Tim Dirven won a World Press Photo Award with his picture of an Afghan woman, taken shortly after 9/11. Another photo of dancing flight attendants on a KLM airplane became famous after being bought by people around the world. Tim Dirven has been capturing iconic images for over 20 years. He defines his collected works as Karkas (carcass), because it centralises the architecture of man and animal, defining the essence of bodily existence. When everything has been eaten, the carcass is all that is left behind: the last witness. Similarly, this book is a search for the essence of existence. Dirven portrays no-nonsense people hardened by life, who are trying to find balance in an often insecure religious, cultural, political and ecological context.

"The landscape and architecture of a city like Berlin possess a great deal of under-track information. Inexplicable, yet perceptible, sometimes barely whispered." - Vincenzo Castella Vincenzo Castella went to Berlin for the first time between August and September 1989, without imagining that an epochal turning point was preparing in that city, with the imminent fall of the Wall, on 9th November 1989. The volume publishes for the first time the shots of that residency. A photographic cycle which, although presenting itself as a 'digression, an experiment with open outcomes' as explained by Frank Boehm in his text, with respect to the themes of his research at the time is fully inserted in a wider reflection on landscape, understood as a context built and modified by man, which is also the common thread of all of Castella's oeuvre. For today's readers, this is not just an unpublished visual document that, through a silent and essential revival, gives us a glimpse of how the city looked before history intervened to cut its boundaries, but also a crucial element to approach and deepen the work of one of the most appreciated masters of contemporary photography. Text in English, German and Italian.

Even in paradise, adolescence is complicated. The photos in Coming of Age in Wonderland see teenagers simultaneously wedded to the tyranny of cool while rebelling against it. These portraits of Bermuda's teenagers are as stirring and unique as the island itself. Debra Friedman has a BFA from the School of the Museum of Fine Arts, Boston and an MFA from the Chicago Art Institute. Pamela Gordon Banks was the first woman, and youngest person, ever to serve as the Premier of Bermuda. Tom Butterfield is founder and executive director of the Masterworks Museum of Bermuda Art.

German photographer Hildegard Theodora Monssen (b.1948) creates sensual flower portraits that are both expressive and mysterious. She captures her motifs with natural light in extreme close-ups and reveals the personality of wilting flowers in all their vulnerability. Her images make visible the beauty of transience and temporality. Her balanced works of art function as a reflective memento mori. --Rick Vercauteren, Director of the Museum van Bommel-Van Dam, Venlo, NL from 2005 - 2019.

What Remains is the photographic research undertaken by Alberto Gandolfo in January 2017, which takes its cue from news stories from the most recent Italian past, focusing on family members and people close to the victims of tragic episodes, engaged in long battles in pursuit of the truth. We know the news stories, we remember how the faces of the tragically disappeared people were, but we know little or nothing about those who remain, about those people whom, in addition to experiencing great pain resulting from the loss of a loved one, inherit battles and take charge in seeking justice. Making their faces visible is the means to maintain high attention on the evolution of specific and very particular events, bearers of anonymous and silent revolutions, in which we are all necessarily involved. Text in English, French and Italian.

Over the course of his three-decade career, Thomas Ruff has taken up many approaches to photography in his investigation into the status of the image in contemporary culture. In Thomas Ruff, the artist presents new work that continues his ongoing probe into the history, different processes, techniques, and technology of photography. One of the most influential photographers working today, Thomas Ruff has redefined photography's conceptual possibilities, simultaneously capturing and challenging the essence of the medium as both a means and a tool for visual experience. Over the past twenty-five years, he has investigated various photographic genres, including portraiture, the nude, and landscape and architectural photography, using both analog and digital technologies, and culling imagery from scientific archives, print media, and the internet. Presented here is a selection of Ruff's most well-known works, as well as the newer Tripe series, begun in 2018, which draws on negatives of India and Burma taken in the 1850s by an officer in the East India Company army. Also included is a conversation between Ruff and Okwui Enwezor, which took place at the Haus der Kunst in Munich, in connection with Ruff's retrospective then on view. The conversation, published here for the first time, has been edited for this volume and examines Ruff's artistic practice and inspiration, serving as an engaging and dynamic introduction to the artist. Published on the occasion of the artist's solo exhibition at David Zwirner, Hong Kong, in 2019, Thomas Ruff is available in both English only and bilingual English/traditional Chinese editions.

The photomontage pieces that form the core of this project are built around a repeating grid of 15 rectangles into which photographs from a specific location are placed to form a playful spirit or 'phantom' of place. Each phantom is from a different location and each site chosen has personal resonances or relates to the history of surrealism in Britain and Europe. The works are both an interpretation of landscape and place as well as an opportunity to explore the history of the surrealist movement in Britain and how the idea of surrealism is often tied to landscape explored, not for its picturesque or romantic aspects but for its psychological and visionary resonance.

Steven Naifeh and Gregory White Smith, who galvanized readers with their Pulitzer Prize-winning biography of Jackson Pollock, have written another tour de force--an exquisitely detailed, compellingly readable portrait of Vincent van Gogh. Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials to bring a crucial understanding to the larger-than-life mythology of this great artist: his early struggles to find his place in the world; his intense relationship with his brother Theo; and his move to Provence, where he painted some of the best-loved works in Western art. The authors also shed new light on many unexplored aspects of Van Gogh's inner world: his erratic and tumultuous romantic life; his bouts of depression and mental illness; and the cloudy circumstances surrounding his death at the age of thirty-seven.
Though countless books have been written about Van Gogh, no serious, ambitious examination of his life has been attempted in more than seventy years. Naifeh and Smith have re-created Van Gogh's life with an astounding vividness and psychological acuity that bring a completely new and sympathetic understanding to this unique artistic genius.
"NEW YORK TIMES "BESTSELLER
Praise for "Van Gogh: The Life"
"Magisterial."--Michiko Kakutani, The New York Times
"This generation's definitive portrait of the great Dutch post-Impressionist."--"Time"
" "
"A tour de force . . . an enormous achievement . . . Reading his life story is like riding an endless roller coaster of delusional highs and lows. . . . A] sweepingly authoritative, astonishingly textured book."--"Los Angeles Times"
"Marvelous . . . "Van Gogh"] reads like a novel, full of suspense and intimate detail. . . . In beautiful prose, Naifeh and Smith argue convincingly for a subtler, more realistic evaluation of Van Gogh, and we all win."--"The Washington Post"
"Brilliant . . . At once a model of scholarship and an emotive, pacy chunk of hagiography."--"The Daily Telegraph "(London)
A "NEW YORK TIMES" NOTABLE BOOK
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "THE WASHINGTON POST - THE WALL STREET JOURNAL - SAN FRANCISCO CHRONICLE" - NPR - "THE ECONOMIST - NEWSDAY" - BOOKREPORTER

A Scotsman Best Photography Book of 2017 Texts by Filippo Grandi, UN High Comissioner for Refugees, UNHCR, and Robert Del Naja, Massive Attack In October 2015, Giles Duley was commissioned by the UNHCR to document the refugee crisis. Over the next seven months, he was to criss-cross Europe and the Middle East attempting to put a human face to one of the biggest humanitarian emergencies of our time. Duley visited fourteen countries to tell the stories of individuals and families forced to flee their homes. He chronicled the turmoil of Lebanon, the camps of Jordan and Iraq, hellish scenes on the beaches of Lesvos and the refugees arrival in Germany. Bringing together over 150 original photographs, this book captures how even in the midst of such horror and tragedy there is humour, the unexpected and, above all, humanity.

For two weeks every winter, a rarefied group of ski jumpers travel the Midwest competing in a Five Hills Tournament across some of America’s most notable ski jumps. Thousands of fans pack local ski clubs to witness competitors launch themselves from the large towers that rise menacingly above the flat Midwest landscape. A ski jumper himself, Cooper Dodds’ color photographs highlight a Nordic tradition transplanted in middle America and sustained through extensive volunteer support and young athletes obsessed with the art of flying.

Arthur Elgort has always loved women. When he realized that striking up a conversation with them was easier with a camera he was hooked. While he made a career photographing models for fashion, he was also taking personal photographs of every woman he met along the way. This book is a compilation of images, many unpublished till now, of women throughout Arthur's life and career. It is Arthur's homage to women - their power, their beauty, their innocence, their joy, their strength. Featured among others are iconic female beauty such as Gia Carangi, Christy Turlington, Cindy Crawford, Polly Mellen.

When Joe McNally moved to New York City in 1976, his first job was at the Daily News as a copyboy, the wretched dog of the newsroom. He was earning the lowest pay grade possible and living in a cheap hotel in Manhattan. Life was not glamorous. But with a fierce drive, an eye for a picture, and a willingness to take (almost) any assignment that came his way, Joe stepped out onto the always precarious tightrope of the freelance photographer and never looked back. Fast forward 40 years, and his work has included assignments and stories for National Geographic, Time, LIFE, Sports Illustrated, and more. He has travelled for assignments to nearly 70 countries and received dozens of awards for his photography. In The Real Deal, Joe tells us how it all started, and candidly shares stories, lessons, and insights he has collected along the way. This is not a dedicated how-to book about where to put the light, though there is certainly instructional information to be gleaned here. This is also not a navel-gazing look back at the good old days, because those never really existed anyway. Instead, The Real Deal is simply a collection of candid field notes some short, some quite long gathered over time that, together, become an intimate look behind the scenes at a photographer who has pretty much seen and done it all. Though the photography industry bears little resemblance to the industry just 10 years ago (much less 40 years ago), what it really takes to become a successful photographer the character traits, the fundamental lessons, the ability to adapt, and then adapt again remains the same. Joe writes about everything from the crucial ability to know how to use (and make!) window light to the importance of creating long-term relationships built on trust; from lessons learned after a day in the field to the need to follow your imagination wherever it takes you; from the random and lucky moments that propel one s career to the wonders and pitfalls of today s camera technology. For every mention of f-stops and shutter speeds, there is equal discussion about the importance of access, the occasional moment of hubris, and the idea of becoming iconic. Before Joe was a celebrated and award-winning photographer, before he was a well-respected educator and author of multiple bestselling books, he was just Joe, hustling every day, from one assignment to the next, piecing together a portfolio, a skill set, a reputation, a career. He imagined a life and then took pictures of it. Here are a few frames.

ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum of Adams' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students.
The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information aboutAdams' life, document the evolution of his technique, and give voice to his artistic vision.
Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and lifetime of hard work that a book of this scale can be compiled. ANSEL ADAMS 400 PHOTOGRAPHS is a must-have for anyone who appreciates photography and the allure of the natural world.

A collection of wildly inventive portraits of musician Tom Waits, the result of a 30-year collaboration with photographer and illustrator Matt Mahurin This visually arresting book is a testament to the unique collaboration, going back three decades, between the photographer and illustrator Matt Mahurin and the musician Tom Waits. Having shot magazine portraits, album covers, and music videos of Waits, Mahurin was inspired to resurrect 100 dormant film negatives as a jumping off point to explore his own surreal, poetic, and occasion ally dark vision. The images vary from traditional por traits to ones that capture Waits in concert-but the majority are richly imagined scenes in which Waits is more muse than musician. In addition to the diverse images, the book includes a foreword by Waits, an essay by Mahurin on their longtime collaboration, and 20 original paintings, drawings, photographs, and digital images inspired by Waits's song titles.

""In "Genesis," my camera allowed nature to speak to me. And it was my privilege to listen."" --Sebastiao Salgado
On a very fortuitous day in 1970, 26-year-old Sebastiao Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward--though it took years of hard work before he had the experience to earn his living as a photographer--the camera became his tool for interacting with the world. Salgado, who "always preferred the chiaroscuro palette of black-and-white images," shot very little color in his early career before giving it up completely.
Raised on a farm in Brazil, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his acclaimed career, three long-term projects stand out: "Workers"(1993), documenting the vanishing way of life of manual laborers across the world, "Migrations"(2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, "Genesis," the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society--the land and life of a still-pristine planet. "Some 46% of the planet is still as it was in the time of genesis," Salgado reminds us. "We must preserve what exists." The "Genesis" project, along with the Salgados' Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future.
Over 30 trips--travelled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions--Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour.
What does one discover in "Genesis"? The animal species and volcanoes of the Galapagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo'e tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Jurua rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado likens "Genesis" to "my love letter to the planet."
Whereas the limited Collector's Edition is conceived like a large-format portfolio that meanders across the planet, this unlimited book presents a selection of photographs arranged in five chapters geographically: Planet South, Sanctuaries, Africa, Northern Spaces, Amazonia and Pantanal.
Each in its own way, this book and the Collector's edition--both edited and designed by Lelia Wanick Salgado--pay homage to Salgado's triumphant and unparalleled "Genesis" project.
The world premiere of "Sebastiao Salgado: Genesis "will open at the Natural History Museum in London on April 11, 2013. The exhibition builds on the Museum's reputation as the home of the planet's best nature photography. For further information and to book tickets please go to www.nhm.ac.uk/salgado. Additionally, from May 14th, a special portfolio of plantinum prints from "Genesis" will be shown at Phillips Howick Place gallery in London.
Worldwide venues for the "Genesis" exhibition: The Natural History Museum, London, UK - April 11 through September 8, 2013 The Royal Ontario Museum, Toronto, Canada - May 2 through September 2, 2013 Ara Pacis Museum, Rome, Italy - May 15 through September 15, 2013 Jardim Botanico, Rio de Janeiro, RJ, Brazil - May 28 through August 25, 2013 Musee de l'Elysee, Lausanne, Switzerland - September 21, 2013 through January 12, 2014 La Maison Europeenne de la Photographie (MEP), Paris, France - September 25, 2013 through January 5, 2014 SESC Belenzinho, Sao Paulo, SP, Brazil - September 9 - November 2013