Polymath Sean Palfrey’s work as a paediatrician and natural scientist informs this fascinating first entry, Home, into his forthcoming series of photography books. In Home, Palfrey shares his beautiful images and stories of the many people and places he has encountered around the world in his work and travels over the past 45 years. A lifetime of observation and experience with children is channelled into his lyrical image-making and poetic text. Home ruminates on the variety of human and animal experiences across the globe, taking us from North and South America, to East Africa and South Asia, among other places. The result is a joyous and moving book that leaves us with a poignant message: that all living creatures need to have safe places that they consider 'home', where they can be protected, loved, sheltered, preserved, fed and surrounded by communities of adults.

100 women bare all in an empowering collection of photographs and interviews about Womanhood. Vagina, vulva, lady garden, pussy, beaver, cunt, fanny... whatever you call it most women have no idea what's 'down there'. Culturally and personally, no body part inspires love and hate, fear and lust, worship and desecration in the same way. From smooth Barbie dolls to internet porn, girls and women grow up with a very narrow view of what they should look like, even though in reality there is an enormous range. Womanhood departs from the 'ideal vagina' and presents the gentle un-airbrushed truth, allowing us to understand and celebrate our diversity. For the first time, 100 brave and beautiful women reveal their bodies and stories on their own terms, talking about how they feel about pleasure, sex, pain, trauma, birth, motherhood, menstruation, menopause, gender, sexuality and simply being a woman.

Laura E. Smith unravels the compelling life story of Kiowa photographer Horace Poolaw (1906-84), one of the first professional Native American photographers. Born on the Kiowa reservation in Anadarko, Oklahoma, Poolaw bought his first camera at the age of fifteen and began taking photos of family, friends, and noted leaders in the Kiowa community, also capturing successive years of powwows and pageants at various fairs, expositions, and other events. Though Poolaw earned some income as a professional photographer, he farmed, raised livestock, and took other jobs to help fund his passion for documenting his community. Smith examines the cultural and artistic significance of Poolaw's life in professional photography from 1925 to 1945 in light of European and modernist discourses on photography, portraiture, the function of art, Native American identity, and American Indian religious and political activism. Rather than through the lens of Native peoples' inevitable extinction or within a discourse of artistic modernism, Smith evaluates Poolaw's photography within art history and Native American history, simultaneously questioning the category of "fine artist" in relation to the creative lives of Native peoples. A tour de force of art and cultural history, Horace Poolaw, Photographer of American Indian Modernity illuminates the life of one of Native America's most gifted, organic artists and documentarians and challenges readers to reevaluate the seamlessness between the creative arts and everyday life through its depiction of one man's lifelong dedication to art and community.

Portal: The Curious Account of Achintya Bose, conceptualized, compiled and reproduced by Shan Bhattacharya, recipient of the Umrao Singh Sher-Gil Grant for Photography, 2015 (instituted by the Sher-Gil Sundaram Arts Foundation), presents the personal diary of the owner of a small photography studio in Calcutta, India, maintained sporadically from 1994 to 1996, before his sudden unexplained disappearance. The diary is a fictional 'found archive' that contains his collection of photographic prints, letters, torn pages from books, newspaper and magazine cuttings, declassified police records, polaroids and print advertisements obtained from different sources. Through these documents spanning the twentieth century, he attempts to trace photographic 'evidence' and information about an elusive woman who seemingly does not age through a century. Mr Bose's search is also a journey through the local history of vernacular photography and regional publications that reflect popular culture, politics, fashion, design, advertising and other iconography, and their transformations over time. In this book, images serve both as the primary objects of interest and a narrative device. The cover plot interrogates the veracity of photographs - the way they are used as indices and evidence of a person's existence in spatio-temporal reality. These images are staged in variously contrived scenarios, often taking cues from the several utilitarian subsets of twentieth-century photography-the wedding portrait, the convocation photo, the vacation/holiday photo, candid snapshots, product advertisements-as though taken by different fictional photographers using different image-making aesthetics, techniques and formats appropriate to the time/place/visual cultures that those prototypes historically belong to. Referring to the genre of historiographic metafiction, fictional text and visual elements based on real events and characters are introduced to enable this 'found archive' assume certain characteristics of a hoax.

Artist-photographer Tim Walker has won a cult following for his flamboyant, lavishly staged and surrealist fashion photography. Now he brings his unique brand of very British fantasia to a subject close to his and all our hearts: grandmothers. Pour yourself a cup of tea and step into an enchanted realm, where twinkling Miss Marple-types elope to Egypt in head-to-toe tartan or jet off to Mars on a flying saucer.... You'll find Lucinda, whose hat addiction shows no sign of waning (she even goes to bed in one), and Hattie, who'll give you a humbug if you're helpful. Brush up on your knitting skills to rival Kitty. Book 1 of this two-volume collection offers an assortment of characterful portraits by Tim Walker of grannies and the things dearest to them, arranged alphabetically and accompanied by short, gently humorous verses written by Kit Hesketh-Harvey. In Book 2, fashion illustrator Lawrence Mynott contributes his own A-Z of drawings of lively old ladies. Spirited, stylish, sweet - here are granny archetypes of every stripe.

Published on the occasion of the first Italian anthological exhibition dedicated to her, the volume retraces the successful work of Lisette Model, an artist of Austrian origin who had great importance in the development of photography in the Fifties and Sixties. Parallel to her teaching activity - she had among her students authors who later became famous such as Diane Arbus and Larry Fink - Lisette Model was an ironic and irreverent photographer, able to capture in her shots the most grotesque aspects of post-war American society. Alongside the most famous series - such as Promenade des Anglais, created in Nice, or the photographs dedicated to New Yorkers or the very suggestive ones made in jazz clubs - the book also includes lesser-known projects, which account for her personal and sardonic photographic language. The close-up shots, the recurring use of the flash, the exasperated contrasts are the expedients that the author resorts to in order to accentuate the imperfections of the bodies and the coarse gestures of her subjects, transformed into the characters of a sneering human comedy: an approach to reality that made Lisette Model the forerunner of a way of using photography that would find full realisation only in the following decades. Text in English and Italian.

Di sguincio - meaning aslant, asquint, or seen from the corner of an eye - brings together more than a hundred black-and-white photo-graphs made by Guido Guidi with small-format cameras between 1969 and 1981. These images record experimental early dialogues between Guidi and his camera: made without looking through the viewfinder and lit with a bright flash, they capture people, bodies, gestures, minor events, and fragments of space in moments of sudden and even abrasive encounter. While formally stark and even verging on the abstract, they document people and places close at hand - his family home in Cesena; friends with whom he shared an apartment in Treviso; colleagues at the Institute of Architecture at the University of Venice - forming affectionate personal works which explore the performative tension at the heart of images. This book reproduces Guidi's own prints from the period, with their high contrast, unusual blurring and definition, and oblique, occasionally indiscernible handwritten annotations. Evoking the joys of invention and collaboration early in an artistic career, these fragments equally reflect the psychological, social, and political turmoil of Italy in an era of crisis and contestation of social values, metabolising the influences of neorealism and postmodernism in the search for new forms. The fundamental photographic theme of time - as it is recorded, experienced, and manipulated - is their elusive constant. With Di sguincio, we discover a set of anti-documents or anachronistic records - stamped, annotated, and sometimes artificially aged - which comment wryly on photography's claims to truth and reveal the foundations of a lifelong engagement with the possibilities of the medium.

Jane Bown is a legendary Observer photographer best-known for her portraits of icons from Beckett to Bjoerk. This is a charming collection of 100 black and white pictures of felines which reveals the same sympathetic eye and wit as her portraits. She captures the cats sprawling, prowling, lolling, playing, feeding and lounging. House cats, alley cats, show cats and kittens trip and gambol across these pages making this the perfect photographic treat for cat-lovers.

This adorable and hilarious collection of dog photographs captures our furry best friends anticipating, catching -- some more successfully than others -- and enjoying a scrumptious tidbit. Photographer Christian Vieler caught dozens of eager dogs at one of their favorite moments -- treat time. From a tenacious terrier to a goofy golden retriever, these often hilarious and surprisingly beautiful photographs capture each dog's unique personality in a way any dog owner will recognize and that all dog lovers will enjoy!

Celebrate the kings of the canine world with this collection of photographs and information by award-winning author and wildlife photographer Stan Tekiela. Their beauty strikes us. Their mystique enchants us. Wolves, coyotes, and foxes are beloved, appreciated, and misunderstood. A sighting in nature is rare, which serves to enhance our fascination with these magnificent animals. Award-winning author, naturalist, and wildlife photographer Stan Tekiela believes that wolves, coyotes, and foxes are mystical and elusive. He spent more than 20 years traveling across the United States and Canada to observe and photograph the various species, from Gray Wolves and Arctic Foxes to Coyotes and Red Wolves. He documented every aspect of the canines' secret lives: major events such as mating, as well as everyday activities including hunting, playing, and socializing. The result is a striking portrayal of these mammals in Wolves, Coyotes & Foxes. Stan's extraordinary photographs depict the creatures in a new, unique fashion. His fascinating text, drawn from detailed research and personal observations, provides information about every aspect of their lives. Presented with headings and short paragraphs, the coffee-table book is pleasurable to browse and easy to read. "Their presence commands respect and attention," says Stan. "They are nature's perfect model of a family." Unmatched by any other book on the market, Wolves, Coyotes & Foxes is a must-have for lovers of wildlife and nature.

Flower fans and nature enthusiasts will fall in love with this charming art book from Instagram sensation Flora Forager featuring the best of her unique floral compositions created with botanical materials. Flora Forager creates images out of flower petals, leaves, stones, twigs, and other natural materials that she finds in her garden and in urban wild areas in her neighbourhood. This intimate, lovely book collects her best pieces, including 20% new, exclusive art, along with a peek into her unique creative process. Featured pieces include scenes, mandalas, animals, birds, fish, insects, mythical creatures, iconic women, old masters, and more. Each artwork is accompanied by explanatory text on a facing page including piece name, materials used, and a short, evocative description of the artist's process and inspiration.

"Montgomery's photographs capture the reality of Americans in crisis, in all our flawed, tragic, ridiculous glory." -Patrick Radden Keefe, author of Empire of Pain: The Secret History of the Sackler Dynasty American Mirror is award-winning photographer Philip Montgomery's dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the COVID-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads.