Sara Davidmann's father was never able to talk about his experiences growing up in Nazi Berlin, the traumatic events that occurred before he left, the family members who were murdered, or his evacuation. These experiences formed a space in his life that was too painful to revisit, and Davidmann grew up knowing very little about this side of her family history. From her father, she inherited an aversion to everything connected with the Holocaust. Through piecing together fragments from family albums and in-depth research through archives and archival materials, and reworking imagery through her own processes, Davidmann re-tells the story of a family history nearly extinquished.

Actress, photographer, muse of artists such as Edward Weston and Diego Rivera, political activist and author of pamphlets, Tina Modotti (Udine, 1896 - Mexico City, 1942) played an active role in major events of the first half of the 20th century. Tina Modotti was at the centre of key events of the early 20th Century: the cultural ferment of the Mexican renaissance, the Cuban revolution and the heroic period of the Communist International, during which her political commitment was expressed through bold, daring actions. The book paints a vivid multifaceted portrait of this extraordinary woman and includes around a hundred photographs in which her quest for formal perfection is combined with her talent for resolutely and passionately capturing the pulse of life. Text in English, Italian and French.

Celebrate the kings of the canine world with this collection of photographs and information by award-winning author and wildlife photographer Stan Tekiela. Their beauty strikes us. Their mystique enchants us. Wolves, coyotes, and foxes are beloved, appreciated, and misunderstood. A sighting in nature is rare, which serves to enhance our fascination with these magnificent animals. Award-winning author, naturalist, and wildlife photographer Stan Tekiela believes that wolves, coyotes, and foxes are mystical and elusive. He spent more than 20 years traveling across the United States and Canada to observe and photograph the various species, from Gray Wolves and Arctic Foxes to Coyotes and Red Wolves. He documented every aspect of the canines' secret lives: major events such as mating, as well as everyday activities including hunting, playing, and socializing. The result is a striking portrayal of these mammals in Wolves, Coyotes & Foxes. Stan's extraordinary photographs depict the creatures in a new, unique fashion. His fascinating text, drawn from detailed research and personal observations, provides information about every aspect of their lives. Presented with headings and short paragraphs, the coffee-table book is pleasurable to browse and easy to read. "Their presence commands respect and attention," says Stan. "They are nature's perfect model of a family." Unmatched by any other book on the market, Wolves, Coyotes & Foxes is a must-have for lovers of wildlife and nature.

Through images taken by Rasmussen across dozens of states- introducing him to hundreds of people along the way-and essays by renowned legal scholar Frank H. Wu, the book seeks to provoke thought and conversation around the complicated nature of American identity. 'The Good Citizen does not pretend to provide answers,' says Rasmussen,"This is not a polemic, a textbook or a political tract. Rather, it is a series of images and essays that seek to provoke thought and conversation around the complicated nature of American identity.'

With a career spanning nearly half a century, Bill Brandt was a master of several major genres of photography: photojournalism, portraiture, the nude and landscapes. At first glance, Brandt's genres may appear unrelated, but when analysing his career in its entirety, a common theme comes to the forefront: what psychologist Sigmund Freud and philosopher Eugenio Trias called 'the sinister.' From his earliest photographs taken as an amateur in the 1930s to his late portraits and studies of the female body, Brandt expresses a fascination with the strange and dark aspects of life that only he can reveal. With 200 photographs from throughout Brandt's career, this book adds a crucial chapter to the analysis of this key figure in 20th-century photography. Bill Brandt is set to become an authoritative retrospective.

Swiss artist Meret Oppenheim (1913–1985) is far more than just the creator of the iconic fur teacup. In the course of her career she produced a complex, wide-ranging, and enigmatic body of work that has no parallel in modern art. Like an x-ray beam, this book scans Oppenheim’s artistic oeuvre, bringing its variety, playfulness, and poetry to the fore. Instead of simply answering the riddles posed by these intriguing works, it maps out the paths that will lead us to still more clues. Simon Baur is a leading expert in the life and art of Meret Oppenheim. The nine new essays featured in this volume are at once scholarly and easy to read. In them, Baur shares the many fascinating insights and interpretations that he has gleaned from his decades-long engagement with Oppenheim’s work. The result is an anthology that combines both biographical and thematic aspects and takes us on an exciting journey into the poetic cosmos of a truly great female artist.

The most prolific photographer of the Farm Security Administration (FSA), Russell Lee has never been canonised for his iconic images of mid-century America. With this insightful biography, historian and archivist Mary Jane Appel uncovers Lee’s rebellious life, tracing his journey from blue-blood beginnings to self-taught photographer through the body of work he left behind. Lee crisscrossed America’s back roads more than any photographer of his era, living out of his car from 1936 to 1942. Under the guidance of FSA director Roy Stryker, he captured arresting images of dust storms and punishing floods, and chronicled the Second World War home front and the heyday of small-town America—all the while focusing prophetically on themes like segregation and climate change. With more than 100 images spread throughout, Russell Lee speaks not only to the complexity of a pioneering documentary photographer’s work but to a seminal American moment captured viscerally like never before.

Between 2016 and 2018 Pablo Ortiz Monasterio visited the city of Buenos Aires in Argentina three times. Observing how the "Me too" movement was gaining strength not only in the United States, but also throughout Latin America, Ortiz Monasterio witnesses the power, latent and at the same time palpable, of the women of the city. Women, he says, who step strong and portrayed in this small book of a great moment, represent the forcefulness of the affectsthat lead the feminist movements that fight and work for a fairer future.

Golovchenko depicts the lives of those who run roadside stalls in Ukraine where they sell fruit according to season. The merchants, many of them coming from Azerbaijan and Georgia, mix with locals and live close to their makeshift emporiums in tents and trailers. Golovchenko s images talk about his compassion for these uprooted people, about the bitterness in their lives."

Set in the grounds of Windsor Castle, The Royal Windsor Horse Show and Windsor Castle Royal Tattoo is a quintessentially British event on a truly international scale. It is the UK's largest outdoor show and features international competitions in four different equestrian disciplines. It also encompasses military displays involving The King's Troop and The Household Cavalry, as well as various other regiments from the British Army, Navy and Air Force. Visiting troupes have also participated, including the legendary French Foreign Legion. The Queen alternates her more formal duties in the Royal Box of the temporary arena with informal visits to members of the regiments, as well as inspections. She is also to be seen walking between the many different events that are spread throughout the grounds of the castle - her 'backyard'. Leading British photographers Anderson Low look behind the scenes during this very special week of events, to reveal the remarkably informal and intimate relationship between participants, horse-breeders, support staff and the general public. The resultant images present a superb kaleidoscope of portraits - intimate, truthful character studies of the participants, and of the uniquely magical setting in which this annual pageant unfolds.

In Toy Soldiers, Simon Brann Thorpe blurs the boundaries between document, landscape and concept-based photography to explore this conflict. He examines the impact and potential consequences of the stalemate. Through real soldiers - posed as toy soldiers - he reveals the current situation in Western Sahara, a nation in waiting trapped in an historic cycle of colonial conflict, displacement and endless non-resolution. The work is a unique collaboration between Thorpe, a military commander and the men under his command. Shot entirely on location in the isolated and hauntingly beautiful territory known as 'Liberated Western Sahara' it is influenced by the historic works of photographers such as Mathew Brady, Roger Fenton and Edward Curtis. Toy Soldiers provides a contemporary archive on the issue of non-resolution and the paradigm of post colonial cycles of violence within modern conflicts.