A Scotsman Best Photography Book of 2017 Texts by Filippo Grandi, UN High Comissioner for Refugees, UNHCR, and Robert Del Naja, Massive Attack In October 2015, Giles Duley was commissioned by the UNHCR to document the refugee crisis. Over the next seven months, he was to criss-cross Europe and the Middle East attempting to put a human face to one of the biggest humanitarian emergencies of our time. Duley visited fourteen countries to tell the stories of individuals and families forced to flee their homes. He chronicled the turmoil of Lebanon, the camps of Jordan and Iraq, hellish scenes on the beaches of Lesvos and the refugees arrival in Germany. Bringing together over 150 original photographs, this book captures how even in the midst of such horror and tragedy there is humour, the unexpected and, above all, humanity.

Juxtaposing the albums of Lady Brassey, an overlooked figure among Victorian women travelers, with Brassey's travel books, Nancy Micklewright takes advantage of a unique opportunity to examine the role of photography in the 1870s and 1880s in constructing ideas about place and empire. This study draws on a range of source material to investigate aspects of the Brassey collection. The book begins with an overview of Lady Brassey's life and projects, as well as an examination of issues relevant to subsequent discussions of the travel literature, the photographs, and the albums in which the photographs are assembled. Lady Brassey is next considered as a traveler and public figure, and the author gives an overview of Brassey's travel literature, placing her in her social and political context. Micklewright then considers the seventy volumes of photographs which comprise the Brassey album collection, taking an especially close look at the eight albums devoted to the Middle East. Analyzing the specific contents and structure of the albums, and the interplay of text and image within, she explores how the Brasseys constructed their presentation of the region. While confirming some earlier work about constructions of the Orient by the British during the time, this book offers a much more detailed and nuanced understanding of how photographic and literary constructions were related to individual experience and identity within a larger British identity. The first appendix explores the illustrative relationship between the photograph albums and Lady Brassey's travel books, yielding an understanding of the processes involved in transferring the photographic image to a printed one, at a particular moment in the development of book illustration. A second appendix lists the contents and named photographers of all seventy albums in the Brassey collection. All in all, Micklewright's study makes a significant contribution to our understanding of the complex and unstable social, political and imperialist discourses in the nineteenth century.

For over two decades, legendary British photographer David Yarrow has been putting himself in harm s way to capture immersive and evocative photography of some of the world s most revered and endangered animal species. With his images heightening awareness of endangered species and also raising huge sums for charity and conservation, he is one of the most relevant photographers in the world today. Featuring his 150 most iconic photographs, David Yarrow Photography offers a truly unmatched view of some of the world s most compelling and threatened species. This collection of stunning images, paired with Yarrow s first-person contextual narrative, offers an insight into a man who will not accept second best in the relentless pursuit of excellence. David Yarrow Photography offers a balanced retrospective between his spectacular work in the wild and his staged storytelling work that has earned him wide acclaim in the fine art market. The intricacy and balance in these considered vignettes reinforces the work ethic in his research-based natural work. Yarrow rarely just takes pictures he almost always makes them. Whether it be in the wilds of Alaska or an old saloon bar in Montana, there will always be a preconception of what he is looking for in the final work. The consistency of this approach sets him apart from others in the field. Yarrow s work will awaken our collective conscience and true to form he has agreed to donate all the royalties from this book to conservation.

Mona Kuhn: Works is the first retrospective by one of the most respected and widely exhibited contemporary art photographers of today. Throughout a career spanning more than twenty years, Kuhn's underlying theme involves humanity's longing for spiritual interconnectivity. She is renowned for developing close relationships with her subjects, resulting in images of remarkable intimacy. Kuhn employs a range of playful visual strategies that reveal glimpses into the psyche as it is expressed through the human form, ultimately reinterpreting the nude in the canon of contemporary art. This new volume features images from throughout Kuhn's career, including previously unseen work, and will introduce her distinct aesthetic to a wide, popular audience. Accompanied by insightful texts by Rebecca Morse, Chris Littlewood, Darius Himes and Simon Baker and an interview with Elizabeth Avedon, the reader is provided with insights into Kuhn's creative process and the ways in which she works with her subjects and settings, and achieves the visual signature of her imagery. Mona Kuhn: Works is an essential volume for anyone with an interest in the human form in contemporary art. With 155 illustrations in colour

"A stunning collection of photographs by Alex Saberi, which illustrate the rich diversity of wildlife in Richmond Park throughout the seasons." - Discover Wildlife.com "Alex's ethereal, fairy-tale-like images are a real wonder. His grasp of light, location and atmosphere make these photographs ones that border on the unique." - Amateur Photographer Sir David Attenborough has described Richmond Park as "A very special place" - and with good reason. This vast oasis of green, just eight miles from the centre of London, is an ecological pearl in the midst of sprawling urbanisation. The park, most famous for its herd of 630 Fallow and Red Deer, is not only Europe's largest park, but is as big as the seven other royal parks combined. Since King Charles I enclosed the park in 1637, it has provided a haven of tranquillity and diversion for all its visitors. Today, some 77 million people pass through its gates each year. In this beautiful book, Alex Saberi captures Richmond Park's unique blend of rare and diverse wildlife, plant life and rolling landscapes. From a crow perching on a bench in the morning haze to a foolhardy Labrador, breaking impatiently away from its owner, the photographs capture its inherent beauty as well as those rare moments of wildlife action and majesty that only yield themselves to the most patient and knowledgeable of observers.

Street photography may look like luck, but you have to get out there and hone your craft if you want to shake up those luck vibes. Matt Stuart never goes out without his trusty Leica and, in a career spanning twenty years, has taken some of the most accomplished, witty and well-known photographs of the streets.

From understanding how to be invisible on a busy street, to anticipating a great image in the chaos of a crowd, Matt Stuart reveals in over 20 chapters the hard-won skills and secrets that have led to his greatest shots. He explains his purist and uniquely playful approach to street photography leaving the reader full of ideas to use in their own photography. Illustrated throughout with 100 of Stuart's images, this is a unique opportunity to learn from one of the finest street photographers around.

On 31st January 2020, Newcastle Hospitals became the first hospital in the UK to receive patients suffering from a new illness - Covid-19. At the time Tom Warburton was a senior director at Newcastle City Council and was directly involved in organising many of the city's responses to the Covid pandemic. As a keen amateur photographer, he knew he would be in a unique position to try and make a photographic record of the pandemic's effect on Newcastle and its people during one of the most difficult periods in recent history. Over the next two years, and with controlled access to some of the most sensitive and strategic areas of the battle against the virus, Tom recorded both the sadness and desperation as well as the achievements and sacrifices of those in the frontline fight against the pandemic. Tom's photographs will serve as an important historical reminder of one of the most significant and strange times in Newcastle's history and as a fitting tribute to those who took risks to help others and provide life-saving services. A proportion of the book's sales revenue will go to Newcastle Hospitals Charity and West End Food Bank.

A monograph of duotone photographs, taken in the Palm House at the National Botanic Gardens in Glasnevin, Dublin, beautifully illustrate this building as it was prior to its restoration. The photographs capture the cluttered green jungle, worn by time and held high in affection by the enchanted visitors who stepped inside its lofty paradise. By bringing the reader around the house as it was, drawing the eye to detail upwards, along its unique metal walkway and into the smaller treasure, the orchid house; to look at the intricate glass panels, metal structure, the wooden frames with their own unique patina of the passage of time, The Palm House tells its story visually. Meanwhile, in an accompanying text, Brendan Sayers relates how a visitor felt on entering and exploring this exotic world, the history and the origin of the planting, the unique pot and tub culture, and the importance of the collection.

This volume compiles all of the photographs from Terry Richardson's wildly successful 2012 show "Terrywood," held at the OHWOW gallery in Los Angeles. "Terrywood" is the photographer's vision of everything that Hollywood has meant and continues to mean in the public imagination: grand-scale glitz, big-budget glamour-and of course the awards ceremonies, in homage to which Richardson produced a series of ten award statuettes for the show, fashioned in his own bespectacled likeness. These works and all of the photographs included in the exhibition are reproduced here, alongside documentation of the year-long process of planning the exhibition, and coverage of the opening night, which was attended by celebrities such as Tom Ford, James Franco, Odd Future, Sasha Grey, Paris Hilton, Paz de la Huerta, Jared Leto, Lindsay Lohan and Frank Ocean, and which has already become legendary as one of the glitziest opening nights in recent memory. "Terrywood" also includes texts by Jeffrey Deitch and Al Moran.
Born in New York City and raised in Hollywood, Terry Richardson took up photography while attending Hollywood High School and playing in a punk rock band. His work has been the subject of numerous group and solo shows throughout the world, and he has published several monographs, beginning with "Hysteric Glamour" in 1998, followed by the print retrospective "Terryworld" and most recently, "Lady Gaga x Terry Richardson."

In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange's extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper - at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to resonances between her and Lange's ways of seeing. It reveals a largely unknown side of Lange, and includes previously unseen photographs of her family, portraiture from her studio, and pictures made in the streets of San Francisco and the East Bay. Day Sleeper will be featured alongside other works of Contis' in the exhibition Dorothea Lange: Words & Pictures at the Museum of Modern Art, February-May 2020.

At a time when surfing is more popular than ever, it's fitting to look back at the years that brought the sport into the mainstream. Developed by Hawaiian Islanders over five centuries ago, surfing began to peak on the mainland in the 1950s-becoming not just a sport, but a way of life, admired and exported across the globe. One of the key image-makers from that period is LeRoy Grannis, a surfer since 1931, who began photographing the longboard era of the early 1960s in both California and Hawaii. This edition brings back Grannis's hair-raising, sold-out Collector's Edition, curated from the photographer's personal archives, to showcase his most vibrant work in a compact and affordable format-from the bliss of catching the perfect wave at San Onofre to dramatic wipeouts at Oahu's famed North Shore. An innovator in the field, Grannis suction-cupped a waterproof box to his board, enabling him to change film in the water and stay closer to the action than any other photographer of the time. He also covered the emerging surf lifestyle, from "surfer stomps" and hordes of fans at surf contests to board-laden woody station wagons along the Pacific Coast Highway. It is in these iconic images that a sport still in its adolescence embodied the free-spirited nature of an era-a time before shortboards and celebrity endorsements, when surfing was at its bronzed best.