Born into a civil service family in India in 1907, Helen Muspratt was a lifelong communist, a member of the Cambridge intellectual milieu of the 1930s, and a working mother at a time when such a role was unusual for women of her class. She was also a pioneering photographer, creating an extraordinary body of work in many different styles and genres. In partnership with Lettice Ramsey she made portraits of many notable figures of the 1930s in the fields of science and culture. Her experimental photography, using techniques such as solarisation and multiple exposure, bears comparison with the innovations of Man Ray and Lee Miller. This book reproduces some of Helen Muspratt's most important photographic images, including documentary records of the Soviet Union and the Welsh valleys. The accompanying text by Jessica Sutcliffe is an intimate and revealing memoir of her mother that offers a fascinating insight into her life, work and politics. -- .

Most countries have been explored and documented extensively - Saudi Arabia isn't one of them. Still shrouded in mystery, the country and its inhabitants are relatively unknown to the rest of the world. Alex Schlacher travelled the entire Kingdom in search of people and culture and was enthusiastically welcomed by a nation eager to shine a light on its extraordinary citizens in a way that hadn't been done before. The West's view on Saudi Arabia is often narrow and impersonal, and media features tend to cover politics and the economy. Schlacher focused on the private lives of Saudis, and the result is a collection of portraits and stories of people living in a vast country steeped in history, a country on the cusp of change.

The Night Climbers of Cambridge, published in 1937, documents the nocturnal climbing exploits of a group of Cambridge students along the university's roofs and walls. In this interpretation, Thomas Mailaender presents archival photographs the climbers took of themselves in action.

As famous as the stars he photographed, Brian Duffy defined the image of Swinging London in the 1960s. Together with David Bailey and Terence Donovan, Duffy is recognised as one of the innovators of 'documentary' fashion photography, a style which revolutionised the industry. Their attitude and aesthetic iconified the scene, birthing the cult of the fashion photographer and inspiring the famous film Blow-Up (Michelangelo Antonioni, 1966). As Duffy put it, "Before 1960, a fashion photographer was tall, thin and camp. But we three are different: short, fat and heterosexual!" The press nicknamed the three photographers 'The Terrible Three', while Norman Parkinson added to their notoriety by naming them 'The Black Trinity'. Duffy's most famous photograph is the 'Mona Lisa of pop', the cover of Bowie's 'Aladdin Sane'. He collaborated with the artist over eight years and exerted a direct influence on the numerous reinventions of Bowie's image. It is fitting, therefore, that this new edition should expand on their work together with new images. This new edition of Duffy also features other, new images from the photographer's archive, depicting both star and photographer in their prime. Duffy's first commission came from Ernestine Carter, the then fashion editor of The Sunday Times. From there he was hired by British Vogue in 1957, where he remained working until 1963, photographing famous models such as Pauline Stone and Jean Shrimpton. In the 1960s Duffy worked for many of the major fashion magazines; his list of subjects was a roll call of the celebrities of that time, including Sidney Poitier, Michael Caine, Tom Courtney, Sammy Davis Jnr, Nina Simone, John Lennon, Paul McCartney, Charlton Heston and William Burroughs. He was also critically acclaimed for his advertising campaigns with Benson & Hedges and Smirnoff. Notoriously, in 1979 Duffy decided to give up photography, burning many of his negatives in a symbolic fire in his back yard - although he would later take up the camera again at the behest of his son. Thankfully, many of these negatives have been discovered and salvaged since. Duffy died on 31 May 2010. "Duffy and aggravation go together like gin and tonic." - David Bailey

Yasser Alwan photographed in and around Cairo, recording encounters with people in the streets, at the racetrack, in cafes, and in places of work-tanneries, quarries, bookshops, potteries. His portraits of workers living in conditions of unimaginable poverty and political dispossession are remarkable for their refusal of the cliches of social documentary and photojournalism. Alongside these, there are intimate images of family and friends which form a collective portrait of the middle class seen in the relaxed informalities of daily life. This collection of Alwan's photographs offers an unprecedented and unique picture of Egyptian society, introducing an outstanding body of work in contemporary photography from the Arab world.

Bringing to life a unique cultural gallery of both known and unknown figures of the early 1860s with an astonishing veracity, this remarkable photographic collection is a visual documentation of South Africa's people. Aesthetically stunning and of surprising technical quality for the period taken, this intriguing collage represents the life work of 25-year-old German doctor and anthropologist Gustav Fritsch, who utilized the relatively new photographic medium to complement his scientific expedition to the South African landscape. Reflecting how the native tribes remained untouched by the social and industrial revolution around them, and accompanied by essays that set in context Fritsch's outlook on racial discovery and theory, this invaluable photographic insight is an artistic and historically significant addition to South Africa's cultural heritage.

Foreword by His Holiness the Dalai Lama. This beautiful book invites readers to experience the cultural-spiritual traditions of Tibet, Bhutan, Nepal, Sikkim, and Ladakh. The wisdom of the ancient teachings is transmitted in simple yet expressive language that is accessible to today's readers. Complementing and subtly echoing the teachings, Marcia Keegan's sensitive photos capture the unique qualities of these traditional Buddhist lands and cultures.

"Stunning images in fine art photobook capture the 'strength and dignity' of America's cowboys and their breathtaking Wild West home." – Daily Mail “Titled American Cowboys, the book captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Daily Mail The ranching communities in the heartland of the great American West may be a long way from New York City, but renowned photographer Anouk Masson Krantz has been drawn back time and time again to explore this largely unfamiliar and overlooked part of the world. In West: The American Cowboy, Anouk revisits this enduring iconic symbol of America's pioneering spirit. Set out in a stunning large-format book, the pages within inspire with a fresh and contemporary perspective of the American West. Along with the cowboy's ranching traditions comes a life built around the core values and faith that are central to their integrity. Long admired for their strength, relentless work ethic, and humble values, the forgotten American cowboy is alive and well, and has never stood in such stark contrast to the rapidly changing nation that surrounds them. Earning wide acclaim for her incredible fine art work exhibited in galleries and published in the bestselling Wild Horses of Cumberland Island (2017), also by IMAGES, West: The American Cowboy is another artful, intimate study of the American character and their sense of place, and is a unique collection of works brought together by this award-winning photographer and storyteller. Also available by Anouk Krantz: Wild Horses of Cumberland Island ISBN 9781864708851

Alfredo Boulton (1908–1995) is considered one of the most important champions of modern art in Venezuela and a key intellectual of twentieth-century modernism. He was a pioneer of modern photography, an art critic, a researcher and historian of Venezuelan art, a friend to many of the great artists and architects of the twentieth century, and an expert on the imagery of the heroes of his country’s independence. Yet, Boulton is shockingly underrecognized outside of his native land. The few exhibitions related to his work have been focused exclusively on his photographic production; never has there been a project that looks at the full range of Boulton’s efforts, foregrounding his influence on the shaping of Venezuelan art. This volume addresses these lacunae by analyzing Boulton’s groundbreaking photographic practice, his central role in the construction of a modern national artistic canon, and his influence in formalizing and developing art history and criticism in Venezuela. Based on the extensive materials held in Boulton’s archive at the Getty Research Institute, Alfredo Boulton brings together essays by leading scholars in the field to offer a commanding, original perspective on his contributions to the formation of a distinctive modernity at home and beyond.

Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler's true relationship to progress was in fact highly negative, his 'precisionism' both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler's work, Rawlinson reveals a profound critique of the processes of rationalisation and the conditions of modernity. The book argues finally for a re-evaluation of Sheeler's often dismissed late work which, it suggests, may only be understood through a radical shift in our understanding of the work of this prominent figure.

Robert Doisneaus playful approach to capturing Parisian street scenes on camera earned him recognition as one of the twentieth centurys most important photographers. Doisneaus ability to infuse images of daily life with poetic nuance has given enduring popular appeal to his work. In this new volume, he leads us on an entrancing tour into Parisian gardens, along the Seine, and through crowds of Parisians. Workers, paupers, lovers, jugglers, children, dancers Doisneaus lens captures all, in myriad lights and moods. Sometimes humorous, often ironic, and unfailingly tender, his iconic oeuvre reflects the Paris of our dreams. This pocket edition features 175 photographs, including thirty previously unpublished images, that capture the essence of Paris. Composed, structured images appear alongside impromptu snapshots of Parisian life, demonstrating the range of Doisneaus talent as both artist and photojournalist.

In extraordinary, life-affirming photos taken around the world-from developing villages to urban centers-over the last 40 years, a photographer makes the bold case that what unites us is more powerful than the borders that divide us. A portion of the proceeds for The Bonds We Share will benefit Doctors Without Borders. Hailed as "photography's new conscience," photographer and psychiatrist Dr. Glenn Losack has spent a lifetime traveling the world, determined to extend healing, hope, and compassion. With a camera in hand, he goes places that tourists rarely visit, including slums, alleys, and dark streets. He's seen struggle, but he's also seen our shared humanity: families playing together, laborers working, the devout praying to their gods. Dr. Losack has found resilience, joy, passion, and celebration in communities the world over, even in places plagued with corrupt government, poor infrastructure, and disease. The 240 captivating photos in The Bonds We Share, taken in India, the Dominican Republic, Bangladesh, Cambodia, Morocco, Peru, Tunisia, Sri Lanka, Egypt, the United States, Eastern Europe, and elsewhere, serve as a remarkable retrospective of Dr. Losack's work and reveal an essential truth: we may come from very different cultures, far-ranging geographic corners, belief systems, and economic circumstances, but we all share the same desire to work hard, raise families, and lead fulfilling lives. In this spectacular volume, Dr. Losack interrogates timely notions of difference and portrays the commonality of people from different cultures around the globe.

Terry O'Neill is one of the greatest living photographers today, with work displayed and exhibited at first-class museums and fine-art galleries worldwide. His iconic images of Frank Sinatra, The Beatles, Brigitte Bardot, Faye Dunaway, and David Bowie - to name but a few - are instantly recognisable across the globe. Now, for the first time, O'Neill selects a range of images from his extensive archive of "vintage prints", which will surprise and delight collectors and photography lovers alike. Long before the age of digital, photographers would send physical prints to the papers and magazines. These prints were passed around, handled by many, stamped on the back, and often times captioned. After use, the prints were either filed away, thrown out or - for the lucky few - sent back to the photographer or their photo agencies. At the dawn of the 1960s, when O'Neill's career began, physical prints were the norm. Terry kept as many as he could that were sent back to him. "I just kept everything," he says. "I don't know why. Back then, there wasn't really a reason to keep them. Photos were used straight away and then I just moved on to the next assignment. No one was thinking these would be worth anything down the line, let alone fifty years later." This book collects hundreds of these rare images, a true must for Terry's fans and photography collectors.

Among the significant projects of the last year of his life, Richard Avedon (1923-2004) completed a book of his photographs of women. Always transcending categorization-he was both a fashion photographer and known as a "poet of portraiture"-Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries?Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half century of rapidly changing social facts, cultural ideals, popular styles, and high fashion. As an artist, Avedon was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects. These ranged from celebrities (Marilyn Monroe), artists (Marguerite Duras, June Leaf), and high-fashion models (Suzy Parker, Dovima) to anonymous people that simply drew his attention. Like the best of art and literature, they evoke rich lives and complex experiences.An incisive essay by art historian Anne Hollander offers an overview of a half century of Avedon's images of women.