SPOOR comprises groups of colour photographs made by Roger Palmer while following rail routes between towns and settlements of South Africa. The photographs were accumulated between 2014 and 2018 as Palmer drove along mostly minor roads through the country's nine provinces. A 'spoor' is the track or scent of an animal or person. In Afrikaans it also refers to rail tracks.

Juxtaposing the albums of Lady Brassey, an overlooked figure among Victorian women travelers, with Brassey's travel books, Nancy Micklewright takes advantage of a unique opportunity to examine the role of photography in the 1870s and 1880s in constructing ideas about place and empire. This study draws on a range of source material to investigate aspects of the Brassey collection. The book begins with an overview of Lady Brassey's life and projects, as well as an examination of issues relevant to subsequent discussions of the travel literature, the photographs, and the albums in which the photographs are assembled. Lady Brassey is next considered as a traveler and public figure, and the author gives an overview of Brassey's travel literature, placing her in her social and political context. Micklewright then considers the seventy volumes of photographs which comprise the Brassey album collection, taking an especially close look at the eight albums devoted to the Middle East. Analyzing the specific contents and structure of the albums, and the interplay of text and image within, she explores how the Brasseys constructed their presentation of the region. While confirming some earlier work about constructions of the Orient by the British during the time, this book offers a much more detailed and nuanced understanding of how photographic and literary constructions were related to individual experience and identity within a larger British identity. The first appendix explores the illustrative relationship between the photograph albums and Lady Brassey's travel books, yielding an understanding of the processes involved in transferring the photographic image to a printed one, at a particular moment in the development of book illustration. A second appendix lists the contents and named photographers of all seventy albums in the Brassey collection. All in all, Micklewright's study makes a significant contribution to our understanding of the complex and unstable social, political and imperialist discourses in the nineteenth century.

Jim Marshall created iconic images of rock 'n' roll stars, jazz greats, and civil rights leaders. He had the power to look into the soul of an individual and to capture the mood of an entire generation. This deluxe, career-spanning volume showcases hundreds of photographs: intimate portraits, heady crowd scenes, and haunting street shots evoking the sights and sounds of the 1960s and 1970s. Marked-up proof sheets offer insight into Marshall's process, while in-depth essays from his contemporaries tell a compelling story about this larger-than-life man. Nearly a decade after his death, Marshall's legacy is the subject of a documentary feature film. This gorgeous collection is a must-have for devoted fans and newcomers alike; a fitting tribute to a true legend.

Mona Kuhn: Works is the first retrospective by one of the most respected and widely exhibited contemporary art photographers of today. Throughout a career spanning more than twenty years, Kuhn's underlying theme involves humanity's longing for spiritual interconnectivity. She is renowned for developing close relationships with her subjects, resulting in images of remarkable intimacy. Kuhn employs a range of playful visual strategies that reveal glimpses into the psyche as it is expressed through the human form, ultimately reinterpreting the nude in the canon of contemporary art. This new volume features images from throughout Kuhn's career, including previously unseen work, and will introduce her distinct aesthetic to a wide, popular audience. Accompanied by insightful texts by Rebecca Morse, Chris Littlewood, Darius Himes and Simon Baker and an interview with Elizabeth Avedon, the reader is provided with insights into Kuhn's creative process and the ways in which she works with her subjects and settings, and achieves the visual signature of her imagery. Mona Kuhn: Works is an essential volume for anyone with an interest in the human form in contemporary art. With 155 illustrations in colour

"I never know what I'm going to capture, it's all spontaneous and that's what I love the most. I often find myself walking the streets for hours and hours taking photos. Every image I capture is the result of a little flicker that happens to catch my eye in such an overwhelming way that it becomes impossible for me to simply ignore." ~ Lucy Hamidzadeh Lucy Hamidzadeh is a photographer and writer from south east London with a deep affection for unpredictable weather and the hustle and bustle of city life. Her early career was spent working for the Monarch Travel Group, where she spent 20 years honing her skill as a writer and developing her penchant for travel - and photography. Unfinished Stories is an extensive collection of photographs that capture the daily lives of people: on the streets, in trains and at cafes, going through their day, often without much thought or notice, but captured in an indelible way by Lucy's eye and camera. Their "unfinished stories" are the inspiration for her first solo book of words and pictures, making for a lasting glimpse at the fleeting moments she encounters on the streets of London.

On 31st January 2020, Newcastle Hospitals became the first hospital in the UK to receive patients suffering from a new illness - Covid-19. At the time Tom Warburton was a senior director at Newcastle City Council and was directly involved in organising many of the city's responses to the Covid pandemic. As a keen amateur photographer, he knew he would be in a unique position to try and make a photographic record of the pandemic's effect on Newcastle and its people during one of the most difficult periods in recent history. Over the next two years, and with controlled access to some of the most sensitive and strategic areas of the battle against the virus, Tom recorded both the sadness and desperation as well as the achievements and sacrifices of those in the frontline fight against the pandemic. Tom's photographs will serve as an important historical reminder of one of the most significant and strange times in Newcastle's history and as a fitting tribute to those who took risks to help others and provide life-saving services. A proportion of the book's sales revenue will go to Newcastle Hospitals Charity and West End Food Bank.

During the summers of 2017 and 2018, Karen Knorr was given a carte blanche to photograph the building site of the disused Art-Deco Department store in Paris, La Samaritaine. The resulting photographs, infused with playful fantasy and surrealism, were taken with a large format camera and transformed with solarization. They are accompanied by lines from Brecht's poem: Questions from a Worker Who Reads (1935). These photographs record and document a labour in progress, yet the construction workers have exited and the building is built as if by magic.

A monograph of duotone photographs, taken in the Palm House at the National Botanic Gardens in Glasnevin, Dublin, beautifully illustrate this building as it was prior to its restoration. The photographs capture the cluttered green jungle, worn by time and held high in affection by the enchanted visitors who stepped inside its lofty paradise. By bringing the reader around the house as it was, drawing the eye to detail upwards, along its unique metal walkway and into the smaller treasure, the orchid house; to look at the intricate glass panels, metal structure, the wooden frames with their own unique patina of the passage of time, The Palm House tells its story visually. Meanwhile, in an accompanying text, Brendan Sayers relates how a visitor felt on entering and exploring this exotic world, the history and the origin of the planting, the unique pot and tub culture, and the importance of the collection.

Gordon Parks (1912-2006) was a pioneering figure in 20th-century photography. As well as being the first African-American photographer to join the Farm Security Administration (FSA) and to become a staff photographer for Life magazine, he was also a writer, film director and composer. Although best known for documenting issues such as poverty, race relations and civil rights, he was remarkably versatile, turning his gift for visual narrative to subjects as diverse as news coverage, fashion, art and sport. He also captured prominent figures of his era, from Malcolm X to Marilyn Monroe, in a series of memorable portraits. Working in the US and around the world, he was driven by a commitment to social justice: 'The common search for a better life and a better world is deeper than colour or blood.'

Richard Long has been at the forefront of land art for more than half a century. A pioneer of conceptual practices in the 1960s, his expanded approach to sculpture has consistently taken the medium out of the studio into the natural world and around the globe, using time, space, distance, navigation, perception, the elements and the geological forces that have shaped the landscape around us as both his tools and his vocabulary. Many Rivers to Cross is a thorough overview of Long's career, selected by the artist himself and spanning the late 1960s to the present day. It covers his practice in all its forms - walks, photographs, text works, large installations, mud works and drawings, including some early unpublished works as well as many seminal and celebrated projects. A number of short 'back stories' written by Long not only provide insight into the context and creation of key works, but also evoke the sense of freedom and adventure of an epic journey across foreign landscapes. Texts include a recent conversation between Long and internationally acclaimed composer and musician Nitin Sawhney; a dialogue about the recreation of Muddy Water Circle (1994) at Frieze Masters in London with Lisson Gallery in 2013; and a discussion with curator Alkistis Dimaki on the occasion of the presentation of Athens Slate Line at the Acropolis, Athens, in summer 2020. The book also includes documentation of works presented internationally in museums and galleries. Using earth, rocks, sticks and other natural materials and forces ranging from water and gravity to clouds and constellations of stars, over the course of his distinguished career Long has represented the primal relationship between humankind, art and the landscape. In a modern, post-industrial, digital world, his poetic and often profound practice is a poignant reminder of the origins of life, of human development and civilization, and of the fundamental, primordial drive to create.

In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange's extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper - at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to resonances between her and Lange's ways of seeing. It reveals a largely unknown side of Lange, and includes previously unseen photographs of her family, portraiture from her studio, and pictures made in the streets of San Francisco and the East Bay. Day Sleeper will be featured alongside other works of Contis' in the exhibition Dorothea Lange: Words & Pictures at the Museum of Modern Art, February-May 2020.

"Baobab is photographer Beth Moon's tribute to the magnificent, threatened trees upon which cultures and ecosystems depend. . . In the face of such monumental losses, the photographs in Baobab amount to an 'act of defiance.'" -Foreword Reviews, starred review A spectacular oversize photo book celebrating Africa's most majestic trees which are now facing an unprecedented ecological threat Baobabs are one of Africa's natural wonders: they can live more than 2,000 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change. Photographer Beth Moon, already responsible for some of the most indelible images of Africa's oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, Moon presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Botswana, South Africa, and Senegal. She recounts her eventful journey to visit these monumental trees in a moving diaristic text studded with color travel photos. This book also includes an essay by Adrian Patrut, leader of a research team that has studied Africa's largest baobabs and alerted the world to the threat these majestic trees are facing. Baobab is not only a compelling photo book and travel narrative, but also a timely ecological warning.

Jeff Lowdermilk's passion for World War I and of military history began as a lad when he listened to his grandfather, George A. Carlson, tell his life's stories about serving as a 'doughboy' in Europe during the Great War. When his grandfather passed away in 1982, his mother gave to Jeff her father's amazing diary, which included not only lengthy descriptions of the landscapes, towns, and battles he experienced, but also heartfelt observations and insights about what life as a soldier on the road and in battle and in the trenches meant to all of Mr. Carlson's buddies. Thus began Jeff Lowdermilk's life-long quest to tell his grandfather's story.As one can imagine, the young Lowdermilk became fascinated with the diary and how long and detailed it was. He transcribed it and then plotted his grandfather's path through France, Belgium, and Germany as part of the American Expeditionary Forces. And he immersed himself in the history of the Great War and in the geography of the places where his grandfather and other doughboys walked and fought. He also dedicated himself to becoming a first-rate photographer, and thus his career path as a writer and photographer and lecturer of World War I and II was securely in place."Honoring the Doughboys: Following My Grandfather's World War I Diary" is a unforgettable tribute to all the doughboys, the foot soldiers, who served during World War I. Integrating passages from his grandfather's diary with his own anecdotes and photographic survey of the places his grandfather traveled and fought over, Lowdermilk has composed an enduring compilation of how the reality of battle and of war can be reconciled through commemoration and memorialization and even a pilgrimage such as his, in which he walked and drove thousands of kilometers during many decades retracing his grandfather's journey.This book provides a rich visual and historic tour of Europe's landscapes, towns, battlefields, memorials, cemeteries, and monuments of World War I. And it offers the reader that rare chance to share in the experience of thousands of America's doughboys who, like Mr. Carlson, gave it their all in the fight to keep Europe free of tyranny and oppression. Jeff Lowdermilk has done the nation a real favor with his moving expression of gratitude to American veterans of World War I. And Helen Patton, granddaughter of General George S. Patton, Jr., adds her voice of appreciation for Jeff Lowdermilk's effort in her heartfelt foreword.