This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.

Harry Benson began photographing Paul McCartney in 1964, when the Beatles took America by storm, toured the world, and made their movie debut with A Hard Day's Night. The legendary photojournalist was on hand to document it all. When the Fab Four came to an end, it was Benson who had intimate access to Paul and his wife Linda, as Paul forged a new path, creatively and personally. Featuring more than 100 color and black-and-white images, this collection is a window into the life of one of the world's best-known recording artists, one who has remained enigmatic despite a lifetime in the limelight. Through Benson's lens, Paul traces the evolution of its namesake from performer to icon, father and husband. We see the young musician at the height of his fame with the Beatles, in the recording studio with Linda and their band Wings, with the family, behind the scenes and on stage during the 1975-76 "Wings Over America" tour, partying with the stars, and at the couple's quiet farm in the UK in the early 1990s. On the occasion of Sir Paul's 80th birthday, Paul gives an all-access look at a life spent making the world's most popular music. A must for any music fan.

The Sierra Nevada Mountains don't easily reveal their treasures, but this photographic compilation, the result of over thirty backpacking trips in the remote high country, reveals the spirit and beauty of a national gem through brilliant images. Focusing on carefully selected landscapes captured from virtually impossible vantage points, the photographs reflect a genuine Sierra backcountry experience. Witness the disappearing edges between water and rocks at Lake Aloha, the scant vegetation peeking out between slabs of smooth granite in Cherry Creek Canyon, and read about the natural processes that led to the creation of waterfalls, glaciers, and lakes. The painstakingly crafted compositions demonstrate how light can determine the way one sees and remembers a landscape. Musings about the Sierra Nevada by naturalists, mountaineers, and writers, including John Muir, Norman Clyde, Jane Wilson-Howarth, and Jack Kerouac, complement the arresting photography.

In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.

"There are very few books about photography that achieve the status of essential reference, maybe even seminal. Well, I believe this is one of them. Enjoy it!" - Gilles Decamps, The Eye of Photography "...the book itself will surely go down as one of the most vivid visual documents of what were arguably the most transformative one-hundred years in human history." - Ken Scrudato, BlackBook "These photographs encapsulate the range of images that capture Fetterman's imagination, from anonymous photographs to iconic masterworks, all with an underlying humanist spirit."-photograph "When I photograph, I project what I'm not. What I would like to be." - Lillian Bassman "What makes the book so enjoyable is the same as the email: It is one great image after another, with personal commentary." - Tom Teicholz, Forbes "Although many of the images have standalone intensity, it is Peter's direct encounters with the artists themselves that allow us to see them in a new light." - Eva Clifford, WhyNow The power of photography lies in its ability to ignite emotions across barriers of language and culture. This selection of iconic images, compiled by pioneering collector and gallerist Peter Fetterman, celebrates the photograph's unique capacity for sensibility. Peter has been championing the photographic arts for over 30 years. He runs what is arguably the most important commercial photography gallery in the world. During the long months of lockdown, Peter 'exhibited' one photograph per day, accompanied by inspirational text, quotes and poetry. This digital collection struck a chord with followers from around the world. The Power of Photography presents 120 outstanding images from the series, along with Peter's insightful words. This carefully curated selection offers an inspiring overview of the medium while paying homage to masters of the art. From the bizarre Boschian fantasies of Melvin Sokolsky to the haunting humanity of Ansel Adams's family portraits; from Miho Kajioka's interpretation of traditional Japanese aesthetics of to the joyful everyday scenes of Evelyn Hofer; from rare interior shots by famed nude photographer Ruth Bernhard to Bruce Davidson's wistful depiction of young men playing ballgames on a street; this book gathers some of the most unique and heartening photographs from the 20th century. Each image is a time capsule, offering us a glimpse into days gone past. Yet each photograph also speaks of tranquillity, peace, and hope for the future.

Explore and discover the beautiful places of Iceland with the most comprehensive and detailed guidebook to Iceland ever published. Featuring over 600 stunning images, and over 120 locations with detailed maps, sat-nav co-ordinates including what3words and smart phone scannable lat-long QR-codes. This beautiful travel and photo-location guidebook provides both inspiration and information to make your trip a reality. Including information on car rental, vehicle insurance and driving advice, suggested itineraries from a long weekend to several weeks, with essays on Iceland's cultural history, cuisine, flora & fauna and advice on how to photograph the Aurora Borealis/Northern Lights. All the classic locations around Reykjavik and along the ring road are covered from roadside attractions, to multi-day overnight hikes; covering glaciers, waterfalls, geysers, hot springs, lava fields, craters, volcanoes, mountains, coast, beaches and cliffs, towns, churches, cultural sites, harbours and wildlife from Arctic fox to orcas, puffins, seals, reindeer and the famed Icelandic horse. FEATURING THE SOUTH WEST including Reykjavik, The Golden Circle, the Blue Lagoon, THingvellir National Park and the Reykanes peninsula. THE SOUTH COAST featuring the Westman Islands, Seljalandsfoss & Gljufrabui waterfalls, Skogafoss waterfall, Reynisfjara Beach, Reynisdrangar sea stack, Vik i Myrdal village and Fjadrargljufur canyon. THE SOUTH EAST explore the Vatnajoekull ice cap and national park, Skaftafell Park & Svartifoss waterfall, Fjallsarlon & Joekulsarlon glacial lakes, Breidamerkursandur / Diamond Ice Beach, Stokksnes beach & Mount Vestrahorn THE EAST visit Seydisfjoerdur village, Egilsstadir town, the fjords, canyons, craggy mountains, remote villages and a beautiful coastline. THE NORTH including the Langanes Peninsula, Heimskautsgerdid / The Arctic Henge, Joekulsargljufur, Viti crater, Hverir / Hveraroend hot springs & Mount Namafjal, Myvatn, Grimsey Island, Godafoss waterfall, Akureyri and the Troellaskagi Peninsula WESTFJORDS Isafjoerdur and the remote fjords and coastline, including the Hornstrandir nature reserve home to arctic foxes. THE WEST & SNAEFELLSNES home to Orca & whale watching, Snaefellsjoekull volcano towers, Kirkjufell mountain, the Londrangar sea stack & Beserkjahraun lava field THE RING ROAD All you need to embark and enjoy this 1693km/1051mile circular route around Iceland.

Phil Borges, a documentary photographer and filmmaker whose work is aimed towards social justice and preservation of different cultural heritage, from over 25 years has been documenting indigenous and tribal cultures, striving to create an understanding of the challenges these people face everyday. In exclusive preview, the volume offers the chance to admire several works from his most famous series such as Tibetan Portrait, Tibet: Culture on the Edge, Enduring Spirit (created in association with Amnesty International), Spirit of Place and Women Empowered. Text in English and Italian.

Mellow is a collection of photography by the Norwegian photographer, Sofie Sund. Through carefully constructed still life images, Sofie captures the essence of what is usually perceived simply as normality. However, with a playful yet delicate touch, this series of images strives to elevate and capture the wonder of those little 'in-between moments'; the moments that when pieced together make up everyday life. The notion of the ordinary is something which inspires Sofie, as well as the more purely obvious aesthetic details in the world around her. Experimenting with color combinations and light is a big focus in this artist's work. Sofie's style is easily recognisable yet simple in its approach, with a light-heartedness that cuts through the sometimes emotionally oriented imagery. Using different textures and shapes, it is also clear that Sofie is fascinated by the smallest details - and now, with this ongoing photography project, this photographer wants to bring you into her creative universe.

Maurice Broomfield (1916-2010) was a humanist photographer of the heroic and sublime - and sometimes surreal - qualities of industry and manufacture. His work spans the rise of post war industrial Britain in the 1950s to its slow decline into the early 1980s. Through his perfectionism, skill and sheer delight in the possibilities of photography, he produced an invaluable record of Britain's manufacturing past that is packed with artistry and high drama. 'My father always wanted to be called Maurice not Dad, so Maurice it is...' Industrial Sublime is introduced by Maurice's son, filmmaker Nick Broomfield, who this year released the documentary My Father and Me, which explores his relationship with Maurice. V&A curator Martin Barnes discusses the life and work of Maurice, whom he came to know well as he worked to transfer his archive from his Hampshire home to the Museum. He also analyses in more detail a selection of the most important images, many of which are accompanied by memories related by Maurice as he revisited his work. Together they form a monument not just to the might of British manufacturing, but to the dedication, skill and experience of those who worked in it.

In 2011, adhering to his mentor Henri Cartier-Bresson's mantra to 'photograph the truth', animation filmmaker Ishu Patel embarks on a photographic journey in southeast Asia. Abandoning moving images to secure a series of still images that capture a uniquely human gesture or powerful thought-provoking story, he prowls both urban and rural areas armed only with a Leica M9 with 35 and 50mm fast lenses. The result is a collection of elusive still images - photographs, mainly in black and white, that tell a story, seize a moment in life or are a witness to joy, struggle or human dignity. Never political or judgmental, the collection comprises Patel's homage to the unsung lives of ordinary Asians, many of whom are increasingly overlooked in today's fast- changing world. Patel also contributes thoughtful essays on the various countries and peoples he has so powerfully photographed.

Think you know photography? Think again. Through a carefully curated selection of quotes and images, this book reveals what matters most to the masters of photography. With 50 iconic images and accompanying text by Henry Carroll, author of the internationally bestselling Read This If You Want To Take Great Photographs series, you'll learn what photography actually means to the giants of the genres and how they developed their distinctive visual styles.

The tension between social reform photography and photojournalism is examined through this study of the life and work of German emigre Hansel Mieth (1909-1998), who made an unlikely journey from migrant farm worker to Life photographer. She was the second woman in that role, after Margaret Bourke-White. Unlike her colleagues, Mieth was a working-class reformer with a deep disdain for Life's conservatism and commercialism. In fact, her work often subverted Life's typical representations of women, workers, and minorities. Some of her most compelling photo essays used skillful visual storytelling to offer fresh views on controversial topics: birth control, vivisection, labor unions, and Japanese American internment during the Second World War. Her dual role as reformer and photojournalist made her a desirable commodity at Life in the late 1930s and early 40s, but this role became untenable in Cold War America, when her career was cut short. Today Mieth's life and photographs stand as compelling reminders of the vital yet overlooked role of immigrant women in twentieth-century photojournalism. Women, Workers, and Race in LIFE Magazine draws upon a rich array of primary sources, including Mieth's unpublished memoir, oral histories, and labor archives. The book seeks to unravel and understand the multi-layered, often contested stories of the photographer's life and work. It will be of interest to scholars of photography history, women's studies, visual culture, and media history.

"If you're a lover of wildlife imagery, this is worth adding to your wishlist" -Amateur Photographer "...an amazing new photobook on the giants of the animal kingdom..." -Examiner USA "This is the type of book that makes a handsome gift for any wildlife lover. But you'll want to look at every photo before giving it away." -Inhabitat "This book marvelously lives up to its title, not just in size... but in subject matter: big animals, from lions to sharks to grizzly bears, all stunningly photographed by two highly accomplished wildlife photographers who decided to combine their work for this wondrous portfolio." -Air Mail When we encounter an animal in nature, it triggers something in us; we feel a certain emotion in the presence of the other creature: amazement, adoration, fascination, and indeed, in some situations, fear and apprehension. But a brush with a deer, wild boar, or hare is no comparison to a rendezvous with a grizzly, lion, shark, or pod of whales. Amos Nachoum and Marko Dimitrijevic have experienced this hundreds of times in their combined 70 years as wildlife photographers. Now, for the first time, they are combining their award-winning photographs with previously unpublished photographs of the world's largest animals in one book. The two photographers, who are also friends, tell us what it is like to be out in the wild and look the world's biggest animals right in the eye. The structure of the book's chapters is arranged based on human emotions such as amazement, admiration, fear, and love. In their book, Nachoum and Dimitrijevic bring us closer to the giant animals of our planet, and allow us to share what these two men feel during these encounters, helping us learn about ourselves when we do so. Text in English and German.

Welcome to the fantasy-made-flesh that is Jamie Mahon's imagination. Weaving together sublime locations, superb photography, and striking models, this award-winning photographer has created true artwork of the alternative subculture. He and a clique of extraordinary creators have labored to produce images of beautiful women, expertly made up and professionally styled in fantastic surroundings. Whether it's the ethereal otherworldliness of his Gothic heroines and villainesses, the provocative postures of his fetish performers, or the adrenalin-charged action of his fantasy characters, each image leaps from its page to shock and awe you. Mahon's imagination is realized with such depth, passion, and color as to be an entire reality of its own. So come join us in this wicked world of sinful style.

It is a familiar sight late night in the centers of major cities like London and New York: the rush of people sneaking drunken kisses and fumbling exchanges before stumbling home. But travelling the opposite direction there is a select few who only come out after midnight. The 'Night Flowers' is an affectionate term that encompasses the loose-knit society of drag kings and queens, club kids, alternative-queer, transgender, goths, fetishists, cabaret and burlesque performers who bloom at night and burn brightly under the neon lights of central London.These portraits are the result of a project begun by Damien Frost in early 2014 where he went out every night to wander the streets of London in search of its most colourful inhabitants. In so doing, Damien first stumbled across the world of the 'Night Flowers' and he began documenting the people and their wild array of looks and creative expresssion.For the most part, the photographs are incidental portraits taken after chance encounters on the streets, down dark alleys or backstage in a club and often in cramped and crowded circumstances - the poise and grace of the subjects belying the quizzical looks or comments or event taunts thrown at them by passers-by. Damien's photographs reveal a massive array of artists, dancers, designers, performers and others who were turning themselves into an ephemeral artwork that would last for a few hours at most.

A panorama of the career of South African photographer David Goldblatt, elucidating his artistic commitments, networks, and influence.

David Goldblatt: No Ulterior Motive coincides with a major traveling retrospective of the renowned South African photographer’s work. From vintage handprints of the artist’s black-and-white photography, taken between the 1950s and the 1990s, to his post-apartheid, large-format, color work, photographs in the volume are approached thematically—under headers such as “Assembly,” “Disbelief,” “Dialogues,” and “Extraction”—to draw out the artist’s core interests in working-class people, the landscape, and the built environment. Objects from Goldblatt’s (1930–2018) personal archive are also included.

In an effort to create a more inclusive dialogue around Goldblatt’s work, the catalogue features images and texts by contemporary photographers and scholars, many of whom were mentored by Goldblatt, including Zanele Muholi and Sabelo Mlangeni. Some write on Goldblatt’s photographs, while others discuss his influence on their own work. Goldblatt devoted his life to documenting his country and its people. Known for his nuanced portrayals of life under apartheid, he covered a wide range of subjects, all of them intimately connected to South African history and politics.

The wide-ranging voices in this catalogue foster a broad frame of reference for his work, thus countering a frequent misunderstanding of apartheid as a situation peculiar to South Africa.

Award winning international photographer Robert Herman elevates the practice of street photography in The Phone Book. With the iPhone (TM), he has created compelling images from his travels around the world. Inspired by the new Hipstamatic App (TM), The Phone Book compendium is a creative labyrinth that invites the viewer to discover their own connections between the images. As the follow up to his critically acclaimed first monograph, The New Yorkers, Robert Herman captures the world in brilliant spontaneity; unique in his artistry and universal in its humanity.