, mostly drawn from vernacular sources, such as post cards, newspaper cuttings, and magazine tear-sheets; we find his playful images of his studio and its juxtapositions; and we follow his investigation of the ways in which his paintings and sculptures can interact and invite fresh readings when transmuted into photographs. The images in Multiple Exposures, mostly hitherto unpublished, are supported by an introductory text by Philippe Garner and by revelatory chapter introductions and pertinent pull-quotes by Allen Jones. The dynamic design of the book is by the legendary graphic artist David Hillman.

**THE NEW YORK TIMES BESTSELLER** A deeply moving and brilliantly idiosyncratic visual book of days by the National Book Award-winning author of Just Kids and M Train. More than 365 images chart Smith’s singular aesthetic - inspired by her wildly popular Instagram In 2018, without any plan or agenda for what might happen next, Patti Smith posted her first Instagram photo: her hand with the simple message “Hello Everybody!� Known for shooting with her beloved Land Camera 250, Smith started posting images from her phone including portraits of her kids, her radiator, her boots, and her Abyssinian cat, Cairo. Followers felt an immediate affinity with these miniature windows into Smith’s world, photographs of her daily coffee, the books she’s reading, the graves of beloved heroes - William Blake, Dylan Thomas, Sylvia Plath, Simone Weil, Albert Camus. Over time, a coherent story of a life devoted to art took shape, and more than a million followers responded to Smith’s unique aesthetic in images that chart her passions, devotions, obsessions, and whims. Original to this book are vintage photographs: anniversary pearls, a mother’s keychain, and a husband’s Mosrite guitar. Here, too, are never-before-seen photos of life on and off the road, train stations, obscure cafés, a notebook always nearby. In wide-ranging yet intimate daily notations, Smith shares dispatches from her travels around the world. With 365 photographs, taking you through a single year, A Book of Days is a new way to experience the expansive mind of the visionary poet, writer, and performer. Hopeful, elegiac, playful - and complete with an introduction by Smith that explores her documentary process - A Book of Days is a timeless offering for deeply uncertain times, an inspirational map of an artist’s life.

Through a series of photographs, Ahmed Mater charts the city's origins to its more recent history over the last 5 years. It is a study of the site's recent transformation - Makkah, until recently, embodied a unique urban tapestry, layered with histories that are stitched together by an abundance of organically rooted communities and cultures. It is a place that accommodated not only sacred structures and sites but also huge fluctuations in population during Ramadan (up to 3 million visitors a year travel to Makkah for Eid and Hajj). More recently, these sites and communities have been eradicated and are being replaced with five-star-studded high rise developments, transforming it from an active metropolis to the world's most exclusive, yet most visited religious tourist destination, reflective of an unprecedented experimentation with architecture and its possible impact on social stratification. This photographic essay is a celebration of Makkah's real and projected or imaginary states. It provides singular access to this site and its associated social and religious rituals, along with its architectural urban planned and proposed development.

"...a charming, beautiful and extremely aesthetically pleasing travelogue." -Roger Lush, Amateur Photographer "Stunning photography." -Outdoor Photography What does winter look like in the far north? According to the cliches: as dark and cold as a refrigerator. And yet it is precisely in these wintertime months that photographer Michael Koenigshofer picks up his camera and heads to the Arctic Circle! In this rich and original photo book, the Scandinavia-savvy Austrian captures much more than the cliched images of the Northern Lights. With an eye on the coexistence of nature and culture, Koenigshofer explores how lives are lived in this intense and extreme environment, from the traditional ivory carver in Greenland to the ice surfer in the North Cape. The result is an authentic portrait of Scandinavian life, showing a whole new side to life up north. Text in English and German.

For the first time ever, a photographic coffee-table book celebrates South Africa’s most important national parks and nature reserves. South Africa’s Wildest Places by photographer, author and adventurer Scott Ramsay features 30 of the country’s most important and beautiful protected areas, including all 19 national parks and 11 provincial reserves. As one might expect, the 400-page book is big (30cm x 30cm) and weighty (3kg). South Africa’s Wildest Places is the ultimate photographic reference for the country’s famous natural heritage, it’s diverse wildlife and it’s awe-inspiring scenery. Few people know South Africa’s wild areas as well as Ramsay, who travelled for three years to more than 40 of South Africa’s national parks and nature reserves. He spent several weeks – sometimes months – in each park, exploring each one extensively, taking beautiful photos and interviewing rangers and researchers. Over three years, he visited each park at least twice, sometimes as many as four times. From the huge arid lands of the Kgalagadi to the teeming wildlife of Kruger, from the fynbos- rich Table Mountain National Park to the wild coast of Mkambati, Ramsay is happiest when immersed in wild places, and his enthusiasm and devotion to conservation is reflected in the range and quality of his photography.

A Wild Life is Michael "Nick" Nichols's story, told with passion and insight by author and photo-editor Melissa Harris. Nichols' story combines a life of adventure, with a conviction about how we can redeem the human race by protecting our wildlife. The book's two central characters are the photographer - who journeys from the American South, via the photographers' co-operative Magnum, to becoming lead wildlife photographer of National Geographic magazine - and the author, who travels with the photographer on assignment in Africa, to gain intimate and deep insight into her subject. Harris's story also draws on meetings with some of the world's leading eco-scientists - including legendary primatologist, Jane Goodall.

"Doyle's modesty of language conceals a profound tolerance of the human complexity"-John Le Carre "Every Writer owes something to Holmes." -T.S. Eliot While the controversy of Psychic Photography was gripping the early 20th Century United Kingdom, Sir Arthur Conan Doyle set out to investigate the most notable cases. In The Case for Spirit Photography, he aimed to defend the validity of capturing images of spirits with a camera. The spectacle of spirit photography had become popular in the late 19th Century, but by the 1920's The Crewe Circle, an infamous English spiritualist group had become the center of a national controversy attacking spirit photography as a hoax. Doyle, a leader of the Spiritualist movement, wrote this investigation in defense of the group, and conjointly looks at other cases of supernatural incidences. As we face current public figures dismissive of empirical scientific evidence, this is a fascinating look at the intrigue of conviction. As the writer of one of fictions most colorful and abiding detectives, Doyle's deductions in The Case for Spirit Photography are enthralling. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Case is both modern and readable.