In Of Gardens and Graves Suvir Kaul examines the disruption of everyday life in Kashmir in the years following the region's pervasive militarization in 1990. Kaul's autobiographical and analytical essays, which were prompted by his yearly visits to Kashmir, are a combination of political analysis, literary criticism, memoir, and journalistic observation. In them he explores Kashmir's pre- and post-Partition history, the effects of militarization, state repression, the suspension of civil rights on Kashmiris, and the challenge Kashmir represents to the practice of democracy in India. The volume also features translations of Kashmiri poetry written in these years of conflict. These poems constitute an archive of heightened feelings and desires that affectively interrogate official accounts of Kashmir while telling us much about those who face extraordinary political turbulence and violence. Of Gardens and Graves also contains a photo essay by Javed Dar, whose photographs work together with Kaul's essays and the poems to represent the interweaving of ordinary life, civic strife, and spectacular violence in Kashmir.

Barbara Cole's artwork is collected by public and private institutions and has been exhibited worldwide, including at the Canadian embassies in Washington, D.C. and Tokyo, Japan. Cole, who is often referred to as an inventor, uses a raw, hands-on photographic process that is consistent with her belief that the possibilities of photography are virtually limitless. Since the early 1980s, she has channelled her appreciation for the camera itself. She is dedicated to the history of photography by deviating from automatic cameras and techniques. Barbara Cole uses photography to play with notions of time, place, and identity. In her numerous series, Cole often asks the questions: how do you paint an image of timelessness? How do you capture the feeling of weightlessness in an image? Her ethereal photography takes on a quintessential painterly quality, with the transformation of figures a predominant theme in her work. Over the past 30 years, although she works with traditional photographic means, Cole's approach and aesthetic has become closer to that of a painter. The artist's work focuses on a powerful narrative, some with external motifs and others with intense figure transformations that alone tell the story. Cole's background in fashion and fashion editorial naturally leads to a process that channels her experience into creating a particular atmosphere with costumes and backdrops. Text in English and German.

Phil Borges, a documentary photographer and filmmaker whose work is aimed towards social justice and preservation of different cultural heritage, from over 25 years has been documenting indigenous and tribal cultures, striving to create an understanding of the challenges these people face everyday. In exclusive preview, the volume offers the chance to admire several works from his most famous series such as Tibetan Portrait, Tibet: Culture on the Edge, Enduring Spirit (created in association with Amnesty International), Spirit of Place and Women Empowered. Text in English and Italian.

In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.

An unsurpassable, visual tour of the greatest pilgrimage sites of Europe, from North to South; East to West. Pilgrimage in Europe is currently thriving on a scale that simply could not have been envisaged just a few decades ago. Not only are greater numbers of people now emulating the medieval pilgrims who made their way on foot across Europe to the shrines of martyred apostles in Rome (SS Peter and Paul), Santiago de Compostela (St James) and Trondheim (St Olav), but international religious tourism is also thriving and millions each year are now travelling by air, rail and road to Europe's major pilgrimage churches and famous sites of Marian Apparition such as Lourdes (France) and Fatima (Portugal). This book covers those key pilgrimage sites as well as many lesser known ones such as the Marian Sanctuary of La Salette in the French Alps, the cave sanctuary of Covadonga in Northern Spain, the majestic twenty-first-century basilica of Our Lady of Lichen in Poland and the Chapel of Grace in Altoetting, Bavaria. It comprises an atmospheric and colourful portrayal of the pilgrimage churches and cathedrals adorned with sculpture, art and iconography associated not only with the Virgin Mary but also the national saints and Early Christian martyrs revered by both Catholic and Anglican faiths alike. En route the reader will see some of the world's most impressive examples of medieval art and architecture set amidst historic townscapes or spectacular landscapes. This volume will serve as both an enticement to take to the road, a treasured aide memoire for those who have visited at least some of these iconic places and hopefully, a source of comfort and inspiration for those unable to travel abroad from wherever they live in the world.

Trope Publishing Company's new Mobile Edition Series identifies fine art photographers shooting in a new way, using mobile devices as their primary tool to capture images, in a category still defining itself. Among the millions of images posted to social media every day, the work of these photographers stands out for its discipline and mastery. Jess Angell - aka Miss Underground - has been involved with Instagram nearly from its beginning. After posting a few shots of her favorite London Underground stations, she realized those images got much more attention than her usual posts, and @missunderground was born. Jess's work celebrates the Underground's beautiful and varied geometry and architecture, as she hunts and waits to capture these normally crowded spaces empty of people. Fall in love with these subterranean spaces as their hidden angles and details are revealed.

One of the most unexpectedly useful things we can do when we're feeling glum or out of sorts is to look at pictures. The best works of art can lift our spirits, remind us of what we love and return perspective to our situation. A few moments in front of the right picture can rescue us. This is a collection of 100 of the world's most consoling and uplifting images, accompanied by small essays that talk about the works in a way that offers us comfort and inspiration. The images in the book range wildly across time and space: from ancient to modern art, east to west, north to south, taking in photography, painting, abstract and figurative art. All the images have been carefully chosen to help us with a particular problem we might face: a broken heart, a difficulty at work, the meanness of others, the challenges of family and friends We're invited to look at art with unusual depth and then find our way towards new hope and courage. This is a portable museum dedicated to beauty and consolation, a unique book about art which is also about psychology and healing: a true piece of art therapy.

Farmer: Photographic Portraits by Pang Xiaowei represents a curated selection from more than 1000 portraits taken by Pang Xiaowei during a mammoth mission to photograph farmers from every province in China. It is a monument to China's agricultural workforce that affords them the recognition they deserve and celebrates their dedication to their country. The farmers of the Chinese mainland help feed 1.39 billion people. This powerful series of portraits captures the souls of these men and women: their hardiness, their work ethic, their dedication to the land. Portraiture is one of the strongest visual methods of communication. As Pang Xiaowei says, "Portraits have a language; they can tell us so much. Portraits have force, and that force is directed towards our hearts." Looking into the eyes of the farmers featured in this book, that connection is evident. These portraits forge a link between the observer and the subject, building on the ancient Chinese tradition of 'spirit resonance in portraiture' (chuan shen xie zhao). This aspect of Xiaowei's photography is explored in an accompanying essay by the celebrated Chinese artist, Chen Lvsheng.

In 2011, adhering to his mentor Henri Cartier-Bresson's mantra to 'photograph the truth', animation filmmaker Ishu Patel embarks on a photographic journey in southeast Asia. Abandoning moving images to secure a series of still images that capture a uniquely human gesture or powerful thought-provoking story, he prowls both urban and rural areas armed only with a Leica M9 with 35 and 50mm fast lenses. The result is a collection of elusive still images - photographs, mainly in black and white, that tell a story, seize a moment in life or are a witness to joy, struggle or human dignity. Never political or judgmental, the collection comprises Patel's homage to the unsung lives of ordinary Asians, many of whom are increasingly overlooked in today's fast- changing world. Patel also contributes thoughtful essays on the various countries and peoples he has so powerfully photographed.

In this volume of The Photography Workshop Series, Graciela Iturbide-known for her portraits and landscapes imbued with poetic ambiguity and documentary truth-explores photographing in ways that employ a deeply personal vision, while also reflecting subjects' rich cultural backgrounds. Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Iturbide shares her creative process and artistic inspirations, and discusses a wide range of issues, from portraying spirituality in photographs and engaging with different cultures to the importance of curiosity.

At 17 Mike Brodie hopped his first train close to his

home in Pensacola, FL thinking he would visit a

friend in Mobile, AL. Instead the train went in the

opposite direction to Jacksonville, FL. Days later,

Brodie rode the same train home, arriving back

where he started. Nonetheless, it sparked something

and Brodie began to wander across the U.S. by

any means that were free - walking, hitchhiking and

train hopping. Shortly after, Brodie found a

Polaroid camera stuffed behind a carseat. With no

training in photography and coke-bottle glasses, the

instant camera was an opening for Brodie to document

his experiences.

As a way of staying in touch with his transient community,

Brodie shared his pictures on various websites

gaining the moniker "The Polaroid Kidd" sic].

When the Polaroid film he used was discontinued,

Brodie switched to 35mm film and a sturdy 1980's

camera. Brodie spent years crisscrossing the U.S.

amassing a collection, now appreciated as one of the

most impressive archives

When I Think About Power is a black and white photo series showcasing over 70 portraits focusing on the notion of power as it relates to the Black queer experience. Started in 2019, this project investigates and nourishes modern-day's reimagining of man through themed chapters questioning the conflicting dynamics of the Black queer man's power. Hart's approach to this work is rooted in an examination of his own journey towards self-acceptance growing up in Macon, Georgia, as he states in the coinciding text, every day of my life I have been called my father. Through the process of visually exploring the differences and similarities between himself and the men who surround him, studying the words of Black queer icons, and even researching the visibility of power throughout history in societies like the Ming dynasty or ancient Egypt, Hart has created a poetically driven collection of images that unravel a power that plenty of queer individuals seek to find at some point in their life while simultaneously depicting the struggle that can often align itself with this power. From queerness, dress, to heritage, this series documents the journey of discovering the power within.

Maurice Broomfield (1916-2010) was a humanist photographer of the heroic and sublime - and sometimes surreal - qualities of industry and manufacture. His work spans the rise of post war industrial Britain in the 1950s to its slow decline into the early 1980s. Through his perfectionism, skill and sheer delight in the possibilities of photography, he produced an invaluable record of Britain's manufacturing past that is packed with artistry and high drama. 'My father always wanted to be called Maurice not Dad, so Maurice it is...' Industrial Sublime is introduced by Maurice's son, filmmaker Nick Broomfield, who this year released the documentary My Father and Me, which explores his relationship with Maurice. V&A curator Martin Barnes discusses the life and work of Maurice, whom he came to know well as he worked to transfer his archive from his Hampshire home to the Museum. He also analyses in more detail a selection of the most important images, many of which are accompanied by memories related by Maurice as he revisited his work. Together they form a monument not just to the might of British manufacturing, but to the dedication, skill and experience of those who worked in it.

Let Jamie Beck transport you to the South of France with An American in Provence: part art book, part travelogue, part memoir, and part cookbook, and perfect for art lovers, Francophiles, and armchair travelers alike. An American in Provence is a beautiful collection of exquisite portrait, scenic, and still-life photography from wildly popular and award-winning photographer Jamie Beck. Looking to slow down from her fast-paced life in New York City, Beck moved to the French countryside documenting her life as “An American in Provence.” What started as a one-year getaway became five as she continues to chronicle her life there through her photography on Instagram @JamieBeck.co, including the birth of her daughter, Eloise, all in the most breathtaking way. In An American in Provence, Beck shares her tips and techniques for creating incredible photos and details her transformational journey as an artist and woman. Beck also includes farm-to-table recipes she's learned along the way, including Braised Beef Stew, Spring Chicken with Herbs de Provence, Fresh Tagliatelle Pasta with Spring Asparagus, and Lemon Meringue Tart. This stunning visual journey is sure to delight anyone who wishes to escape reality and immerse themselves in life in Provence.

In the 1890s, Berlin artist, sculptor and teacher Karl Blossfeldt started to photograph plants, seeds and other illustrative material from nature for the purpose of teaching his students about the patterns and designs found in natural forms. His close-ups of the smallest plant parts, magnified up to thirty times their natural size, are startling as the plants appear geometric and sculptural. Published in 1928, his first collection of photographs Urformen der Kunst (later translated into English as Art Forms in Nature) became an international bestseller and remains one of the most significant photo books of the twentieth century. Karl Blossfeldt: Variations is the first book-length monograph to examine the reception of Blossfeldt's work. Drawing on unpublished materials, it analyzes the photographs' replication in teaching mate- rials, pattern books and art books, and also in the pages of the illustrated press. The six chapters of the richly illustrated study trace the paths Blossfeldt's legendary plant motifs described as specimens, illustrations, patterns, analogues, models and abstractions from 1890 to 1945. Thematic excursions into the present, illustrating the rediscovery of Blossfeldt's motifs in design and architecture over the past twenty years, offer a contemporary perspective on the famous German photographer.

The tension between social reform photography and photojournalism is examined through this study of the life and work of German emigre Hansel Mieth (1909-1998), who made an unlikely journey from migrant farm worker to Life photographer. She was the second woman in that role, after Margaret Bourke-White. Unlike her colleagues, Mieth was a working-class reformer with a deep disdain for Life's conservatism and commercialism. In fact, her work often subverted Life's typical representations of women, workers, and minorities. Some of her most compelling photo essays used skillful visual storytelling to offer fresh views on controversial topics: birth control, vivisection, labor unions, and Japanese American internment during the Second World War. Her dual role as reformer and photojournalist made her a desirable commodity at Life in the late 1930s and early 40s, but this role became untenable in Cold War America, when her career was cut short. Today Mieth's life and photographs stand as compelling reminders of the vital yet overlooked role of immigrant women in twentieth-century photojournalism. Women, Workers, and Race in LIFE Magazine draws upon a rich array of primary sources, including Mieth's unpublished memoir, oral histories, and labor archives. The book seeks to unravel and understand the multi-layered, often contested stories of the photographer's life and work. It will be of interest to scholars of photography history, women's studies, visual culture, and media history.

Welcome to the fantasy-made-flesh that is Jamie Mahon's imagination. Weaving together sublime locations, superb photography, and striking models, this award-winning photographer has created true artwork of the alternative subculture. He and a clique of extraordinary creators have labored to produce images of beautiful women, expertly made up and professionally styled in fantastic surroundings. Whether it's the ethereal otherworldliness of his Gothic heroines and villainesses, the provocative postures of his fetish performers, or the adrenalin-charged action of his fantasy characters, each image leaps from its page to shock and awe you. Mahon's imagination is realized with such depth, passion, and color as to be an entire reality of its own. So come join us in this wicked world of sinful style.

Award winning international photographer Robert Herman elevates the practice of street photography in The Phone Book. With the iPhone (TM), he has created compelling images from his travels around the world. Inspired by the new Hipstamatic App (TM), The Phone Book compendium is a creative labyrinth that invites the viewer to discover their own connections between the images. As the follow up to his critically acclaimed first monograph, The New Yorkers, Robert Herman captures the world in brilliant spontaneity; unique in his artistry and universal in its humanity.

Mellow is a collection of photography by the Norwegian photographer, Sofie Sund. Through carefully constructed still life images, Sofie captures the essence of what is usually perceived simply as normality. However, with a playful yet delicate touch, this series of images strives to elevate and capture the wonder of those little 'in-between moments'; the moments that when pieced together make up everyday life. The notion of the ordinary is something which inspires Sofie, as well as the more purely obvious aesthetic details in the world around her. Experimenting with color combinations and light is a big focus in this artist's work. Sofie's style is easily recognisable yet simple in its approach, with a light-heartedness that cuts through the sometimes emotionally oriented imagery. Using different textures and shapes, it is also clear that Sofie is fascinated by the smallest details - and now, with this ongoing photography project, this photographer wants to bring you into her creative universe.

It is a familiar sight late night in the centers of major cities like London and New York: the rush of people sneaking drunken kisses and fumbling exchanges before stumbling home. But travelling the opposite direction there is a select few who only come out after midnight. The 'Night Flowers' is an affectionate term that encompasses the loose-knit society of drag kings and queens, club kids, alternative-queer, transgender, goths, fetishists, cabaret and burlesque performers who bloom at night and burn brightly under the neon lights of central London.These portraits are the result of a project begun by Damien Frost in early 2014 where he went out every night to wander the streets of London in search of its most colourful inhabitants. In so doing, Damien first stumbled across the world of the 'Night Flowers' and he began documenting the people and their wild array of looks and creative expresssion.For the most part, the photographs are incidental portraits taken after chance encounters on the streets, down dark alleys or backstage in a club and often in cramped and crowded circumstances - the poise and grace of the subjects belying the quizzical looks or comments or event taunts thrown at them by passers-by. Damien's photographs reveal a massive array of artists, dancers, designers, performers and others who were turning themselves into an ephemeral artwork that would last for a few hours at most.

Winner of the Favourite Scottish Nature Photography Book, 2020 Cairngorm National Park is a massive area of mountains and passes, rivers and forests, settlements and wild land, located in the heart of Scotland. A unique environment, it is home to many species of animals and birds. Its scenery is glorious. Andy Howard has enjoyed an intimate relationship with the area since childhood, exploring its most hidden places and developing a close understanding of its wildlife. His photography displays the deep empathy that makes him a unique and sensitive guide.